Fleury, le F:.Biblio.com
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188042038Bruxelles: Henry Kistemaeckers 1880. 8vo 19x12 cm. Original decorated wrappers sl. soiled. 98i: Table des Matièresi:blank pp. Uncut unopened. A few brown spots on first and last leaves otherwise good. Henry Kistemaeckers unknown
1821417397London : Keating and Brown Printers 1821. 1st edition. Hardcover. Very good copy in full aniline calf leather. Spine bands and panel edges rubbed and bumped as with age. Remains particularly well-preserved overall. Physical description; 107 1 pp.; 13 cm. Notes; Date is suggested. Subjects; Catholic Church Catechisms and creeds English. French. London : Keating and Brown Printers hardcover
189725528Paris: Plon 1897. Fine. Plon Paris 1897-1898 14 x 22.50 cm 2 volumes reliés First edition. Bradel binding in half burgundy cloth with corners smooth spines decorated with gilt floral motif gilt dates and armies at foot of spines hazelnut shagreen title-labels showing traces of rubbing marbled paper boards contemporary binding. Work illustrated with 3 heliogravure portraits including 2 frontispieces. Some foxing affecting mainly the very first and very last pages of the volumes. Plon hardcover
1891044409Lancaster: Eaton & Bulfield 1891. 1st Edition. Hardcover. Very Good. Clean With No Remarks Or Highlights Inside. Hardcover With No Dust Jacket. Original Copy Not A Reprint This Is An 1891 Book. Inscription From 1910 At The Verso Of The Front Cover. Pages Are Yellow From The Age.- Specializing in academic collectible and historically significant providing the utmost quality and customer service satisfaction. For any questions feel free to email us. Eaton & Bulfield hardcover
18429032517London: John Henry Parker 1842. Hardcover. Very Good. Ex-library. Translated by Newman. Bound in brown cloth with spines stamped in gilt covers blind-stamped. Text blocks are in very good condition clean and bright with library bookplates stamps and very minor foxing to endpapers. Minor wear to corners heads and heels sunning to spines. 5 1/2 x 8 1/2 inches. <br/><br/> John Henry Parker hardcover
1842010976Oxford: John Henry Parker 1842 1843 1844. 3 vols. ccxx 400; vii 468; viii 471 pp. Full leather with raised bands. Chipping at head of Vol. 1 1 of two spine slips missing on Vol. 2 minor chipping of two other spine slips some leather scuffing foxed bookplates some notations in pencil on the blank endpapers tight. Contains Newman's 205-page "Essay on the Miracles Recorded in Ecclesiastical History" and his introductory advertisements to each volume. . Good. Hardcover. First Edition. 1842. John Henry Parker, 1842, 1843, 1844. hardcover
184326175Oxford: John Henry Parker/ J G F and J Rivington. Good with no dust jacket. 1843. Hardcover. We fit archival quality clear acrylic covers for additional protection whenever possible. ; 8vo 8" - 9" tall; viii 1 468 pages; With bound in errata slip lacking front end paper. Spine and boards detached. Textblock complete and binding sound. Page six with short tear and stains generally contents VG. Vol II only of 3. . John Henry Parker/ J G F and J Rivington hardcover
1820014021London: Printed for W. Baynes & Son 1820. Book measures 22.5x14.5.cm. xvi 3831pp. Bound in half calf calf corners marble boards raised bands. Binding heavily worn. Internally occasional library mark or stamp. Pages in good condition. A good copy. . Half Calf. Good Plus. 8vo. Printed for W. Baynes & Son Hardcover
18096ramdWilliam Baynes London 1809. 3rd edition . Hardcover. Good/No Jacket. Signed by the previous owner on the front free end paper page. New endpapers. 1/4 Red top page edges. 3rd edition. Publication of 389 pages. There is bright gold gilt on the spine and little on the covers of the book with 5 raised bands. Frontispiece. The boards are in good condition. There is foxing and minor marks throughout the book the text remains legible. Bound in beautiful binding. In good condition considering the age of the book 1809. Our orders are shipped using tracked courier delivery services. William Baynes, London hardcover
