Blake WilliamABAA
706 résultats
1963008092London: Oxford at the Clarendon Press 1963. SCARCE. Very Good Plus small bumps at corners small stain rear end pages internally clean and bright unmarked. In a less than Very Good dust jacket 4" chip at bottom end of spine 2" chip at head of spine smaller chips and edge wear wear at corners old internal tape mends. A large and heavy book additional shipping charges will be requested for priority and international shipping. . First Edition. Cloth. Very Good Plus/Very Good Minus. Elephant Folio - over 15" - 23" tall. Oxford at the Clarendon Press Hardcover books
1967150244N.p.: N.p. 1967. Collection of five vintage borderless black and white photographs from the set of the 1967 film. With two printed mimeo snipes on the verso along with the stamp of still photographer James Johnson. From the archive of the PIX Agency a photo house that acted as an intermediary between emigre photographers as well as those still living in Europe and the American magazine and newspaper market between 1935-1969.<br/><br/>Brooks' unflinching and unsentimental documentary style made for a visualization that matched the power of Truman Capote's most famous book and remains one of the great meditations on violence in America. Nominated for four Academy Awards.<br/><br/>10 x 8 inches. Most Very Good plus with light creasing and edgewear one Very Good with a tear to the top right corner repaired with cello tape on the verso. <br/><br/>National Film Registry. Ebert II. Criterion Collection 781. Penzler 101. Spicer US. N.p. unknown books
193518547New York: Pierpont Morgan Library 1935. Stiff Wraps. Orig. stiff gray wrappers black cloth spine. Fine. Six parts. 38 x 29 1/2 cm. Folio 61 pages in text. Introduction by Lawrence Binyon and Geoffrey Keynes. All the reproductions except the collotypes in the text of the Introduction made and printed by Emery Walker Ltd and the Introduction printed by John Johnson at the Oxford University Press. Published in six parts sixty three water colors The Thomas Butts John Linnell & New Zealand Set -- being parts IIIII V. Twenty-five pencil and wash drawings part IV and twenty-two etchings of the Book of Job part VI. The Trainon Press "Book of Job" does not reproduce all the drawings. Internally very clean each part with printed paper front cover label small smudge upper left corner Vol. IV. Pierpont Morgan Library unknown books
197621637London: Trianon Press for the William Blake Trust 1976. leather_bound. Orig. full brown morocco spine lettered in gilt. Fine in near fine beige basket weave cloth slipcase. Blake William. 62 pages. 30 x 22 cm. Limited edition special copy VIII of XXXII total edition of 438 signed by Geoffrey Keynes in red ink on Lana rag paper. Plates reproduced by collotype in Paris at the workshops of the Trianon Press France under the supervision of Arnold Fawcus. Trianon Press for the William Blake Trust unknown books
19721076662 vols. London: Trianon Press 1972. 2 vols. 4to and small 4to with 20 color plates. Full brown morocco slipcase new. § Edition de luxe #XLIV of 50 copies with additional proof sheets progressive plates original stencil etc. “The text is a clear statement of Blake's beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as "Man's desires are limited by his perceptions none can desire what he has not perciev'd sic" and "If any could desire what he is incapable of possessing despair must be his eternal lot" Schneideman. Bentley Blake Books 202. Trianon Press unknown books
19721073802 vols. London: Trianon Press 1972. 2 vols. 4to and small 4to with 20 color plates. Full brown morocco slipcase new. § Edition de luxe #10 of 50 copies with additional proof sheets progressive plates original stencil etc. “The text is a clear statement of Blake's beliefs regarding the nature of man. The full book only came to light in 1953 and this is the first reproduction of the text. Such maxims are included as "Man's desires are limited by his perceptions none can desire what he has not perciev'd sic" and "If any could desire what he is incapable of possessing despair must be his eternal lot" Schneideman. Bentley Blake Books 202. Trianon Press unknown books
