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17581231I073London: J. Whiston and B. White 1758-1760. 1st Edition . Hardback. Printed pages: vi 2 630 2 corrigenda/ads; 2 754. Good. 8.5 x 10.25 inches 21.5 x 25 cm. Complete two volume set. Full calf leather bindings. Spines with five raised bands red morocco title label and black morocco volume label. Double gilt fillet border to boards. Rubbing and scarring to boards. Heavy wear to corners of boards. Wear to ends of spines. Joints cracked but holding with cords front board of Volume II is loose. Volume I with portrait frontis after Holbein and two plates of handwriting specimens. Volume II with five plates mostly handwriting specimens. Bookplate to both front pastedown endpapers Alford Book Club. Light foxing and marking to endpapers clean text throughout. ESTC: T146995. Overall condition is Good. Please Note: This is a very heavy item and international postage will be more than the standard rate - a postage supplement will be requested after the order has been placed. Please contact us for an accurate postage cost for your location. Size: 8.5 x 10.25 inches 21.5 x 25 cm. J. Whiston and B. White hardcover
178015591Basel: typis G. Haas ex officina J.J. Thurneisen 1780. 8vo pp. 16355; engraved frontis portrait and 83 woodcut illus. in the text all after Holbein; later full calf small piece missing from top of spine upper joint starting gilt lettered direct on spine. First edition to contain all 83 of the illustrations cut in wood by Heinrich Heitz after marginal drawings by Hans Holbein and his brother Ambrose and perhaps two other unknown artists in a copy of the Basil 1515 edition. typis G. Haas, ex officina J.J. Thurneisen unknown
1784049713Lichfield: John Jackson for Leigh and Sotheby 1784. First Edition. Hardcover rebound in cloth. Very Good Condition. Rebound in modern cloth light browning and chipping to untrimmed page edges; lightly used and a very good copy with 11 engraved plates. Partially unopened pencil notes to front endpaper in vol 1 ownership signature to half and full titles. Separate title dated 1784 for the An Alphabetical Catalogue of English and Scotch Names of Plants. ii lvi 34 424; 425-897 blank 32pp.<br /> <br /> This first translation of Linnaeus the Younger's Supplementum Plantarum 1782 which was meant to continue his father's works Genera Plantarum 1737 and the 1753 Species Plantarum as well as Johan Andreas Murray's 13th edition of Linnaeus' Systema Naturæ which he titled Systema Vegetabilium 1774. Erasmus Darwin conceived the project and enlisted Joseph Bans and Samuel Johnson - Linnaeus the younger reportedly sent an advance copy of his work for their project.<br /> <br /> This is the first edition in the English language. Size: Octavo 8vo. 2-volume set complete. Quantity Available: 1. Shipped Weight: 1-2 kilos. Category: Science & Technology; Botany; Inventory No: 049713. John Jackson for Leigh and Sotheby hardcover
17741359545London: J.ohn Murray 1774; 1776; 1778; 1783. Mixed Editions. Hardcover. Octavos iii-iv 5-458 Vol. 1; 2 iii-x 11-484 Vol. 4; 2 5-521 Vol. 5; 4 vii-xii 464 Vol. 7; iii-xii iii-v 7-457 Vol. 8. Good; all bound in contemporary leather with burgundy spine labels with gilt titling modern stickers added to three of the five volumes' spines some scratches and surface marks to covers and slight tears to spine edges and corners; front hinges to all volumes somewhat compromised but bindings else tight; text blocks age toned but clean; minor age toning to pages and some foxing throughout all volumes; ffeps torn out of Vol. 4; previous owner bookplate on front pastedowns "John Fletcher;" MF consignment. Volume I Parts 1-4 1774<br> <br /> Volume IV Parts 1-4 1776<br> <br /> Volume V Parts 1-4 1778<br> <br /> Volume VII 1783 2nd Edition<br> <br /> Volume VIII 1783. 1359545. Special Collections. J.[ohn] Murray hardcover
