233 résultats
19433575Paris: Inter Nos" 1943-1945. A COMPLETE SET--PERHAPS UNIQUE--OF THE FOUR BOOKS PUBLISHED BY "INTER NOS" IN PARIS DURING WORLD WAR TWO THE FIRST TWO OF WHICH WERE ISSUED DURING THE OCCUPATION. The first three are EXTREMELY RARE because of the tiny edition sizes by the time the fourth was published the Germans had surrendered so a somewhat larger edition could be printed. While many livres d'artiste were printed in France under the Occupation they were subject to Nazi censorship and thus limited themselves to uncontroversial subject-matter. "INTER NOS" as the name implies "among us" in Latin was the only organization in fact a small group of friends that published clandestine livres d'artiste with texts and illustrations depicting graphic sex and sadistic violence. 1 Edouard Peisson "Hans le marin" 1943 with 22 origlnal etchings by Paul-Louis Guilbert. EDITION LIMITED TO 17 COPIES PRINTED ON FINE WOVE PAPER OF WHICH THIS IS ONE OF ONLY FIVE "EXEMPLAIRES DE COLLABORATEURS" "collaborators" in a positive sense we must assume. THIS COPY WAS SPECIALLY PRINTED FOR EDOUARD PEISSON THE AUTHOR. This copy includes a second suite of the 22 etchings in second remarque state as well as a suite of the three "planches refusées" and an additional proof without text of one of the etchings. One of the subversive remarques features a small portrait of a German officer complacently smoking a cigarette with the etched text "26 MARS 1943 / 1.005e jour / DE L'OCCUPATION_". Folio. Loose as issued in original wraps housed in a custom clamshell box. FINE AND BRIGHT. 2 Frédéric Boutet "Un scandale au XVIIIe siècle" 1943 with 20 original etchings by Guilbert. EDITION LIMITED TO 17 COPIES PRINTED ON FINE WOVE PAPER OF WHICH THIS IS ONE OF FIVE COPIES WITH A REMARQUE SUITE OF THE ETCHINGS AND TWO SIGNED ORIGINAL DRAWINGS. This copy additionally has two etchings justified "épreuve unique" a working proof of one of the etchings two additional drawings the "planche refusée" two signed letters from Guilbert and a signed original drawing opposite the half-title. This book and the following one have an extremely unusual feature: many of the etchings in the suites are actually other versions of the etchings in the book rather than merely other states in other words they were not printed from the same plate. In some cases the etchings used in the book are "decent" and the etchings in the suites are most certainly not. Folio. Loose as issued in original wraps. Board chemise and slipcase. FINE AND BRIGHT. ONE COPY IN WORLDCAT BN. 3 Pierre Louÿs "La femme et le pantin" 1945: completed April 25 two weeks before VE Day with 41 original etchings by Guilbert. EDITION LIMITED TO 30 COPIES PRINTED ON FINE BFK RIVES WOVE PAPER OF WHICH THIS IS ONE OF 13 WITH THREE SUITES OF THE ETCHINGS AND TWO ORIGINAL DRAWINGS. This copy additionally has four drawings in addition to the two announced in the justification; two additional proofs of etchings including one signed and annotated "épreuve unique"; twelve pages of typographical proofs including two with etchings; a proof of the title-page with an original drawing; and two additional proofs of the spine label. 4to. Loose as issued in original wraps. FINE AND BRIGHT in the slightly worn original chemise and slipcase. NO COPIES IN WORLDCAT. EVEN THE BIBLIOTHEQUE NATIONALE DOESN'T HAVE THIS ONE. 4 Charles-Théophile Féret "Le manchot" 1945 with 21 original aquatints by Guilbert. Edition limited to 66 numbered copies beautifully printed on fine Arches wove paper of which this is ONE OF TEN WITH AN ORIGINAL SIGNED GOUACHE PAINTING IN FULL COLOR. In this copy the gouache is the preliminary design for the aquatint on p. 37. 4to. Loose as issued in original wraps board chemise and slipcase. A bit of light foxing else FINE AND BRIGHT. Very rare. COMPLETE SETS LIKE THIS ONE ARE OF THE GREATEST RARITY: EVEN THE INDIVIDUAL BOOKS ARE EXTREMELY RARE AND I HAVE FOUND NO REFERENCE TO THE EXISTENCE OF ANY OTHER COMPLETE SET. <br/><br/> Inter Nos" paperback
