Mann A. TABAA
57 résultats
2003192905Vega 2003-03-01. Paperback. Good. Clean has a good binding some notations on first page but only one other notation found in interior of book. Light curling at corners. TP HS Vega paperback books
2007247227New York: Kensington Publishing 2007. Hardcover. 314p. very good first edition in boards and unclipped dj. Gay romance. Kensington Publishing hardcover books
2010172473n.p.: XLibris 2010. Paperback. 403p. signed by the author very good self-published first edition trade paperback in pictorial wraps. Fantasy-thriller set in Fiji. XLibris paperback books
2010Embry 155380Museum of Biblical Art 2010. First edition first printing. Light erasure to title page else fine in fine dust jacket in mylar cover. Full page color reproductions. Museum of Biblical Art, 2010. First edition, first printing. unknown books
2018Embry 187810Verso 2018. First edition first printing. Fine in fine dust jacket in mylar cover. Verso, 2018. First edition, first printing. unknown books
200944413NY: Viking 2009. First printing. 8vo pp. xx 396. Notes index. Illustrated with photographs. As new in slightly scuffed dj. New light on some of the hidden aspects of American foreign policy and the internal debate over realtions with Russia. Viking unknown books
2009130310New York: Aperture 2009. First edition. Hardcovers. Three volumes. Curtis Mann with an essay by Rod Slemmons John Opera with an essay by Karen Irvine and Stacia Yeapnis with an essay by Natasha Egan. Each book with numerous illustrations. All books in fine condition and in a fine cardstock slipcase. No dust jackets as issued. Aperture unknown books
2007156801Nottingham: Solaris 2007. Small octavo pictorial wrappers. First edition. Solaris 84416-448. U.S. issue priced $7.99. Original anthology with sixteen stories by Neal Asher Paul Di Filippo Peter F. Hamilton Stephen Baxter Brian Aldiss Simon Ings Tony Ballantyne Eric Brown and others. Includes dystopian stories. Sargent British and American Utopian Literature 1986-2009. Mild spine roll a few rubs to cover a nearly fine unread copy. #156801 Solaris unknown books
200324090NY: Verso. Fine in Fine dust jacket. 2003. Hardcover. 1859845827 . First printing. Publisher's promotional sheet laid in. Fine in a fine dust jacket. . Verso hardcover books
2004152415Las Vegas New Mexico: Las Vegas Art Museum 2004. Softcover. VG. Orange & illus. wraps 130 pp. many color & BW illus. Issued in conjunction with a 2004 exhibition of artwork by American artist Phyllis Sloane 1921-2009. With essays by Robert Bell and James Mann that explore her printmaking technique. Includes an artist chronology exhibition history and bibliography as well as many fine examples of Sloane's work. One of 2000 copies. Scarce. Las Vegas Art Museum unknown books
2004108943New York NY: Robert Mann Gallery 2004. Softcover. VG. Color illus. wraps; String-bound; Unpaginated 16 pp.; 10 color photos. From the gallery exhibition held September 23 - November 13 2004; Includes list of exhibitions. Robert Mann Gallery unknown books
200549244London:: Warburg Institute. Near Fine. 2005. Paperback. 0854811370 . Warburg Institute Colloquia number 8. First edition paperback. Near fine in illustrated wraps. . Warburg Institute, paperback books
2005168077London: Black Dog Publishing 2005. Hardcover. VG. Grey illustrated boards with black spine and BW illustration inlaid. 206 pp. Color illustrations. This is the first monograph on the influential yet elusive artist Simon English. Away from the Brit Art hype of the 1990s English's oeuvre has developed from the early paintings to a gritty treatment of desire and fantasy. Focusing on his current practice of detailed drawings that function as both installations and self-contained narratives the book contains a range of unique reproductions creating an extraordinary visual tale. English's figures appear as a mass of tableaux: erotic playful confessional and complex but as carming and often as innocent as the children's book that has preoccupied English The Owl Who Was Afraid of the Dark by Jill Tomlinson.English's alluring explorations of autobiography and the imaginary create lyrical structures that are discussed in the accompanying texts by Stella Santacatterina and Bill Arning and mirrored the design of the book. -Amazon. Black Dog Publishing hardcover books
2006289495Princeton. : Ballistic Technology. 2006. 1st Edition. Hardcover black boards silver titles. . Near fine upper corner bumped fine dust jacket. . 25.5x17 cm. . Numerous illustrations. Ballistic Technology. hardcover books
2010174705Portland OR: Nazraeli Press 2010. First edition. Small hardcover. The 68th entry in the One Picture Book Series. Number 490 from an edition of 500 copies. Includes 11 four color plates by Mann McDonald and Rogers along with an original tipped color photograph by McDonald. A very fine copy in publisher ziploc bag. No dust jacket as issued. Signed by McDonald on the verso of the photograph. An as new copy. Nazraeli Press unknown books
2007163667Zurich Switzerland: Nieves 2007. First edition. Softcover. 32 pages. Exhibition catalog for a group show that ran April 21 through May 26 2007. Includes color and black and white illustrations after works by Rita Ackerman Gee Vaucher Becca Mann Daido Moriyama Raymond Pettibon Gusmano Cesaretti Jockum Nordstrom Ryan McGinley and Daniel Higgs. A fine copy in stapled wrappers. Nieves unknown books
