60 résultats
156128328Lipsiae, Excudebat Iohannes Rhamba, 1561. Small 8vo. Later blue boards (ab. 1800). Spine with minor loss and a few cracks. First few leaves with minor soiling, but otherwise a nice and clean copy. 19th century owner's inscription to inside of front cover: ""Colegii Thomani"". Lovely woodcut opening initial. Beautiful Greek script. 48 ff.
152553741Venice, Octavianus Scotus, 1525. Small folio. Bound in a lovely 18th century full green morocco binding with richly gilt spine, triple gilt line-borders to boards, double gilt lines to edges of boards, and inner gilt dentelles. All edges gilt. A few leaves a little closely shaven. Title-page and final blank slightly dusty/browned and last few leaves with a faint small, marginal damp stain, far from affecting text - otherwise a remarkably fine, clean, and fesh copy with only very minor occasional brownspotting. A beautiful printing with beautiful woodcut initials to almost all leaves. Large woodcut printer's device to colophon. A truly lovely copy, housed in a custom-made full leather box with gilt title to spine. 139 ff.
150253851502 Broché, comme neuf,150x210, 431 gr, 323 pages, deuxième édition, revue et corrigée, ISBN: 9782956208334
156941451Paris, Apud Michaëlum de Roigny, 1569. Small 8vo. Very nice recent half calf with five raised bands and gilt title to spine. Old owner's name to title-page (discreet). A nice and clean copy with only minor, very light soiling. Nice woodcut initials. 51 ff.
1583185884to. Old boards made of leaves from a printed work. 88),56 pp.
1556181651556 un volume, reliure plein veau raciné à coins (binding full calfskin with corners) brun in-octavo, RELIURE D'EPOQUE restaurée au dos et aux coins (restauration 19ème mais propre), dos 4 nerfs (spine without raised band) fendu, décoré or (gilt), titre frappé or, charnière de la 1ère de couverture fendue avec 1er plat détaché, centre des plats avec fer branche dorée en ovale dans un encadrement d'un filet doré, toutes tranches lisses, sans illustration (no illustration) excepté des lettrines gravées sur bois en noir + la marque de l'Imprimeur sur toute la dernière page gravée sur bois en noir, texte en latin, [52- index] 1122 [i.e. 1118, la pagination sautant de 1112 à 1117-2] pages + 1 ff marque typographique (sig. a-b8, c10, A-A3a8), 1556 Basilea : per Henrichum Petri Editeur,
159250012Lyon, Franciscus le Preux, 1592. Small 8o. Early 19th century half calf with gilt title-label to spine. A bit of wear to hinges and corners, but fine and tight. Internally exceptionally nice and clean. P. Rubow's owner's signature to front free end-paper. Woodcut vignettes to title-pages and woodcut initials at beginning of both parts. (8), 88" 270 pp, 1 blank leaf, (16 ff. of indexes and errata at end).
158720901Lyon Pillehotte 1587 in-12 plein-veau 1 volume, reliure plein veau raciné moucheté et coloré havane petit in-douze (binding full calfskin in-12) (12,5 x 8,6 cm), RELIURE D'EPOQUE, dos à nerfs (spine with raised band) décoré "or" (gilt decoration) à filets et roulettes "or" (gilt line), titre et tomaison frappés "or", pièce de titre et de tomaison (label of title and volume numbering) sur fond bordeaux avec double filet "or" en encadrement, roulette "or" en place des nerfs avec un filet"or" de part et d'autre des nerfs, entre-nerfs à fleuron "or" dans un encadrement à double filets "or" avec fleuron "fleurette" "or" aux angles, roulette "or" en tête et en pied, la coiffe inférieure manque, plats décorés "or" d'une roulette "chaînette" "or" en encadrement, toutes tranches lisses rouges, Texte en Latin, sans illustrations (no illustration) excepté une marque de l'Editeur en bas du titre gravée sur bois en noir avec la devise : "nomen domini laudabile" (le nom du Seigneur soit loué) + orné de bandeaux et lettrines historiées (and illuminated of headpieces and dropped initials) gravés sur bois en noir, [Liber I : 322 + Liber II : 150 + Liber III : 200 (de la page 151 à la page 350) + i ff. blanc + 31 ff. d'Index , privilège et errata] pages, 1587 Lugduni : apud J. Pillehotte Editeur,
157645103Colobne, Arnoldus Birckmannus, 1576. 4to. Lovely contemporary full richly blindstamped pigskin binding over wooden boards. Raised bands to spine and rich ornaments to baords. With the original brass/leather clasps fully preserved. Spine a bit worn, and with contemporary hand-written title. Lower edge of front board a bit sooted and a black stain to front board. Internally very fine and clean with only very minor occasional browning. A single, small, non-disturbing wormhole fron beginning to end. A few old underlinings. Woodcut title-vignette and woodcut initials throughout. (8), 179, (1) pp.
