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1572D4701Venice: F. Rampazeto 1572. Hardcover. Very Good. 8vo 175 x 120mm. 48 366pp. Signatures: a-f 8; A-YY 8; ZZ 8 -ZZ7-8 blank. Woodcut printers device on title of basilisk fighting a bird with motto Terrena coelestibus obsunt; in an architectural frame and woodcut historiated headpiece woodcut vignette beginning book of the Institutiones; on leaf 212r a full-page representation of the arbor civilis. Text is all-around gloss; printed in black and red. Dedicatory letter of H. Messaggius to Senator Federicus Baduarius prelim. leafs 2 is dated 1558. Period vellum three raised bands; leaves slightly offset slightly browned; hinge cracked at rear some quires loose rear pastedown glue-stained. The Corpus Iuris Civilis or the Justinian Code was the result of Emperor Justinians desire that existing Roman law be collected into a simple and clear system of laws or code. Tribonian a legal minister under Justinian lead a group of scholars in an effort to codify existing Roman law. The result was the first Justinian Code completed in 529. This code was later expanded to include Justinians own laws as well as two additional books on areas of the law. In 534 the Justinian Code made up of the Code the Digest and the Institutes was completed. Justinians collections were in ancient times always copied separately and afterwards they were printed in the same way. This part of the Institutiones falls under the whole Corpus Iuris Civilis is an early example before the unification under this heading. The present name of Justinians codification was only adopted in the 16th century when it was printed in 1583 by Dionysius Gothofredus. The legal thought behind the Corpus Juris Civilis served as the backbone of the single largest law reform of the modern age the Napoleonic Code which marked the abolition of feudalism. <br/><br/> [F. Rampazeto] hardcover books
155000152972057593498894297: Magdeburg: s. n. Line "Gedrukt zu Magdeburg" at the end of preface hidden under a broad stroke of printer's ink 1550. First German edition; 7 3/4 x 5 3/4; pp. 68 collated; contemporary plain beige wraps; a few small rubbed spots and minor loss of paper to lower corners of wraps and spine; age-toning and some staining to margins mostly not affecting text; cut to fore-edge of third leaf; contemporary notes to margins and underlining; overall very good-.A German translation of the ordinance of 1550 issued by Holy Roman Emperor Charles V against dangerous heretical books. Also included in the publication were the Louvain Index of April 1550 of forbidden books and a list of "good" and "approved" books to be read in schools. The Louvain Index was first drawn on Charles V's demand in 1546 by the University of Louvain and published simultaneously in Latin Dutch and French. In 1550 the list of pernicious books was greatly enlarged the current edition. The books were listed in alphabetical order by author's name and also included were books by anonymous authors and translators by language Welsh New Testament editions Greek and Latin bibles etc. The translator Matthias Flacius Illyricus 1520 â 1575 was a Lutheran reformer from Istria present day Croatia. He was appointed Professor of Hebrew at the the University of Wittenberg in 1544 where he came under the influence of Philipp Melanchthon and Martin Luther. Though as time went by Illyricus began vehemently opposing the two Lutheran reformers who in turn spoke of him as "we have nourished a snake in our bosom." In the preface to his current work which he claimed he had translated from the Flemish he wholeheartedly attacked Charles V and his lists of prohibitions. USTC 681462. Magdeburg: s. n. (Line "Gedrukt zu Magdeburg" at the end of preface, hidden under a broad stroke of printer's ink) paperback books
15212954Mainz: Johann Schöffer 1521. Bound with: Undergerichts ordnung des Ertzstiffts Meyntz. Mainz: Johann Schöffer 23 May 1534. 2 vols. in one small folio 278 x 193 mm. 1 23 leaves of 24 final blank removed. Woodcut title border composed of ten blocks. incorporating whimsical scenes ornamental borders and at bottom the arms of the Archbishop-Elector Albrecht of Brandenburg gothic types two typographic Fraktur initials. Bound at end is a leaf with a one-page contemporary manuscript commentary wider than the text block and folding. Title-leaf rehinged slightly darkened and with effaced marginal inscriptions initial on A2r hidden in gutter initial on A2v shaved quire E with a couple of small corner repairs. 