195711474London: Trianon Press 1957. First edition. Hardcover. Near Fine. Elephant folio. 22" tall by 16" wide. Containing nine color plates including a lithographed frontispiece. Tissue guards present. Publisher's 1/4 morocco over decorated boards. Tips lightly rubbed else an exceptionally sharp copy. One of 506 hand-numbered copies. Very large and heavy tome. <br/><br/> Trianon Press hardcover books
193550515bdNew York: The Pierpont Morgan Library 1935. First Edition Thus. Folio cloth-backed stiff gray wrapper with paper labels. 6 facsimiles one of text three of water colors one of pencil & wash drawings and one of etchings. A total of 110 plates. Near-Fine. The Pierpont Morgan Library, 1935. First Edition Thus. hardcover books
19681106824 vols. London: Trianon Press 1968. 4 vols. 8vo and 12mo Vol. I 8vo i-vii-viii 50 4 pp. Vol. II 12mo 2 pp. 22 plates Vol. III 4 pp. 31 plates Vol. IV 12mo 2 pp. 10 plates negative and copper plate. Original tan morocco volume 4 in brown cloth as issued cloth slipcase gilt lettering to backstrips of all three volumes. Backstrips slightly rubbed. § From an edition of 726 total copies including 700 numbered 1 to 700 of which the first 50 have additional material and are in a special binding. This is copy number 14 with the first three volumes bound in leather instead of the usual cloth. Volume I is an introductory volume followed by three volumes of plates. Bentley Blake Books 48. Trianon Press hardcover books
19721106813 volumes. London: Trianon Press 1972. 3 volumes folio with 116 color facsimile leaves reproduced by collotype and hand-stencil color the text of the poems reproduced from copper-plate with 3 additional printings to reproduce Blake’s pencillings and the tone of the paper. Marbled boards morocco backstrips slipcases backstrips stained slipcases worn internally a fine set as issued. § Edition limited to 518 copies in all including 100 copies for Paul Mellon personally of which 12 copies were a super de luxe issue in three volumes with extra material 36 copies were a de luxe issue also with extra material but in sheets unbound18 copies were hors commerce contents unrecorded and 352 copies either bound in 3 volumes in slipcases or as a single set of the loose sheets in a box. This is copy #37.The 116 water-color illustrations to Thomas Gray's poems are among Blake's major achievements as an illustrator. They were commissioned in 1797 by Blake's friend the sculptor John Flaxman as a gift for his wife Ann to whom Blake addressed the poem that ends the series. The commission may have been inspired by the Flaxmans' seeing Blake's water-color designs to Edward Young's Night Thoughts begun in 1795. The Gray illustrations follow the same basic format. Blake cut windows in large sheets of the same type of Whatman paper used for the Night Thoughts illustrations and mounted in these windows the texts of Gray's poems from a 1790 octavo edition published by John Murray leaving out some prefatory materials fly-titles the notes and the 7 engraved illustrations. Blake then drew and colored his designs surrounding the letterpress texts. On blank versos near the beginning of each poem and in one case on a separate piece of paper pasted over letterpress text Blake inscribed with pen and ink either titles for each design or quotations from the poem to indicate the passage illustrated. On most text pages Blake also drew a pencil cross left of the first line of the illustrated passage. He numbered most leaves consecutively in pen and ink beginning a new sequence for each of the 13 poems.Blake conceived of his work as an illustrated book rather than a series of unbound designs as indicated by his offsetting Gray's texts above and to the right left on versos from the middle of each leaf—then the convention for all letterpress books. Although listed by William Michael Rossetti in his catalogue of Blake's drawings and paintings published in the 1863 and 1880 editions of Alexander Gilchrist's Life of William Blake the Gray illustrations were virtually unknown until their rediscovery by Herbert Grierson in 1919.The Trianon Press reproductions are recognized as the finest examples of the art of facsimile reproduction; working from the originals in Paul Mellon’s collection each leaf is faithfully hand-colored through stencils to achieve an astonishing exactitude. The Times Literary Supplement stated that nothing like these books had ever been printed before and that it was highly unlikely that they could be printed again. Bentley Blake Books 385. Trianon Press hardcover books
