48 résultats
193727312Boston: No Publisher 1937. First edition. Paperback. Very Good. Sewn wrappers. 4to. 8 pp. Foreword by David T. Pottinger Associate Director of the Harvard University Press. Examples of book design and typography. A very good copy in tall sewn green wrappers with brown and gold designed illustration on the front cover. Not dated but from circa 1937 according to WorldCat. An uncommon item with only four listings noted in WorldCat. No Publisher paperback books
195327791Maple Shade NJ: The Pickering Press 1953. First edition. Paperback. Near Fine. Stapled printed wrappers. Unpaginated. Quotations from the writings of Beatrice Warde reprinted here to commemorate a visit to the United States by Mrs. Warde during May of 1953. Boldly INITIALED by her on the inside front cover. A slender volume containing examples of typography arts by Bruce Rogers W. A. Dwiggins and others. A near fine example. The Pickering Press paperback books
1909SB2739San Francisco: Paul Elder & Company The Tomoye Press 1909. Hardcover. Very good . Jenkins Will. Sixteenmo size 71 pp. This collection of poems by Agness Greene Foster was printed by the Tomoye Press an imprint associated with Paul Elder & Company a notable bookstore in San Francisco run by Paul Elder who in addition published his own books. The Tomoye Press was Elder's collaboration with the eminent typographer and printer John Henry Nash 1871-1947 whose standards of quality were second to none. This volume is a careful execution of Foster's seasonal poetry featuring Nash's excellent typesetting and decorations by Will Jenkins.<br/><br/>___DESCRIPTION: Full mauve paper with pink lettering and decorations on the front board fore- and bottom edges uncut purple endpapers frontispiece a reproduction of an illustration titled "My Lady's Garden" by J. Young Hunter with lettered tissue guard title page with decoration by Will Jenkins in black; sixteenmo size 6.25" by 5.25" pagination: i-ii iii-vii viii 1-2 3-61 62-63.<br/><br/>___CONDITION: Volume is very good plus with a strong square text block with solid hinges the interior is clean and bright and entirely free of prior owner markings; boards are clean overall with a few spots of soiling to the rear board some rubbing to the tail of the spine and to the corners and corners are gently bumped sunning to the boards and light soiling to the endpapers.<br/><br/>___POSTAGE: Â International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. Paul Elder & Company [The Tomoye Press] hardcover books
195427300London: Batsford 1954. First edition. Hardcover. Near Fine/very good. Tall hardbound 8vo in dustwrapper. 191 pp. Text by Scarfe followed by dozens of examples of written and printed letter forms. Beautifully printed volume. A handsome near fine copy in clipped but otherwise very good dustwrapper. Batsford hardcover books
198525492Nashua New Hampshire: Famous Faces Typography Typefaces Style Poster with Portraits of Aldo Novarese Ed Bengulat Tony Stan Herb Lubalin Eric Gill By Bill Ogden Itek Graphix Itek Compositions Systems 1985. Poster with type face specimens; illustrated by Bill Ogden; with biographical details below the portraits of these typographic giants below. Printed on one side only in black & blue on glossy paper stock; with additional information about licensing of the typefaces listed by various companies. Not dated circa 1985. Approx. 42" x 28 1/2" size; old fold lines as made. Light wear on edges; in very good condition. Typography. Not Bound. Very Good. Illus. by Bill Ogden. Famous Faces Typography Typefaces Style Poster with Portraits of Aldo Novarese, Ed Bengulat, Tony Stan, Herb Lubalin, Eric Gill paperback books
193518058New York City NY: Heller-Edwards Typography 1935. Stiff wraps. Good. Publishers binding with metal spine panel black painted with some rusting and limp leatherette boards with "Heller Edwards Typography" and emblem on front cover faded. Included in this binding is first the "Supplement to the Heller-Edwards Type Specimen Book October 15 1935" 12 pages unnumbered a "Type Area Calculator" working with sliding insert insect damage to surface soiling and the main catalogue 144 leaves most one-sided each with a different typeface plus additions 56A 94A 129A 139A 139B. Last leaf is "Trade Customs". Last few pages of the main catalogue are bent with some edge tearing upper right corner and last page has some insect damage. A useful reference for this firm. Stiff wraps. Heller-Edwards Typography unknown books
1998WN43015New York: Black Dog & Leventhal 1998. Original black cloth blind stamped and gray lettering. Many illustrations in full color making a wonderful reference work for the bibliophile and professional. First Edition. Cloth. Near Fine/Near Fine. Folio - over 12" - 15" tall. Trade. Black Dog & Leventhal Hardcover books
