Eluard, Paul and Peret, BenjaminBiblio.com
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197514515Toronto: Dreadnaught Press Oasis 1975. Book. Illus. by Zeller Ludwig. Fine. Sewn Wraps. Signed by Illustrators. First Thus Limited Signed Numbered. Fine unblemished copy in fine jacket. # 63 of 200 copies signed by Zeller. three collages . Text in 3 languages. French by Eluard and Peret / Englsh version by Colombo and Currie / Spanish version by Wald and Zeller. Dreadnaught Press ? Oasis Paperback
1947001759Paris 1947. Soft cover. Very Good/Good. number 97 of 610 total copies spine extremities chipped original glassine dust jacket present which has yellowed and has chips along the edges one page untrimmed along bottom edge. Edition illustrated with 7 colored plates by Paul Eluard and 32 reproductions of Max Ernst's collages. <br/> <br/> paperback
194750126Paris: Pierre Seghers Editeur. Very Good. 1947. First Edition. Softcover. Original sewn pictorial wraps with glassine DJ. #304 of 610 copies. Text in French. Covers show slight edgewear; glassine shows chipping and small tears. ; 8vo 8" - 9" tall . Pierre Seghers Editeur paperback
1928Elu1<p><strong>ÉLUARD Paul 1895-1952</strong></p><p>Autograph letter signed " Votre Eluard " to Joë Bousquet<br />Arosa 4 Nov. 1928 4 p. in-4°<br />Stamped and postmarked autographed envelope<br />Some tiny spots one word crossed off in Bousquet's hand<br />Pencil annotations by Lucien Scheler</p><p><strong>Magnificent letter by Éluard enriched with three autograph poems featured in his collection <em>L'Amour la Poésie</em></strong></p><p><strong><u>One of the poet's major works dedicated to his wife Gala who was then on the verge of leaving him for Salvador Dalí</u></strong></p><p><strong><em>"Such strikingly new concordances that I'm startled with a kind of dread by their appearance of eternity"</em></strong><br /><strong>— Jacques Rèce <em>Variété</em> on <em>L'Amour la Poésie</em></strong></p><p><em>" Mon bien cher ami voici les poèmes promis. De la 2e partie la manière noire<br /><strong>Ce livre aurait 5 parties :</strong></em><br /><strong><em>Premièrement</em></strong><br /><strong><em>Seconde Nature</em></strong><br /><strong><em>Comme une image</em></strong><br /><strong><em>Défense de savoir 1</em></strong><br /><strong><em>Défense de savoir 2</em></strong></p><p><strong><em>Le tout : L'AMOUR LA POÉSIE</em></strong><br /><strong><em>Et dédié à Gala</em></strong></p><p><strong><em>Aucun poème n'a de titre. Environ 100 poèmes. Mais de jour en jour mon corps mange ma tête. J'ai hâte de partir d'ici. Trop de nerfs trop de cauchemars.</em></strong><br /><em>Peut-être puisque vous ne m'avez pas dit si vous avez un gramophone détestez-vous la musique. Mais soyez certain que ce que je vous aurai conseillé n'a avec celle-ci que de mauvais rapports.</em><br /><em>Ce que vous me dites sur la lâcheté de Paulhan</em> le nom a été caviardé au stylo rouge peut-être de la main de Bousquet lui-même pour ne pas de compromettre <em>ne m'étonne pas.</em><br /><em>Nous voudrions déjà être à Carcassonne. Je vous fais adresser le Tanguy de Nelli.</em><br /><em>Je voudrais écrire des chansons et c'est drôle je n'ai jamais eu si peu envie de chanter. Avez-vous fini par obtenir l'Histoire de l'Œil Si oui vous dites publiquement ce que vous en pensez. </em><em>Et vous êtes le seul.