20039027648New York: St martin's Press/ Thomas Dunne Books 2003. 1st . Hardcover. Near fine/near fine. Includes maps bibliography and index as well as many photographs in black and white. <br/><br/> St martin's Press/ Thomas Dunne Books hardcover books
2006011489Santa Fe NM: Bell Tower Editions 2006. First Edition. Soft Cover. Mildred Tobert photographs. 4to - over 9¾" - 12" tall. 129pp. Published in conjunction with an exibition of Mildren Tolbert's photographs this the most complete published collection of portraits of the Taos Moderns. Duotones from Silver Gelatin Prints. Bound in illustrated paper wraps. Fine. Bell Tower Editions unknown books
20111330986New Haven CT: Yale University Press 2011. First Edition. Softcover. Quarto 257 pages; VG; black spine with yellow and white lettering; minimal shelf wear pages clean; shelved in Medieval Art. 1330986. Shelved Dupont Bookstore. Yale University Press unknown books
2001184281New York: The Metropolitan Museum of Art New York 2001. Hardbound. Good ex-library w/ stamps to lower textblock edges & usual markings etc. upper cover edge scuffed. shelf-wear/scuffing to lower textblock edge. pgs edges lightly toned w/ ink ghosting. textlbock slightly rattled; firm w/ intact pgs. dustjacket taped to back cover edges; ID spine to lower spine; plastic cover highly scuffed w/ adhesive residue to spine. Maroon cloth with gold lettering. 496 pp. with 249 illustrations including 121 color plates. illustrated & maroon dustjacket w/ plastic cover. From a college library. Photo is of another copy in our collection. "This beauttifully produced volume brings together for the first time works by two remarkable painters of seventeenth-century Italy who happen also to have been father and daughter: Orazio and Artemisia Gentileschi. Famous in their own day these two artists have enjoyed renewed fame in the twentieth century: Orazio as one of the first and certainly the most individual of Caravaggio's followers; Artemisia as the outstanding female painter prior to the twentieth century. The tumultuous lives of these two artists moved along parallel trajectories and take the reader from the popular quarters of papal Rome and te rough-and-tumble world of Naples to the courts of the grand duke of Tuscany Marie de' Medici in Paris and Charles I in London. These changing circumstances nourished two different aesthetic visions both of which were deeply rooted in the Caravaggesque practice of painting directly from the posed model. While Orazio's art became ever more refined and elegant Artemisia espoused a rhetorical form of dramatic presentation that is the basis of Baroque painting." dj With essays and dozens of examples of the artists' work in the annotated and illustrated catalog. The Metropolitan Museum of Art, New York unknown books
2012190914Scala Arts Publishers Inc 2012-11-16. Hardcover. Acceptable. Dust jacket and book are clean. Page 263 is loose but still included binding is otherwise tight and pages are crisp. No marks or notations. HB HS Scala Arts Publishers Inc hardcover books
200427902Zürich: Edition Olms Zürich 2004. First Edition. Folio 32.75cm.; original illustrated wrappers; 208pp.; chiefly illus. Fine. Compilation of more than 200 peace posters relating to the Iraq War 2003. Edition Olms Zürich unknown books
2007241284New York: Applause 2007. hardcover. fine/near fine. Bonus DVD included. Illustrated in black & white. 419pp. 8vo two-toned boards d.w. New York: Applause Theater & Cinema Books 2007. A fine copy in a near fine dust wrapper.<br/><br/> Signed and inscribed in large blue ink on the half-title by Theodore Mann to the philanthropist Martin Segal: "Nov. 18 08. Dear Marty Happy Holidays to you and your family. I want to share my book with you. Best Ted."<br/><br/> Applause unknown books
200218657London: A & J Speelman. Fine in Fine dust jacket. 2002. Hardcover. Catalog - 57 items. Color plates throughout. First edition. Fine in a fine dust jacket. Ribbon bookmark. . A & J Speelman hardcover books
2001165088New York: The Metropolitan Museum of Art New York 2001. Hardbound. VG/VG. Maroon cloth with gold lettering; maroon color-illustrated dj with cream lettering; 496 pp. with 249 illustrations including 121 color plates. "This beauttifully produced volume brings together for the first time works by two remarkable painters of seventeenth-century Italy who happen also to have been father and daughter: Orazio and Artemisia Gentileschi. Famous in their own day these two artists have enjoyed renewed fame in the twentieth century: Orazio as one of the first and certainly the most individual of Caravaggio's followers; Artemisia as the outstanding female painter prior to the twentieth century. The tumultuous lives of these two artists moved along parallel trajectories and take the reader from the popular quarters of papal Rome and te rough-and-tumble world of Naples to the courts of the grand duke of Tuscany Marie de' Medici in Paris and Charles I in London. These changing circumstances nourished two different aesthetic visions both of which were deeply rooted in the Caravaggesque practice of painting directly from the posed model. While Orazio's art became ever more refined and elegant Artemisia espoused a rhetorical form of dramatic presentation that is the basis of Baroque painting." dj With essays and dozens of examples of the artists' work in the annotated and illustrated catalog. Nice! The Metropolitan Museum of Art, New York unknown books