17741359551London: J.ohn Murray 1774; 1775; 1777; 1779. Mixed Editions. Hardcover. Octavos iii-iv 5-458 Vol. 1; 2 iii-x 11-484 Vol. 4; 2 5-521 Vol. 5; 4 vii-xii 464 Vol. 7; iii-xii iii-v 7-457 Vol. 8. Good; all bound in contemporary leather with burgundy spine labels with gilt titling modern stickers added to three of the five volumes' spines some scratches and surface marks to covers and slight tears to spine edges and corners culaccino coffee ring on cover of Vol. 3; front hinges to all volumes somewhat compromised but bindings else tight; text blocks age toned but clean; minor age toning to pages and some foxing throughout all volumes; ffeps torn out of Vol. 4; previous owner bookplate on front pastedowns "John Fletcher;" MF consignment. Volume 1 Parts 1-4 1774 2nd<br> <br /> Volume 2 Parts 1-4 1774 2nd<br> <br /> Volume 3 Parts 1-4 1775<br> <br /> Volume 5 Parts 1-4 1777<br> <br /> Volume 6 Parts 1-4 1779<br> . 1359551. Special Collections. J.[ohn] Murray hardcover
17918-E14869J Johnson London 1791. Hardcover. Good. Bound in full leather well worn corners bumped. J Johnson, London hardcover
1731bb_erasmus_eloge_folie<p><b>Erasmus</b> Desiderius of Rotterdam: </p><p><b><i>L'Eloge de la Folie</i> In Praise of Folly </b>… traduit par Mr. Gueudeville. </p><p>Amsterdam: Francois L'Honore 1731. </p><p>Engraved frontispiece partially wrinkled and detached also portrait with Erasmus Sir Thomas More and Hans Holbein six folding plates and 75 text engravings. These are the same copperplates as used in the first "counterfeit" edition of 1713/1714. </p><p>Tall 12mo xxiv 234 pp. xvii index; vintage mottled calf gilt-titled label on spine. </p><p>In 1509 Erasmus composed his famous essay as a satirical attack on superstitions and other unconventional traditions in European society. Since its inception it has been considered one of the most important works of the Renaissance and helped develop early stages of the Protestant Reformation. Erasmus uses satire to examine doctrine and corruption within the Catholic Church even though he was devoted deeply to Catholicism. He concludes with statements supporting Christian Protestantism and frequently references Greek mythological creatures and figures. Early printing of this popular translation from Latin into French.</p><p><br /></p> Francois l'Honore hardcover
17307551Prostant venales apud J. Brotherton ad Insigne Bibliorum Sacrorum in Vico Cornhill 1730. 8vo. First and Sole Edition thus on laid paper text in Latin with several fine woodcut head- and tail-pieces some slight age-staining mainly marginal more pronounced on a handful of leaves; contemporary marbled boards very neatly rebacked in calf to style back with four raised bands second compartment with red leather label lettered in gilt a remarkably fresh crisp clean copy. First published in 1535 the 'Ecclesiastes' is Erasmus' last and longest work a detailed treatise on preaching and the offices and duties of priesthood. O'Malley deems it 'a major monument - perhaps the major monument - in the history of sacred rhetoric. Its only rival is the De Doctrina Christiana of Augustine' Erasmus and the History of Sacred Rhetoric: The Ecclesiastes of 1535.Bray's extended 25pp introduction begins in typically exuberant fashion - 'Jesu & Omnia!' dedicating the printing to Edmund Gibson Bishop of London 1669-1748 and Edward Bishop of Coventry and Lichfield. Erasmus' famous preface revealing his responses to the deaths of More Fisher Wareham and Mountjoy is given in full. Thomas Bray 1656-1730 Commissary of Maryland and founder of SPCK did much to spread abroad knowledge of significant religious works. 'It was a great service to the cause of Christian knowledge' undertaken for no reward and with 'unspeakable labour and fatigue'.Rare. Prostant venales apud J. Brotherton, ad Insigne Bibliorum Sacrorum in Vico Cornhill, hardcover
17773006455London and Paris: Barbou 1777. Joints chafed and head of spine slightly chipped. Duodecimo with a frontispiece to the first work; contemporary dark green morocco sides bordered and spine panelled in gilt all edges gilt. <p><p>The beautifully-printed Barbou edition of Utopia bound as often with the matching edition of Erasmus' Praise of Folly. </p> <p>The friendship between Sir Thomas More 1478-1535 and Erasmus 1469-1536 was one of the great scholarly alliances. More's Utopia 1516 was a revolutionary work of philosophy which inaugurated the entire tradition of the modern imaginary voyage but it was also a book to which a small coterie of his greatest friends contributed particularly including Erasmus. More also played an important part in turn in the writing of Erasmus' Moriae Enkomion - the 'praise of folly' but also a pun on the 'praise of More' - which is said to have been written whilst they were staying at More's London house. It was first published in 1511. </p> <p>This Barbou edition of both works is particularly attractive. The Barbou family was in business from the early sixteenth-century through to the beginning of the twentieth and was known in the later 1700s for their superb editions of the Latin and Greek classics not unlike a French Baskerville.</p> </p> . Barbou unknown
