50 résultats
1795WRCAM35078Boston 1795. 28pp. Half title. Printed self-wrappers stitched. Ink ownership inscription on half title. Tear in outer lower corner of fifth leaf not affecting text. Good. An exuberant Independence Day address delivered at Boston's Faneuil Hall. EVANS 28307. unknown books
179565786Boston MA: Printed and sold by Benjamin Edes 1795. First edition. 8vo. 28 pp. Wanting the half-title. Ownership signature "Sam Dana's 1795" at head of title page; Samuel Dana 1767-1835 Boston lawyer politician and judge served in many local offices and in the U.S. House of Representatives 1814-1815. Sabin 5770. Evans 28307. Original self-wrappers stitched. Scattered foxing else very good. <br/><br/> Printed and sold by Benjamin Edes unknown books
1796177280London: W. Wilson 1796. Softcover. Poor- Sold as a reference copy only spine missing covers stained and significant wear foxing throughout. Missing plate 24. Tan cardboard wraps 2 preliminary leaves iii 52 pages l leaves 24 plates. Some of the plates were engraved by William Blake from designs by Cumberland. Page 49-52: "A numerical catalogue of above six hundred subjects from engraved stones almost all of which are from the finest antiques; selected with care for the use of artists from Mr. Tassies' cabinet consisting of above sixteen thousand impressions; all or any part of which are sold at his house in Leicester-Fields in sulpher casts mounted and numbered according to his descriptive catalogue at fourpence each."Art Instruction/Technique or Conservation. W. Wilson unknown books
1794108770Small 8vo. London: J. Johnson 1794. Small 8vo viii 224 pp with the frontispiece designed by Fuseli and engraved by Blake in the second state. Original calf worn at edges and corners both boards reattached spine worn with a small portion missing at top.Print block firm and clean with many aphorisms having a faint pencil cross or squiggle alongside. Frontispiece clear but with browning and slight spotting in the surrounding outer margins. § Third edition first printed in 1788 third state of the plate. The frontispiece is after a drawing by Fuseli see Essick Blake and His Contemporaries… 43 for the original drawing and is a powerful image. The text notes “End of Vol. I†but no further volumes appeared as a fire destroyed Lavater’s manuscript at the printer. The Huntington Library has Blake’s own copy extensively annotated throughout. Bentley BB 480. Essick and Easson 2 XXXII 1c. Essick William Blake’s Commercial Book Illustrations XVIII. J. Johnson hardcover books
1793104757Single plate. London: Johnson 1793. Single plate in fine condition. § Essick William Blake’s Commercial Book Illustrations XXXIII #13. Johnson unknown books
1789545361789. London 1789. First edition. London 1789. First edition. Essays Calling for the Abolition of Tithes Reduction of the Public Debt and Other Matters Blake Francis Sir 1738-1818. Political Tracts: Consisting of I. A Proposal for the Liquidation of the National Debt; An Explanation of the Proposal; An Appendix Containing a Narrative of Proceedings Thereon at Various Public Meetings; II. The Efficacy of a Sinking Fund of One Million Per Annum; the Propriety of an Actual Payment of the Public Debt; The True Policy of Great Britain; The Conclusion; III. The Abolition of Tithes and the Reform of the Church Revenue; The Doctrine of Prescription Considered; a Narrative of Proceeding at a County Meeting Held at Morpeth December 22 1784 Respecting the Payment of Tithes; A Letter to the Freeholders of the County of Northumberland On the Same Subject; The Conclusion. London: Printed for J. Debrett 1789. iv 13 14-355 1 pp. Includes one-page publisher list. Octavo 8" x 5". Original paper boards hand-lettered title to spine untrimmed edges. Light soiling moderate edgewear spine heavily abraded front board detached. Toning and light foxing to text. Gift inscription from the author's son Francis Blake Jr. dated 1876 to front free endpaper interior otherwise clean. $450. First edition. Blake a member of Lincoln's Inn was a political reformer who called for the abolition of tithes and later repeal of the Corn Laws. Political Tracts collects his principal essays which were composed between 1786 and 1787. This title was re-issued the following year with some additions and a somewhat different collation but with the same publication date on the title page. Francis Blake Jr. was a notable inventor and photographer. OCLC locates 5 copies all of the later 1789 edition. English Short-Title Catalogue N39972. unknown books
1797105075Large 4to. London: R. Noble 1797. Large 4to pp. 9/10 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104621Large 4to. London: R. Noble 1797. Large 4to pp. 85/86 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104612Large 4to. London: R. Noble 1797. Large 4to pp. 57/58 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. § First edition perfect for display or for teaching as the leaf is quite sturdy and can be carefully handled or matted for framing. The leaf is from from "Narcissa" the third night of Young's poem and the illustration shows a party of drinkers under a looming figure clutching a spear.Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’ and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104619Large 4to. London: R. Noble 1797. Large 4to pp. 75/76 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104624Large 4to. London: R. Noble 1797. Large 4to pp. 93/94 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104611Large 4to. London: R. Noble 1797. Large 4to pp. 55/56 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104604Large 4to. London: R. Noble 1797. Large 4to pp. 39/40 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’ and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104599Large 4to. London: R. Noble 1797. Large 4to pp. 27/28 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’ and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1797104622Large 4to. London: R. Noble 1797. Large 4to pp. 89/90 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1784108760Engraved by Blake after Collings. London: Harrison and Co. 1784. Engraved by Blake after Collings. Full margins folded as usual. A little soiled but a good strong impression. § Bentley BB 513 Essick William Blake's Commercial Book Illustrations XIV pp 36-38. Harrison and Co unknown books
