2 398 résultats
1946803814Harvard. Good with no dust jacket. 1946. Hardcover. Cover wear. Contents: Ernst Kitzinger. The Horse and Lion Tapestry at Dumbarton Oaks a study in Coptic and Sassanian Textile Design. Milton V. Anastos. The Alexandrian Origin of the Christian Topography of Cosmas Indicopleustes. Ernst Kitzinger. A Survey of the Early Christian Town of Stobi. Herbert Bloch. Monte Cassino Byzantium and the West in the Early Middle Ages. ; 224 pages . Harvard hardcover
1946127314.1Cambridge Massachusetts: Harvard University Press 1946. Hardcover. VG. Grey illus. paper over boards; Blue-grey cloth at spine; 224 pp. plus plates; 259 bw figures. Academic journal related to civilizations of the late antique early medieval and Byzantine periods. Articles include "The Horse and Lion Tapestry at Dumbarton Oaks A Study of Coptic and Sassanian Textile Design;" "The Alexandrian Origin of the Christian Topography of Cosmos Indicopleustes;" "A Survey of The Early Christian Town of Stobi;""Monte Cassino Byzantium and the West in The Earlier Middle Ages." Harvard University Press hardcover
193452659Publishers Press Association 1934. BLAKE Rodney. NOTHING NEW. NY: Publishers Press Association 1934. 8vo. cloth and board in dust jacket. First Edition. Signed presentation from Blake on title page: "Edna Strasser To one of my dearest friends With love Rodney Blake. March 1945." Near fine; some sunning spine d/j. $75.00. Publishers Press Association unknown
193447142Publishers Press Association 1934. BLAKE Rodney. NOTHING NEW. NY: Publishers Press Association 1934. 8vo. cloth & boards in dust jacket. First Edition. Signed presentation by Blake on half-title page: "To Edna Strasser with much love. Rodney Blake. June 1953." Near fine slight browning to edges of covers; sunned spine tiny tear d/j. $75.00. Publishers Press Association unknown
199172753New York: Cambridge University Press 1991. First edition. Hardcover. Near Fine in Near Fine dust jacket. 22 x 14 cm. Octavo. 226pp. Blue cloth in dust jacket. Sun toning to spine. Cambridge South Asian Studies 49. Cambridge University Press hardcover
1982163078St. Lucia: U. Q. P. 1982. 1st edition. Nice copy. small octavo. softback with stiff wrappers xiii 320pp. b/w plates text ills. maps notes bibliog. index By the end of the 19th century at the height of Queensland's Aboriginal protectionist-policy practice the idea of establishing two government-controlled Aboriginal reserves at either end of the state was nearing realisation. The reserve established in Queensland's south began as Barambah in 1901 and was later renamed Cherbourg. Variously described as bold well meaning and misguided it was a social experiment in institutional control that was to impact on the lives of thousands of Aboriginal families in ways that continue to this day. Paper toning o/w a nice copy of a scarce title U. Q. P. unknown
199222912The Commemorative Group 1992. First edition. Hardcover. Fine. On Desert Shield and Desert Storm "This will not stand this aggression against Kuwait" President George Bush Aug. 6 1990. Followed by the several specific service sections which includes: Air Force Army Coast Guard Marine Corps National Guard and Navy all 48pp in length with the exception of the Coast Guard section. Profusely illustrated with color photographic ills. Large 4to Master Edition 248pp embossed dark blue gilt leatherette owner's name in gilt at front cover beautifully bright and clean. The Commemorative Group hardcover
1984003250Kernville California: Sierra Trails Publications 1984. First Edition . Hardcover. Very Good/No Jacket. Gift inscription on ffep. Photography: Tupper Ansel Blake. Haiku: Ardis Manly Walker. <br/> <br/> Sierra Trails Publications hardcover
193911612NY:: Cordon Co. 1939. Original edition. Hardcover. Near Fine. 746 pages gray cloth cover. Tight binding as if never read; extremely slight cover wear slightly smudged with finger print; spine slightly sun faded interior like new. Scarce. We provide professional service and individual attention to your order daily shipments and sturdy packaging. FREE TRACKING ON ALL SHIPMENTS WITHIN USA. Cordon Co., hardcover
19271059401927. London: The Scholartis Press 1927. <br /> <br /> Small 4to xxiv 86pp. Quarter-cloth with patterned boards. Bottom edgewear with bumping and wear to corners. Sun fading to backstrip. Lacking dust jacket. Pages untrimmed along bottom. Very good.<br /> <br /> § First edition with an introduction by Eric Partridge to Blake's lyrical poetry. A pleasing piece of bookmaking with the feel of a private press book. Bentley BB 133. unknown
19031028961903. London: Sotheby Wilkinson and Hodge 1903. <br /> <br /> 8vo title-page and 4 pages of text. Original printed wrappers in later cloth-backed marbled boards.<br /> <br /> § A sale of the first order of importance though only comprising 42 lots of which 23 were from the Butts collection comprising 18 original drawings 4 printed proofs and a bill from Blake to Butts. The remaining lots were from the Gilchrist collection. Bentley Blake Books 598. A scarce catalogue. unknown
190377516New York:: D. Appleton & Company 1903. A New Edition. publisher's red cloth with printed paper label on spine; t.e.g. Spine label slightly tanned; otherwise very nice. 12mo. Illustrated. This Issue is reproduced in reduced facsimile from the original Edition published by William Blake in the year 1826. D. Appleton & Company, hardcover
193772664London and New York:: J. M. Dent and Sons; E.P. Dutton 1937. First edition. publisher's gold gilt-lettered cloth in dust jacket. Ink signature; otherwise fine in a price-clipped jacket with a few tiny chips and light use. Large 8vo. Full-colour Facsimile Edition. With a Note by Philip Hofer. J. M. Dent and Sons; E.P. Dutton, hardcover