19016273Paris: A. Ferroud Libraire-Editeur 1901. Superbly bound by the CLUB BINDERY in full black crushed morocco with elaborate gilt concentric geometric design pattern consisting of isolated rectangles in quadruple filet gilt ruling and with leaf and blossom pattern at four corners on both covers and spine. Wide dentelles with similar design and ruling and with THE CLUB BINDERY 1902 stamped in gilt at lower dentelle. This is 1 of only 20 copies the first 10 contained an original watercolor by Caruchet of the rare Japan Vellum edition where the entire book has been masterfully hand-colored in subtle and aesthetic watercolor by the artist Henri Caruchet AND with an extra suite of illustrations in black and white on China paper each preceding the colored plate. These illustrations by Caruchet represent the zenith of turn of the century art nouveau in Europe and the quality of reproduction is of the highest quality. From the library of bibliophile and long-standing Grolier Club member David Allen Fraser 1911-2003. The binding and contents are extremely fine with only the slightest scuff to rear panel. A. Ferroud, Libraire-Editeur unknown
1940003000Paris: L.I. Louis Icart 1940. Book. Fine. Hardcover. Pierre Louys adaptation of the Greek myth of Leda and the Swan. One of only 4 copies on Japon with extra suites of the 1st state proofs and the 2nd state proofs and the original copper plate used for the etching on page 7. Numbered from II to V. This is copy number IV. From a total edition of 147. With 16 drypoint engravings printed in blue by Louis Icart of which 5 full page and 11 in-text. The etchings were printed by French masterprinter Manuel Robbe. The 32 full page 1st and 2nd state proofs are printed in black. All prints protected by tissue guards. Loose folded sheets in wrappers with silver title. In publishers marbled chemise and slipcase. 23 text pages. Sheets measure 29 x 215 cm. Extremely rare copy with the extra suites and the original copper plate. Spine of chemise a bit sun faded lightest wear to corner tips of slipcase. A very fine copy in collectors condition. . L.I. (Louis Icart) Hardcover
192732804Paris: Chez Sylvain Sauvage 1927. Original colored wood engravings by Sylvain Sauvage engraved and printed by Pierre Bouchet in black with borders and decorations in rose-pink green and black. One of 235 copies on Montval paper from an edition of 296. 230 mm x 285 mm. 154 pp. Bound by Christine Leonard in gray box calf in a pierced screen binding on the front panel colored onlays form a recessed screen with triangular ends exposing the gray suede guard the design repeated on the back cover; all edges gilt matching chemise in slipcase of gray paper and pink calf with green onlays. Signed on lower front turn-in "C. Leonard". A refined and elegant binding by one of Belgium's top designer binders. Leonard was born in Charleroi in 1949 and studied with Tchekeroul one of the greatest jansenist binders. Chez Sylvain Sauvage unknown
1935001552Paris: Ambroise Vollard 1935. Book. Near Fine. Soft cover. 1st Edition. Original cardboard in grey wrappers. Loose sheets. This is no. 82 of a limited edition of 325 copies printed on Rives paper. X 84 pages. The text in French by Pierre Louys is based on the "Dialogues of the courtesans" by the Greek writer Lucianus. With 12 in-texte woodcuts in brown. 22 copper print etchings outside the text on loose sheets by Maurice Potin after Edgar Degas 4 of which in color. Typography by Aimee Jourde. 34x265 cm. Fine publication. Comes in protective mylar wrapper. Google 'Ceebe100' to watch a video of this book. Ambroise Vollard Paperback
193759602Paris:: Rombaldi Editeur 1937. old 3/4 morocco; original wrappers printed in red and black bound in. Fine. 8vo. Illustrations Originales en Couleurs de A. Calbet. Laid in is a 4-page autograph letter signed from Pierre Louys to unnamed Sarah Bernhardt regarding a dispute concerning the stage production of Aphrodite and looking forward to her visit to his new home. Two additional pages of autograph notes laid in. Collection Baldi "Les Contemporains." Rombaldi, Editeur, unknown