1911254371East Aurora NY: Roycroft Press Roycrofters 1911. Miriam Edition. Full Leather. Very Good binding. Signed by Hubbard on the first blank. Full bound in limp leather with green stamped grain in holly-patterned slipcase with shelfwear and some light separation at top corner; previous owner name embossed in gold on the lower edge of the front cover; internally this is an exceptionally bright copy with portraits of each subject preceding the section; digital images can be made available upon request. Very Good binding. Roycroft Press] Roycrofters unknown books
1910254376East Aurora NY: Roycroft Press Roycrofters 1910. Miriam Edition. Full Leather. Very Good binding. Signed by Hubbard on the first blank. Full bound in limp leather with green stamped grain in holly-patterned slipcase with light shelfwear; previous owner name embossed in gold on the lower edge of the front cover; internally this is an exceptionally bright copy with portraits of each subject preceding the section; digital images can be made available upon request. Very Good binding. Roycroft Press] Roycrofters unknown books
1910254380East Aurora NY: Roycroft Press Roycrofters 1910. Miriam Edition. Full Leather. Very Good binding. Signed by Hubbard on the first blank. Full bound in limp leather with green stamped grain in holly-patterned slipcase with some loss to one panel else with light shelfwear; previous owner name embossed in gold on the lower edge of the front cover; internally this is an exceptionally bright copy with portraits of each subject preceding the section; digital images can be made available upon request. Very Good binding. Roycroft Press] Roycrofters unknown books
1913254377East Aurora NY: Roycroft Press Roycrofters 1913. Miriam Edition. Full Leather. Very Good binding. Signed by Hubbard on the first blank. Full bound in limp leather with green stamped grain in holly-patterned slipcase with light shelfwear; a bit of wear at the head of the spine; previous owner name embossed in gold on the lower edge of the front cover; internally this is an exceptionally bright copy with portraits of each subject preceding the section; digital images can be made available upon request. Very Good binding. Roycroft Press] Roycrofters unknown books
1908254373East Aurora NY: Roycroft Press Roycrofters 1908. Full Leather. Very Good binding. Signed by Hubbard on the first blank. Full bound in limp leather with green stamped grain in holly-patterned slipcase with light shelfwear; previous owner name embossed in gold on the lower edge of the front cover; internally this is an exceptionally bright copy with portraits of each subject preceding the section; digital images can be made available upon request. Very Good binding. Roycroft Press] Roycrofters unknown books
19279624NY: Continental Typefounders Association Inc 1927. Stapled green printed wrappers. VG some edgewear/faint 1/2" x 1/4" stain at base of spine fold. 32 pp illustrated sm Folio 8 1/8" x 12 1/4". <br/><br/>Contains the first appearance of some new sizes of Village type 12 e.g. Goudy Modern 36 pt. These new sizes announced on a laid-in lt. brown printed advert sheet 5" x 9". Continental Typefounders Association Inc unknown books
19269625Marlborough-On-Hudson NY: The Village Letter Foundry 1926. Stapled lime green printed wrappers. VG some edgewear & soiling. 34 pp. Frontis type specimens. 11-7/8" x 8 3/8" <br/><br/> The Village Letter Foundry unknown books
193523404London: William Heinemann 1935. First Thus. Quarto 28cm.; original cloth-backed boards in drab printed dust jacket; 64pp.; two-toned red and black illus. throughout. Jacket a bit chipped along extremities including two small losses neither approaching text extremities and spine darkened else Near Very Good and sound. Handsomely illustrated edition of a Lawrence short story originally published as The Escape Cock in 1929. ROBERTS A50d. William Heinemann unknown books
1962D7995Draeger Freres a Montrouge 1962. Paperback. Very Good. Full-color illustrated wraps; 4to; pp. 32 2 with 7 double-page watercolors by Buffet. Covers a bit scuffed along the edges otherwise fine. With glassine jacket and laid-in ads. <br/><br/> Draeger Freres a Montrouge paperback books
196615148New York: Photo-Lettering Inc 1966. First edition. Paperback. Fine. 8vo. 26 pp plus illustrated covers. A celebration of typographer Davison's work on the Photo-Lettering Composer. Introduction by Edward Rondthaler. Fine condition. Scarce. <br/><br/> Photo-Lettering, Inc paperback books
