78 résultats
1938WRCLIT71241Hollywood: Paul Kohner Inc. 1938. 195 leaves. Quarto. Original typescript on onionskin paper. Bradbound in agency binder with label and manuscript denotation "Original." Upper wrapper somewhat smudged and soiled title written on lower edge otherwise very good or better. An agency typescript of Howard's adaptation/translation of Molnár's play first produced in New York in October of 1928. The typescript though original is obviously later - reference is made to the 1928 production on the title leaf and Kohner established his agency in 1938 the year prior to Howard's death. The agency address on the binder is in the Berman Bldg 9169 Sunset Blvd sans zip code which may help slightly to date the typescript although their offices were there for decades. Paul Kohner, Inc. unknown books
193520818London: Victor Gollancz Ltd. Near Fine in Very Good dj. 1935. First Edition. Hardcover. NOISBN . minimal wear to book; jacket a bit soiled but otherwise unworn. Translation and adaptation of a German play a drawing-room comedy about some French aristocrats. Presented in London at the Ambassadors Theatre in 1935 it was notable as the first big success of Vivien Leigh who appeared in the role of Henriette Duquesnoy garnering excellent notices and much subsequent press attention. The latter was doubtlessly tied in with the promotional efforts of film producer Alexander Korda who signed her to a contract after seeing her performance on opening night having failed to discern her potential at an earlier meeting. Reportedly and even more fatefully it was in this play that she was first seen by Laurence Olivier later to become her lover and then husband. . Victor Gollancz Ltd hardcover books
1925006149New York: David Belasco Privately Printed 1925. First Edition. Wrappers. Fine/Fine. 4to. 178 pages. Included are photos of stars and of scenes from the play and of Belasco himself receiving a medal from the French government. There are 34 photos in all. Also reprint of interview with Belasco and a tribute to Belasco. Belasco now known by most merely as the name of a theater was one of the leading theater impresarios and a flamboyant showmen in New York in the late 19th and early 20th century noted especially for his crowd-pleasing stage effects and popular entertainments. Condition: other than very minor wear along lower edge of DJ and a few spots on its rear this is a pristine copy and the DJ can still comfortably be described as in fine condition. <br/><br/> David Belasco, Privately Printed unknown books
1910WRCLIT77006New York: Charles Frohman 1910. Three volumes. 343;150;135 leaves. Quarto. Original and carbon typescripts with red rules bradbound in steno service wrappers each bearing the large rubber stamp of producer Charles Frohman. Some soiling discolorations and fraying to wrappers internally very good. A three act theatrical script associated with the premiere production of this comedy. The script for Act II bears the signature of Joseph Allenton who played the lead and the denotation "Original." Those for acts one and three are stamped "Latest Corrected Copy." The play opened at the Lyceum on 19 September 1910 and closed after 48 performances. One of the scripts is dated "10/20/10" in the corner of the upper wrapper and there are a few corrections and annotations in the texts. Prominent theatrical producer Charles Frohman who was lost on the Lusitania in 1915 while demonstrating exemplary courage produced the play. This was a quite early writing credit for Unger 1885-1940 who had an active career spanning three-decades as screenwriter and playwright. Charles Frohman unknown books
194736857New York: Printed by the Aldus Printers for the Limited Editions Club 1947. Small folio 31 cm 12.2". 42 6 double-fold pp.; col. illus. <br><br>Szyk's eight full-page full-color "Oriental Realism" illustrations in the style and tradition of Oriental miniatures are dramatically eye-filling in this Limited Editions Club production. The edition is limited to 1950 copies this is no. 230 with the appropriate LEC newsletter laid in each signed by the illustrator. The volume is set in intertype Weiss with six large initials in gold; "Ruth" on the half-title and title-page are also printed in gold; and the paper is Worthy special.<br>Â Â Â Â Binding: Bound by Russell-Rutter Company in half white leather with slightly raised bands a gilt-background title label; smooth vellum-paper sides gold-stamped with a large image of Ruth holding a sheaf of grain and a scythe. Top edge gilt. <br>Â Â Â Â <br>Â Â Â Â Limited Editions Club Bibliography of the Fine Books Published by The Limited Editions Club 184. Binding as above in the original gold foil-covered slipcase; volume with spine and corners moderately darkened and rubbed slipcase foil with expectable rubbing and spine chipped. LEC newsletter creased with small stains. In spite of these flaws still a sturdy case and a pleasing book internally bright and lovely. [Printed by the Aldus Printers for the] Limited Editions Club hardcover books