1959002184Northampton MA: The Print Club of Philadelphia The Gehenna Press 1959. Limited First Edition. Wraps. Near Fine. No. 200 of 250 limitation signed and numbered in pencil by Leonard Baskin. This was Baskin's first venture into publishing and his jagged and stark illustrations amplify the fire and brimstone of Blake's both naive and worldweary verse that lilts at the same time it pierces and challenges. Printed on an Italian hand-made paper this is indeed a very handsome brochure and this copy is pristine internally with the faint remnants of tape top and bottom on both the front and rear of the wraps the only minor blight to the special production. <br/><br/> The Print Club of Philadelphia, The Gehenna Press paperback books
1968140938885London: Trianon Press 1968. First Thus. Very Good. Copy #25 of the first 50 which have additional material and morocco rather than cloth bindings of the first three volumes; from a total edition of 726. Publisher's tan morocco and cloth lettered in gilt as issued in original cloth slipcase. Very Good spines a little sunned and rubbed slipcase lightly dampstained. Negative in Vol. 4 has come unglued laid in; copper plate present. A deluxe facsimile of Blake's emblem book in both versions with plates reproduced in collotype plus sketchbook drawings as well as scholarly and critical material. Trianon Press unknown books
1927108835A single hand-coloured specimen proof copy of the frontispiece for Muir's 1927 facsimile. London: Quaritch for William Muir 1927. A single hand-coloured specimen proof copy of the frontispiece for Muir's 1927 facsimile prepared from the Beaconsfield original. Fine. § A lovely hand-colored facsimile of Blake's famous frontispiece being a unique proof inscribed by Muir: “This a specimen page not to be sold of the Centenary of Blake’s death Edition of the Songs of Innocence and of Experience facsimilied sic from the Beaconsfield original now being prepared by William Muir.†Quaritch for William Muir unknown books
1987107738Paris: Trianon Press for the Blake Trust 1987 Publisher’s proofs in a box including three copies of vol. 2 in variant bindings one copy of vol. 1 black and white reproductions and a suite of progressive proofs of plate 2. All within a quarter morocco box with gilt backstrip and marbled boards. § A unique publisher’s proof set lacking the rest of the text. A complete set would include:The de luxe issue includes David Bindman ed. William Blake’s Illustrations of the Book of Job: The Engravings and Related Material with Essays Catalogue of States and Printings Commentary on the Plates and Documentary Record by David Bindman Barbara Bryant Robert Essick Geoffrey Keynes and Bo Lindberg. London: The William Blake Trust 1987. Colophon verso of the title page: “In addition to the 387 copies of William Blake’s Illustrations of the Book of Job and Colour versions of Blake’s Book of Job designs issued and published by the William Blake Trust five copies containing extra material have been specifically made up for those most closely concerned with bringing the publication to completion. This copy is for Robert Essick.†The work is housed in four cloth slipcases trimmed in morocco as follows:1. Text volume with the title page and colophon quoted above. Contents:Stephen Keynes “Acknowledgments.â€Charles Ryskamp “Foreword.â€David Bindman and John Commander “Preface.â€Geoffrey Keynes “The Development of the Job Designs.â€David Bindman “The Book of Job Designs from Butts Series to Final Engravings.â€Robert Essick “Blake’s Engravings to the Book of Job: An Essay on Their Graphic Form and Catalogue of States and Printings.â€Barbara Bryant “The Job Designs; a Documentary and Bibliographical Record.â€Quarter morocco and cover label. In the same slipcase: William Blake’s Illustrations of the Book of Job: The Plates with related designs and with an Introduction and Plate-by-Plate Commentary by Bo Lindberg. Loose in fascicles in a quarter morocco folder quarter morocco clamshell box with cover label.2. Colour Versions of William Blake’s Book of Job Designs from the Circle of John Linnell. With an essay by Bo Lindberg. Text volume quarter morocco with cover label. Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “The New Zealand setâ€b. “The Collins setâ€c. “The Fitzwilliam platesâ€3. “Additional Material 1.