2 35 leaves of 36 final blank removed. Large woodcut white-on-black pointillé opening initial Fraktur initials throughout. Marginal dampstaining last quire on a guard. Early 20th-century pastepaper over boards manuscript spine label.First Edition of the judicial statutes of the Electorate of Mainz the largest ecclesiastical province of Germany and one of the most prestigious and powerful states of the Holy Roman Empire; bound with the First Edition of the statutes of the lower court of the Mainz Prince-Bishopric or Erzstift. The archbishops under the Holy Roman Empire wielded secular as well as pastoral power. Part of the Emperor's program of consolidation of the far-flung empire was the codification and standardization of provincial laws. Both these procedural codes explicitly adopted the ius commune gemeines Recht a combination of Roman and canon law. Both establish precise rules for court procedure and include copious down-to-earth details including where the courts reside who should serve in them and how trials are to be conducted. As is common for German law books these editions are handsomely printed.1 The Mainz Hofgerichts Ordnung was drawn up in 1516 by Albrecht of Brandenburg Archbishop and Elector of Mainz and by his chancellor Johann Fürderer and approved in 1521 by the Emperor Charles V. The latter's ratification is printed at the beginning and end of the statutes. These cover the location of the court required functionaries a judge and a jury of at least 11 members of the nobility although a Doctor or university graduate would suffice duties of other judicial administrators including the court scribes frequency and timing of sessions and jurisdiction by subject and area. Also included are a dozen varieties of oaths for different court officials including the scribe and for special segments of the population e.g. poor people witnesses legal representatives and Jews for whom there is a special preface to the oath itself in which the Jewish defendant or witness must swear that should he not be telling the truth he must renounce all rights to the Holy Land or to participation in the coming of the Messiah. One statute establishes the right of the poor to legal representation which must be covered by the court. Procedural instructions are provided for every activity and eventuality including the recording of testimony of plaintiffs and witnesses fines and punishments for those who don't show up at court proper written documentation and forms rules for appeals execution of sentences and payment of attorneys. OCLC lists three copies in the US Harvard Law LC and Indiana U. VD 16 M 262; Otto Stobbe Geschichte der deutschen Rechtsquellen 1860-64 2: 410-11.  2 The 1534 lower court rules prescribe further details for the conduct of court business. These include how to handle the "law books" i.e. the court records which are to be maintained in "two volumes with locks kept in a safe place." f. 4r; more procedures to follow for uncooperative defendants a long section: evidently a common occurrence; bonds and bail; more oaths; and formularies for various charges appeals and judgments. These Mainz laws were adopted in 1538 by the archdiocese of Cologne and influenced other lower court statutes including those of Württemberg issued in 1555 Stintzing.OCLC locates one US copy Harvard Law. VD 16 M 273; Stobbe 2: 258 note & 411; Stintzing and Landsberg Geschichte der deutschen Rechtswissenschaft 1880 I:543. Johann Schöffer unknown books
1520WRCAM17720Augsburg 1520. 4pp. Small quarto. Later plain paper boards. Marginal tears and old fold marks with slight discoloration else very good. "After the death of Ferdinand II Charles V succeeded to the Kingdom of Spain. In 1517 he proceeded to Spain which he left in 1520. At his departure he was very unpopular; he made this speech when he left and said 'That he did not see the happy faces with which he had been received.' He also mentions America in the following words: 'He might have been satisfied with the Spanish Empire the Balearic Islands and Sardinia the Kingdom of Sicily Italy and a large part of Germany and Gaul AND THAT OTHER GOLD-BEARING WORLD'" - Maggs. <br> <br> EUROPEAN AMERICANA locates only two copies at The New York Public Library and the Bibliothèque Nationale. There is also a Rome edition of which a copy is located at Harvard. The present copy appears to be the only one offered for sale in this century. EUROPEAN AMERICANA 520/17. MAGGS BIBLIOTHECA AMERICANA I:33 this copy. PALAU 44419. ROTHSCHILD 3137. hardcover books
15731669261573. ROMAN EMPERORS. Imagines XXIIII Caesarum a Iulio ad Alexandrum Severum usque ab antiquis marmoribus excerptae nuper impressae. Edited and engraved by Donato Bertelli. Engraved title-page and 24 full-page engraved portraits numbered I-XXIV of Roman Emperors from Julius Caesar to Severus Alexander. 