194829420New York: Alfred de Liagre Jr. 1948. First edition thus. Paperback. Very Good . Bradbound screenplay in printed paper covers. 50 and 42 pps respectively for the two acts of this play. In very good condition The play was first performed on December 27 1948 at the Belasco Theatre by Alfred de Liagre Jr. director. Alfred de Liagre, Jr. paperback books
196726836New York: Random House. Fine in Near Fine dj. c.1967. Book Club Edition. Hardcover. a tight clean copy with no discernible wear to either book or jacket just a touch of tanning to the jacket spine. B&W photographs Musical adaptation of the "Peanuts" comic strip which ran for 1597 performances in its original off-Broadway production and has been re-staged and adapted for other media numerous times since notably as a 1973 TV special and in a 1999 Broadway revival. The original production starred Gary Burghoff as Charlie Brown and Bob Balaban as Linus Van Pelt. . Random House hardcover books
1972CNFBV03New York: E. P. Dutton and Company Inc 1972. First Edition. Hardcover. Near fine/very good. Oblong quarto 40 pp. Caldecott Medal winner. Based on a story by Patrick Lafcadio Hearn 1850-1904;born in Greece raised in Ireland at the age of 19 he emigrated to the United States spending time in Cincinnati and New Orleans. He eventually traveled for work newspaper reporting to the West Indies and thence to Japan where he found his true home. He married Setsuko Koizumi who was from a Samurai family; they had four children and Hearn fully immersed himself into Japanese culture. He and his wife would travel around Japan gathering the old folk tales which he translated; they were immediately popular and would eventually delight generations. This tale is of a "funny little woman" who goes chasing after a runaway dumpling laughing all the way only to find herself cooking with a magic paddle for the wicked "oni" that live underground. Illustrated by Blair Lent 1930-2009 who is probably best known for his Asian folklore inspired work; this volume was the winner of the 1973 Caldecott Medal.<br/><br/>___DESCRIPTION: Original green cloth with a dark-green illustration to the upper board title stamped in dark-green to backstrip illustrated title page fully illustrated throughout in colour; oblong quarto size 9.25" by 9.75" 40 unnumbered pp. first edition. In the original pictorial dust jacket which shows the price of $5.95 summary of the book on the front flap author and illustrator bios on the back flap Caldecott Medal on the front panel back panel illustration which mirrors the design on the front board.<br/><br/>___CONDITION: A near fine copy the binding is clean and without wear the corners are straight and unrubbed the hinges are strong internally bright and free of prior owner markings; a slight lean to the spine else fine. The unclipped dust jacket is very good with several short closed tears some with old cello tape on the verso from a prior owner and minor overall edgewear; the colours are bright the cream background just lightly toned. Overall a near fine copy of the first edition and a lovely story by a renowned author retold for a contemporary audience.<br/><br/>___POSTAGE: International customers please note that additional postage may apply as the standard does not always cover costs; please inquire for details.<br/><br/>___Swan's Fine Books is pleased to be a member of the ABAA ILAB and IOBA and we stand behind every book we sell. Please contact us with any questions you may have we are here to help. E. P. Dutton and Company, Inc hardcover books
195945822New York: Random House 1959. First Edition. First Printing. Octavo 21cm; gray vinyl cloth with titles stamped in black and gilt and photographic still mounted to front cover; dark yellow-orange topstain; dustjacket; xiv23-1055pp; illus. Inscribed by Ruth Ford to Harlan P. Kleiman on the front endpaper: "To Harlan / with great expectations / Ruth Ford." Fine in a Near Fine dustjacket unclipped priced $2.95 with sunning to spine and front panel extremities some light dustiness and trivial wear to crown. Distinguished copy of Ford's stage adaptation of Faulkner's 1951 novel written in the form of a three-act play with each act preceded by a narrative section. Ford removed the narrative sections and revised the remainder of the novel for dramatic unity. Inscribed to Harlan Phillip Kleiman screenwriter Broadway producer and co-founder of New Haven's Long Wharf Theatre. Provenance: From the collection of Broadway star Sondra Lee. Petersen Collection A49.1. Random House unknown books