190312542Paris: Philippe Renouard for Eugene Fasquelle 1903. First edition. Pp. vi 263. 18.6 x 12.7 cm. 8vo. boudn in contemporary cuir repoussé by Louis Dézé signature in blind on the lower cover moulded leather to form a darncing female nude on the upper cover dancing on a fallen man within a Grecian style portico with two nude figures on top of the pillars on the lower cover is a moulded romantic scene in a stylised mirror frame on top of small stack of books another scene in moulded leather to the spine of a woman going to market with a pan like head beneath gilt lettering to spine top edge gilt others uncut turn-ins with gilt tooling marbled endpapers silk bookmark original front wrapper and spine bound in.An excellent signed example of Dézé’s accomplished if not always tasteful moulded leatehr bindings on the first edition of Pierre Louy’s first collection of stories.<br>Louis Dézé 1857-1930 was a noted practitioner of <em>cuir repoussé</em> creating figurative designs in moulded leather and using cuts and tooling to create varied textures. He captures the libertine nature of Louys’s stories rather well with this binding - the stories include <em>Une volupté nouvelle La confession de Mlle X Une ascension au Venusberg</em> and <em>La persienne.</em> An excellent signed <em>cuir repoussé </em>binding by the master Louis Dézé on the first edition of Louys’ first collection of libertine stories Philippe Renouard for Eugene Fasquelle hardcover
193838034Paris: Chez l'Artiste 1938. Edouard Chimot. Two volumes COMPLETE WITH THE SUPPLEMENT. Chimot's rarest and most sought-after book. Illustrated with six original full-page hors-texte color etchings with aquatint. Edition limited to 97 numbered copies SIGNED BY CHIMOT of which this is one of 75 numbered copies printed on fine Rives wove paper. WITH THE SUPPLEMENT of truly obscene poems OF WHICH ONLY A FEW COPIES WERE PRINTED "Quelques exemplaires pour l'artiste et ses amis". The supplement includes four additional etchings FOR A TOTAL OF TEN FINE COLOR ETCHINGS BY CHIMOT CONSIDERED TO BE HIS BEST WORK. Large 4to. Loose as issued in original wraps. Uncut. A bit of scattered foxing on text plates clean else fine and bright. In the original slightly worn board chemise and slipcase. A LEGENDARY RARITY. <br/><br/> Chez l'Artiste paperback
194010949Paris: Charles Meunier 1940. One of 125 copies on vélin crème this no. 64 of a very small total edition of 147 copies. 15 gently erotic colour aquatint engravings by Louis Icart. Each page with a gold border. Pp. iv 28. 4to. loose as issued in the original wrappers with original gold-printed glacine housed in the original chemise and slipcase of gold highlighted marbled paper covered boards. A very good bright copy the slipcase is a little rubbed at the extremities and the chemise has very subtle reinforcing of the spine.Chrysis forms the subject of Louys’s best known erotic book Aphrodite. Set in Alexandria the book follows the fortunes of the courtesan Chrysis who is known for her beauty and her skill at winning the devotion and servility of men and her ambition of love with the sculptor Demetrios. Louys was writing to espouse his philosophy that nudity human sexuality and pleasure should all be embraced in the pursuit of perfect love. Carteret Tresor du Bibliophile Vol IV p.252 Charles Meunier hardcover
192919337Paris: L'Intermediare Du Bibliophile 1929. Wraps. Contents loose as issued in original printed wrappers with glassine overwrapper. Near fine. Chimot Edouard. 258 pages. Folio 33.5 x 26 cm. Limited edition copy 294 of 300 of a total of 325 on Papier de Rives inscribed and signed by Edouard Chimot. 16 colored engravings by Chimot. The Greek goddess of love born as legend has it when Cronus cut of Uranus' testicles threw them into the sea and from which arose Aphrodite in the roiling sea. Clean fresh copy wide text margins spine slightly toned. L'Intermediare Du Bibliophile unknown