194025470New Haven Connecticut: William Edwin Rudge Publisher Inc. 1940. The first volume of this graphic arts quarterly issues 1-4 published June 1940 - March 1941. With artistic contributions by John Taylor Arms Georgia O'Keefe Margaret Sommerfeld Edward A. Wilson Boris Artzybasheff Ludwig Bemelmans Warren Chappell Mary Falconer Eric Gill Leslie Gill Paul Landacre Raymond Lufkin Valenti Angelo Fritz Kredel E. McKnight Kauffer Rudolph Ruzicka William Addison Dwiggins and many others. Articles on printmaking wallpaper illustrated books calligraphy the rare book market book reviews reproductions and the collotype process illustrators printing education woodcuts and wood engravings propaganda and the graphic arts: influencing public opinion for national unity and more. The issues approx. 7 1/4" x 10" size; illustrated softcovers; the index a folded sheet. Slight wear; in very good condition; the slipcase and box with wear and chipping rubbed; has protected the issues very well. A very good set of this graphic arts compendium from mid-20th century. . First Edition. Softcovers in Box. Very Good. William Edwin Rudge, Publisher, Inc. hardcover books
1949002551Paris: Nicolas. Societe Anonyme au capital de 1 milliard 50 millions. Printed by Draeger Freres a Montrouge. 1949. First Edition. Wraps with spiral. Fine/Very Good. A catalog that is itself a work of art with this issue drawing inspiration from Japanese woodblock imagery. Harada the artist captures the simplicity elegance and understatement of the Japanese aesthetic in his panoramas and images of birds insects flowers etc. 8vo. 33 1 pp. Nicolas a leading French wine distributor that is still very much in business excelled at producing beautiful books and other printed material over the decades. This copy but for light edge toing on the cover made of a heavy card is close to pristine and the original glassine is preserved although it has moderate wear an one inch or so closed tear and a few other trivial closed tears. Also included is a price list insert. <br/><br/> Nicolas. Societe Anonyme au capital de 1 milliard 50 millions. Printed by Draeger Freres a Montrouge. paperback books
19537011London: Privately Printed 1953. First Limited Edition. One of 300 numbered copies. 16mo; quarter linen over printed paper boards; original glassine unprinted jacket; 59pp; 10 gravure plates of Gill's friezes for the Archaeological Museum of Jerusalem commissioned in 1934. Hint of sunning to upper board edges else Fine in original glassine. GILL Bibliography 54a. Privately Printed unknown books
195519947New York: Museum Books 1955. First edition. Hardcover. Very Good. Metal spiral bound quarto. Cover design by Ronald Clyne. Unpaginated volume on the history and evolution of letterhead typography. Includes 54 actual examples at rear of volume. Black cloth spine over patterned boards. Boards are worn along the edges. Still a very good clean example with wonderfully designed examples of letterhead typography. Uncommon volume. <br/><br/> Museum Books hardcover books
19317431Praha: Druzstevnà práce Orbis 1931. Octavo 19 x 14 cm. 355 4 pages. Stated fourth printing "Ctvrté vydánÃ" one of five hundred copies printed. The colophon states there were cloth and leather binding issues but does not state the number of each. Originally published in 1919 Sup was one of the first works and I believe the first novel of Emil Vachek journalist playwright and novelist and inventor of the Czech detective story. This later edition was issue in the prestigious and design-wise ground breaking Druzstevnà práce by Orbis. The series was overseen by the great Ladislav Sutnar who also contributed the typographical design for each volume. Fine in full cream-colored calf with gilt decorative design by Josef Kaplicky Czech sculptor generally in a social realist style and father of the significant architect Jan Kaplicky. Signed on a preliminary leaf by the author. OCLC locates only one copy of this issue National Library the Czech Republic and five copies with similar pagination but carrying the Sfinx imprint none of either imprint in the U.S. Druzstevnà práce [Orbis] hardcover books
196619979Geneve: Galerie Motte 1966. First edition. Paperback. Very Good. Thick paperbound quarto. 130 numbered pages followed by a Table Des Oeuvres Reproduites. Correct first edition of this extraordinary volume on the influences of modern art movements on the evolution of typography. With essay in French by Jacques Damase and including extensive examples from artists such as Kurt Schwitters Francis Picabia Fernand Leger Man Ray Robert Delaunay Tristan Tzara and Guillaume Apollinaire among many others. Illustrated in color and black and white. Covers worn at edges but a very good copy overall of this uncommon work. Stiff illustrated wrappers. <br/><br/> Galerie Motte paperback books