1958132326N.p.: N.p. 1958. Draft script for a play based on the classic 1957 film directed by Ingmar Bergman. Actress Mary Henry's copy profusely annotated throughout. Ms. Henry played one of three "phantoms" in the play who do not speak but who are generally present. Nothing is known about the production of this play the playwright or the actors involved but the nature of the mimeograph would place the production in the late 1950s or early 1960s. <br/><br/>Tan side-stapled wrappers with credits for screenwriter Bergman and playwright Vinciguerra in typescript at the upper center of the front wrapper. 27 leaves mimeograph duplication. Pages Near Fine wrapper Very Good lacking rear wrapper side stapled. N.p. unknown books
1961143272Paris: Cinedis 1961. Three original color transparencies from the 1961 film. Starring actors including Marais and Vlady are seen in lavish period costumes designed for the film by Marie-Claude Fouquet and Jacqueline Guyot. Housed in a light blue mailing envelope with annotations on the recto in holograph ink noting contact information for Fouquet and Guyot. <br/><br/>Based de La Fayette's 1678 anonymously published novel France's first historical novel widely regarded as an early psychological novel. The Princess Vlady marries a much older prince Marais but yearns for a handsome duke Poron. Her fidelity eventually coming into question. Marais also starred in Delannoy's and Cocteau's other collaboration "Love Eternal" 1943. <br/><br/>Two transparencies 3.25 x 4.5 inches one slightly larger. Near Fine overall in original transparent sleeves. Cinedis unknown books
1956147087Los Angeles: Twentieth Century-Fox 1956. Final draft script for the 1956 film. Wrappers trimmed to conform to text block separating spine from wrapper abd cropping copy number stamp "650" and re-written in holograph ink. Production number adjusted in holograph pencil with ."5." "#3" in holograph in on edge of spine.<br/><br/>Based on Marcelle Maurette's 1952 stage play about a scheme to conspiracy to extort ten million pounds from a bank by teaching a homeless girl to impersonate the missing Russian princess Anastasia.<br/><br/>Ingrid Bergman won an Academy Award for her lead role. <br/><br/>Blue titled wrappers noted as FINAL on the front wrapper rubber-stamped copy No. 650 and production No. 2677 dated June 7 1956. Title page present dated June 7 1956 noted as Final Script with credits for screenwriter Arthur Laurents. 139 leaves with last page of text numbered 136. Mimeographed rectos only. Pages Near Fine wrapper Very Good plus trimmed to conform to text block with spine separate bound with two gold brads.<br/><br/>Twilight Time 203. Twentieth Century-Fox unknown books
1966138328Prague: Jiriho Wolkra Theatre 1966. Original flyer for a 1966 production of Stephan Zweig's 1928 adaptation of Ben Johnson's Jacobean Era play "Volpone" at the Jiriho Wolkra Theatre in Prague in May 1966. <br/><br/>5.75 x 8.75 inches. Offset lithograph image with letterpress text to the recto and verso. Light foxing to the verso else bright and Near Fine. Jiriho Wolkra Theatre unknown books
1973142419New York: Wroderick Productions 1973. Draft script for a 1973 Roderick Cook adaptation of the 1929 Noel Coward musical likely written after Cook's 1972 musical review of Coward's work entitled "Oh Coward!" <br/><br/>A three act operetta in which a wealthy young woman elopes with her music teacher. Coward's original script was basis for the 1933 film directed by Herbert Wilcox and the 1940 film directed by WS Van Dyke. The Van Dyke film was so disliked by Coward that he vowed to never let Hollywood adapt one of his works again. <br/><br/>Adaptation writer/actor Roderick Cook worked extensively with Coward's material his best-known work being a highly well-received 1972 musical review of Coward's work entitled "Oh Coward!" While it is believed that Cook's adaptation of "Bitter Sweet" was never performed professionally and the material in this script was not utilized in "Oh Coward!" it was likely written after Cook's considerable success with the review encouraged him to take another look at Coward's oeuvre. <br/><br/>Set in London and Vienna. <br/><br/>Pink titled wrappers with credits for playwright Noel Coward and adaptation writer Roderick Cook. Title page present dated September 1973 noted as REVISED with credits for screenwriter Coward and adaptation writer Cole. 96 leaves with last page of text numbered III-1-18. Mimeograph duplication. Pages about Fine wrapper Near Fine bound with two gold brads. Wroderick Productions unknown books
