14 résultats
175021219Firenze: Con Licenza de' Superiori 1750. Stiff Wrappers. Fair. Volume 3 of 6 ONLY. 8vo. pp. ff 1 xviii 126 blank ii-viii 74 2-103; contemporary limp paper boards; spine ends chipped and worn; backstrip detached from text block with gatherings becoming loose; library stamps and pencil annotations to title leaf; embossed library stamp; card pocket at rear pastedown; text leaves clean throughout; good copy at best. Stiff Wrappers. Con Licenza de' Superiori unknown books
17061303990Venezia 1706. Hardcover. Quarto; pp 240; Fair; brown spine with gilt text; Genealogy of Jesus Christ According to the Flesh never published in English 19th century translation from Italian to English; Ownership of this manuscript conveys copyright; Book of manuscript handwritten; quarter leather with marbleized boards have moderate to severe wear to exterior spine has heavy chipping half of spine's exterior is missing but still attached to boards title label to spine intact; lower corner of front board bent chipped and missing leather; corners of boards adjacent to spine is bumped and rubbing to marbled boards; text block have light staining on the first five pages darkening to exterior edges; Additional shipping may be necessary due to size/weight restrictions for international/expedited orders. 1303990. Rockville Non-Retail Listings. hardcover books
177820573Nice: Chez Gabriel Floteront A Turin chez Les Freres Reycends 1778. Second edition corrected and enlarged. 4to. Contemporary mottled sheep morocco labels. Rubbed scuffing tears to head and tail of spines and wear to lower corner of cover of first volume else a very nice copy. Second edition corrected and enlarged. 4to. Chez Gabriel Floteront, A Turin chez Les Freres Reycends unknown books
175021218Firenze: Con Licenza de' Superiori 1750. Stiff Wrappers. Good. 2 of 6 volumes ONLY. Two vols. 8vo. pp. ff 2 2-100 2-96 2-88 blank 2-82; ff 1 2-95 blank 2-96 2-106 blank; contemporary limp paper boards; volume II rebacked with brown library tape; volume I spine ends chipped and worn; library tickets to spines; library stamps and pencil annotations to title leaves; embossed library stamps scattered throughout both volumes; card pockets at rear pastedowns; electronic tag at rear pastedown of volume I; text leaves clean throughout; a reasonably attractive set. Properly de-accessioned. Stiff Wrappers. Con Licenza de' Superiori unknown books
179036609N. P.: Augustae Tavrinorum Typis Ignatii Soffietti 1790. Engraved title vignette by Valperga after Palladius. 1 vols. 4to. Contemporary marbled boards remains of printed label on spine. Rubbed joints starting printed label on upper cover some spotting of endpapers bookplate from the Bibliotheca Giuliari else a very good and clean copy. Engraved title vignette by Valperga after Palladius. 1 vols. 4to. Contessa Tapparelli Balbo. Memorial of Henrietta the Countessa Tapparelli Balbo wife of Prospero Balbo mother of Cesare Balbo the Italian Writer and Statesman and daughter of Robert Taparelli d'Azeglio Conte di Lagnasco. Including poetic contributions of Gioanni Batista Ghio Conte Guiseppe Franchi Conte Giambatista Somis Albo Crisso Camillo Maulandi Emanvele Rosetti Francesco Morelli and others. Augustae Tavrinorum Typis Ignatii Soffietti unknown books
1758WB18311Venice: Giambattista Novelli 1758. Hardcover. Very Good. 8vo. Contemporary vellum. Gilt spine labels. Old paper labels to bottom spine and small attractive old bookplate "Stamperia E Libreria Di Giovanni Silvestri" of Milano. A charming set. Complete. <br/><br/> Giambattista Novelli hardcover books
1741214611Venezia . Milano: Michel'Antonio Panza 1741. Second edition. 12 266pp. 1 vols. 4to. Later vellum-backed boards uncut red leather spine label. Boards scuffed tear in lower joint very slight internal foxing; overall a very good sound copy. Second edition. 12 266pp. 1 vols. 4to. Michel'Antonio Panza unknown books
179326835London: Printed by J. Davis; For R. Faulder New Bond-Street 1793. 1st edition. Full red morocco-style sheep. AEG. Marbled paper eps. Overall VG some extremity rubbing/usual foxing. xiv 241 pp. Illustrated with 6 copperplate engravings 5 folding. 4to. 8-1/2" x 6-1/4" <br/><br/> Printed by J. Davis; For R. Faulder, New Bond-Street unknown books
