HARE, RonaldBiblio.com
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1970TK241222Allen & Unwin London 1970. 1st Edition. HARDCOVER. 8vo in blue faux cloth silver lettering to spine. 236pp plates bibliography index. Ronald Hare Professor of Bacteriology London University began his career at St Mary's Hospital spending 6 years working alongside Alexander Fleming Hare was the first person to pinpoint the conditions needed for the growth of Penicillium and has often been described by his contemporaries in bacteriology as Penicillin's real discoverer. This book is the first rigorous study of the history of penicillin its discovery testing and manufacture and corrects many of the myths and misconceptions surrounding Fleming's role. This copy is inscribed to Albert Fuller and signed by Ronald Hare on front blank fly-leaf. Biochemist Dr Albert Fuller did research work with Hare at Queen Charlotte's Hospital is listed in the books acknowledgements and the bibliography and is mentioned a number of times in the book. Signed copies of this important book are extremely rare. This copy comes protectively housed in a custom made cloth covered clam-shell case __CONDITION : A well preserved FINE very clean and tight copy pages very slightly tanned two tiny bumps to mid spine in a VERY GOOD price-clipped Dust Jacket rubbed along top edges looks very presentable in its removable transparent protector. . NOTE: Depending on destination this item may require an extra payment for insurance. If so orders made by card will be completed only after you have approved any such extra cost. __We always ship in PROTECTIVE CARD PARCELS Allen & Unwin, London hardcover
196070289Cleveland OH: The World Publishing Company. Very Good. 1960. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - TEXT PRISTINE UNMARKED - 317 pages. First edition so stated. -- with a bonus offer-- . The World Publishing Company unknown
1944140940120New York: VVV 1944. First Edition. Fine. No.4 February 1944. 86 12 pp. with plates. Illustrated red wraps with yapped edges. Basically a Fine copy unsophisticated very bright and clean slight bump to head tiny scratch to spine offsetting to plate between pages 56 and 57. The final issue of the surrealist journal featuring work by Aime Cesaire Andre Breton Philip Lamantia Benjamin Peret Leonora Carrington Marcel Duchamp Wilfredo Lam Max Ernst Yves Tanguy and more. Cover illustration by Chilean artist Roberto Matta. VVV unknown
1997__0415124344Routledge 1997. Hardcover. New. 1st edition. 1912 pages. 10.00x6.75x4.50 inches. Routledge hardcover
193943908London: Faber & Faber Limited 1939 1939. First edition. Pseudonym of Alfred Alexander Gordon Clark. Author's third book. Original black cloth with titles stamped in gold gilt on the spine. A lovely fine clean and square copy in the near fine lightly rubbed and with a few tiny nicks bright pictorial dust jacket. An exceptional example and rare in the dust jacket. Published in the U. S. in 1954 using the title "Murder Revisited." Three amateur detectives try to change a suicide verdict to murder. Inspector Mallett lends a hand and reveals a completely unexpected solution to all. Alfred Alexander Gordon Clark 1900-1958 was called to the bar in 1924 as he joined the chambers of famed lawyer Ronald Oliver and practiced in the civil and criminal courts in and around London. "He married in 1933 and went to live in Cyril Mansions Battersea. At this time he was employed in Hare Court Temple. This lucky combination of names -- combined with a far from adequate income -- soon suggested a possible literary pseudonym." -- Charles Shibuk. "Eleven years after his death Clark remains one of the best British writers of detective stories." -- Charles Shibuk. Faber & Faber Limited, [1939] hardcover
19303245941930. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. 8 Kodak color prints mounted on board 3 of them signed on the mount; 18 silver gelatin prints mounted on 15 boards; 1 Kodachrome slide; 1 black and white negative transparency. Some soiling to the 2 sets of nude photos on board otherwise general slight toning overall very good. With Portfolio case labeled I-A. 27 photos mounted on board approx. 14 x 18 inches. Prints range from approx. 5 x 6-1/2 inches to 13 x 10 inches. Subjects include: Portraits of Yves Tanguy two different Mabel Dodge Luhan and Robinson Jeffers; six color and black and white portraits; three surrealist photo collages one with a severed head and two others incorporating Pueblo art; a group of nudes; three commercial images; and a group of surrealist-photographs of everyday items.<br /> <br /> David Hare 1917-1992 was born into modern art. His mother Elizabeth Sage Goodwin was a collector friends with Brancusi and Duchamp and one of the backers of the 1913 Armory Show. When Hare was 10 the family relocated to the Southwest and he grew up in Santa Fe and Colorado Springs. After studying biology and chemistry at Bard he dropped out and founded a commercial photography studio specializing in Kodak's new color dye transfer process in Roxbury Connecticut in 1937. There he met Arshile Gorky Alexander Calder and Yves Tanguy who was married to his cousin Kay Sage and began experimenting with automotatist techniques to create surrealist photographs on the side. He was sent on assignment by the Museum of Natural History to take portraits of the "village" Indians in New Mexico eventually publishing the limited portfolio Pueblo Indians of New Mexico As They Are Today twenty color photos that combined ethnography studio portraiture and surrealist phenomenology. Editor of Duchamp's magazine VVV and a contributor to Sartre's Le Temps Moderne Hare was a pivotal figure in the American phase of surrealism and in the words of Clement Greenberg one of the two preeminent sculptors of nascent Abstract-Expressionism. That he began as a photographer and not as did so many of his peers as a draughtsman and how this may have effected his mature art has not been explored. unknown
