221 résultats
1947621857Westport Connecticut: The Tiger's Eye Publishing 1947. Softcover. Very Good. Magazine. Small quarto. 116pp. Illustrated paper wrappers. One tipped-in illustration loose and laid in creases on wraps and spine tears at spine ends very good. A literary magazine feature prose poetry and artwork from Stephan Boris Paternak Kenneth Rexroth W.J. Parrish-Martin Raymond Queneau William Jay Smith H. Richard Chew Mary Barnard Weldon Kees K.O. Hanson Doris B. Branch Thomas Cole John Nerber Mario Carreño Paul Goodman Harvey Curtis Webster Philip Murray Herbert Cahoon Paul Valley and art from by Leon Kelly Photographs by Alexander Hammid Kay Sage Theodoros Stamos William Baziotes René Magritte Milton Avery Hokusi Morris Graves Max Ernst and Adolph Gottlieb. The Tiger's Eye Publishing unknown
199224460Paris: Published by the artist 1992. Pelachaud Gaelle. Folio original wrappers and folding case 28 x 38 cm. Fine condition. One of 60 copies signed by the artist including 10 h.c. 14 colored etchings by Gaelle Pelachaud with extracts from Raymond Queneau's "Pierrot Mon Ami" 1972. Each pencil-signed etching is partially hidden until a page is turned. Preface by Abidine Dino postface by Gilbert Lascault. Published by the artist unknown
194624967Paris: Aux Nourritures Terrestres 1946. First edition. PrassinosMario. Original wrappers 34 cm. in gilt stamped chemise and slipcase lightly worn. Illustrated with 15 full-page copper engravings by Prassinos plus the engraved cover design. One of 15 numbered copies on Rives paper containing two suites of the 15 engravings in black plus one in color in four states from a total edition of 250. This copy also contains an original drawing 25 x 31 cm signed and dated corresponding to the eighth gravure. 1 portfolio Six poèmes de Raymond Queneau et seize cuivres de Mario Prassinos. ill. ; 34 cm. "Cet ouvrage achevé d'imprimer sur les presses de Coulouma imprimeur S. A. pour le texte et sur celles de Haasen pour les cuivres a été tiré à 250 exemplaires se décomposant comme suit : 215 exemplaires sur papier pur chiffon de Lana contenent deux états en noir des quinze gravures sur cuivre et numérotés de 1 à 215. 15 exemplaires sur vélin de Rives contenant en plus une gravure en couleurs au repérage avec les états séparés numérotés de 216 à 230. 10 exemplaires sur vélin de Rives dont 5 nominatifs auxquels il a été joint en outre une suite des gravures dans l'état définitif tirée sur papier noir et un dessin original de l'artiste. Ces exemplaires sont marqués de A à J. Il a été tiré en plus 10 exemplaires hors commerce sur papier Lana numérotés de I à X"-- Colophon. Aux Nourritures Terrestres unknown
199724901Levallois: Association des Amis de Valentin Bru 1997. First edition. Includes No.1 2/34/5 6 1012/13 14/15 16 17/19 20/21 22/23 24/25 26/27 28/30 31. Original wrappers in fine condition. 350-400 copies of each issue were printed. 26 of the 31 issues published. With new series No. 1 1997. = nos. 1-6 10 12-31. Association des Amis de Valentin Bru unknown
196128699Verviers 1961. First edition. Wrappers fine. unknown
195572743Paris: Seghers 1955. Fine. Seghers Paris 1955 14 x 19 cm broché First edition on ordinary paper. Work decorated with a frontispiece illustration by Joan Miro. Very precious autograph inscription signed by Janine Queneau to her great friend Boris Vian: ""A Boris dont je crains d'avoir bien mal suivi les conseils. Avec beaucoup d'affection. Janine."" ""To Boris whose advice I fear I have followed very poorly. With much affection. Janine.""  Provenance: Boris Vian Foundation.  Seghers unknown
