Longus/ Reeve, M DBiblio.com
84 résultats
1998__3598719329K G Saur Verlag Gmbh & Co 1998. Paperback. New. 130 pages. French language. 9.21x6.14x0.38 inches. K G Saur Verlag Gmbh & Co paperback
194823422Lausanne 1948. Les pastorales. Eines von 10 Expl.nicht für den Handel bestimmt mermod 8°. br. Literatur unknown
1949D14047Paris: Jourde et Allard 1949. Limited Edition. Paperback. Near Fine. Green cloth portfolio with paper spine label in decorative paper slipcase; contains illustrated wraps in glassine with loose gatherings as issued of text and illustrations. Number 33 from a limited edition of 25 copies on Rives paper from a larger limitation of 125 copies with an additional suite of plates and 3 original drawings tipped onto a glassine-protected plate. Cloth portfolio rubbed; spine sunned; spine label chipped. Tiny faint speck of staining on front panel of glassine otherwise dust jacket wraps and contents are fine. In lightly scuffed and worn slipcase. A lavish production. <br/><br/> Jourde et Allard paperback
196694522Bremen: Schünemann 1966. Hardcover. Gutes Exemplar. 8°. mit s/w Illustrationen im Text nach Aristide Maillol. Or.Hpgt. mit Schutzumschlag und Schuber Nummeriertes Exemplar. Nr.128 von 450 Exemplaren auf Bütten. Frankreich; Griechenland; 20. Jahrhundert; Altertum / Antike; Sonderausgabe der Sammlung Dieterich Schünemann, hardcover
194310597AB1943. Zürich Stäheli 1943. 20 : 16 cm. 96 Seiten Mit 8 farbigen Tafeln von Karl Walser. Original Pappband mit farbig illustriertem Original-Umschlag von Karl Walser. Erste Ausgabe. - Eines von 500 numerierten Exemplaren. Privatdruck der Buchhandlung Kurt Stäheli. Das letzte von Karl Walser illustrierte Buch. - Dadorrek-Hoguth A 22. unknown
191014578AB1910. Darmstadt Ernst Ludwig Presse 1910. 27 : 18 cm. 167 Seiten 1 Blatt mit ornamentalen Titel und 4 gold-gehöhten Initialen. Original grüner Lederband Vorderdeckel reich vergoldet Kopfgoldschnitt Rückentitelin Gold signiert Demeter Leipzig. Eines von 250 Exemplaren. 10. Buch der Ernst Ludwig Preses.- Titel mit kleinem Sammler-Stempel Rücken etwas ausgeblichen. - Stürz 10; Rodenberg 75. unknown
191018994AB1910. Darmstadt Ernst Ludwig Presse 1910. 27 : 18 cm. 167 Seiten 1 Blatt mit ornamentaler Titelseite und 4 goldgehöhten Initialen Grüner Original Lederband Vorderdeckel reich vergoldet Titel in Gold auf dem Rücken Kopfgoldschnitt. signiert Demeter Leizig. Eines von 250 Exemplaren auf Hadernpapier. Das 10. Buch der Ernst Ludwig Presse. - Vorderer Innendeckel mit kleinem Exlibris Titelblatt mit kleinem Sammlerstempel Rücken und teils seitlich ausgeblichen innen schönes Exemplar. - Stürz 10; Rodenberg 75. unknown
193323659Chelsea: Ashendene Press 1933. First edition thus. Hardcover. Orig. vellum-backed green boards white corner tips gilt device front cover. Near fine. 163 pages. 25.5 x 18.5 cm. Limited edition of 310 copies. Printed in red and black in Ptolemy type. Initials hand-colored in blue by Graily Hewitt wood-engravings throughout by Gwen Raverat. HORNBY XXXIX. This edition was initially printed in 1931 the ink used was very slow to dry the sheets packed before the ink dried. When discovered at the binder Hornsby decided to destroy the entire edition. Text in French. Fresh very bright copy. Ashendene Press hardcover
1933ASHENDEN016599Ashendene Press London. 1933. First edition. Quarto. pp iv 163. One of 290 copies. 26 wood engravings by Gwendolen Raverat; initials filled in by hand by Graily Hewitt. Translated into French by J. Amyot. Edited and corrected with an Introduction by Paul-Louis Curier. Vellum-backed turquoise boards stamped with gilt vignette. Printed by C.H. St John Hornby in Ptolemy type on Batchelor handmade paper with title and marginal notes printed in red.Fine in very good indeed sturdy patterned board slipcase with a bit of rubbing to the corners. Ashendene Press, London. hardcover