1800130Venice 1800. 1. Mercier Louis Sébastien. Il Disertore. Commedia del Sig. Mercier. Tradotta dal Francese. Bologna: Stamperia di S. Tommaso d'Aquino 1772. 8vo. 82 pp. Original paste paper wrappers. ICCU cites one copy in Bologna; NUC cites only the 1796 edition at Johns Hopkins only. Not in OCLC. 2. Albergati Capacelli Francesco. Il Capriccioso. Farsa del Cittadino Francesco Albergati Capacelli. Venice. 1797. 8vo. 42 pp. Original past paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds Munich; ICCU list 8 locations. 3. Alberghetti Forciroli Carlo. Edipo. Tragedia inedita del Cavaliere Carlo Alberghetti Forciroli. Venice 1797. 8vo. 68 pp. Original paste paper wrappers. NUC cites copies at Johns Hopkins and NYPL; OCLC adds U Penn; ICCU lists 12 locations. 4. Collin d'Harleville Jean François I Castelli in Aria. Commedia del Signor Collin d'Arleville. Traduzione inedita di Giovanni Piazza. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. No copies in US libraries. ICCU cites 20 locations. 5. Cornielle Pierre. Il Cid. Tragedia di Pietro Cornelio. Tradotta da Giuseppe Greatti. Venice 1798. 8vo. 87 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins U Penn Duke and Getty. 6. Dumaniant M. Guerra Aperta Ovvero Astuzia Conrto Astuzia. Commedia del Sig. Dumaniant tradotta da Pietro Andolfati. Venice 1798. 8vo. 76 pp. Original paste paper wrappers. OCLC Johns Hopkins and U Penn. 7. Piron Alexis. Gustavo Wasa. Tragedia di Alessio Piron. Tradotta dal Nobile Francesco Gritti. Venice: 1798. 8vo. 95 pp. Original paste paper wrappers. OCLC cites copies at Johns Hopkins and U Penn. 8. Bassi Domenico. L'Impensato Accidente. Commedia del Signor Domenico Bassi. Venice 1799. 8vo. 72 pp. Original paste paper boards. NUC cites copies at Boston Public Library and NYPL; OCLC adds U. Penn. 9. Avelloni Francesco. Giulio Villenwelt Assassino. Commedia del Signor Francesco Antonio Avelloni. Venice: 1800. 8vo. 64 pp. Original paste paper boards. OCLC cites copies at Johns Hopkins and Michigan State. 130. unknown books
1767223077Milan: Federico Agnelli 1767. First edition. Engraved portrait frontispiece to volume I. xv 1 343; 2 352; 2 423; 2 374 4; pp. 375-805 Additioni. 4to 25.5 x 20 cm.; 10 x 8 inches. Contemporary half vellum over patterned paper boards brown morocco lettering-piece to spine extremities slightly bumped or rubbed. BEAUTIFUL COPY uncut. First edition. Engraved portrait frontispiece to volume I. xv 1 343; 2 352; 2 423; 2 374 4; pp. 375-805 Additioni. 4to 25.5 x 20 cm.; 10 x 8 inches. Italian Translations from the Classics. Fine set of this massive and important bibliography by the Bolognese Argelati 1685-1755 posthumously published with additions and corrections by Angelo Teodoro Villa 1723-1794. Federico Agnelli unknown books
1753214550Venezia: Giambatista Pasquali 1753. Title page of volume I printed in red and black woodcut title vignettes initials tailpieces. 2 vols. 4to. Contemporary vellum morocco spine labels worn. Apart from repair to head of spine of vol. II a lovely set from the library of the Borghese-Fantuzzi family armorial bookplate. Title page of volume I printed in red and black woodcut title vignettes initials tailpieces. 2 vols. 4to. The definitive edition of this celebrated catalogue of works written in Italian -- a virtual PMM of Italian printing. It first appeared in 1706 as a bibliopraphical appendix to the Fontanini's work Della eloquenza italiana with 1500 entries. Subsequent editions appeared in 1727 1736 and 1737 before this last and most important edition -- which is entirely the bibliographical part of the work -- containing 5000 entries of Italian works in poetry prose arts sciences etc. with the invaluable commentary by Zeno and an index. Besterman 3213; Graesse II 612 Giambatista Pasquali unknown books
17564062Rome: Gioacchino & Giovanni Giuseppe Salvioni Stampatori Pontificii Vaticani 1756. 8vo 210 x 135 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes and 12 tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved initials numerous red-printed woodcut initials. Occasional light browning. 18th-century Roman gold-tooled red goatskin covers with densely tooled dentelle border built up from leafy plant tools sprigs floral and arabesque tools each cornerpiece enclosing a grid with gold dots blossom tools and dots in central field ornamental centerpiece of large foliate arabesque and dandelion tools spine in six uniformly gold-tooled compartments block-printed pastedown endpapers with flower and fruit design stencil-colored in red green and yellow gilt edges with gauffred border design; upper cover a bit faded and bowed corner bumped a couple of scrapes to lower cover. Provenance: Horace de Landau 1824-1904 bookplate shelfmark no 47854; Vicomte de Cossette armorial bookplate. A rococo binding on a luxuriously printed and illustrated Office of the Virgin from the Salvioni press official printers to the Vatican. The Salvioni press used several workshops sometimes collectively mislabeled as the "Vatican" or "Salvioni" bindery. Those bound for the papal library were finely executed and different binderies can be identified by their tools color of leather and stylistic details. The present pretty but crowded binding decor with its in places overlapping tooling does not seem to belong to the corpus of binderies represented in for example the Vatican Library's 1977 exhibit catalogue of papal bindings. Stylistically it uses types of tools and decoration - the wide "Louis XV" style border and the basketweave cornerpieces - in vogue during the reigns of Clement XIV 1769-1774 and Pius VI 1775-1799. Its decoration is similar for example to binding no. 262 in Legature papali but it is of inferior workmanship and does not use the same tools. It was probably produced in a Roman shop executing many commissions and forced to work quickly although it could even be a provincial binding. Cf. Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 262 plate CXCI. Gioacchino & Giovanni Giuseppe Salvioni, Stampatori Pontificii Vaticani hardcover books
17562896Rome: Gioacchino & Giovanni Giuseppe Salvioni 1756. 8vo 208 x 133 mm. 24 407 1 pp. 2 parts the Office of the Dead separately titled. Printed in red and black. Engraved frontispiece and 12 full-page engravings by Arnold Van Weserhout and Jacob Frey after Joseph Passarus Giuseppe Passaro two engraved title vignettes 12 engraved tailpiece vignettes a few unsigned others by Frey after Passaro or by M. Schedi engraver 3 engraved capital initials numerous red-printed woodcut initials. Foxing occasionally severe short marginal tear to fol. Z7.Slightly later eighteenth-century Roman gold-tooled red goatskin covers with large dentelle border composed of a triple neo-classical roll-tooled outer frame enclosing six large ornaments each with a basketweave design of diagonally crossing gilt fillets framed in volutes and leafy sprigs a few tiny petal or star tools board edges protected with a probably later frame of silver or silver-plated metal discreetly nailed to the binding two elaborately chased silver fore-edge clasps and catches spine in six uniformly gold-tooled compartments gilt edges with gauffred border design pair of green ribbon page markers marbled endpapers; 20th-century black morocco felt-lined case. Provenance: with Gumuchian Catalogue XII/1930/225; Maurice Burrus bookplate purchased from Gumuchian in 1934 purchase notes at end. A striking rococo binding in fine condition on a luxuriously printed and illustrated Office of the Virgin from the official Vatican press.From the mid- to late eighteenth century the Salvioni press used one or more bookbinding workshops that produced finely gold-tooled bindings for their Vatican publications. Although often referred to as the "Salvioni bindery" this appellation is circumstantial: "the Salvioni firm was responsible for promoting the bindings but it is not known which workshop produced them" British Library Database of Bookbindings. Some of these "Vatican" bindings incorporated variously colored or mottled leather. This example with its basketweave cartouches relies purely on tooling for its effect. An example evidently from the same workshop on a book printed at Rome in 1791 by Salomini using analogous cartouches as corner-pieces as well as a similar "spiraling" border design and some of the same leafy spray and star tools is reproduced in Legature papali no. 264."Whereas the . more flamboyant bindings produced by the Salvioni Bindery rely frequently on polychrome enamel heightening these Vatican bindings strike a somewhat more sober note with their very fine dark-red morocco and rich gold-tooling of high quality" Martin Breslauer Catalogue 107/428.Gumuchian Catalogue de Reliures du XVe au XIXe siecle no. 225 plate 68. Cf. British Library Database of Bookbindings Shelfmark c27e18; For other "Salvioni" bindings see Miner / Walters Art Gallery The History of Bookbinding no. 523; Biblioteca Apostolica Vaticana Legature papali da Eugenio IV a Paolo VI no. 264 plate CXCIII. Gioacchino & Giovanni Giuseppe Salvioni hardcover books
1760260692Brünn: Johann Paul Krauss 1760. Engraved title in each volume vols. II-IV reading "Unser Lieben Frauen .". 189; 2 193-390; 2 393-590; 190 pp. 8vo. Contemporary Italian binding of full brown morocco covers gilt with two outer border rolls corner-pieces and arms of Prince-Bishopric of Trent spine gilt in six compartments a.e.g. Dutch gilt endpapers. Light wear to corners else fine. In original morocco pull-off case tooled in gilt to match lined with Dutch gilt paper. Some wear and splitting to edges of box. Engraved title in each volume vols. II-IV reading "Unser Lieben Frauen .". 189; 2 193-390; 2 393-590; 190 pp. 8vo. Italian Armorial Binding in Original Box. A beautiful Italian armorial binding of the mid 18th-century similar in style to those promoted by the Salvioni firm in the original pull-off case. OCLC locates only one copy of this scarce German breviary in the Bayerische Staatsbibliothek. Johann Paul Krauss unknown books