4to. 228 x 168 mm bound in later Italian quarter vellum over boards edges speckled red. Venice: apud Donatum Bertellum ad signum divi Marci 1573. These 24 expressive portrait plates "extracted from antique marbles" show 23 of the 27 emperors who ruled during the Julio-Claudian Flavian and Nervan-Antonian dynasties in profile or three-quarter perspective plus a profile of Lucius Aelius AD 101-138 "L. Helius Verus Imp. XX" the adopted son of Hadrian who never ascended the throne. The group excludes Lucius Verus AD 130-169 co-emperor with Marcus Aurelius; Didius Julianus d. AD 193; Geta AD 189-211; and Macrinus who ruled temporarily with his son Diadumenian both executed in AD 218 according with the other known copies of this book which have 23-25 plates. The engraver and printer of this series Donato Bertelli fl. 1565-1574 is most famous for his cartographic publications notably Le vere imagini et descriptioni delle più belle città del mondo 1569 dedicated to J. J. Fugger von Kirchberg. Sparse annotations in contemporary ink. The plates are mounted on laid paper and bound out of order. Very rare. No known copies in the U.S. and no records at auction in ABPC. OCLC locates just one copy in Freiburg Germany and the Italian census EDIT 16 adds one more Biblioteca Ambrosiana Milan: CNCE 68584. DBI online Bertelli. Le Blanc Manuel de l'amateur d'estampes I p. 307. Not in Cicognara. hardcover books
15335435Lyons: François Juste 1533. Hardcover. Near Fine. 8vo 14 x 6.3 cm. 1 f. 80 ff. woodcut architectural title border incorporating printer's initials 29 small woodcuts flanked by columns black-on-white woodcut initials. Bound in 19th-century red morocco gilt by Trautz-Bauzonnet gold-tooled green morocco doublures marbled endpapers all edges gilt in a pale blue chemise with green morocco spine label. Binding pristine with the fine ex libris of its previous owners affixed to the front flyleaf. A 1-cm paper flaw at f. 38 affecting a few letters very faint uniform browning. Only recorded copy of a very early illustrated edition 3rd of this anonymous collection of 'nouvelles' a literary genre presenting brief prose narratives taken from bourgeois life. The Parangon des nouvelles honnestes utiles et delectables following the famous Les cent nouvelles nouvelles c. 1460 collected vernacular tales purporting to be both true and current i.e. relating to recent events hence 'nouvelle' and so eschewed more established prose forms which relied on classical mythology historical exempla chivalric fantasy and animal fable in favor of reports on greedy merchants drunken millers lascivious housewives and the like. Largely derived from the Decameron of Boccaccio Lorenzo Valla's Apologues Poggio Bracciolini's Facetiae and the anonymous Germanic Ulenspiegel the Parangon packaged together old and new for popular consumption resulting in what one scholar has called "a magma ready for every kind of metamorphosis" Pérouse 1977 p. 7 that is to say the unformed raw material that soon would cool into the more recognizable and longstanding genres of the novel and short story. These "issues of novelty fictional accreditation historical veracity and the chivalric narrative past . were also played out in a variety of other critical settings encompassing works both of shorter and longer fiction" most famously in François Rabelais' proto-novels Pantagruel 1532 and Gargantua 1534 exact contemporaries of the Parangon G. Norton p. 306. Often bawdy and salacious the nouvelle was initially overlooked by scholars of early-modern literature but today its status as a "non-mimetic self-conscious intertextual ironic perhaps even skeptical mode of writing" has cemented it as a pivotal precursor to a modern literary sensibility LaGuardia p. 16. In short the nouvelle frustrates and delights scholars today much as it did its contemporaries and its importance springs from the uneasy active reading it requires from its readers. The present volume's tall and slender 'agenda' format - a shape associated with easy portability and personal use - is very rare in this period occurring when it does almost exclusively in French Books of Hours a genre which blends private devotion prayer with a need for constant practical reference liturgical hours calendars see the Heures printed by Antoine Chappiel 1504 Pierre le Dru 1505-6 Gillet Hardouin 1509 and 1515 T. Kerver 1514 and Germain Hardouin 1534 and 1526; a notable secular exception is the Manuale Vergilianum Strasbourg Johann Grüninger 1507-10. It is intriguing that the impious casual tales of the Parangon should have been printed in a physical format with such pious overtones: does its unusual form merely result from a desire for easy practical use or does it carry some surplus of ironic meaning Even the book's program of illustration participates in an oddly modern mixing of material: its numerous woodcuts are quite clearly borrowed from other still untraced sources: figures seated at dinner a scholar with his amanuensis women spinning yarn a statue of Mars a monk preaching in his pulpit lovers embracing a man drunk on wine a mourner bent over a shrouded corpse a Janus-faced figure a sword duel - these all invite readers to puzzle out how such images might relate to each other and to the texts they supposedly elucidate. <br/> <br/> François Juste hardcover books