1919000387<p><strong>One of the most beautiful books illustrated by Carlègle. With 33 original woodcuts. With two extra suites of illustrations on Japon ancien and on Chine all signed by the artist. No. 2 of 20 numbered and signed copies of the special edition on Japon ancien à la forme. "C'est la meilleure illustration de l'artiste" Carteret. </strong></p><p><strong>Description:</strong> Vellum spine and fore edge with wood veneer covered boards filleted in gilt; flat spine lettered and decorated in gilt. Housed in the original slipcase covered with wood veneer and black leather entry. Bound by Devauchelle signed. Quarto: 27 × 19 cm; pp. 144 1ll. 33 plates on Japan 33 plates on China. Top edge gilt.</p><p><strong>Ref.:</strong> Carteret: iv 242</p><p><strong>Condition:</strong> Slipcase with slightly torn edges otherwise a near fine copy.</p><p><strong>Notes:</strong> Charles Émile Egli born in Aigle in 1877 was a Swiss illustrator and artist. Under the name Carlègle he worked in Paris from 1900 until his death in 1937 for numerous magazines such as Le Rire Gazette du Bon Ton and La Vie Parisienne. From 1908 he began to illustrate books working for publishers such as Georges Briffaut Calmann-Lévy collection "Pour nos enfants" Mornay the Société de Bibliophile the Société Littéraire de France and Léon Pichon. The edition of the "Amours Pastorales" is one of Carlègle's most elaborate works. The total edition consisted of 395 copies of which only copies 1-20 were signed.</p> Léon Pinchon hardcover
191991045Paris : Socit Littraire de France 1919. 145x110mm. 109Êpages broch. Couverture remplie. Couvertures dfraichies. Edition originale sur papier vlin blanc de Rives numrote n.¡ 682 / 1000. 313 Socit Littraire de France unknown
19312498Blue marbleized endpapers. Ribbon marker. Dulac illustrations. Tout en Francais. Illustrations in red and black with in border Small wear top spine left. . Gold edge paper. Text unmarked. Previous owners name in ink verso free endpaper. Pencil notion recto free endpaper. 340 copies printed. This book is number 227 Dappled edge pages. chez l'artifte hardcover
196717-0221Paris: Les Peintres Du Livre 1967. 1967 96pp illus. slipcase No. 183 of 3000 text entirely in French trans. by Paul-Louis Courier light soiling to cover heavier to spine some soiling & slight shelfwear to slipcase contents clean. Cloth. Very Good/No Jacket. Illus. by Bonnard. Les Peintres Du Livre Hardcover
1939262391939. Paris Le Vasseur et Cie 1939. Un vol. au format pt in-4 293 x 238 mm de 184 pp. en feuilles sous couvertures imprimÂŽe ˆ rabats rempliÂŽs chemise de demi-vÂŽlin ivoire dos lisse titre dorÂŽ sous coffret de plein papier gauffÂŽ crÂme. Tirage unique ˆ 425 exemplaires numÂŽrotÂŽs ; celui-ci comptant parmi les 350 sur grand vÂŽlin d'Arches ˆ la forme. Il s'agrÂŽmente - ici en premier tirage - des dÂŽlicates compositions gravÂŽes et en couleurs par Paul-Emile BÂŽcat. ''Publication recherchÂŽe surtout en grand papier''. in Carteret. ''ElÂve des peintres Gabriel Ferrier et FranÂois Flameng BÂŽcat a exposÂŽ aux Salons des Artistes franÂais ˆ partir de 1913 et obtint le Grand prix de Rome. En 1933 il commence une carriÂre d'illustrateur ˆ la pointe-sÂche et se spÂŽcialise dans les textes galants. Ses nus trÂs soignÂŽs sont recherchÂŽs''. in Osterwalder. Daphnis et ChloÂŽ roman grec est attribuÂŽ ˆ Longus auteur dont on ne sait pour ainsi dire rien. Si ce n'est qu'il pourrait Âtre nÂŽ ˆ Lesbos. Le sujet de Daphnis et ChloÂŽ - InfluencÂŽ par les Idylles de ThÂŽocrite - se distingue pourtant des autres romans grecs de par son dÂŽcor bucolique et lÕironie constante qui prÂŽside au dÂŽroulement de lÕaction. Ce roman pastoral - et chef dÕÃuvre de la poÂŽsie classique - met en exergue le thÂme mythique de lÕexposition des enfants sous lÕantiquitÂŽ. Carteret IV Le TrÂŽsor du bibliophile / IllustrÂŽs modernes p. 243 - Osterwalder II Dictionnaire des illustrateurs p. 84 - BÂŽnÂŽzit I Dictionnaire des peintres p. 558. Coffret prÂŽsentant des marques d'eau. DiscrÂtes rousseurs affectant le dos de la chemise. DiscrÂtes piqžres affectant le premier plat de la couverture papier. TrÂs rares rousseurs dans le texte. Du reste trÂs belle condition. b42961 unknown