1797104616Large 4to. London: R. Noble 1797. Large 4to pp. 69/70 with a full-page engraving by Blake surrounding the letterpress text. A loose sheet fore-edges untrimmed some still with deckle minimal trimming to top and bottom edges. Only five leaves in the book have engravings recto and verso. § First edition perfect for display or for teaching as the leaves are quite sturdy and can be carefully handled or matted for framing. Blake virtually in a frenzy completed 537 watercolor designs when he was commissioned to illustrate Young’s masterpiece. The publisher only issued the first four ‘Nights’and had Blake engrave and partially etch 43 plates to test the market. The response must have been poor since no further engravings were requested of Blake. Ironically today the poet Young once compared with Shakespeare and Milton is forgotten save for this edition. Bentley Blake Books 515. Essick and LaBelle Night Thoughts Dover 1975. Ray The Illustrator and the Book in England 1790-1914 3. R. Noble unknown books
1793287788London: Joseph Johnson 1793. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Minor toning and light foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/><br/> Image shows the soldier in full uniform with rifle pistol and saber. Two similar soldiers a fort and three-masted ship can be seen in the background. <br><br> William Blake 1757-1827 was a British poet painter and printmaker.<br/><br/> Joseph Johnson unknown books
1792287792London: Joseph Johnson 1792. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Shows light toning and minor foxing at edges otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/><br/> This disturbing image shows a man impaled by a hook and hanging from a gallows. A human skull and bones occupy the foreground and the background shows two skulls on sticks and a three-masted ship. <br><br> William Blake 1757-1827 was a British poet painter and printmaker.<br/><br/> Joseph Johnson unknown books
1780110666Single plate. London: Harrison and co. 1780-81. Single plate 10 x 7.5 ins. A little browned around the edges very good. § First edition thus issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has not recorded another copy in the marketplace since. That rarity is born out by ESTC which records 4 copies in all two at the BL seriously imperfect one in Oxford Queen’s College and one in North America Bentley Blake Collection at Victoria University. It is noteworthy for the profusion of illustrations from classical sources and in the five plates engraved by Blake he shows his knowledge of the work of Rubens and Raphael most likely from reproductions in earlier illustrated books. See Essick CBI VI. Bentley Blake Books 419. Darlow and Moule 1273. Harrison and co unknown books
1780110672Single plate. London: Harrison and co. 1780-81. Single plate 10 x 7.5 ins. A little browned around the edges very good. § First edition thus issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has not recorded another copy in the marketplace since. That rarity is born out by ESTC which records 4 copies in all two at the BL seriously imperfect one in Oxford Queen’s College and one in North America Bentley Blake Collection at Victoria University. It is noteworthy for the profusion of illustrations from classical sources and in the five plates engraved by Blake he shows his knowledge of the work of Rubens and Raphael most likely from reproductions in earlier illustrated books. See Essick CBI VI. Bentley Blake Books 419. Darlow and Moule 1273. Harrison and co unknown books
1780110673Single plate. London: Harrison and co. 1780-81. Single plate 10 x 7.5 ins. A little browned around the edges very good. § First edition thus issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has not recorded another copy in the marketplace since. That rarity is born out by ESTC which records 4 copies in all two at the BL seriously imperfect one in Oxford Queen’s College and one in North America Bentley Blake Collection at Victoria University. It is noteworthy for the profusion of illustrations from classical sources and in the five plates engraved by Blake he shows his knowledge of the work of Rubens and Raphael most likely from reproductions in earlier illustrated books. See Essick CBI VI. Bentley Blake Books 419. Darlow and Moule 1273. Harrison and co unknown books
1780110671Single plate. London: Harrison and co. 1780-81. Single plate 10 x 7.5 ins. A little browned around the edges very good. § First edition thus issued originally in parts and perhaps thus of great rarity. The last copy to change hands was in 1993 when Essick bought his copy; he has not recorded another copy in the marketplace since. That rarity is born out by ESTC which records 4 copies in all two at the BL seriously imperfect one in Oxford Queen’s College and one in North America Bentley Blake Collection at Victoria University. It is noteworthy for the profusion of illustrations from classical sources and in the five plates engraved by Blake he shows his knowledge of the work of Rubens and Raphael most likely from reproductions in earlier illustrated books. See Essick CBI VI. Bentley Blake Books 419. Darlow and Moule 1273. Harrison and co unknown books
17811079388vo. London: Joseph Johnson 1781. 8vo xxxiv 405 1 ads pp. With a frontispiece and 3 engraved plates after Stothard one by William Blake. Later polished calf gilt-panelled backstrip gilt edges joints scuffed frontispiece and t/p soiled. Ink signature at front of William Enfield tipped in. § 6th edition the second to have this plate which is dated 1780 -- this copy with the plate facing p. 289 engraved by Blake. This was Blake’s first commercial engraving first put in the 1774 edition. Enfield was a Unitarian minister and this anthology of literary extracts intended to teach proper elocution to young people was extremely influential. See Essick William Blake’s Commercial Book Illustrations 1. Bentley Blake Books 453 B. Joseph Johnson unknown books
1793287790London: Joseph Johnson 1793. unbound. very good. William Blake. Etching and engraving. 10.25" x 7.75". Sheet toned and shows minor foxing otherwise in very good condition. A plate from John Gabriel Stedman's "Narrative of a Five Years' Expedition against the Revolted Slaves of Surinam" London: Joseph Johnson 1796. This book with its graphic depiction of slavery and colonization in the New World became an important reference for early abolitionists.<br/><br/> This disturbing image shows an enslaved woman with bound hands hung from a tree. In the background two European men direct two slaves wielding whips to carry out the punishment. <br><br> William Blake 1757-1827 was a British poet painter and printmaker.<br/><br/> Joseph Johnson unknown books