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Pages from the ‘Riches’ sketchbook with colour washes not publishedâ€b. “William Blake Illustrations of the Book of Job Alternative printing of the engravings without plate markâ€c. “Facsimiles of subjects from the Butts version watercolours printed collotype by Emery Walker for the Pierpont Morgan Library edition 1935â€. Two mounted color reproductions.d. “Proofs guides and stencils for colour plates from Colour versions of Blake’s Book of Job designs Trianon Press Paris c. 1974â€4. “Additional Material 2.†Quarter-morocco clamshell box with cover label with the following quarter-morocco folders with cover labels as quoted below contents loose:a. “Label printed for original publication March 1826â€b. “Colour versions of William Blake’s Book of Job designs from the circle of John Linnell Collins & New Zealand sets & Fitzwilliam plates.†Housed in three paper folders. The same reproductions as those in box 2 above.Materials added to box 4 by Essick:i. Xerox of the typescript of Lindberg’s commentary.ii. Xerox of the typescript of Lindberg’s essay on the New Zealand set.iii. Xerox of the typescript of Keynes’ introductory essay.iv. A set of loose Job reproductions housed in a paper folder inscribed in pencil as follows: “This set of proofs was given to me by John Commander Secretary of the Trust to help with my preparation of the catalogue of the states of the Job plates. It contains unpublished materials. R. N. Essick Summer 1983.â€Acquired Aug. 1987 from the William Blake Trust gift. BBS pages 198-99 this issue not recorded. For proofs of Essick’s essay see under Blake Trust/Trianon Press Facsimiles Production Materials.Idem. Trade issue housed as above but in cloth slipcases boxes and bindings. Two slipcases with contents as in the first two slipcases above. Colophon verso of the title page: “This publication of William Blake’s Illustrations of the Book of Job is limited to 387 copies: 22 copies lettered A-V contain additional material and are specially bound; 250 copies numbered 1-250; 50 copies numbered i-l; 65 copies numbered I-LXV are reserved by The William Blake Trust. This is copy 171â€. Acquired May 1987 from the William Blake Trust gift. BBS pages 198-99. Trianon Press for the Blake Trust hardcover books
1921WRCLIT62934New York: The Grolier Club 1921. xvi516pp. plus inserted plates. Large thick quarto. Publisher's quarter pebbled morocco and cloth t.e.g. others untrimmed. Some rubbing to spine joints and extremities bookplate a few thin scratches and flecks to boards otherwise a very good copy. First edition. One of 250 copies printed at the Chiswick Press. For its times a monument both to bibliography and to book production. Heavily illustrated including four plates in color and with significant primary material published here for the first time. The Grolier Club hardcover books
197662884to. London: Trianon Press 1976. 4to 5 color plates and commentary and progressive states of the plates and an original copper plate etc. Full brown morocco slipcase. As new. § Copy # VII of XXXII de luxe copies in an edition limited to 512 copies in all. The companion volume to the Book of Ahania. One copy of The Book of Los is known. Bentley Blake Books supplement p. 62. Trianon Press unknown books
194029824London: Collins for the Crime Club 1940. FIRST EDITION. Very light spotting to fore and top edges. Cloth clean and bright. Near fine book in a dust jacket that would be near fine but for an oddly- shaped price clip at bottom of front flap. Spine panel of jacket very slightly faded. Short tear at top edge. Overall a crisp copy of this scarce Nigel Strangeways mystery. Scarc in jacket. <br/><br/> Collins for the Crime Club hardcover books
19701073694to. London: Trianon Press 1970. 4to 10 facsimile leaves and 5 pp. of commentary. Original full green morocco slipcase. Fine as issued. § Edition de luxe this being copy III limited to 36 copies specially bound with extra suites of the plates of an edition in all of 662 copies. Bentley Blake Books 5. All Religions are One c. 1788 is “a small tractate perhaps Blake’s first experiment in his illuminated printing it exists in only one copy. It affirms that the Imagination ‘is the true man’. and thus early Blake had completed his revolutionary theory of the nature of man and proclaimed the unity of all true religions.†Damon Blake Dictionary. Trianon Press unknown books