1578124951578 un volume, reliure plein vélin ivoire parcheminé (binding full white vellum) in-douze (duodecimo), reliure refaite au 19ème, titre en noir de fumée sur le dos, tranches lisses (smooth edges) - jaspées (marbled edges) rouges (red edges), sans illustration (no illustration) excepté une marque d'Imprimeur gravée sur bois (engraving-wood) sur la page de titre (engraved title page), (pièces limin 8 + 570 + index 8) pages, 1578 Lovanii apud Hieronymum VVellaeum ,
159861981Amberg, M. Forster, 1598. 12mo. In contemporary full calf with four raised bands and gilt ruled fillets to boards. Wear to extremities, edges of boards with loss of leather. Inner front hinge split. Annotations in contemporary hand to front free end paper: ""Abrahamg Golnitius possidet me Anno 1612"" — likely referring to the Danzig travel writer Abraham Gollnitz. Pp. 556–589 feature underlining and numerous neat marginal annotations in ink, likely all made by Gollnitz. First leaves loose and damp-stain to lower outer corner of first half of book block. (24), 730 pp.
157046891Napoli, Apud Iosephum Cacchium, 1570. 4to. Bound in 18th century marbled boards. Completely fresh and clean copy. Two small marginal holes to last two leaves, far from affecting text. Good, wide margins. Telesio's woodcut title-device (a beatiful naked woman, all alone, far from the troubles of the world, illuminated by the sun, surrounded by a border carrying the saying in Greek: ""mona moi fila"" - presumably depicting the goddess of Truth), and 11 lovely, illustrated woodcut initials. 12 ff.
155646837Basel, [Per Henrichum Petri, 1556 - on colophon]. An absolutely lovely copy of the exceedingly scarce first edition, first printing, of one of the most influential and important works in the history of modern thought. A work that has for a long time been overlooked due to the gross neglect of the history of Renaissance philosophy, but which has nonetheless been seminal to the development of scientific and philosophical thought from the 16th century and onwards. With a purely naturalistic and immanent view of the natural process, Pomponazzi here frees man's thought from the bounds of religion and provides modern thinkers and scientists with pure empiricism and naturalism. ""Er will das ""Wissen"" and die Stelle des ""Glaubens"" stellen"" - ""die ""dämonische"" Kausalität des Glaubens weicht der Kausalität der Wissenschaft"" (Cassirer, p. 110 + 111). 8vo. Contemporary full limp vellum, with vellum cords to hinges. Remains of vellum ties to boards. A bit of brownspotting, but all in all a lovely, completely unrestored copy in its first binding. Five large woodcut initials and large woodcut printer's device to verso of last leaf. (16), 349, (3). Adams: P-1827" Wellcome: I:5153" DSB: XI:71-74.A.H. Douglas: ""The Philosophy and Psychology of Pietro Pomponazzi"", 1910.M.L. Pine: ""Pietro Pomponazzi: Radical Philosoper of the Renaissance"", 1986.Thorndyke: ""A History of Magic and Experimental Science"", Vol. V, 1966 (4th printing)P.O. Kristeller: ""Eight Philosophers of the Italian Renaissance"", 1965.J.H. Randall, in: ""The Renaissance Philosophy of Man"", 1956 (4th impression).B.P. Copenhaver & C.B. Schmitt: ""Renaissance Philosophy"", 1992.E. Cassirer: ""Individuum und Kosmos in der Philosophie der renaissance"", 1969 (3. Aufl. - orig. 1927).See also: Kristeller: ""Renaissance Thought and its Sources"""" ""Medieval Aspects of Renaissance Learning"""" ""Renaissance Thought II, Papers on Humanism and the Arts"". ""Pomponazzi's thought and reputation were extremely influential in the centuries after his death. Even before it was printed, his treatise ""On incantations"" circulated widely in manuscript among philosophers, physicians and early modern naturalists (see Zanier 1975). Due to his mortalist theory of the soul, 17th-century ""free thinkers"" regarded Pomponazzi as one of their own, portraying him as an atheist (see Kristeller 1968"" Paganini 1985). Enlightenment thinkers of the 18th century pushed to extremes his distinction between natural reason and faith, while 19th-century positivists, such as Ernest Renan and Roberto Ardigò, saw in Pomponazzi a forerunner of their own beliefs and a champion of naturalism and empiricism."" (SEP).