194870061Paris: Editions de Flore 1948. Fine. Editions de Flore Paris 1948 11 x 16.50 cm broché first edition on current paper. Warning for the Swiss reader by Jean Paulhan. A slight marginal scratch without gravity on the first board otherwise pleasant copy. Precious and fun autograph signed by the author to Raymond Queneau "". very cordially / between academics / ."" Editions de Flore unknown
19489757Paris: Chez Georges Visat 1948. Full Leather. Near Fine binding. Octavo. 52 6 pp. frontis illus. Limited edition number 195 of 225 copies. This copy bound by Monique Lallier in full calf with extensive leather onlay shapes referencing the style of Alanore's illustrations. Textblock is sewn on meeting guards with the original wrappers incorporated in the binding. Silk embroidered endbands and leather doublures and flyleaves. Stamp-signed and dated 2014 by Lallier in gold on the rear pastedown. Light offsetting from the etchings and occasional light foxing but generally an internally clean copy nearly fine in a fine binding housed in clamshell that is slightly bumped at the extremities. <br /> <br /> An engaging and quirky narrative text in French wonderfully illustrated with 20 drypoint etchings by Alanore some full page but most incorporated around the printing. This binding from Lallier's personal collection is featured in her 2018 retrospective exhibition put on by Guildford College with catalogue published by Oak Knoll Press. In it she remarks how Alanore's etchings all have prominent lips which informed her design of the cover in a leather that looks like horse p. 100. A striking book inside and out bound by one of the most important design binders of the last 50 years. Chez Georges Visat unknown
197554908NEW YORK: Léon Amiel Publisher 1975. First U.S. edition. Quarto. Cloth. Illustrated throughout in color and black & white. Fine in color lithographed pictorial dust jacket after a design by Miró and printed bellyband. One of 5000 numbered copies. The translation of Queneau's essay from the French is not attributed. Including the dust jacket illustrated with twelve original color lithographs by Miró printed by Mourlot. Léon Amiel Publisher unknown
195024925Paris: Éditions du scorpion 1950. First edition. 254 p.19 cm. Original printed wrappers fine. The only limited issue copy 40 of 120 on Alfa. Éditions du scorpion unknown
194765821Paris: Les Editions du Scorpion 1947. Fine. Les Editions du Scorpion Paris 1947 12 x 18.50 cm broché First edition one of 120 numbered copies on alfa paper the only grand papier deluxe copies. A nice copy despite slight lacks and angular tears. Les Editions du Scorpion unknown
194848256Paris: K éditeur 1948. Fine. K éditeur Paris 1948 16.50 x 22.50 cm broché First edition a numbered copy on alfa du Marais paper this one not included in the justification. Handsome autograph inscription signed and dated by Aimé Césaire to Raymond Queneau: Très sympathique hommage de ces bucoliques de sang et de soleil. a very affectionate homage of these bucolics of blood and sunshine. Covers and spine slightly sunned at edges but not seriously. K éditeur unknown