192756877E-075: Pierre Louys Society. Very Good. 1927. Hardcover. Bound in leather. 8vo. Pierre Louys Society. 1927. 298 pgs Illustrated with 10 color illustrations. #3 of a limited edition of 1250. One of five copies with an original illustration by Clara Tice on the half-title page. Bound in orange/brown leather with decorated endpapers with raised bands and gilt decoration present to the spine. Decorated endpapers. No ownership marks present. Crease present to the title page. Text is free of marks although there is light soil present to the bottom edge of the text block. Binding tight and solid boards have some light wear and scuffing present to the extremities. La Femme et le pantin The Woman and the Puppet is a 1898 novel by Pierre Louÿs. During the carnival in Seville the Frenchman André Stévenol meets and falls under the spell of Conception 'Concita' Perez a young Andalusian woman. His friend don Mateo Diaz warns him off by describing his own history with the woman a history of being repeatedly attracted and then rebuffed by her. Pierre Louÿs was a French poet and writer most renowned for lesbian and classical themes in some of his writings. He is known as a writer who sought to "express pagan sensuality with stylistic perfection." He was made first a Chevalier and then an Officer of the Légion d'honneur for his contributions to French literature. Clara Tice 22 May 1888 2 February 1973 was an American avant-garde illustrator and artist who spent most of her life in New York City United States. Because of her provocative art and public appearances she was seen as representative of bohemian Greenwich Village and thus known as "The Queen of Greenwich Village." E-75; 8vo 8" - 9" tall; 298 pages . Pierre Louys Society hardcover
19293961Sixteen colored etchings including 15 hors texte. Foxing to periphery see images. Number 154 of only 325 copies on Rives paper. ; Quarto 10 x 13.2 inches; 255 x 333 mm; xiv 258 1 pages; All shipments through USPS insured Priority Mail. Editions d'Art de Intermediaire du Bibliophile paperback
192778249New York:: Privately printed for the Pierre Louys Society 1927. First edition; Copy No. One of 1250 copies. original 3/4 morocco with gilt paneled spine and decorated paper sides gilt spine t.e.g. A few leaves including the title page have a horizontal light tan discoloration at the bottom margin; contents otherwise fine. Slight rubbing at the joints; tight and sound. . 8vo. Decorations in color by Clara Tice. This copy numbered "One" in red ink by Clara Tice on the colophon page has a color drawing of a reclining female nude on the half-title page signed by Clara Tice. Privately printed for the Pierre Louys Society, unknown
19401026LParis: L. I. Louis Icart 1940. 1st edition limited to 147 copies. in original wrappers marbled folder and slicpcase. very good. Louis ICART. LOUYS Pierre - ICART Louis: <br /> CHRYSIS. Tale of Pierre Louÿs illustrated with Fifteen etchings by Louis Icart. IN FRENCH. Publisher: L. I. - 1940 2 sheets 28 pages 2 sheets. With 15 5 full-page colored etchings by Louis Icart. Nearly all with tissue guards. Text and plates loose as issued. Pages slightly browned and foxed. Quarto 11.25 x 8.375 inches; 29 x 20.5 cm .-.<br /> <br /> Printed in 147 copies; this one n° 97 of 125 on cream vellum copies numbered from 23 to 147. Cover with undamaged original pergamine cover very slightly browned and foxed inserted in original undamaged marbled cardboard folder in original marbled cardboard slipcase edges rubbed. Paris Monod 7397. -- Edition published under the direction of Charles Meunier with the etchings of Louis Icart printed in intaglio by the master printer Manuel Robbe.<br /> <br /> - "Icart's etchings have a worldwide reputation and it is believed that he created more than 500 in his lifetime. He also illustrated more than 30 books many highly erotic and became an accomplished painter. His paintings are more personal and less commercial than his etchings and reflect the fact that they were created largely for his own pleasure and not intended for a public audience. He died in Paris in 1950" Albany Fine Art. L. I. (Louis Icart) unknown