</em><br /><em>Votre Eluard "</em></p><p>The letter is enriched with three autograph poems by Éluard annotated XXIX XXXV and XXXVII</p><p><em>" XXXV Seconde nature "</em> on top of first page</p><p><em>" Ils n'animent plus la lumière</em><br /><em>Ils ne jouent plus avec le feu</em><br /><em>Pendus au mépris des victoires</em><br /><em>Et limitant tous leurs semblables</em><br /><em>Criant l'orage à bras ouverts</em><br /><em>Aveugles d'avoir sur la face</em><br /><em>Tous les yeux comme des baisers</em><br /><em>La face battue par les larmes</em><br /><em>Ils ont capturé la peur et l'ennui</em><br /><em>Les solitaires pour tous</em><br /><em>Ont séduit le silence</em><br /><em>Et lui font faire des grimaces</em><br /><em>Dans le désert de leur présence. "</em></p><p><em>" XXIX Seconde nature "</em> on se separate sheet</p><p><em>" Toutes les larmes sans raison</em><br /><em>Toute la nuit dans ton miroir </em><br /><em>La vie du plancher au plafond</em><br /><em>Tu doutes de la terre et de ta tête </em><br /><em>Dehors tout est mortel </em><br /><em>Pourtant tout est dehors </em><br /><em>Tu vivras de la vie d'ici</em><br /><em>Et de l'espace misérable </em><br /><em>Qui répond à tes gestes</em><br /><em>Qui placarde tes mots </em><br /><em>Sur un mur incompréhensible </em></p><p><em>Et qui donc pense à ton visage "</em></p><p><em>" XXXVII Seconde nature "</em> on another separate sheet</p><p><em>" A genoux la jeunesse à genoux la colère </em><br /><em>L'insulte saigne menaces ruines</em><br /><em>Les caprices n'ont plus leur couronne les fous </em><br /><em>Vivent patiemment dans le pays de tous. </em></p><p><em>Le Chemin de la mort dangereuse est barré</em><br /><em>Par des funérailles superbes</em><br /><em>L'épouvante est polie la misère a des charmes</em><br /><em>Et l'amour prête à rire aux innocents obèses.</em></p><p><em>Agréments naturels éléments en musique </em><br /><em>Virginités de boue artifices de singe </em><br /><em>Respectable fatigue honorable laideur </em><br /><em>Travaux délicieux où l'oubli se repaît. </em></p><p><em>La souffrance est là par hasard </em><br /><em>Et nous sommes le sol sur quoi tout est bâti</em><br /><em>Et nous sommes partout </em><br /><em>Où se lèvent le ciel des autres</em></p><p><em>Partout où le refus de vivre est inutile "</em></p><p>L'Amour la Poésie anticipates the end of the poet's relationship with Gala. He dedicates it to her with these words: "To Gala / This endless book."<br />At the time the poet's wife and muse — then openly the mistress of Max Ernst — meets Salvador Dalí. She leaves Éluard for the Surrealist painter at the very beginning of 1929.<br />Paul Éluard as Gala prepared to leave him said to her:<br />"Your hair slips into the abyss that justifies our separation."</p><p><u>The collection ultimately comprises only three parts:</u><br />– <em>First of All</em> <em>Premièrement</em><br />– <em>Second Nature</em> <em>Seconde Nature</em><br />– <em>Like an Image</em> <em>Comme une image</em><br />The three poems presented here by Éluard to Bousquet are taken from the second part of the collection <em>Second Nature</em>. A complete manuscript of this section is preserved in the copy of <em>L'Amour la Poésie</em> held at the Saint-Denis Museum no. 26 in the catalogue of the exhibition <em>Paul Éluard</em> Saint-Denis 1963.<br />The last two parts — <em>Défense de savoir 1 & 2</em> mentioned by Éluard — were eventually compiled into a separate volume under that very title.<br />Speaking of the collection Éluard once said:<br />"The title was given to me by my daughter in 1928 she was 10 years old. I had asked her after modestly reading her a few of the poems."</p><p>1 – A short novel by Georges Bataille. Published clandestinely in 1928 under the pseudonym Lord Auch it recounts the sexual experiences of two adolescents and their growing perversity.</p><p><u>Bibliography:</u><em><br />Œuvres complètes</em> I ed. Marcelle Dumas and Lucien Scheler Pléiade edition in the section <em>Seconde Nature</em>:<br />– Poem XXXVII I p. 243 also reproduced in <em>Poésie</em> 1929 vol. VII p. 139<br />– Poem XXIX II pp. 243–244<br />– Poem XXXV XX p. 253</p>
194485726Genéve-Paris: Éditions des Trois Collines 1944. First Edition. First Impression. Octavo 24.5cm; original wrappers printed in black on spine and front cover; 1617-16812pp; illus. Signed by noted poet translator and anthropologist Nathaniel Tarn 1928-2024 on the preliminary blank page using his birth name when he was a 17-year-old student: "E.M.F. Mendelson / from Paris / Oct 1945." Gentle sunning to spine light wear and some faint finger-soil to wrappers; contents fresh with many pages unopened; Very Good. Attractive copy of the noted surrealist poet's book of verse dedicated to and inspired by the work of his close friend and sometimes collaborator Pablo Picasso. 85726. Éditions des Trois Collines unknown
1944328930Geneva: Trois Collines 1944. paperback. very good. Picasso. Illustrated with one mounted color plate 97 b/w plates on coated paper and numerous drawings in the text. 177 pages. Short 4to original orange paper wrappers in glassine wrapper spine creased glassine worn. Geneve-Paris: Editions des Trois Collines 1944. Text in French. Many pages unopened lightly foxed throughout. A very good copy.<br/> <br/> Trois Collines unknown
1944116794GenÂve : Editions des Trois Collines 1944. 245x190mm. planches en n/b brochÂŽ. Couverture rempliÂŽe. TrÂs bel exemplaire. 666 Editions des Trois Collines unknown
1947462614London : Martin Secker and Warburg Ltd 1947. First Edition. Softcover. Good paperback copy with wrappers somewhat dust-dulled and edge-torn. The spine is particularly affected partly lacking with lengthwise tears. The internal binding however remains entirely secure with leaves remaining tight bright and clean. A well-preserved copy overall. Series; Les grands peintres par leurs amis ; 1. Physical description; 168 pages 16 leaves of plates : illustrations 1 mounted colour ; 25 cm. Subjects; Éluard Paul 1895-1952. Picasso Pablo 1881-1973 Criticism and interpretation. Artists Spain 20th century. Painters Spain 20th century. Modernism Art Spain. Art Spanish 20th century. Poets French 20th century. London : Martin Secker and Warburg Ltd paperback
1947C217289London: Martin Secker & Warburg 1947. Paperback . Very Good. Small quarto. 176pp. Original orange card covers. Slight wear and nicking to yapped edges slight fading to spine slight label remains inside front cover otherwise very good indeed. French text. Martin Secker & Warburg, paperback
1947916Trois Colines Geneve 1947. "Brochure with wear on the cover and spine. Collection Les Grands Peintres par leurs amis. Printed in Geneva"" Trois Colines Geneve unknown
19933879George Braziller 1993. 1993 4to. 22 pp. of text. Introduction by Anne Hyde Greet. Color illustrations throughout. Illustrated wraps. Light edge-wear small patch of scratches at rear wrap where sticker was removed. Very Good. Soft cover. Very Good. George Braziller, 1993. paperback
1984650424Geneve: Gerald Cramer 1984. Hardcover. Very Good. Miro Joan. Unpaginated in very good condition. Pages are clean and unmarked with colour plates throughout. Includes a separate 22-page booklet bound in grey card covers. Both books are kept in a hard casing with gilt titles on the spine. Worn and torn on the edges and joints. Kept in a beige slipcase in fair condition. Heavily worn on the edges some edges are held together with tape. Scuffed and stained. VG <br/> <br/> Gerald Cramer hardcover
1984092868Geneve: Gerald Cramer. Qto. 94 pages illustrated by Joan Miro. This is a facsimile edition of Number 75 of 130 copies signed by Miro in 1958. Comes along with the 22 page booklet in English text detailing the history and production of the orginal edition. A Fine copy in a Fine clean bright dust jacket slipcased. A wonderful example in terms of clean condition. Images can be supplied on request. . Fine. Hardcover. 1984. Gerald Cramer hardcover
198415399N. Y.: George Braziller Inc. 1984. Book. Illus. by Miro Joan. Fine. Stiff Card Covers Slipcased. First Thus Facsimile. Fine unread copy in slipcase and with original publisher's box. An extraordinary copy of this facsimile of the 1958 Cramer edition. Book pamphlet and slipcase are unblemished. Appears to have been stored in the box for the past 25 years. Even the box is almost fine !. George Braziller, Inc. Hardcover
1993NOWmirTOUTGeorge Braziller Inc 1993-09-17. Paperback. Very Good. 10x0x12. The preface and introduction are in English; poems are in French. A clean tight copy with mild shelf rubbing and edge wear to wraps; bottom fore corners are lightly bumped. Contents unmarked. 4to. Unpaginated. George Braziller Inc paperback
198416449NY: BRAZILLER. 1984. Fine with no dust jacket. 1984. Facsimile. Slipcase. Slipcased. Facsimile Edition. Lovely reproduction of the Swiss limited edition. Fine in publisher's slipcase with the original wrap-around band intact. B . NY: BRAZILLER. 1984 unknown
1984802031052<p>Soft cover. Condition: Very Good Limited Edition.</p><p>Facsimile of original no. 75 of nos. 27-106 published in 1958 with wraps Additionally with booklet "Miró Eluard and Cramer: A TOUTE EPREUVE. A Collaboration Between Artist Poet and Publisher" by Anne Hyde Greet.</p><p>Additional pictures on request.</p> George Braziller Inc paperback
19842092902138101113Galerie Patrick Cramer 1984. Soft Cover. Fine. Size: 33.5cmx26cm Number of books: 1 Galerie Patrick Cramer paperback
198451633New York: George Braziller Inc 1984. Facsimile edition. Hardcover. fine. Quarto. Color illustrations by Miro. French text in a folded chemise box. Includes booklet in english. In slipcase. Facsimile edition. George Braziller Inc hardcover
19841575520858Gerald Cramer 1984. Hardcover. Very Good. May have limited writing in cover pages. Pages are unmarked. ~ ThriftBooks: Read More Spend Less.Minor shelf and handling wear overall a clean solid copy with minimal signs of use. 16 pg text with book in slipcase as issued. Secure packaging for safe delivery.Dust jacket quality is not guaranteed. Gerald Cramer hardcover
198448611New York: George Braziller 1984. First Edition thus. Hardcover in slipcase. VG two vols in faux wood grain slipcase. Facsimile of the Cramer 1958 edition. . George Braziller hardcover
1984382231-MD4New York : George Braziller 1984. Hardcover. Good. Facsimile of copy 75 of this 1958 book with a facsimile signature by Joan Miró. Original wrappers illustrations in colour throughout slipcase large 4to.; Without the 22-page softcover Publisher's Preface. New York : George Braziller hardcover
19843531BB1984. Genève New York Gérald Cramer - Braziller 1958 1984. 4°. 48 Bl. Mit farb. Illustr. nach Holzschnitten von Joan Miró; Begleitheft: 22 S. Orig.-Pappband in Halbpergamentschuber. Verlag: New York Braziller 1984 Faksimile-Ausgabe der Nr.: 75. Im Druck von Miro signiert. - Gut erhaltenes Exemplar. unknown
19841411860New York: George Braziller Inc 1984. First Edition Thus First Printing. Softcover. Quartos 2 Volumes. In Very Good condition and housed in published Very Good slip case with chamise. Minor shelf wear. Volume I bound in soft white boards. Volume II bound in light grey covers with light soiling to front cover. Both textblocks clean. Shelved in Case 11. Facsimile of the limited edition published by Gérald Cramer in Geneva in 1958. 1411860. Shelved Dupont Bookstore. George Braziller, Inc unknown
19934356George Braziller 1993 Facsimile reprint. 12.75 x 10 inches. 22 pp. of text 80 unpaginated color illustrations. Introduction by Anne Hyde Greet. Illustrated wraps. Wraps moderately rubbed lightly creased at corners and along edges. Very Good. Soft cover. Very Good. George Braziller paperback
