Samuel Croxall; AesopBiblio.com
150 résultats
1837962Z27Halifax: William Milner 1837. Leather. Near Fine. 5" by 3.5". None stated. A pocket sized edition of Samuel Croxall's noted edition of Aesop's fables bound in full suede and adorned with many wood engravings. A nineteenth century edition of Samuel Croxall's edition. Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style.Illustrated with a folding wood engraved frontispiece an engraved title page and over one hundred wood engraved vignettes throughout. Collated complete.A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition was translated and written by Samuel Croxall and is notable for its addition of his 'instructions' to the end of each fable which taught the reader how to apply the lessons of the fables to every day life.Bound in full modern suede endpapers and blanks renewed and housed in a cloth clamshell box. Bound in full modern suede endpapers and blanks renewed and housed in a cloth clamshell box. Externally excellent with only front hinge starting after the frontispiece. Internally firmly bound with bright and generally clean pages with only the odd minor spot. The clamshell is lovely. Near Fine William Milner hardcover
1887962Z19London: Frederick Warne and Co c1887. Cloth. Fine. 7.5" by 5". None stated. A strikingly bound copy of Aesop's fables with charming illustrations throughout bound by Eric Sweet with moire cloth panels and a cloth chemise and slipcase. A new edition. Part of the 'Chandos Classics' series. Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style.Illustrated with one hundred and ten monochrome illustrations including a frontispiece and an illustrated title page. A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition has been translated by Samuel Croxall and Sir Roger L'Estrange and contains George Fyler Townsend's and L. Valentine's 'new applications morals etc'. Bound in cloth with moire cloth panels endpapers and blanks renewed with a cloth chemise and slipcase. Bound in cloth with moire cloth panels endpapers and blanks renewed with a cloth chemise and slipcase. Externally lovely. The chemise is lovely and the slip excellent with light damp staining to the head. Internally firmly bound with bright and generally clean pages with the odd minor spot only. Light owner's stamp to the title page. Fine Frederick Warne and Co hardcover
1835962Z25Halifax: William Milner 1835. Leather. Very Good Indeed. 5" by 3". None stated. A pocket sized edition of Samuel Croxall's noted edition of Aesop's fables smarty bound in quarter calf and adorned with many wood engravings. A nineteenth century edition of Samuel Croxall's edition. Illustrated with an engraved title page and over one hundred wood engraved vignettes throughout. Lacking the folding frontispiece. A charming collection of fables credited to Aesop a Greek storyteller and fabulist whose tales were characterised by the anthropomorphic animal characters. This edition was translated and written by Samuel Croxall and is notable for its addition of his 'instructions' to the end of each fable which taught the reader how to apply the lessons of the fables to every day life.Bound in quarter calf with paper to the boards Endpapers and blanks renewed. Bound in quarter calf with paper to the boards Endpapers and blanks renewed. Externally excellent with minimal rubbing to the extremities. Internally lacking frontispiece otherwise firmly bound with generally bright and clean pages with only the odd minor spot and handling mark. Very Good Indeed William Milner hardcover
1868000014790Philadelphia: J.B. Lippincott & Co 1868. Later edition. Hardcover. Very Good. 12mo. 5 vi-xx 21-208 2 pp. Brown publisher's cloth with borders in blind on each board gilt lettering on the spine. Illustrated with several full-page and in-text designs all in black and white. The illustrations bring the short stories to life. A dampspot on the rear board and light chipping to the spine. One gathering starting from the gutter. J.B. Lippincott & Co hardcover
1900044103New York: A. L. Burt 1900. Undated ca. 1900. Very good in chipped dustjacket. Illustrated with color plates and engravings. Green cloth with vivit color illustration mounted on the front cover 87 pages matching dustjacket. The book has light edge rubbing good hinges sound text block clean pages with no names or other markings. The mylar protected dustjacket has some large chips that only barely affect lettering and only a small portion of the cover design some age-toning and soil to the white background of the rear panel. Hard Cover. Very Good/Fair. 12mo - over 6¾" - 7¾" tall. A. L. Burt Hardcover