157046892Napoli, Apud Iosephum Cacchium, 1570. 4to. Contemporary limp vellum with handwritten title to spine. Remains of old paper-labels to top and bottom of spine. Spine with loss of ab. 3x2 cm. of vellum to middle, not affecting the book block, which is sound and fine underneath. Some soiling to binding, but all in all fine and unrestored, albeit a bit loose. Some brownspotting to title-page (not heavy), otherwise just a bit of scattered brownspotting. All in all internally very nice and clean, and with good, wide margins. Old owner's name (Juliani Riccii) to front free end-paper and title-page, which also has his inventory number in neat hand: ""no/ 634""). Telesio's woodcut title-device (a beatiful naked woman, all alone, far from the troubles of the world, illuminated by the sun, surrounded by a border carrying the saying in Greek: ""mona moi fila"" - presumably depicting the goddess of Truth), and numerous lovely, illustrated woodcut initials throughout. 95 ff.
150651410Strassburg, Knobloch, 1506-7 + 1511 4to. Bound in one very nice full mottled calf binding from ab. 1800, with five raised bands to richly gilt spine. A bit of wear to extremities. Occasional browning, but all in all very nice and clean. 289 ff (without the white blanks) + (4), xcvi, (7), (4, -index & errata).
155966888Apud Haered. Seb. Gryphii ( Sebastien Gryphe) | Lugduni (Lyon) 1559 | 11 x 16.5 cm | relié
1596DEZ-8458Sans lieu, Apud Hyeronymum Commellium, 15.6 [1596]. Petit in-8 en plein vélin de l'époque au dos lisse. 4 feuillets non chiffrés (titre, aux lecteurs, et vie de l'auteur), 223 pp, 4 feuillets d'index. Edition bilingue latin-grec. Déchirures avec manque sur les 9 premiers feuillets dont les 3 premiers avec des manques au texte et avec des "restaurations" au scotch, mouillure claire sur la partie basse des pages sur tout l'ouvrage, première charnière intérieure partiellement fendue. Vendu en l'état.
158322395Francesco Ziletti | in Venetia 1583 | 14 x 20 cm | relié
158860910Paris, Michel Sonnius, 1588. 4to. In contemporary full calf with four raised bands and richly gilt spine. Ex-libris pasted on to pasted down front end-paper. Wear to extremities, with with a bit of loss of leather to boards. Spine-ends chipped. Small paper-label pasted on to top of spine. Title-page slightly soiled and a few marginal annotations in contemporary hand, but otherwise internally nice and clean. (8), 301, (16) ff.
158613002apresso Giambattista Sessa & fratelli | In Venetia (Venise) 1586 | 15.30 x 10 cm | relié
159055265Ferrara, Benedetto Mamarello, 1590. Small 8vo. Later half vellum with gilt title-label to spine. Marbbled paper over boards. A faint damp stain to the last few leaves, otherwise a nice and clean copy. Old ownership-signature to last leaf. Bookplate to inside of front board. Large woodcut device to title-page. Woodcut initials and headpieces at beginning. (8), 170, (5) pp.
159959831Hannover, 1599. Small 8vo. Contemporary full vellum. Binding with some wear, especially to extremities. Lower spine restored. Evenly browned throughout. 210 pp.
150255121502 Broché, comme neuf, 150x210, 115 gr, 70 pages ISBN: 2913197981
1587bn1717A Paris, chez Jean Richer, rue Saint Jean de Latran, à l'arbre verdoyant Relié 1587 "Première édition parisienne des Essais de Montaigne publiée du vivant de l'auteur (1587) et « troisième édition originale de la plus grande rareté »(Tchemerzine). ""C'est la première édition des Essais avec une adresse parisienne. Elle corrige beaucoup de fautes présentes dans les deux premières impressions des Essais. C'est de loin l'édition la moins problématique puisqu'elle corrige la plupart des erreurs produites dans l'atelier de Simon Millanges"" (Philippe Desan). ""La plupart des exemplaires recensés à ce jour sont dans des reliures modernes, et tous les exemplaires connus dans une reliure de l'époque possèdent une page de titre soit remontée soit en fac-similé"" (Philippe Desan) (Bibliotheca Desaniana Catalogue Montaigne paru aux Classiques Garnier en 2011) Notre exemplaire comporte une page de titre en fac-similé. Sinon il est conforme aux autres exemplaires : in-12 de 4 feuillets comportant la page de titre, au lecteur, liste des chapitres, puis 1075 pages, 2 feuillets blancs. Exemplaire très enviable en reliure d'époque, vélin rigide, sans défaut. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande."
157917198Lutetiae (Paris), Mamert Patisson, in officina Roberti Stephani, 1579 ; in-16, vélin de l'époque, titre manuscrit au dos, 63 ff. , (1) f. blanc, marque 27 au titre.