171248094Ulmae Ulm: Sumptibus Danielis Bartholomaei M DCC XII 1712.- 7 h. 869 p. 11 h. y 88 p. de la segunda obra con el mismo pie de imprenta y fecha: Grabado al cobre alegórico in frontis; 8º 173 x 115 cm; Portada a dos tintas; Sig. :7 A-Z8-Aa-Zz8-Aaa-Kkk8 / a-e8 f4; Texto en latín; Enc. de la época en Pergamino rígido a la romana lomo con título rotulado a mano cortes pintados y un ex-libris grabado al cobre de "Ex Bibliotheca Christiani Friederici Schnaussii" grabado por J. B. Gans al verso de la tapa anterior.- RARO. La encuadernación firme y fuerte aunque con diversas señales del tiempo. Al verso de la tapa anterior tienenunas notas manuscritas otra pequeña notita manuscrita en la portada. Por lo demás el interior del libro se encuentra limpio y sin ninguna mancha reseñable. El grabado del frontis tiene una pequeña reparación por detrás sin importancia. El título del libro va manuscrito sobre un tejuelo de pergamino en la cabecera del lomo. Dicho esto que es preceptivo se puede considerar el libro como en muy buen estado. Este libro contiene los Coloquios una especie de manual de cultura clásica para la vida renacentista así como el famoso Elogio de la Locura con un prefacio de Tomás Moro. LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Libro en latín Danielis Bartholomaei hardcover
17204459BB1720. 6 in 3 Bänden. Leyden Pierres Vander Aa & Boudouin Jansson Vander Aa 1720. 12°. 1 Bl. 272 S.; 4 192 S. 1 Bl.; 1 Bl. 4 358 S.; 4 394 S. 1 Bl.; 1 Bl. 4 224 S.; 4 236 S. 1 Bl. Mit 1 gest. Frontispiz 1 gest. Vignette sowie 55 gest. Textillustr. von Jacob Schijnvoet. Lederbde. d. Zt. auf 5 Bünden mit reicher Rücken- u. Stehkantenvergoldung Ecken u. Kapitale restauriert Leder etwas spröde. Erstmals in lateinischer Sprache erschienen 1518. Beilage: Kupferstich mit Portrait von Erasmus von Rotterdam von F. Bleuswyk. - Mit 6 Namenszügen dv. 3 von alter Hand auf den Titelseiten. Verbunden: Bd. III von S. 75 bis 94. die S. 267 bis 270 von Bd. I sind in Bd. V zwischen die S. 220 u. 221 eingebunden. Durchgehend stellenweise stärker gebräunt u. vereinzelt stockfleckig. unknown
1709019923London: Printed and Sold by J. Woodward in Threadneedle Street 1709. Book. Fair. Hardcover. 1st Edition. First Edition THUS. Pp. 22 xvi viii 12 171. Full red morocco five raised bands to spine gilt bordering gilt decoration to spine. front board detached. All text block edges gilt. Internally complete all plates and illustrations present. Verso of front board ex-libris of Robert Hoe and also famous book collector Cortlandt F. Bishop. Printed and Sold by J. Woodward, in Threadneedle Street Hardcover
1780000010669Basileae = Basel: G. Haas ex Officina J.J. Thurneisen 1780. Later edition. Hardcover. Very Good. 8vo. 17 2-355 5 pp. Contemporary tree calf with a gold border on each board spine in six compartments with beautiful gold tooling and a red morocco label lettered in gold; all edges decoratively stained yellow. Marbled endpapers and pastedowns. Title page in Greek and Latin text in Latin. Illustrated with an engraved frontispiece portrait of Erasmus with seven full-page woodcuts and with numerous in-text woodcuts all done by Hans Holbein. With a commentary by Gerardus Listrius. A beautiful example of Erasmus' satiric essay a landmark publication in Renaissance Europe. In Praise of Folly is credited with helping to sow the future ideas of the Protestant Reformation as it parodies many superstitions of the Catholic Church. Erasmus' essay is a perfect example of dry and biting wit rich with metaphor and layered puns. Joints neatly touched up a small darkened spot on the front board. G. Haas, ex Officina J.J. Thurneisen hardcover
175810202AB1758 . Wien: Joh. