AesopABAA
13 résultats
176051396London: Printed for C. Hitch and L. Hawes 1760. The Sixth edition Corrected and Amended. 155 pp. 1 vols. Later half calf trimmed closely at head and inner margins. The Sixth edition Corrected and Amended. 155 pp. 1 vols. ESTC N31485 Printed for C. Hitch and L. Hawes unknown books
18001339289London: printed by C. Whittingham. For J. Johnson. W. Ginger and Son. R. Baldwin. F. and C. Rivington. G. and J. Robinson. and 13 others in London 1800. Hardcover. Octavo 2 xii 4 267 1 pages; VG-; bound in contemporary full calf later rebacking with new spine gilt titling; moderate shelfwear and rubbing to binding; The title-page is engraved; with 110 fables and one woodcut per fable; page 129/130 with large tear non-archival repair page 131/132 with large tear; early ink ownership to title page top edge; shelved case 7. ESTC: N42329 ESTC with 3 copies listed. 1339289. Shelved Dupont Bookstore. printed by C. Whittingham. For J. Johnson. W. Ginger and Son. R. Baldwin. F. and C. Rivington. G. and J. Robinson. [and 13 other hardcover books
1791013739Mitriti: Apud Hilarium Santos 1791. Red leather spine label. Spine floral designs in gilt. Old marbled endpapers. Title-page with illustration. All edges red. Spine extremities worn as are corners. Writing in a very old hand on title-page with small area of brown spotting. See photo. Text is quite clean with occasional brown spots. 88 illustrations through the text indexed at the conclusion. 324pp. index. A rather elusive edition of Aesop's Fables published in Madrid text in Latin. Not listed in OCLC or APBC. We have seen a 1788 Madrid edition with same number of plates but a different publisher. This edition was mentioned in Blake's "Ninth Catalogue of Second-hand Books" on p.312. . Later Edition. Full Mottled Calf. General Moderate Wear/No Jacket. 5 1/2" x 3 1/2". Apud Hilarium Santos Hardcover books
1704014207London: R. Sare et al 1704. together with: "FABLES AND STORYES MORALIZED. BEING A SECOND PART OF THE FABLES OF AESOP. R.Sare London 1699. Twenty-eight page "Life of Aesop" in front of the book.Rear cover is detached. Noted in an old hand rear endpaper and laid-in card. Contemporary panelled covers worn. See photos. Frontispiece portrait of L'Estrange and full-page engraving of Aesop surrounded by animals from his fables. Wide margins clean text. Slightly darker toned paper used in rear 1/3 of the tome. . Fourth Edition Corrected and Amended. Full Contemporary Calf. General Cover Wear/No Jacket. Tall Quarto. R. Sare, et al Hardcover books
1745268011Madrid: Antonio Perez de Soto 1745. hardcover. good. Title page woodcut vignette. 10 3-175 leaves. Thick 12mo full contemporary vellum; well-worn and crinkled but sound with marginal stains on first 20 leaves. Madrid: En la Officina de Antonio Perez de Soto 1745. Overall a good solid copy.<br/><br/> Antonio Perez de Soto unknown books
17247417London: Printed for D. Brown et al. 1724. Later printing. Hardcover. Very Good. 1229i.e. 33115502pp. Index of the fables. Leaf of ads for the publisher at rear and another leaf of ads for the author following his "Life of Aesop." Illustrated with a copper engraved frontispiece portrait and 1 copper engraved plate. Cont. calf worn nicely rebacked gilt decorated spine with red morocco label. Title page and top margin of frontis. with some old soiling. Faded water stain at lower outer corner of about 20 leaves near rear. Occasional light foxing. Ownership signature on front pastedown dated 1750. Printed for D. Brown et al. hardcover books
1788WAS38893J.F. and C. Rivington et al. London 1788. Good: moderate overall wear to binding; small piece torn from margin of C3 affecting approximately 10 letters gathering P partially sprung. fourteenth Edition 6 3/4 x 4 inches xxxiv 329 7 index pages contemporary calf with red morocco spine label Includes engraved frontispiece and 196 woodcut illustrations each measuring 2 1/8 x 2 3/4 inches in pagination. Neat ink owner inscription dated 1796 on front free endpaper. J.F. and C. Rivington, et al., London unknown books
176454449Birmingham England: Printed by John Baskervlle sic for R. and J. Dodsley 1764. Second edition first published in 1761. 8vo. 2 lxxviii 186 30 pp. Engraved frontispiece six engraved chapter head and tail-pieces. Without the 15 plates issued with the first edition and sometimes in this one. Gaskell 27: "The fifteen plates appear when found to have been printed from the copper-plates used in 1761 now more worn. The frontispiece is recut." Lowndes: "This is considered the best translation of Aesop." Contemporary mottled calf gilt a thin double-rule framing the boards red morocco label and gilt rules between raised bands on spine striking marbled endpapers. Small ownership label of Camille Rater on front pastedown. Rather persistent light foxing but an attractive copy. 1602. <br/><br/> Printed by John Baskervlle [sic] for R. and J. Dodsley hardcover books
17016410Amsterdam: Ex Typographia Francisci Halmae 1701. Very Good . Lg. 4to. 3016084pp. Indices. Title printed in red & black with an allegorical copper engraved vignette. Added copper engraved title. Illustrated with 18 copper engraved plates each with six large emblematic fable medallions. Plus numerous copper engraved head and tail pieces and large pictorial initials. Early 20th c. full brown morocco hinges & tips rubbed. A.e.g. This copy lacks the folding portrait of the Prince of Nassau. Cohen/de Ricci 797f "tres belle edition bien illustree". Dibdin II 280. Ex Typographia Francisci Halmae unknown books