1925LD20024Paris: Éditions D'Art Devambez 1925. Limited Edition. Hardcover. Near Fine. Copy # 34 overall this being one of twelve on papier de Montval with a suite de composition and an original drawing by Chimot the drawing and some of the plates are signed or captioned in pencil. Orange crushed morocco over spine and front edge of boards gilt with vertical wood veneers over boards top edge gilt. 13 x 9 inches 33 x 22.5 cm; vii 1 158 4 pp. with 12 etchings by Édouard Chimot in the text as well as the aforementioned suite and drawing. Spine and the top of the front board sunned a few spots of wear to extremities one stain on the spine the contents clean and bright. <br/><br/> Éditions D'Art Devambez hardcover
192824701Np: Printed for Subscribers Only 1928. leather_bound. Full green morocco. Teg. Fine. Donald Denton. 266 pages 27.5 x 20 cm. Limited edition copy 7 of 175 copies printed on hand-made paper with 12 plates in black and white and in color with spider-web tissue guards for each. Spectacular binding in dark green morocco raised bands spine panels decorated in a variety of gilt motifs with front and back covers in elongated arabesques. Inner dentelles and marbled endpapers. Printed for Subscribers Only unknown
19262090202120701376MACY-MASIUS: PUBLISHERS 1926. Soft Cover. Fine. Number of pages: 192 pages Size: B5 version MACY-MASIUS: PUBLISHERS paperback
191039038Paris: Devambez / Georges Weil 1910. FIRST AND ONLY EDITION OF THIS FOUNDATIONAL TEXT IN THE FIELD OF WOMEN'S STUDIES an examination of how art and literature depict the ways society has failed to protect women in vulnerable circumstances. 158 pp. plus numerous hors-texte illustrations including TEN ORIGINAL PRINTS BY Charles Cottet André Devambez Abel Faivre Gaston La Touche Charles Léandre Auguste Lepère Bernard Naudin Alfred Roll Steinlen and Jean Veber. EDITION LIMITED TO 250 NUMBERED COPIES OF WHICH THIS IS ONE OF 220 PRINTED ON FINE ARCHES WOVE PAPER. Folio. Bound in publisher's boards with Japanese paper covers. FINE AND BRIGHT LIKE NEW WITH NO DEFECTS. Housed in the original board chemise and slipcases. PRISTINE AND COMPLETE COPIES LIKE THIS ONE ARE OF THE GREATEST RARITY. <br/><br/> Devambez / Georges Weil hardcover
1909LD20010Paris 1909. Hardcover. Near Fine. One of 485 copies. Illustrations by Raphael Collin. Full red morocco with inlay by Flammarion and Vaillant. <br/><br/> hardcover
1926005061<p>Privately Printed For The Pierre Louys Society 1926 1926. ILLUSTRATED BY CLARA TICE WITH AN ORIGINAL DRAWING. 1vol. 9-9/16" x 6-3/4" limited to 930 numbered copies this being #334 original drawing by Tice to the half-title bound in 1/2 red morocco ribbed gilt decorated spine top edge gilt others uncut internally clean and bright front hinges slightly rubbed but firm bookplate to front pastedown overall VERY GOOD.</p> Privately Printed For The Pierre Louys Society, 1926
192729878n.p.: "Privately Printed for The Pierre Louÿs Society". Very Good. c.1927. Limited Edition. Hardcover. no dust jacket shelfwear to bottom edges with some exposure of boards spine lettering and illustration heavily rubbed otherwise a good sound copy. color plates chapter-head drawings Mild erotica originally published in 1898 and best remembered today if at all because of its delirious 1935 film adaptation THE DEVIL IS A WOMAN directed by Josef von Sternberg and starring Marlene Dietrich and Lionel Atwill. The illustrations color frontispiece 9 color plates with tissue-guards intact a title-page drawing and chapter-head line drawings feature lots of nekkid ladies Ms. Tice's specialty and bear captions along the lines of "She smiled with her legs as she spoke with her torso." This is stated on the limitation page to be one of "1250 copies of which 990 are for America." Although one is usually well-advised to take the professed numbers on these vintage-erotica items with a grain of salt what makes this one especially interesting though is that instead of a number written into the blank space below the statement the single word "presentation" is inked; in addition on the half-title page is a 3-inch-tall original drawing of yet another nudie that is SIGNED by Clara Tice. See second scanned image with this listing. Signed by Illustrator . "Privately Printed for The Pierre Louÿs Society" hardcover