196985336New York and London: Basic Books Inc 1969. First American Edition. Hardcover. Very Good/Very Good. 24 x 16 cm. Octavo. xiv 287pp. Grey boards green cloth spine in dust jacket. Translated from the second French edition "Introduction à La Lecture de Hegel". Original price of $8.50 present on front flap. Sun toning and some wrinkling to jacket spine. Basic Books, Inc hardcover
1980Q-0801492033Cornell University Press 1980-11-15. Paperback. New. In shrink wrap. Looks like an interesting title! Cornell University Press paperback
195383940Paris: Gallimard 1953. Fine. Gallimard Paris 1953 12 x 19 cm broché First edition of the French translation established by Raymond Queneau one of 86 numbered copies on pure thread paper the only deluxe copies. Fine copy. Gallimard unknown
195383755Paris: Gallimard 1953. Fine. Gallimard Paris 1953 12 x 19 cm broché First edition of the French translation by Raymond Queneau one of 86 numbered copies on pur fil paper the only deluxe copies. Light offsetting from adhesive paper at head and foot of spine and boards. Gallimard hardcover
1967ME-52New York: Gordon and Breach 1967. Comprehensive text presents detailed technical papers presented by leading operating metallurgy engineers involved in copper nickel lead zinc and associated metals processing. Topics include: roasting: copper and zinc; smelting: copper lead and nickel; use of oxygen; recovery and by-product iron; continuous casting and rolling of copper; comparison of refractory exposures in ferrous and nonferrous operations; etc. 517 pgs. Illustrated. Prior owner's name stamp on endpapers. Minimal shelfwear. . First Edition. Hard Cover. Very Good. 8vo - over 7¾" - 9¾" tall. Ex-Technical Library. Gordon and Breach Hardcover
1962D4093College de 'Pataphysique LXXXIX / Les Films Arquevit 1962. Paperback. Near Fine. Wraps. Number 557 from a limited edition of 609 total limitation of 753 with variations. Covers just a little rubbed else fine. <br/><br/> College de 'Pataphysique LXXXIX / Les Films Arquevit paperback
196624952Paris: Gallimard 1966. First edition. 236 p. Original wrappers fine. One of 50 numbered copies on pur fil. Gallimard unknown
1970302911970. Temps M lés Edited by André Blavier and Jane Graverol. 1952-1970. After issue 150 the title was changed to Documents Queneau. Raymond Queneau's own set as a subscriber with almost every issue present in the tirage de tête mostly limited to 20 copies or fewer. Also included are many of the Temps M lés editions published outside the series of the periodical and a substantial run of the periodical Phantomas which began as issue no. 6 of Temps M lés.As far as we can tell our set is missing only four issues 55 79/80 134139 one of which 79-80 was a 2-page leaflet issued anonymolusly. Present are:<br /> 1. IV/25 inscribed for Queneau.<br /> 2.IV/25 inscribed for Queneau<br /> 3. Numéro hors-série. Mars 1953. La Calumet de la paix. Copy IV of 25 numbered. Inscribed to Raymond Queneau.<br /> 4/5. although numbered 5/6. Copy VIII/27 with announcement regular 290/300<br /> 6. Copy V/20.This is also issue no. 1 of Phantômas.<br /> 7. Series II. no. 1 dated 1.ii.54 Copy X of 20 on vergé plus a regular copy.<br /> 8/9. XVIII/20<br /> 10/11. V/20 with a suite of the illustrations<br /> 12. V/11<br /> 13. IV/12<br /> 14. V/10<br /> 15/16. Roger Rabiniaux. Petit théatre pour boite a ordures. 42/60. Inscribed to Queneau<br /> 17/18. 4/12<br /> 19. 4/12<br /> 20/21 Pierre Halet. Les quatre saisons de l'arbre. 