1973WRCLIT80587Np 1973. 293pp. Folio 35.5 x 25.5 cm. Loose sheets punched at left and bradbound. Moderate wear and tear consistent with use with annotations scattered throughout some tape marks from absent inserts corners turned etc. Good. A large format rehearsal script for the 1971- 1973 roadshow revival of Shaw's dramatic piece a free standing scene from Act 3 of MAN AND SUPERMAN. The production was directed by John Housman and starred Ricardo Montalban Paul Henreid Agnes Moorehead and Edward Mulhare. This copy bears the ownership and address stamp of Paul Henreid who played the role of the Statue in the performances in Boston Chicago Los Angeles and New York in the latter as the "Commander". Throughout this script the lines for the Statue have been highlighted and annotated with prompts and revisions presumably for or by Henreid. Henried born Paul Georg Julius Freiherr von Hernreid Ritter von Wasel-Waldingau 1908- 1992 had a long and active career on stage and in film and television as both actor and director. He is most widely recognized for his role as Victor Laszlo in CASABLANCA 1942. unknown books
1941WRCLIT72043New York: National Broadcasting Company 1941. 157 leaves. Quarto. Mimeographed typescript printed on rectos only. A few pencil notes on terminal leaf otherwise very good or better. A preproduction script for this adaptation for NBC's radio series "Great Plays" scheduled for production on Sunday 9 March 1941. The series first aired on NBC Blue in Spring of 1938 and was until its suspension in 1942 one of its most prestigious undertakings. This production was included in its fourth season. The specific cast for the broadcast is not included in this script and presumably drew upon the substantial stable of performers the show engaged for its season. National Broadcasting Company unknown books
1972133021San Diego CA: Legend Films 1972. Draft British script for the 1973 film. <br/><br/>Alec Guinness plays here against type imbuing his Adolf Hitler with an introverted solemnity. Set almost entirely inside Hitler's Berlin bunker the film chronicles the dying days of the Third Reich as the Allied armies close in on Berlin. Guinness' Hitler is an enclosed depressive who sinks slowly into madness depression and ultimately suicide as his 1000-Year Reich collapses around him. <br/><br/>A co-production between Italy and the UK made by Ennio De Concini better known for his many exploitation films of the 1970s. <br/><br/>Blue titled wrappers with a die-cut title window in the British style. Title page present dated 10th July 1972 with credits for screenwriter-director De Concini screenwriters Fusco and Reinhardt and English adaptation writer Moffat. 128 leaves roneograph on eye-rest green stock. Pages about Fine wrapper Near Fine bound internally with two silver brads. Legend Films unknown books
1957142883Paris: Cinedis 1957. Collection of 14 vintage photographs and color transparencies from the 1957 French-Italian film. Nearly all photographs are contact sheets with 34 color transparencies 24 are medium-format and 5 are mounted. Starring actors Fernandel and Gray comprise most of the collection and the contact sheets consist of candid images of Fernandel director Boyer noted director Christian-Jacques and Fernandel in various accouterments surrounded by female members of the cast. Only a few contact sheets have less than 12 numbered frames amounted to 146 images. Striking images of both Gray and Patrick are scattered throughout the transparencies. <br/><br/>Fernandel stars as a talentless actor who fails to find work and turns to imitating people he sees on the street a stunt that lands him in court where he finally has a chance to showcase his acting ability. Fernandel was France's leading funny man for decades and Gray would go on to her best-known role in Federico Fellini's masterpiece "La Dolce Vita" 1960. Liliane Patrick's debut film later credits include "Maxime" 1958 "Julie the Redhead" 1959 and "A fleur de peau" 1962. <br/><br/>Transparencies housed in original glassine and paper envelopes four with annotations in holograph ink. Two slips of paper one on Cinedis parchment noting various photo sizes and quantities in holograph ink and in French are included. Brief notation in holograph pencil on the verso of the 5 x 7 photograph. All housed in original French Kodak photo box French title label affixed to the lid with annotations in holograph ink. <br/><br/>Sizes range from 2.25 x 4.75 to 7 x 9.25 inches. Very Good plus overall photos with light curling some with faint creases several contact sheets with bruises to one edge and light staining and wrinkling to mounted transparencies. Box Very Good overall. <br/><br/>Complete collation upon request. Cinedis unknown books
