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Biblio.com

A Tribute To Lester Horton: An Exhibition In The University Library California State University Los Angeles Noveber 14 1985 - January 28 1986

(SANDBURG, Carl)Biblio.com

The World of Carl Sandburg

195839641Los Angeles: Gilbert Rich and Associates 1958. Paperback. 4to. Stiff orange pictorial wrappers. 21pp. Numerous illustrations. Near fine. First and probably sole edition of this souvenir program for this stage production adapted and directed by Norman Corwin and starring Bette Davis and then-husband Gary Merrill. Features full-page portraits with facing biographies of Davis Merrill Corwin and Sandburg together with commentary about Sandburg by Corwin and Davis and other photographs. This compilation of poetry excerpts letters and other Sandburg writings was edited by Corwin and published in clothbound form by Harcourt Brace & World in 1961. The stage production ran for a time in Los Angeles then only briefly in New York with Leif Ericson replacing Merrill never making it to Broadway. This handsome tight copy has a tipped-in blank leaf bearing a tipped-in Typed Note Signed from Corwin 1p 5" X 8" Los Angeles CA 11 March 1973. Addressed to "Carl" not the poet dead six years by 1973 but rather noted Broadcast Music Inc. executive and noted Lincoln/Civil War scholar Carl Haverlin 1899-1985. Very good. Couple of stray paper clip marks. Sends "copies of two pieces I had written earlier for WESTWAYS. I trust that you saw the last one which was on Phrase-makers. My love to Virgie and Carol and I don't exactly feel hostile to you either." Signed simply "Norman" in blue fineline. Original envelope also tipped in as are the copies mentioned photocopies of 2-page "Corwin on Media" and 4-page Confessions of a Map Addict." Corwin 1910-2011 was a prolific writer screenwriter radio dramatist producer and essayist. Laid in loose is the uncommon Brooklyn Academy of Music 4-page small 4to program or the 24 October 1959 performance of this stage production showing Merrill not Ericson as Davis's co-star. Gilbert Rich and Associates paperback

Main Street Fine Books & Manuscripts, ABAA · États-Unis75,00 $US≈ 63,46 €

[Chekhov, Anton]Biblio.com

26 Postcards of Scenes From the Moscow Art Theatre Production of The Cherry Orchard

19112289Moscow: A.A. Gorozhankin and K.A. Fisher 1911-12. Twenty-six postcards each 5 1/2 x 3 3/8 inches 138 x 84 mm featuring black-and-white photos of scenes from Anton Chekhov's The Cherry Orchard and text descriptions in Russian. The Cherry Orchard opened at the Moscow Art Theatre on January 17 1904 in a production directed by Konstantin Stanislavsky just six months before the death of Chekhov. In the play a family is forced to sell their estate at auction to pay their debts. The buyer Lopakhin plans to cut down the family's beloved cherry orchard so he can build cottages on the estate. These postcards feature cast members from early productions: Olga Knipper as Madame Ranevskaya the estate owner Maria Lilina as Anya her daughter Margarita Savitskaya as Varya foster daughter Stanislavsky himself as Gaev Ranevskaya's brother Leonid Leonidov as Lopakhin Vladimir Gribunin as Simeonov-Pishchik a landowner Elena Muratova as Charoltta Ivanovna a governess Alexander Artyom as Firs an elderly valet Vasily Kachalov as Trofimov a student and Ivan Moskvin as Yephikhov a bookkeeper. Olga Knipper was the wife of Chekhov Maria Lilina was the wife of Stanislavsky and Ivan Moskvin became director of the Moscow Art Theatre in 1943. All three were among the 39 original members of the troupe when Stanislavsky founded it in 1898 with Vladimir Nemirovich-Danchenko. Chekhov conceived The Cherry Orchard as a comedy but Stanislavsky turned it into a tragedy angering Chekhov. "My play opened yesterday so my mood is none too good" Chekhov wrote in a letter to author and dramatist Ivan Leontyev known as Shcheglov quoted in Laurence Senelick Anton Chekhov's Selected Plays. New York: W.W. Norton 2005 page 456. And in late March 1904 writing from Yalta Chekhov declared in a letter to his wife Olga Knipper the star of the play: "One thing I can say: Stanislavsky has butchered the play for me." Senelick page 457. While Chekhov may not have liked the play the public certainly did. Indeed in a note on the verso of one card an anonymous writer says translating: "we have just got back from the Art Theatre where we saw The Cherry Orchard. There are no words to tell how wonderful it was." The note appears on a card showing Stanislavsky and his wife Maria Lilina. A.A. Gorozhankin published two of the cards in 1911. The famous Moscow photographer Karl Fisher issued all the others. Two of them not identified as the Moscow Art Theatre production are dated 1912. A fascinating set of postcards depicting scenes from one of the theatre world's most acclaimed plays. CONDITION: Inscription in ink to the verso of one card stains or soiling to many cards lower corner of one card of Olga Knipper damaged with slight loss of text; old bookseller's stamp to the verso of half a dozen cards; all a bit rubbed or edge-worn. About Good overall. A.A. Gorozhankin and K.A. Fisher