5/10. Inscribed to Queneau<br /> 22. 4/13. Catalogue of Temps M lés Salon d'ensemble inserted.<br /> 23. VIII/12<br /> 24. Pierre David. Le taon des cerises. 9/63. Inscribed to Queneau. Author's card inserted. regular.<br /> 25 VIII/12 regular<br /> 26/27. Anatole Jakovsky. Le petit traité du Cactus. 11 dessins originaux de Fernand Leger. Frontispice d'Ossip Zadkine. iv.1957. Copy 11/20 with a suite total edition of 120<br /> 28 3/10<br /> 29/30. Pierre Halet. L'ea et le sable. Inscribed by Halet to Queneau. 22/60<br /> 31/33. Parade pour Picabia. Copy 17 of 20 with an original drawing by Jean Gaudry.<br /> 34. With errata. 3/12 numbered plus regular<br /> 35/36. Dessins de Maurice Pirenne. 436/500 no deluxe copies. With insert<br /> 37 . André Blavier. Les Lettres Belges. Inscribed by Blavier to Queneau. 20/20<br /> 38. 6/20. With supplement<br /> 39/42 5/20 ed. de t te<br /> 43/44 11/20 ed. de t te<br /> 45. Henri Trouillard. Ma vie. 1960. Copy 3/20. Spine faded.<br /> 46. Copy 10/20 on deluxe paper. <br /> 47. 1960. 17/30 numbered with an original gravure by Paul Dufrane 1/7<br /> 48. Raymond Queneau. Texticules. 1961.<br /> 49. Léo Malet. Vie et survie du vampire. 1961 Copy 3 of 5 on japon<br /> 50/52. Raymond Queneau à la décade du foyer culturel international de Cérisy-la-Salle. 1960. 2/30 deluxe numbered white wrappers plus regular blue wrappers faded.<br /> 53. 1961. 4/20 numbered.<br /> 54. Antoine Lemonie. Les chardons du Baragouin. Avec une lettre de Raymond Queneau. 1961.<br /> 55. ISSUE MISSING<br /> 56. Louis Scutenaire. Le monument de la guenon. 1962 8/25 numbered.<br /> 57/58. Anatole Jakovsky. A. Demonchy. 1962. 16/25<br /> 59/60. Dix Ans de “Temps M lés†14/25 ed. de t teon better paper with an original gravure by Jehan Gaudry. Plus regular copy.<br /> with “Dix ans de temps mêles†Verviers: Salle de la Société 1962. Exhibition catalogue of artists who had appeared in the first 60 issues.<br /> 61. Topor. 13 Dessins Paniques 18/30 ed. de t teon better paper<br /> 62 premio. J.J. Skira. Je Croix. 16/25 ed. de t te<br /> 62 deuzio. untitled.<br /> 63/65. Mirabelle Doris / Maurice Rapin. Idées au logis. 2/25 ed. de t te enriched with original illustrations and documents<br /> 66/67. Oulipo. 2/40 ed. de t te. Wrapper faded. Plus regular copy.<br /> 68. Jean Queval. Le voyage en Belgique ou le Petit livre de la protection. 56/175. Inscribed to Raymond and Janine Queneau. Wrapper faded.<br /> 1. 69. Antoine Lemoine. Prouzinzila suivi d'autres choses. No. 2 of an unspecified limitation. Inscribed to Raymond Queneau<br /> 2. 70. Unglik G. Unglik. Le meilleur que le vigneron possède. 2/25 ed. de t te<br /> 71/73. 5/100 deluxe<br /> 1. 74. Lescure / Passeron / Vincensini. Copy 2 of 70 numbered. Wrapper faded.<br /> 2. 75/76. Jean Queval. Dieu avec nous. Copy 8 of 30 numbered. Inscribed to the Queneaus also copy 2. <br /> 77/78. Jacqueline Pavlowsky. Ambiphibographie et macédoïconographie. One of 30 with an original gouache.<br /> 79-80. This anonymously issued 2-page leaflet by Blavier is missing from the run<br /> 81/82. Dedicated to Christian Beck.<br /> 83/85. Christian Beck. Bosse-de-nage. 1966. 4/25 deluxe with an original program and gravure and regular copy. Both inscribed to Queneau. <br /> 86/87. 2/25 ed. de t te<br /> 1. 88. Jean Queval. Le Point. 2/25 ed. de t te on better paper. With regular issue inscribed to Queneau.<br /> 89. François Jacqmin. L'employé. 