1932144467Hollywood: Fox Film Corporation 1932. Final Shooting script for the 1932 film. Based on the 1932 novel by Zane Grey. <br/><br/>George O'Brien plays an itinerant cowboy named Jim Wall who agrees to take part in a cattle rustling scheme but backs out after developing feelings for the rancher's sister. <br/><br/>Set in Arizona and shot there on location. <br/><br/>Green titled wrappers noted as FINAL SHOOTING SCRIPT on the front wrapper production No. 103 dated 8/24/32 with credits for novelist Zane Grey and screenwriter Dudley Nichols. Title page integral with the first page of the text with credits for novelist Grey and screenwriter Nichols. 108 leaves with last page of text numbered 108. Mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus bound with three gold brads.<br/><br/>Pitts 3559. Fox Film Corporation unknown books
1961144012Paris: Cinedis 1961. Archive of 14 original single weight black-and-white photographs and various ephemera from the 1961 film here under the original French title. The photographs numbered on the versos in holograph pencil detail costumes for starring actors Marina Vlady and Jean Marais an exhibit of film stills and costume designs at a bookshop called "Lavocat" costumes displayed at tge shop "Delvaux" and the ephemera consists of a press packet detailing film credits and biographies an invitation for two to the premiere on March 26 at the Marivaux cinema a small slip with annotations in holograph ink and a carbon typescript from Maryse Martres to "Madame Armon" at Delvaux regarding the costumes. Housed in a large manila folder. <br/><br/>Based de La Fayette's 1678 anonymously published novel France's first historical novel widely regarded as an early psychological novel. The Princess marries a much older prince Marais but yearns for a handsome duke Poron. Her fidelity eventually coming into question. Marais also starred in Delannoy's and Cocteau's other collaboration "Love Eternal" 1943. Delannoy directed over 50 films at first well-regarded dissipating at the end of his career with several B-grade films. Costuming for the film was produced by Pierre Cardin and Marcel Escoffier both also worked together on "Beauty and the Beast" 1946 and "Fernandel the Dressmaker" 1956. <br/><br/>Martres Martin was a prolific French actress since 1948 notably "Girl on the Third Floor" 1955 and "The Happy Road" 1957 and she was later involved in press relations at Cinedis a notable film agency in operation since the Silent Film era. Kishi was born in 1932 and became a Japanese actress and writer. She married director Ciampi in 1957. Since 1996 she has been a Goodwill Ambassador for the United Nations Population Fund UNFPA. The Delvaux shop has been producing leather goods mostly handbags since the 19th century with central locations in Belgium. <br/><br/>Photos range from 6.75 x 9 inches to 7.25 x 10.5 inches. Ephemera ranges from 3.5 x 4.75 inches to 8 x 10.5 inches. Very Good plus overall with scattered creases and toning. <br/><br/>Complete collation details available upon request. Cinedis unknown books
1972147482Los Angeles: Dan Curtis Productions 1972. Two Revised Draft scripts "Frankenstein - Part 1" and "Frankenstein - Part 2" for the two part television film "Frankenstein" which aired two two hour episodes on January 16 and 17 1973 on ABC's "Wide World of Mystery." Name of uncredited crew member David Dyer and "filming 12-18-72" on top right of each script in holograph ink. With holograph ink annotations to the credits of "Part 1."<br/><br/>Dan Curtis creator of the popular ABC vampire soap opera "Dark Shadows" 1967-1971 adapted and produced this version of the classic Mary Shelley 1818 novel with "Dark Shadows" screenwriter Sam Hall penning "Part 1" and screenwriter Richard Landau penning "Part 2."<br/><br/>Curtis' "Frankenstein" is a fairly faithful adaptation shot with television broadcasts cameras in Curtis' gothic soap opera style with a memorable performance from Bo Svenson as the monster.<br/><br/>Though well received when aired it was overshadowed by the Universal Television production "Frankenstein: The True Story" which aired in late 1973 on NBC. <br/><br/>"Frankenstein - Part 1"<br/>Red titled wrappers. Title page present noted as Revised with credits for screenwriter Sam Hall and novelist Mary Shelley. 82 leaves with last page of text numbered 77. Xerographic duplication rectos only. Pages Near FIne wrapper Near Fine bound with two gold brads.<br/><br/>"Frankenstein - Part 2"<br/>Blue titled wrappers. Title page present noted as REVISED with credits for screenwriter Richard Landau. 60 leaves with last page of text numbered 58. Xerographic duplication rectos only. Pages Near Fine wrapper Very Good plus with vertical crease near spine bound with two gold brads. Dan Curtis Productions unknown books