193139584Paris: Chez l'artiste 1931. Jean Dulac. ONE OF A HANDFUL OF COPIES WITH ALL OF THE ENGRAVINGS BEAUTIFULLY COLORED BY HAND. A wonderful livre d'artiste with 26 ORIGINAL ENGRAVINGS most lightly erotic BY JEAN DULAC. From a total edition of 340 numbered copies this is ONE OF A FEW COPIES ON FINE RIVES LAID PAPER IN WHICH ALL OF THE ENGRAVINGS WERE BEAUTIFULLY COLORED BY HAND FOR A GROUP OF COLLECTORS. The colophon / limitation statement in these copies ends with a printed note not included in other copies: "Cet exemplaire est l'un de ceux qui ont été coloriés à la main spécialement pour un groupe d'amateurs." I have seen thousands of livres d'artiste but this is the only time I've ever seen a printed note like this one distinguishing it from virtually all of the other copies of the edition. Large 8vo. Loose as issued in original wraps. FINE AND BRIGHT in the original board chemise and slipcase lightly worn. OF THE GREATEST RARITY WITH THE ENGRAVINGS COLORED BY HAND. And very beautiful. <br/><br/> Chez l'artiste paperback
1933087819N: The Ashendene Press 1933. Traduction de Messie J. Amyot editee et corrigee par Paul-Louis Courier. Text in French. Pp. iviv164last blank printed in red & black text illustrations 4 full page the decorative initials drawn in blue by Graily Hewitt and his assistants printer's mark C in red at colophon; narrow cr. 4to; qr. vellum lettered and ruled in gilt turquoise papered boards with vellum corner-tips circular gilt design by Gwen Raverat at centre of upper board the edges of the paper very slightly chipped; uncut; within patterned papered slipcase which is slightly worn; lower hinge tender a little light foxing; printed by C. H. St. John Hornby The Ashendene Press Chelsea 1933. Edition limited to 310 copies; this being one of 290 copies printed on paper. Franklin pages 242-3. The penultimate book from The Ashendene Press. The wood-engraved illustrations by Gwen Raverat are described by Colin Franklin The Ashendene Press page 243 as 'the only worthwhile original illustrations in an Ashendene book'. The Ashendene Daphnis et Chloe was intended for publication in 1931 but that edition was printed on Japanese vellum and because the sheets were packed before the slow-drying ink had sufficiently hardened all but 10 copies had to be destroyed. The Ashendene Press unknown
1937ST11995Paris: Les Frères Gonin 1937. No. CXXV OF 500 COPIES SIGNED BY THE ARTIST this is one of the hors commerce copies with an additional suite of plates. 219 x 149 mm. 8 5/8 x 5 7/8". 2 217 5 pp. One volume and one portfolio. Translated by Jacques Amyot. <br/> MOST ATTRACTIVE BEIGE CRUSHED MOROCCO BY IRMGARD HACCIUS stamp-signed "I. H." in gilt on rear cover front cover with gilt titling arranged in 10 short descending rows surrounded by blind-tooled leaves and grasses rear cover with three-inch column of blind-tooled leaves bearing gilt berries and the binder's initials flat spine with titling in blind top edge gilt. Housed with the portfolio of plates in its original printed paper wrapper in a matching marbled paper folding box with beige morocco spine and edges no doubt done by Haccius as well. WITH 47 WOODCUTS BY ARISTIDE MAILLOL depicting scenes from the text AND WITH AN EXTRA SUITE OF 48 PLATES printed in sanguine the additional plate bearing the 15 woodcut initials used in the text. Front pastedown with armorial bookplate of German bibliophile and music publisher Ludwig Strecker. The Artist and the Book 174. ◆A SPLENDID COPY clean and bright in a luxurious unworn binding.<br/> <br/> This version of Longus' charming Greek pastoral novel of awakening love long retained its popularity and was published frequently often with illustrations. And perhaps the chief virtue of the present edition is the unaffected sometimes mischievous woodcuts of nymphs and lovers by the French-Catalan artist Aristide Maillol 1861-1944 best known for his sculpture. His engravings here have the same classical lines that typify his three-dimensional works. According to "The Artist and the Book" the work is "perhaps the most harmonious of Maillol's illustrated books." The very attractive and intelligent binding is by Mainz master bookbinder Irmgard Haccius 1916-2003 whose work here is entirely in keeping with the illustrator's graceful simplicity. Haccius studied at the art academies in Munich and Berlin in addition to completing advanced training in book binding at the Academy of Fine Arts at Castle Giebenstein Hall. She was one of the first faculty members at the State University Institute for Art and Handicraft in Mainz before joining Johannes Gutenberg University in 1973 as a professor in the Department of Visual Arts. Les Frères Gonin unknown