19681232811968. Cambridge: Harvard UP 1968. <br /> <br /> 8vo 224 pages with a frontispiece and 12 plates. Original blue cloth dust-jacket. As new.<br /> <br /> § Final revised edition the best single account of Blake's manuscripts. Bentley Blake Books 93 C: "Comprehends fairly full notes some related documents such as receipts and provenances." Includes importabt notes on Blake's extant manuscripts receipts etc. unknown
192633861London: Noel Douglas 1926 Limited Edition of 250 numbered copies printed by Percy Lund Humphries on Van Gelder Rag Paper and bound in vellum this copy # 46 no markings NOT ex-lib a facsimile replica of the copy in the British Museum binding tight pages bright gilt-stamped boards show only slight edge & corner wear and are not bowed as is usual for vellum tasteful bookplate and small bookseller label Henry Sotheran Ltd to pastedown else Fine copy of a handsome limited issue of Blake's rare first book; 8vo; 16 70pp. First Edition / Limited. Vellum. Very Good. Noel Douglas unknown
192757527London: Scholartis Press 1927. Hardcover. Very good. Hardcover. #34 of 75cc printed on English hand made paper and signed by Jack Lindsay. 86pp. Pages slightly tanned spine sunned esle very good in Publisher's coarse cloth backed in blue. <br/><br/> Scholartis Press hardcover
19261232721926. London: Noel Douglas 1926. <br /> <br /> 8vo 70 pp. Original paper over boards with title on spine. Very good with spine a touch darkened and light dusting to original cream boards and slight spotting to endpapers.<br /> <br /> § Trade edition of this handsome facsimile of the very rare original edition of 1783. "The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.<br /> <br /> Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings." Bentley BB 132. unknown
19261087881926. London: Noel Douglas 1926. <br /> <br /> 8vo 70 pp. Original paper over boards with title on spine and clear glassine wrapper. Pages unopened. Near Fine.<br /> <br /> § Trade edition of this handsome facsimile of the very rare original edition of 1783. Bentley 132. "The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.<br /> <br /> Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings.". unknown
19261087901926. London: Noel Douglas 1926. <br /> <br /> 8vo 70pp. Original paper over boards with title on spine. Very good with spine a touch darkened and light dusting to original cream boards and slight spotting to endpapers.<br /> <br /> § Trade edition of this handsome facsimile of the very rare original edition of 1783. "The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.<br /> <br /> Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings." Bentley BB 132. unknown
19271017881927. New York: Payson & Clarke 1927. <br /> <br /> 8vo 70 pp. Original paper over boards. Very good.<br /> <br /> § US trade edition. Bentley Blake Books 132B. "The original 1783 copies were seventy-two pages in length printed in octavo by John Flaxman's aunt who owned a small print shop in the Strand and paid for by Anthony Stephen Mathew and his wife Harriet dilettantes to whom Blake had been introduced by Flaxman in early 1783. Each individual copy was hand-stitched with a grey back and a blue cover reading "POETICAL SKETCHES by W.B." It was printed without a table of contents and many pages were without half titles. Of the extant copies eleven contain corrections in Blake's handwriting. Poetical Sketches is one of only two works by Blake to be printed conventionally with typesetting; the only other extant work is The French Revolution in 1791 which was to be published by Joseph Johnson. However it never got beyond the proof copy and was thus not actually published.<br /> <br /> Even given the modest standards by which the book was published it was something of a failure. Alexander Gilchrist noted that the publication contained several obvious misreadings and numerous errors in punctuation suggesting that it was printed with little care and was not proofread by Blake thus the numerous handwritten corrections in printed copies. Gilchrist also notes that it was never mentioned in the Monthly Review even in the magazine's index of "Books noticed" which listed every book published in London each month signifying that the publication of the book had gone virtually unnoticed. Nevertheless Blake himself was proud enough of the volume that he was still giving copies to friends as late as 1808 and when he died several unstitched copies were found amongst his belongings." Wikipedia. unknown
192742149London: The Nonesuch Press 1927. 2d . Cloth. Very Good. Edited by scholar Geoffrey Keynes. 2d Sturdy heavy book smooth shiny blue cloth slightly browned at beveled edges spine browned gilt lettering bright with thin gilt design at spine top lightly soiled inside covers and adjacent end papers 1152 light pages. Near Very Good. <br/> <br/> The Nonesuch Press hardcover
19648173Franklin NH: The Hillside Press 1964. Limited Edition. Hardcover. Fine. Limited Edition. Hardcover. Tight bright and unmarred. Printed cloth boards frontispiece. 56x49mm. 52pp. Illus. b/w plates. Numbered limited edition this being 125 of 375. The Hillside Press hardcover
1906230852Chicago: The Alderbrink Press 1906. First Limited Edition. Hardcover. Good. Duodecimo 62 ii pages quarter vellum spine embossed boards: Provenance: Ralph Fletcher Seymour with traces of damp and soot from the fire suffered at his home at Ravinia north of Chicago. <br/><br/>Limited to 312 copies on hand-made paper two-color title-page. Seymour here used a newly-designed typeface from the George F. McKiernan and Company. The Alderbrink Press hardcover
199181537<p>4to hardcover in a lightly used jacket. Jacket has some light creasing at the edges and mild scuffing. Book has negligible wear. Pages and binding are clean straight and tight. NF/VG</p> Princeton hardcover
1911007152London: Herbert & Daniels 1911. Top edge gilt other edges uncut. Spine imprint has American Publisher Dana Estes Boston. Bootk was printed in England however. Some pages foxed. Original Printed Beige Cloth. Very Good. Illus. by Honor C. Appleton. Herbert & Daniels hardcover