192320518Boston: R. H. Hinkley 1923. 8vo. 14 vols. 70 plts. <br><br>This handsome and much-sought edition of the King James Bible was printed at the Merrymount Press and limited to 2574 sets: 1000 on wove paper 1000 on laid paper 488 on handmade paper and 86 on Japan paper. This set is #233 printed on handmade paper and contains 70 fine plates usually 5 per volume and mostly photogravures after paintings. The edition was designed for smooth reading and the text is set in ordinary paragraphs without chapter and verse numbers.<br>Â Â Â Â This work has a complicated and as yet not fully explained printing history. It was probably first printed in 1904 with sheets reissued or reprinted at various times in the subsequent two decades. Even the name of the publisher on the title-page varies; "The Grolier Society" sometimes appears in place of Hinkley.<br>Â Â Â Â Binding: Publisher's quarter tan pigskin spine leather over deeply grained polished bare wooden boards with bevelled edges on the three outer sides in the style of incunable and 16th-century books. Raised bands on spines; spine panels tooled and lettered in blind. Unusual and attractive. <br>Â Â Â Â <br>Â Â Â Â Smith 209; Hills 2155 for the 1904 edition and explanation of reissues. Bound as above with top edge gilt other edges uncut. Spines darkened and some chipped. One cover detached and present. Much enjoyment. R. H. Hinkley hardcover books
1931130961Hollywood: Paramount Pictures 1931. Revised Final Script for the 1932 pre-Code film an early starring role for Carole Lombard. Rubber stamped as a Paramount File Copy at the top right corner of the front wrapper. <br/><br/>Penelope Newbold is a wealthy divorcée looking to remarry. She falls for her physician Dr. Karl Bemis but ends up marrying Bill Hanaway. Bill then has an affair with another woman. <br/><br/>Tall peach side stapled self wrappers noted as Third Buff Script on the front wrapper dated October 6 1931 with credits for writers Hughes Heath Buchman and Leahy. 205 leaves on peach stock mimeograph duplication with annotations throughout. Paramount Pictures unknown books
1928140906Beverly Hills CA: Metro-Goldwyn-Mayer MGM 1928. Archive of material from the 1928 film. From the estate of actor Monte Blue who starred in the film. <br/><br/>Included in the archive are a carbon typescript draft script here under the working title "Southern Skies" four vintage photographs each with a mimeo snipe on the verso one with a press stamp as well and a later 1921 edition of the 1919 travel book by Frederick O'Brien which served as the source material for the film signed and dated by Blue with his bookplate on the front pastedown. <br/><br/>MGM's first film with a fully prerecorded soundtrack comprised of music and sound effects including most notably the first time the company's mascot Leo the Lion roared at the film's start White Shadows in the South Seas doesn't quite classify as a "talkie" as only the single whispered word "hello" appears in the soundtrack. Winner of an Academy Award for Best Cinematography. <br/><br/>Set on a Polynesian Island shot on location in Tahiti at the time an ambitious endeavor to shoot a Hollywood film on location among native islanders using many of them as extras in the film. <br/><br/>Carbon typescript draft:<br/><br/>Cream colored titled wrappers rubber-stamped copy No. 5046 and production No. 338 dated November 29 1927 with credits for screenwriter Jack Cunningham and adaptation writer Ray Doyle. Title page integral with the first page of the text dated November 161927 with credits for Cunningham and Doyle. 146 leaves with last leaf of text numbered 146. Carbon typescript on onionskin stock. Pages Near Fine wrapper Poor bound with two gold brads. <br/><br/>1921 copy of "White Shadows in the South Seas:"<br/><br/>Early The Century edition from 1921 first edition was originally published by The Century in 1919. Very Good lacking jacket. Front hinge split with light rubbing to the cloth at the extremities. Metro-Goldwyn-Mayer [MGM] unknown books
1950145904N.p.: N.p. 1950. Ribbon copy typed manuscript for an unproduced play with essays on the history of the project the production casting and set/costume design written by June Shannon a drama student at the Carnegie Institute of Technology. With extensive holograph annotations in ink and pencil on virtually every page and 15 hand painted watercolor sketches of set and costume designs.<br/><br/>Based on the 1775 play by Richard Sheridan. A comedy of manners set in 18th century Bath where three suitors quarrel over the love of one woman. In this hypothetical casting Tony-winning Broadway actor Jose Ferrer assumed the role of Bob Acres a buffoonish country suitor to young Lydia played by Laura Hope-Crews. The character of Mrs. Malaprop who throughout the play uses words incorrectly helped coin the term malapropism.<br/><br/>Set in France. <br/><br/>Black untitled wrappers. 166 leaves with last page of text numbered 139. Typescript rectos only. Pages Very Good plus wrapper Very Good plus in a spring binder. N.p. unknown books