10 résultats
1900311051900. S.l. Nouvelle Librairie de France / Librairie GrŸnd 1948. Un vol. au format pt in-4 248 x 193 mm de 309 pp. Reliure de l'ÂŽpoque de plein chagrin maroquinÂŽ incarnat plats jansÂŽnistes dos ˆ nerfs ornÂŽ de filets gras ˆ froid titre dorÂŽ couvertures conservÂŽes. Exemplaire revÂtu d'une pleine reliure du temps. Il s'agrÂŽmente de compositions ˆ pleine-page et en couleurs d'Olivier Kaeppelin. Le Train de 8h47 dÂŽpeint les absurditÂŽs d'une discipline qui poussÂŽe ˆ l'extrÂme provoque l'injustice et l'anarchie. Rares rousseurs dans le texte ; davantage marquÂŽes sur le premier plat de la couverture papier originelle ainsi que sur les feuillets liminaires. Du reste bonne condition. b42961 unknown
188683276Paris: Au cabaret Le Chat noir 1886. Fine. Au cabaret Le Chat noir Paris 1886 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue consists of 4 pages and is illustrated with a comic strip by Théophile Alexandre Steinlen ""Actualité brûlante"". Literary contributions by Francisque Sarcey ""Chronique du bon sens"" Jean Richepin ""Le chat noir"" Abel Hamel ""Qui a bu ne peut plus boire"" Georges Courteline ""Madame Dieu-nous-voit"". Le Chat noir is a weekly review created by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 with the aim of promoting the famous cabaret of the same name serving as its memory. It published texts recited during the performances. It constitutes moreover an important literary and artistic testimony of the end of the 19th century centered around bohemian life and the Parisian effervescence that characterized it. Au cabaret Le Chat noir unknown
189670072Paris: Flammarion 1896. Fine. Flammarion Paris s. d. 1896 12 x 19 cm broché First edition on ordinary paper with only 20 Japan copies on deluxe paper. Charming illustrated cover by Steinlen a light angular dampstain of no concern affecting the title and half-title pages otherwise a handsome copy. Flammarion unknown
1900680911900. Fine. s. d. circa 1900 9 x 5.50 cm feuillet recto Printed business card by Georges Courteline on which he added his words: ""With best regards"" and correcting his old printed address of Lepic Street for 13th of the Court of Dames unknown
1896896T63Paris: Emile Testard 1896. Leather. Near Fine. 10" by 6.5". Henri Dupray. A smart copy of this illustrated satire from French writer Georges Courteline in the original French. French language. Illustrated with six colour plates and many in-text images. Collated complete. A charming satire from Georges Courteline a French dramatist and novelist notable for his sharp wit and cynical humor. Illustrated by Henri Dupray a French painter and illustrator. In the original half straight grained morocco with blue cloth boards. Externally very smart with light rubbing to the extremities and the odd small mark to the boards. Internally firmly bound. Pages are very bright and clean with light age toning to the endpapers. Near Fine Emile Testard hardcover
189030948Paris: Marpon & Flammarion 1890. Fine. Marpon & Flammarion Paris s. d. 1890 11.50 x 18 cm relié First edition on ordinary paper with only 10 deluxe copies printed on Holland paper. Contemporary half-green shagreen binding spine with 5 raised bands covers and spine preserved at front of volume front cover illustrated in colors by Steinlen. Our copy is enhanced with an autograph visiting card by the author mounted on stub on the half-title page. Minor surface wear to headcaps otherwise handsome copy. Marpon & Flammarion hardcover
189874580Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1898 38 x 27 cm une feuille Rare original lithograph executed by Jean Baseilhac for L'Estampe Moderne series number 17 published in September 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe edition on the verso pale marginal foxing. Lithograph inspired by an extract from Train de 8 h. 47 by Georges Courteline. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but to its particular affinity with printing ink. Its texture smooth and soft at once is more apt than any other to receive fine printing. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874579Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Septembre 1898 38 x 27 cm une feuille et une serpente Rare original color lithograph executed by Jean Baseilhac for L'Estampe Moderne series number 17 published in September 1898. One of 50 deluxe proofs printed on Japan paper with wide margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe edition on the verso; engraving preceded by a tissue guard inscribed with the artist's name the title and a text extract. Lithograph inspired by an extract from Train de 8 h. 47 by Georges Courteline reproduced on the print's tissue guard. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie"". The poster originally popular and pasted on the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the deluxe illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189262119Paris: Flammarion 1892. Fine. Flammarion Paris s. d. 1892 12 x 19 cm relié First edition one of 10 numbered copies on Holland paper only leading copies. Binding half morocco navy corners back with four nerves set with gilded nets decorated with quadruple gilded boxes framing gilt fillets on the marble paper plates guards and contreplats of handmade paper covers and back preserved gilded head signed binder of Maylander. Cover illustrated by José Roy. Beautiful copy perfectly established. Our copy is enriched by a handwritten letter dated 1917 from four pages of Georges Courteline in which he undertakes a detailed biography of his brother. Flammarion unknown
189486064Paris: Flammarion 1894. Fine. Flammarion Paris s. d. 1894 12 x 19 cm relié First edition one of 10 numbered copies on Japan paper the only deluxe copies. Bound in full mustard yellow morocco spine very slightly faded with four raised bands underlined with black fillets green morocco doublure yellow moiré silk endpapers following endpapers of marbled paper original wrappers and spine preserved bookplate pasted on one pastedown all edges gilt elegant contemporary binding signed Cretté. Small glue stains on the page opposite the bookplate. Cover illustrated with a drawing by Théophile Alexandre Steinlen. Handsome copy perfectly bound in morocco doublure by Georges Cretté. Flammarion hardcover