1868RWARE0000014532Stanley Bradley Publishing. Acceptable. 1868. Hardcover. Front cover detatched but present. Some pages loose. Gold lettering and de corations on cover. Reading copy. Delightful old book. . Stanley Bradley Publishing hardcover
1852127424Paris: Labe 1852. Hardcover. Very Good. Hardback binding firm and square with strong joints and a leather spine lettered in gilt. Contents tight and clean just slightly age toned. No pen-marks. Not from a library so no such stamps or labels. Size: 8vo 215mm x 140mm. Collation: pp. viii 568 complete with 4 plates. Thus a very good copy. Labe hardcover
185273635Paris: Labe 1852. Half leather hardcover. viii568 pp.; 4 plates; 21.5x14 cm. Text in French / Français - leather bit rubbed corners slightly bumped some spots/ foxing Although very good see pictures Labe hardcover
1875008819Paris: P. Ausselin 1875. 1ª Edição . Editorial / Hard Cover. Bom / Good / Bon. In-4º 245x160. 1 Vol. de XXVI-1124-32 pp. Muito ilustrado. Encadernação editorial. Acidez devido à qualidade do papel que não afecta o texto. <br/> <br/> P. Ausselin hardcover
1878SAV158Rouen: E. Augé 1878. Hardcover. Very Good. 8vo 245 x 160mm. xvi preface 418pp. with tables. Pictorial printed wrappers and title printed in red and black. Double etched frontispiece by Jules Adeline. Preface by Champfleury the pseudonym of writer Jean Fleury 1821-1889. Édition de luxe numbered 2 of 220 and initialed by Jules Adeline JA; issued as the first 20 on papier de Chine with a double suite of etchings in black and white and sepia. 127 vignettes forming the 100 pages of vignettes stated on the title depicting monumental sculpture capitals vaults reliefs gargoyles in-text. Bound by E. Quinet in 1883 in full medieval-style cuir-ciselé binding depicting two reliefs on the Cathedral of Rouen: a gothic grotesque hooded man holding staff front cover and hybrid dog-like centaur playing fiddle back cover spine blind-lettered SCULPTURES GROTESQUES marbled endpapers green gold and purple silk endbands gilt edges; A fine deluxe printing in impeccable form the binding is a treasure and was made especially for the text nothing else is quite like it. Ex-libris and oval gilt morocco bookplate of Estelle Doheny on front pastedown. <br/><br/>This is a deluxe issue of the famous monograph written and illustrated by Jules Adeline on the grotesque Gothic sculptures and gargoyles in the region of Rouen. Amply illustrated on fine papier de Chine it is numbered 2 in the first set of 20 and is initialed by Jules Adeline on the edition leaf. The deluxe edition of this monograph printing is quite rare. This was the tirage tout spécial destined for distribution between the author and printers circle. By Adelines initials we conclude this copy enjoyed that privileged circulation. Adeline was a fixture in his hometown of Rouen. His career began in architectural sketching where he developed a keen eye for depicting the monumental sculpture in his native French medieval city. Adeline also worked as a caricaturist and artistic columnist for several newspapers including the "Journal de Rouen" "Rouen Nouvelliste" and "Le Progrès de Rouen." In particular this publication dealt with the satirical and symbolic sculptures that he encountered on the winding avenues of Rouen. With contributions from Champfleury a trailblazer of Realism in painting and literature this work was celebrated for its conclusions in medieval art iconography mainly that hybrid characters embodied complex nuanced and understated ideas that often resist exact interpretation. The custom presentation binding of cuir-ciselé cut-leatherwork is most exceptional. Not only is it unusual in treatment but also it incorporates two relief panels from the Cathedral of Rouen in the form of characteristic medieval grotesques. Not much is known about the Parisian binder Quinet but he can be linked to other bindings of the late-nineteenth century many described as magnificently gilt. This artisanal binding is unparalleled in its distinctive medieval-revival leather craftsmanship; it is period to five years of the printing and would have circulated through Jules Adeline himself perhaps even by his commission. E. Augé hardcover