1957123810Folio. London: Trianon Press 1957. Folio with 9 color plates and 156 illustrations. Original quarter morocco a superb copy virtually mint preserved in a quarter blue morocco box lettered in gilt § Limited to 460 copies this is #219. A very scarce book in good let alone fine condition as the size of the book and the fact that it was not issued with a box or a slipcase eve means most copies are more or less worn. This was the first time that Blake’s Biblical illustrations had been brought together. The catalogue raisonné was compiled by Sir Geoffrey Keynes and comprises virtually every Biblical painting by Blake in existence. Bentley Blake Books 681. Trianon Press unknown books
197428867London: Trianon Press 1974. Limited edition Letter R of 26 lettered copies of a total edition of 558 copies. 1 vols. Folio. Original marbled boards brown morocco spine fine in original matching slipcase. Blake William. Limited edition Letter R of 26 lettered copies of a total edition of 558 copies. 1 vols. Folio. The Trianon Press Facsimile of Blake's Jerusalem One of 26 Copies. The illuminated pages were brilliantly reproduced by Daniel Jacomet; the text was composed by hand in 16 point Garamond and printed by Aulard & Cie master printers in Paris. Trianon Press unknown books
1988140941162London: Jonathan Cape 1988. First Edition. Near Fine. Advance uncorrected proof of the first edition. Bound in publisher's red wraps printed in black. Near Fine with general shelf wear and light crease to bottom corner of the front cover. A scarce format of the of the Dahl's best-known works. Jonathan Cape unknown books
1935237391New York: The Pierpont Morgan Library 1935. 105 black and white and color facsimile engraved plates pencil drawings and watercolors by William Blake in six fascicles. Folio. Original cloth-backed gray wrappers printed labels on front cover in cloth box with some wear. 105 black and white and color facsimile engraved plates pencil drawings and watercolors by William Blake in six fascicles. Folio. Illustrations of the Book of Job being all the water-color designs pencil drawings and engravings beautifully reproduced in facsimile. The Pierpont Morgan Library unknown books
19751052184to. London: Trianon Press 1975. 4to 8 plates 8 pp. commentary by Keynes with another plate plus 22 additional progressive proof plates and with a metal pochoir stencil mounted at the end. Full brown morocco prospectus inserted a fine copy in slipcase. As new. § #28 of 32 de luxe copies with the extra plates showing the progressive stages of the collotype and hand-stencil process. The total edition was limited to 458 copies. One of the richest and most elaborate Trianons. Bentley Blake Books A137. “The Song of Los completes the cycle of the four continents. the complete work tells the story of mankind from Adam to the Last Judgment the triumph of death and the general resurrection caused by the revolution.†Damon Blake Dictionary. Trianon Press unknown books
198710811222 separate plates. Paris: Trianon Press for the Blake Trust 1987. 22 separate plates approx. 15.75 x 12.25 inches 30 x 31 cm each printed in color on Arches housed in a tri-fold paper folder. Very good condition. § The New Zealand Set are careful watercolor copies of the central designs of the original engravings produced by the circle of John Linnell presented here in faithful facsimile. Butlin noted in the Blake Quarterly: “The long list of color facsimiles produced by the Trianon Press under Arnold Fawcus for the William Blake Trust were above all objects of beauty recreating as near to perfection as possible Blake’s original achievements.†Trianon Press for the Blake Trust unknown books
19681075944 vols. London: Trianon Press 1968. 4 vols. 8vo and 12mo Vol. I 8vo i-vii-viii 50 4 pp. Vol. II 12mo 2 pp. 22 plates Vol. III 4 pp. 31 plates Vol. IV 12mo 2 pp. 10 plates negative and copper plate. Original tan morocco volume 4 in brown cloth as issued cloth slipcase gilt lettering to backstrips of all three volumes. Backstrips slightly rubbed. § From an edition of 726 total copies this is the de luxe advance publisher’s copy including 700 numbered 1 to 700 of which the first 50 have additional material and are in a special binding. Volume I is an introductory volume followed by three volumes of plates. Bentley Blake Books 48. Trianon Press hardcover books