1975321681975. Paris / BiÂvres Pierre de Tartas 1975. Un vol. au format in-folio 372 x 281 mm de 92 pp. en feuille sous couverture lithographiÂŽe ˆ rabats rempliÂŽs et coffret de pleine percaline satinÂŽe marine dos lisse titre dorÂŽ. Un des 12 exemplaires du tirage numÂŽrotÂŽ sur Japon nacrÂŽ. L'ouvrage est occupÂŽ en couverture par une lithographie originale en couleurs de Jean-Baptiste ValadiÂŽ et est revÂtu des signatures autographes de l'artiste ainsi que de l'ÂŽditeur. L'exemplaire comporte par ailleurs 23 lithographies originales : dont deux signÂŽes par l'artiste ˆ la mine de plomb. Outre les lithographies en couleurs qu'il se doit de contenir il recÂle sous chemise sÂŽparÂŽe une dÂŽcomposition de deux planches alors qu'il ne devrait en figurer qu'une. Mais dÂŽpourvu de la ''composition originale d'un dÂŽpart ou d'un in-texte planche double signÂŽe'' annoncÂŽe au colophon ainsi que de la ''suite de toutes les planches doubles en couleurs sur grand vÂŽlin d'Arches''. ÇJe vous conterai l'histoire du Cygne et de la petite nymphe qui vivait sur les bords du fleuve Eurotas. C'est ˆ la louange des bienheureuses tÂŽnÂbres.È Monod II Manuel de l'amateur de livres illustrÂŽs modernes 7418. TrÂs belle condition. b42961 unknown
1928016502London: The Fortune Press 1928. Limited to 500 numbered copies. Book measures 22.5x16.cm. x 1631pp 8 coloured plates by Jean de Bossche. Bound in original publishers black cloth with gilt bands and lettering. Cloth very lightly rubbed minor abrasion wear. Binding in very good clean firm condition. Internally previous owners name on free endpaper looks period. Pages and plates very clean. A very nice clean firm condition. F. Limited Edition. Cloth. Very Good Plus. Illus. by Jean de Bossche. 8vo. The Fortune Press Hardcover
1925746Privately Printed 1925. Limited Edition. Fine. Clara Tice. 8vo; 7 5/8 x 5 3/8 inches 193 x 132 mm; xiii 252 1 pp. on laid paper. Hand-colored frontispiece illustration by Clara Tice tissue guard. 3/4 bound in orange morocco gold fillets batik brown and tan paper boards and endpapers; raised bands gilt title and decorations on spine t.e.g. Pages clean with even toning on borders and edges binding tight; small tears at top and bottom of frontispiece at gutter not affecting the plate. Colophon reads "Published at the Sign of the Black Archer." Limited edition of 1500 1000 for America and 500 for Great Britain; this copy is not numbered. "Aphrodite: Ancient Manners" is a description of courtesan life in Alexandria by French poet and writer Pierre Louÿs 1870 - 1925 who is best known for the classical and lesbian themes in some of his writings. The book became an instant success when in was published in 1896 and became the subject of several editions including this privately-printed edition accompanied by the a fanciful nude by Clara Tice 1888 - 1973 whom Vanity Fair dubbed "The Queen of Greenwich Village". Tice drew racy illustrations at a time when ladies did not engage in such things and when Anthony Comstock's Society for the Suppression of Vice was very active. Tice attracted their unwanted attention for one of her early exhibitions at Polly's Restaurant in Greenwich Village in 1915 and it helped to jump-start her career. According to The New York Times 27 June 1920 she was the first woman in Greenwich village to bob her hair. Tice also created a cartoon strip and posters and she is included in the New York Dada Movement. Privately Printed unknown
1929LC430Éditions de Bois Sacré 1929. Illustrated Edition . Hardcover. Very Good/No Jacket. Illustrations by Sylvain Sauvage engraved in copper by D.-A. Maillart. Paris Éditions de Bois Sacré 1929. N°221 CCXXI of 185 printed on Vélin de Montval spécial. Full leather binding keeping original covers from the workshop of Leon Gruel stamp signed at the bottom of the front dentelle. The binding has a few grazes on its spine and front cover some light staining to the front board and the hinges are visibly worn. Details in gilt still bright. The board on the inside of the front cover is partially unglued same as the cloth ffep. Gilt foredges. Shadows next to most engravings. The Book Cellar & Henschel. <br/> <br/> Éditions de Bois Sacré hardcover