193737010Paris: Les frères Gonin 1937. Fine. Les frères Gonin Paris 1937 14 x 21 cm en feuilles sous chemises et étui With 48 original woodcuts by Aristide Maillol printed in 500 numbered copies on Maillol paper. Autograph signature of Aristide Maillol to justification. This copy is complete with its separate suite of 21 original woodcuts. Les frères Gonin unknown
193485346Paris: Librairie Floury 1934. Fine. Librairie Floury Paris 1934 21 x 26.50 cm broché Edition illustrated with 16 original illustrations in and out of text by Georges Leonnec as well as head- and tailpieces initial letters and culs-de-lampe one of the numbered copies. Handsome copy despite the spine and boards being slightly and marginally sunned. The translation was done by Jacques Amyot and largely revised by Paul-Louis Courier. Librairie Floury hardcover
1937311575Paris: Les Frères Gonin 1937. One of 500 signed by Maillol. Translated by Jacques Amyot. 48 woodcuts by Aristide Maillol. 8vo. Original printed wrappers. Text and illustrations loose as issue in slipcase and chemise. Maillol Aristide. One of 500 signed by Maillol. Translated by Jacques Amyot. 48 woodcuts by Aristide Maillol. 8vo. "Perhaps the most harmonious of Maillol's illustrated books." Strachan. The Artist and the Book 174; Rauch p. 141; Guérin nos. 76-127; Monod 7261 Les Frères Gonin unknown
1923117946Paris : Georg & Cie. 1923. 240x170mm. reliure demi-chagrin avec titre auteur filets et encadrements dors au dos quatre faux-nerfs. Plat et garde papier marbr. Tranche suprieure dore. Couvertures et dos conservs. Ex-libirs. Exmplaire numrot n.¡ H. C. sur papier vlin dÕArches. 752 Georg & Cie. unknown
191487776Paris : Georges CrÂs et Cie. 1914. 190x135mm. frontispice XIII - brochÂŽ. Couerture rempliÂŽe. Edition originale sur papier Japon impÂŽrial des Manufactures de Rives numÂŽrotÂŽe n¡ 54 / 65 premier tirage. TrÂs bel exemplaire. 571 Georges CrÂs et Cie. unknown
1934117528Paris : Librairie Floury 1934. 265x210mm. 30 illustrations en couleurs reliure demi-maroquin rouge ˆ bandes avec titre dorÂŽ au dos lisse. Plat papier marbrÂŽ. Couverture supÂŽrieure conservÂŽe. Belle reliure rÂŽalisÂŽe par R. Rouiller. TrÂs bel exemplaire hors commerce numÂŽrotÂŽ n.¡ XLVI / C. 1227 Librairie Floury unknown
192337013Paris: Georg & Cie 1923. Fine. Georg & Cie Paris 1923 16.50 x 25.50 cm relié sous étui Illustrated edition with 13 original lithographs by Charles Guérin one of 10 numbered copies on old Japan paper deluxe issue. Full hazelnut morocco binding spine very slightly faded with four raised bands date at foot gilt rolls on caps frame of a gilt fillet on the mint morocco endpapers almond watered silk pastedowns following endpapers of handmade paper double gilt fillets on edges covers and spine preserved all edges gilt slipcase with hazelnut morocco entry handmade paper boards blue felt lining elegant binding signed by Klein. Our copy as stipulated in the print justification is indeed complete with its suite on China paper. Moreover our copy is expanded with an original drawing signed in pencil by Charles Guérin representing the composition illustrating page 13. Very handsome copy perfectly executed. Georg & Cie hardcover
1934193026NY LIMITED EDITIONS CLUB 1934 1934. ORIGINAL FULL TAN LEATHER T.E.G. UNCUT. PUBLISHER'S BOARD SLIPCASE. VERY GOOD-FINE; #94/1500 COPIES SIGNED BY REEVES ON THE COLOPHON PAGE; DIRECTOR FRANK CAPRA'S COPY WITH PENCIL SIGNATURE OF CAPRA'S WIFE LUCILLE ON THE FRONT FREE ENDPAPER LIMITED EDITIONS CLUB VERY GOOD-FINE. Signed by Authors. Hardcover. NY, LIMITED EDITIONS CLUB, 1934 hardcover