1900031812UK: Warne 1900. New Edition . Decorative Cloth. Very Good/No Jacket. 12mo - over 6¾" - 7¾" tall. Harrison Weir. New Edition Circa 1900. Undated. Illustrated throughout with black and white engravings. The book is very good and bright. Edges lightly rubbed. Quite a tight binding. Contents good. Endpapers darkened. More images can be taken upon request. Ref12730##014688 <br/> <br/> Warne hardcover
1885963T27London: W. Mack 1885. Cloth. Good. 6.5" by 5". F. S. Church. A very scarce collection of illustrated fables from Canadian writer George Thomas Lanigan. Very scarce work. Illustrated with a frontispiece title vignette and over twenty in-text images. A collection of parody versions of the fables attributed to Aesop a Greek fabulist and storyteller noted for his tales characterized by anthropomorphic animal characters. Many of these tales contain the typical animal characters. With titles including: The Merchant of Venice The Good Samaritan and The Wolf and the Kid amongst others. Written by George Thomas Lanigan under the pen name G. Washington Aesop a Canadian journalist and poet. Illustrated by Frederick Stuart Church an American artist and illustrator especially known for his depictions of animals. In the original pictorial paper covered boards. Externally sound with light bumping and chipping to the extremities. Loss of the paper to the spine with discolouration to the extremities and the odd mark to the boards. Internally firmly bound. Pages are bright with the odd small spot or handling mark. Library ink stamp to the front pastedown. Good W. Mack hardcover
18656735New York: printed at The Riverside Press for Hurd and Houghton 1865. 130 engravings based on designs by Herrick. 8vo. original brown cloth decorated in gilt. Top of spine rather worn and front hinge split. printed at The Riverside Press for Hurd and Houghton hardcover
18183259742Madrid.: Imprenta de Don Antonio Espinosa. 1818. Hardcover. Cubierta deslucida. Good. 16 cm. 307 p. Encuadernación en tapa dura artesanal lomo en piel. Fábulas. Vida de Esopo. Las ilustraciones son viñetas xilográficas. Biografías. Espinosa de los Monteros Antonio. 1732-1812. imp. Real Compañía de Impresores y Libreros del Reino . Cubierta deslucida. Imprenta de Don Antonio Espinosa. hardcover
18712844867Madrid.: J. Astort y comp. eds. 1871. Hardcover. Cubierta deslucida. Good. 26 cm. 235 p. Encuadernación en tapa dura artesanal. Traducidas directamente del griego y de las versiones latinas de Pedro Aviano Aulo Gelio etc. precedidas de un ensayo histórico-crítico sobre la fábula y de noticias biográficas de los autores citados por Eduardo de Mier. Seguidas de las Fábulas de Gotoldo Efrain Lessing. Traduccion directa del aleman por D. Juan Eugenio Hartzenbusch. Imp. de N. Ramirez y Compª. con lám. y grabs . Cubierta deslucida. Literatura.82 82 Libros infantiles y juveniles.087.5 087.5 J. Astort y comp., eds. hardcover
1801124201Paris.: Billois. 1801. Hardcover. Good. 14 x 9 cm. 2 tomos encuadernados en un volumen. Encuadernación en plena piel de época lomo dorado con tejuelo hierros y ruedas. contiene trece láminas de grabados originales. Idioma francés. Literatura. 82 82 Billois. hardcover
1811101787Padova Nel Seminario 1811. In 8° mezza pelle coeva con fregi filetti e titoli oro al dorso. Pp. XX 1 tavola pp. 193 3 n.n. 1 tavola in fine. Simbolo dell'Accademia della Crusca al frontespizio ed in ultima. Qualche giallitura ma molto buono lo stato di conservazione Padova, Nel Seminario unknown
1814961P59Gainsborough: H. Mozley 1814. Leather. Very Good Indeed. 6.5" by 4"; 7.5" by 4.5". Thomas Bewick. A very scarce edition of Aesop's fables spelt as "Esop" here a smart edition with reproductions of Bewick's woodcuts. A very scarce edition of Aesop's fables published by H. Mozley in Gainsborough.Smartly bound in a modern quarter calf binding with marbled paper to the boards in a custom cloth slipcase bound by Eric Sweet in November 2006 with renewed endpapers. Slipcase is in a fine conditionThe fables of Aesop here translated and edited by Samuel Croxall.Aesop's Fables is a selection of fables generally attributed to the Ancient Greek storyteller Aesop who lived around 620 BCE-564 BCE. The fables are moral tales that guide in religious and secular aspects of life following adventure of many different creatures.Engraved after Bewick with a head-piece to each fable. Bewick's woodcuts of 'Fables' is one of his best known works and spent almost his entire creative career producing various editions of illustrated Aesop the first of which was published in 1776.Croxall