1768238735Mannheim: Academicis 1768. hardcover. very good. Edited by Franc. Josephi Desbillons. Illustrated with fine copperplate engravings. 2 volumes bound in 1 very thick small 8vo 3/4 vellum corners a bit tattered 615 pages top edge red rubricated edges. Mannheim: Academicis 1768. a Very good copy.<br/><br/> Academicis unknown books
1708D4271Amsterdam: Pierre Mortier 1708. Hardcover. Very Good. 2 volumes 152 x 95mm. Vol. I: 297pp. 7 table; Vol. II: 287pp. 4 index. Both volumes with the identical engraved frontispiece depicting the traditional theme of Aesop ruling the animals. The moralizing tales are extensively illustrated with copper- plate engravings by Georg Paul Busch. Volume I contains the life of Aesop by Planudes and the beginning of Aesops Fables and Volume II continues with Aesops Fables and includes the Fables of Philelphe Gabrias and Avienus. Modern binding; frontispiece of vol. II somewhat chipped otherwise clean and good. Rare and richly illustrated edition of Aesops fables with extensive dialogue on the moral of each fable. Jean-Baptiste Morvan de Bellegarde a clergyman put his mark on the Aesopic work by contributing a four-line rhyming verse at the end of each fable in italics. Bellegarde also added 18 fables of the Latin poet Philelphus and 37 fables based on Aesop by Gabrias and Avienus. The larger fables added are the Battle of the Cats and the Rats and the Battle of the Rats and the Frogs. Thereafter follow five Tales of Aesop taken from Platos dialogue Protagoras another six Poetical fables with Olympian Gods as protagonists two more Tales one taken from Herodot and a last fable taken from Gerbellius. The beautiful fable illustrations are by Georg Paul Busch; a Berlin copper-engraver who died in 1756. Rare early edition of Aesopic literature with several other didactic tales and authors additions. <br/><br/> Pierre Mortier hardcover books
17011229424to. Amsterdam: Typographia Francisci Halmae 1701. 4to engraved general title letterpress red & black title page with allegorical engraved vignette. 18 full-page copper-engraved plates by Jan van Vianen each featuring six circular images and 38 in-text reproductions engraved decorative initials and head- and tailpieces. With the oversize fold-out engraved portrait of Joannes Gulielmus Prince of Nassau. Later polished calf c.1750 headcap repaired upper hinge repaired. § Phaedrus 15 BC - AD 50 Italy was a "Roman fabulist the first writer to Latinize whole books of fables producing free versions in iambic metre of Greek prose fables then circulating under the name of Aesop." Ency. Brit. This de luxe edition was especially created for the Prince of Nassau profusely illustrated with fine engravings. Dibdin spoke highly of it in his Greek and Latin Classics 4th edition: "I have always considered this as a correct and very sumptuous edition. It is ornamented with a great number of small plates or medallions in which the subject of the fable is very ably and spiritedly executed. The type is peculiarly rich and bold and is hardly equalled by any Dutch edition of a classic." p. 285. Landwehr F163. Typographia Francisci Halmae unknown books
17441163571744. FOSSATI Giorgio. Raccolta di Varie Favole delineate ed incise in Rame. Six volumes in two. 16 44; 16 48; 8 76; 8 59; 8 59; 8 36 pp. Title-pages in vol. I with engraved ornamental borders printed in red. Illustrated with 3 engraved headpieces and 216 engraved plates printed in red green blue brown and black. 4to. 295 x 205 mm bound in full Venetian contemporary vellum boards. Venice: Carlo Pecora 1744. First Edition of one of the most sought-after Venetian eighteenth-century colour-printed works. The two hundred plus engravings are printed in the following colour inks: blue olive green sepia madder rose chocolate brown yellow brown Payne's grey reddish brown cadmium orange black and blue-grey. This scarce Venetian edition of classical fables with coloured engravings was designed and executed by the architect Giorgio Fossati. Birds beasts plants and humans are placed in Venetian pastoral or architectural settings. The latter are especially noteworthy and reveal the practiced hand and eye of their author; in plate XXXIII "The Gentleman and the Ape" the grand illusionistic stage setting recalls the work of the Bibiena. The Swiss-born Giorgio Fossati 1705-1785 designer of the facade of the Scuola and church of San Rocco in Venice was an important promulgator of architectural history theory and practice through his many sumptuous publications including new editions of Vignola Palladio and Félibien. Fossati specialized in books with illustrations printed in colour. The colour-technique he employed involved no overprinting or mixing just pure colour printed on heavy white Italian paper giving his books an extravagant Venetian character. Copies of the Favole that were bound in six volumes sometimes manifest additional engraved title-pages preceding each volume of text; the present copy like that of the Spencer Collection NYPL has the two engraved title-pages preceding vol. I. In our copy the allegorical explications of the fables in the first two volumes 8 8 pp. are bound before their respective texts. Fine copies in contemporary Venetian bindings are very rare on the market. This is a fresh fine and attractive copy in its contemporary Venetian binding. PROVENANCE: With later bookplate bearing a crossed monogram "L.L." surrounded in each corner by the emblem of medicine a serpent entwining the staff of Asclepius. Cohen-Ricci 410. Lewine 192. Sander 727. Morazzoni 232. Lanckoronska 108. Rosenwald 1570. Pedrocco The Glory of Venice Art in the Eighteenth Century 1994 ch. VIII p. 290 & fig. 190. hardcover books