Le Bookiniste, ABAA-ILAB-IOBA · États-Unis1 375,00 $US≈ 1 163,39 €

[O'Hara, Frank; LeRoi Jones; and Diane di Prima]Biblio.com

The New York Poets Theatre

19643067New York: The American Theatre for Poets n.d. 1964. A rare playbill from the New York Poets Theatre announcing plays by LeRoi Jones "The Eighth Ditch" Diane di Prima "Murder Cake" and Frank O'Hara "Loves Labor an eclogue. Jones later Amiri Baraka and di Prima were two of the founders of the New York Poets Theatre which operated in locations on the Lower East Side. "The Eighth Ditch" was Jones's first play and was originally presented at the New York Poets Theatre in 1961. The play derived from his larger work "The System of Dante's Hell" which ignited enormous controversy because of its explicit sexual content. In fact Jones and di Prima were arrested in 1961 on charges of sending obscenity through the mail after they had published "The Eighth Ditch" in their literary magazine "The Floating Bear." They also had published Williams S. Burroughs's "Routine: Roosevelt after Inauguration" in the same issue of June 1961. In any case the charges against Jones and di Prima were eventually dropped. See Steven Clay and Rodney Phillips A Secret Location on the Lower East Side page 75. The playbill presents biographies of the writers and listings of casts. There are also brief commentaries on each of the plays by directors Alan Marlowe on Jones and James Waring on di Prima. The playbill includes O'Hara's comments on his own play. Playbills of the New York Poets Theatre are extremely uncommon in the market. Many were cheaply printed and probably thrown away. In addition OCLC shows no institutional holdings of this playbill. None in commerce. PHYSICAL DETAILS: Printed wrappers measuring 8.5 x 7 inches 217 x 177 mm 8 mimeographed pages unbound. CONDITION: Sunning to extremities vertical crease. About Very Good. The American Theatre for Poets

Le Bookiniste, ABAA-ILAB-IOBA · États-Unis250,00 $US≈ 211,52 €

[Tempo Playhouse] [Playbill] Stein, Gertrude and Jean GenetBiblio.com

Julie Bovasso and Cletus L. Gundy Present a Tempo Playhouse Production: Gertrude Stein's "The 13th of March": Selections From the First Reader and Jean Genet's "The Maids."

19552089Tempo Playhouse Playbill Stein Gertrude and Jean Genet. Julie Bovasso and Cletus L. Gundy Present a Tempo Playhouse Production: Gertrude Stein's "The 13th of March": Selections From the First Reader and Jean Genet's "The Maids." New York: Tempo Playhouse 1955. A rare playbill for the first plays presented by Julie Bovasso's Tempo Playhouse in New York: Gertrude Stein's "The 13th of March: Selections From the First Reader" and Jean Genet's "The Maids." In fact this was the first production of "The Maids" in the United States. Both plays were directed by Strowan Robertson with sets and costumes by Lester Hackett. The 24-year-old Bovasso founded the theatre with $250 from the sale of a painting by her husband George Ortman. She rented an apartment at 4 St. Mark's Place in the East Village and built a small stage and a box office. See Stephen J. Bottoms "Playing Underground: A Critical History of the 1960s Off-Off-Broadway Movement" pages 37-38. The playbill doesn't give the opening date but a small item in The New York Times of March 10 1955 states the opening would take place on Saturday March 12. The Times also placed the location of the opening at Speyer Hall Playhouse 184 Eldridge Street which must have been a temporary venue. Bovasso played the role of Claire in "The Maids" which ran until mid-July 1955. The following year the Village Voice initiated the Obie Awards for Off-Broadway. Bovasso won the first Obie for Best Actress and Tempo Playhouse received a special citation that year. Bovasso's co-stars in "The Maids" were Joyce Henry as Solange and Fran Malis as Madame. Being the versatile actress that she was Bovasso also apparently played Solange at times. For the Stein production -- which was actually two plays: "In a Garden" and "Three Sisters Who Are Not Sisters" -- the actors were Herbert King Philip Stanley Pitts Kit Raccoon Nancy Ponder Lucy Willow Anne Edwards Helen and Marcia Pavia Ellen. Just like playbills for the Living Theatre the Tempo playbill lists paintings and sculptures for sale at the theatre. Painters include Joan Mitchell Perle Fine Lois Dodd Angelo Ippolito Michael Goldberg Margaret Barlett George Ortman and Miles Forst and the sculptors Marisol Escobar and William King. This playbill is rare. OCLC shows no institutional holdings although a separate search turns up a copy at the University of Florida. RARE. PHYSICAL DETAILS: Octavo 8 1/2 x 5 1/2 inches; 215 x 140 mm 8 pages in stapled wrappers.CONDITION: Some creases and folds but clean and unmarked. A Very Good or better copy. Tempo Playhouse paperback

Le Bookiniste, ABAA-ILAB-IOBA · États-Unis500,00 $US≈ 423,05 €