was noted for this edition of 'Fables' for his easy colloquial style and their instructive applications a popular and oft-reprint translation.Bound by Eric Sweet a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style.Collated bound without the final leaf of the index. In a modern quarter calf binding with marbled paper to the boards with renewed endpapers in a custom cloth slipcase bound by Eric Sweet. Externally fine. Internally firmly bound. Pages are generally bright and clean with scattered spots. Neat archival repairs to the text including to the title-page and other pages of text with no loss more significant repair to page 53/54 with loss of text. Bound without the final leaf of the index. Slipcase is fine. Very Good Indeed H. Mozley hardcover
185676772Boston:: J. Buffum 1856. publisher's tan cloth extra gilt on the spine and front cover; a.e.g. Some smudges and light stains to some text pages; light use to cloth; tight and sound. 16mo. Illustrated from engravings. J. Buffum, hardcover
1894mon0000080149Macmillan 1894-01-01. Hardcover. Good. in x in x in. On green decorative cloth gilded lettering and bird motif to frontis 1894 edition with some light staining to bottom of first few pages Macmillan hardcover
1887303211London: Routledge 1887. hardcover. very good. Edmund Evans. Engraved and colored by Edmund Evans. Many charming color plates. Slim square 8vo 7-1/4 x 7-3/4 inches. Glazed pictorial boards edges rough and covers somewhat scratched green cloth spine. London: Routledge 1887. A very good copy internally clean but for some foxing on first and last several pages.<br/> <br/> Routledge unknown
1882105815Paris : Librairie des Bibliophiles - D. Jouaust 1882. 175x110mm. VII- broch. couverture remplie. Bon tat. Tirage 350 exemplaires 1 des 320 exemplaires numrots sur papier verg n¡ 213. Bel exemplaire. 300 Librairie des Bibliophiles - D. Jouaust unknown
187953349Edinburgh:: Privately printed for Subscribers by Ballantyne Hanson & Co. 1879. Edition de Luxe; one of 100 copies this copy is unnumbered. old half morocco t.e.g. rebacked with original spine laid down and new endpapers. Clean tight and sound. Large 8vo. To Which are Prefixed The Life of Aesop and an Essay Upon Fable by Oliver Goldsmith. Privately printed for Subscribers by Ballantyne, Hanson & Co., unknown
18799372Edinburgh:: Privately Printed for Subscribers by Ballantyne Hanson & Co. 1879. Edition de luxe printed on Whatman paper from the original wood engravings; No. 75 of 100 copies. publisher's vellum with mounted illustration t.e.g. Binding a little dust-soiled; internally clean and sound. Small folio. With the Original Wood Engravings by Thomas Bewick.to which are Added Select Supplementary Illustrations of Bewick's Genius. Privately Printed for Subscribers by Ballantyne, Hanson & Co., hardcover
181875623Newcastle: Printed by E. Walker for T. Bewick and Son 1818. First edition; Royal octavo issue; Variant B. contemporary old polished calf; all edges marbled; both covers detached and spine absent. Three attractive old bookplates on pastedown; aside from the binding flaws noted a very attractive copy. . 8vo. Added engraved frontispiece portrait; illustrated throughout from wood engravings by Thomas Bewick. Roscoe 45b. With the "thumb-mark receipt" page with printed facsimile signatures of Thomas Bewick and Robert Elliott Bewick and seaweed in red over wood-engraved landscape bound before title. This is one of the few copies that bear the autograph signature of Thomas Bewick above the thumb-mark. Printed by E. Walker, for T. Bewick and Son, unknown
1818405619Newcastle: E. Walker for T. Bewick and Son 1818. A very good copy internally clean and fresh joints restored and with some light wear to binding. 8vo. xxiv 376 pages. 188 fable cuts and 136 tailpieces in text. Contemporary English polished calf the sides and spines decorated in blind and gilt marbled edges by Whitehead and Sons Leeds with their ticket on pastedown. A handsome copy of Bewick's extensively and exquisitely illustrated fables. Roscoe 45. E. Walker for T. Bewick and Son unknown