1967. 2/25 numbered<br /> 90/92. Luc Cornet-Dreze. Gesta Laioris Golardi. 2/20 ed. de t te<br /> 93/95. Noel Arnaud. Algol. Préface de François le Lyonnais. Illustrations de Carelman. 1968. 12/25 Also copy “Q†of 24 lettered larger paper with an original drawing. Both inscribed to Queneau.<br /> 96. Jean-Pierre Lassalle. Brusquement les oiseaux. 1968. Copy 2 of 50 numbered ed. of 450.<br /> 97. Marcel Bogaerts. Périphéries excès et sphères. Copy 2/35<br /> 98 Stanley Chapman. Onze milles verbes cent virgules. 1969. Copy 2 of 60 numbered on special paper. Spine faded.<br /> 99/102. Guy Vandeloise. Maurice Pirenne. 1969.<br /> 103. Andre Stas. A Galere egale salaire egal. Collages. 1970. 17/40 deluxe enriched<br /> 104. Chimèle Vernon. Des clous. avec un frontispice de Robert Florkin et six photographies par yellow. 1970. Copy 2 of 40 numbered and “alourdis d'un véritable clou á s'enfoncer dans la têteâ€. <br /> 105/106. Rik Sauwen. Geert Van Bruane le petit homme du Rieb. Frontispice de Jane Graverol. 1970. Copy 2 of 40 numbered with a separate print of the frontispiece.<br /> 107/108. Vladimir Khasarovitch. Système métrique angélométrique.1970. Copy 2 of 35 marked “jvp†containing an original drawing plus regular copy presented to Brice Tarain.<br /> 109. Guy Vandeloise. Paul Franck. 2/35 numbered<br /> 110/114. Thieri Foule. Whâââh. Copy 2 of 50 numbered. Inscribed to Raymond Queneau.<br /> 115. Luc Cornet. La légende de l'Ignoble. 1972. Copy 2 of 35 numbered. <br /> 116/117. Copy 2 of 35 numbered.<br /> 118. Piet Tommissen. A propos d'une manifestation publique du groupe “Humanismeâ€. 1972. Copy 2 of 40 numbered.<br /> 119/121. André Blavier. Ceci n'est pas une Pipe. 1973. 2/50 ed. de t te incl. 10 lettered. Inscribed. Also the first publication of the Fondation René Magritte. Also regular paper. <br /> 122/124. Luc de Chobeau. Prose de l'Hyperboreen. 1974. 2/50 with an original illustration.<br /> 125/128 These were issues of “Gravats†- not present<br /> 129/131. Louis Scutenaire. Le fusil du boucher.1974. 2 of 50 numbered on vergé.<br /> 132. Alain Bogaerts. Le singe-ne. 1975. 2/50 with an original serigraph by Janine Moons<br /> 133. Thierry Poucet. Perles à rebours tome 1. 1975. Copy 2 of 50 with a manuscript page.<br /> 134 ISSUE MISSING<br /> 135. Beatrix Beck. Mots couverts. Copy 2 of 50 numbered.<br /> 136/139. Georges Schmits. Nicolas Cloes Peintre Naïf. <br /> 140. Jean-Pierre Ransonnet. Lierneux. With an original photograph 1/50. plus another copy<br /> 141. Francois Jacqmin & Armand Silvestre. Camera obscura. 1976. 2/50 signed and numbered.<br /> 142-144 ISSUES MISSING<br /> 145. <br /> 146.Georges Francois. Des première vapeurs Voodoo au zéro pour Glauzen. Corner bent.<br /> 147/8 Was not published<br /> 149/150 ISSUE MISSING<br /> <br /> Editions:<br /> <br /> Marcel Havrenne. Pour une physique de l'écriture. 30.ix.1953. Edition of 110 copies. Collection “temps mêlés†1.<br /> Alphonse Allais. Poèmes inédits. 1.ii.1954. No. 24 of 40. Tirage à part de “temps mêlésâ€.<br /> Gaston Ferdière. Mi-Rime Mi-Raison. 22.ix.1954. Edition of 60 copies. Collection “temps mêlés†2.<br /> Joseph Peukenne. André Dodet André Blavier. 7 Graphismes Colorés. 30.vii.1954. S.P. copy edition of 60. Inscribed to Queneau by both authors<br /> André Blavier. La roupe de cent sonnets. 1.iv.1955. S.P. copy edition of 100 probably 1/20 on “papier meilleurâ€. Inscribed to Queneau.<br /> Théodore Koenig. La langue d'eole. Desins d'Aubin Pasque. 30.vi.1955. Copy 196/200. Inscribed to Queneau. Collection “temps mêlés†3.<br /> <br /> Clément Pansaers. Lettres au Docteur Schuermans. 21.iii.1958. Copy 8 of 10 on japon total edition of 50.<br /> Raymond Queneau. Le chien a la mandoline. 30.vi.1958. Copy 10/100. Inscribed by Queneau to Suzanne & Jean Rossignol. Collection “temps mêlésâ€.<br /> François Caradec. Monsieur Tristecon chef d'entreprise. 30.viii.1960. Inscribed to Queneau. <br /> André Blavier. De quelques inventions belges utiles et tolérables. 30.viii.1960. Copy 2 of 3 “augmentées d'une invention personnelle de l'auteur†a photo by Jakovsky. Inscribed to Queneau.<br /> Paulin Gagne. Neuf lettres. 31.x.60. Copy 12/12 on Arches with the illustration in color on Whatman paper.<br /> Andre Bosmans. Atsumaingre. 31.i.1961. Copy I of 14 on japon. 8 announced plus 5 total edition of 100. Inscribed to Queneau.<br /> Dix ans de “temps mêlésâ€. Salle de la Société des Beaux-Arts Verviers. Hommage à Maurice Pirenne. Du 22 septembre au 2 octobre 1962. Includes an annotated list of artists who appeared in the first 60 issues of “temps mêlésâ€.<br /> P.J. Dunbar. Rheinräuber. Angleur: Paul Dubart 1967. One of 20 copies with an original Dubar drawing/collage inserted. “Il a été tiré un certain nombre d'exemplaires nécessaire et suffisant pour satisfaire les abonnés et les amis de “temps mêlésâ€.â€<br /> Jean-Jacques Gailliard Le palette du menteur Divin. 1980. 1/300 h.c. copy<br /> <br /> <br /> Phantômas<br /> <br /> 1 see above no. 6 nos. 2-24 1954-1961 plus 26/30 31/34 68/72 83/848586. With Désiré Viardot Ripopee. Éditions Phantomas 1956. H.C. copy one of a few plus 84 numbered constitute the edition. Inscribed to Raymond Queneau. unknown
196648119Paris: Pierre Belfond 1966. Fine. Pierre Belfond Paris 1966 11 x 18 cm broché First edition of which no copies on deluxe paper were issued.Spine slightly faded as usual. Precious signed presentation inscription from Eugène Ionesco to Raymond Queneau: ""Pour Raymond Queneau le Satrape avec mon admiration affectueuse et que tant je voudrais revoir plus que de temps à autre. Eugène Ionesco."" Pierre Belfond unknown
1950COLLEGED022896Paris. 15 Clinamen 77 i.e. 1950. First issue of this journal. Octavo. 52 pages. Wrappers. Texts by Jarry Fargue Torma Laforgue Queneau et al. Illustrations.Small stain to bottom corner of front cover. Some creasing. Very good. Scarce. Paris. 15 Clinamen 77 unknown
194624954Paris: Gallimard 1946. First edition. Wrappers 335 p. 21 cm. Service de Presse copy. Inscribed and signed by Queneau to Lefevre. Very good. Gallimard unknown
195048254München Munich: Willi Weismann Verlag 1950. Fine. Willi Weismann Verlag München Munich 1950 13 x 21.50 cm Reliure de l'éditeur First edition of which there were no large paper copies. Complete with dj slightly sunned at edges of spine and covers small tears to head of upper cover. Handsome autograph inscription signed and dated by Canetti to Raymond Queneau : "" Für Raymond Queneau aus Freude über eine unerwartete Begegnung Juni 1951 for Raymond Queneau the pleasure of an unexpected meeting June 1951"". Willi Weismann Verlag unknown
194724956Paris: Editions du point du jour 1947. First edition. Wrappers unopened. Copy number 75 of 120 numbered copies on Rives paper. Fine. Editions du point du jour unknown