187534370London: Chatto & Windus 1875. Very good. Second edition of this Victorian tour de force with fine and fabulous hand-colored images of humanized animals. Eric Quayle notes that Bennett 1829-1867 had a short career which was terminated by consumption but his books were "extremely popular most passing though several editions"; this book "contains some of Bennett's finest and most vigorous work" 217. The Morgan Library's EARLY CHILDREN'S BOOKS AND THEIR ILLUSTRATORS also list it as a notable edition of Aesop. Bennett's compositions suggest the fine caricature of PUNCH but applied a classic work of ancient Greece. 9.75'' x 7.25''. Original blue pictorial cloth stamped in gilt and black. Yellow coated endpapers. Illustrated by Bennett with 24 full-page wood engravings hand colored including title page. 22 pages. Emboss of famed Victorian bookselling firm W.H. Smith & Son to front fly leaf. Slight lean with a bit of cracking to hinges still firm. Subtle repairs to spine ends a few spots to boards. Interior lightly foxed. Bright. Chatto & Windus unknown
1857500047160London: W. Kent & Co & Bradbury and Evans 1857. 1st Edition . Hardcover. Fair. Original decorated . Lime green cloth spineSome marks to boards foxed especially corner of plates <br/> <br/> W. Kent & Co & Bradbury and Evans hardcover
1884213868Boston MA: D. Lothrop & Co 1884. Hardcover. Good-. Red/orange boarts with gilt and black text black printed illustration on cover. Textblock fully gilt. 111 Unnumbered pages. Bw illustrations. Illustrated by E. H. Garrett F. H. Lungren F. Childe Hassam George Foster Barnes M. J. Sweeney<br /> Contents: The cats at law -- The ants and the grasshopper -- The maid and the milkpail -- The town mouse and the country mouse -- The donkey and the lion's skin -- The larks and the farmer -- The hare and the tortoise -- The fox and the stork -- The shepherd boy and the wolf -- The lion and the mouse -- The fox and the crow -- The frogs who wished a king. D. Lothrop & Co hardcover
1896962P29London; Edinburgh: Review of Reviews Office"; Salvia Books 1896-1987. First edition. Paperback. Very Good Indeed. 7" by 5"; 8.5" by 6". Brinsley le Fanu. A reference set of W. T. Stead's edition of Aesop alongside a bibliography on Stead scarce works presented together in a clamshell. A curated three volume set of scarce works containing two copies of the first edition of 'Books For the Bairns. I. Aesop's Fables' one in the original publisher's paper wraps the other rebound in cloth with the original wraps bound in alongside Sally Wood's bibliographical work 'W. T. Stead and His "Books For the Bairns"'. The cloth bound edition includes the new series of Aesop's 'Fables' being 'Books for the Bairns No. XXVI'. Held together in a custom paper clamshell which is in a very good condition.Aesop's 'Fables' was the first volume in Stead's popular series 'Books for the Bairns' which published fairy tales and works of classical literature for children.Sally Wood's volume offers a bibliography of Stead's works as well as a brief biography on him.Aesop's Fables is a selection of fables generally attributed to the Ancient Greek storyteller Aesop who lived around 620 BCE-564 BCE. The fables are moral tales that guide in religious and secular aspects of life following adventures of many different creatures.All three works are illustrated in-text throughout. The new series of Aesop's 'Fables' is illustrated by Brinsley le Fanu.W. T. Stead was a newspaper editor and a pioneer of investigative journalism. He died in 1912 in the sinking of the Titanic.This set was curated by Eric Sweet with his bookplate to the front paste down of the cloth bound first edition. Sweet was a keen collector of private press and fables. He studied at the Brighton College of Art before moving to London to work as a lettering artist and typographer for advertising agencies later becoming the head of Birmingham School of Printing. Sweet's bindings are unique and striking reflecting the topics of the volumes in distinctive style. Two volumes are in the original publisher's wraps and one is rebound in cloth by Eric Sweet together in a custom paper clamshell. Externally smart. The paperback issue of 'Books for the Bairns' is little worn and age-toned with light edge wear and a repair to the spine and tail of the rear wrap. Minor handling marks to the wraps and a rubbed out pencil inscription to the head of the front wrap. A couple of marks to the cloth of the rebound 'Books for Bairns'. 'W. T. Stead and His "Books For the Bairns"' is smart a little sunned to the wraps with a few light handling marks. Internally firmly bound. Pages are generally bright and clean with scattered spots 'W. T. Stead and His "Books For the Bairns"' is bright and clean. Prior owner's ink inscription to the head of the title page of the paperback 'Books for the Bairns' and to the head of the front wrap of the rebound 'Books for the Bairns'. Neat repair to the tail of the first few pages of the paperback 'Books for the Bairns'. Custom clamshell is a little worn in a very good condition. Very Good Indeed Review of Reviews Office"; Salvia Books paperback
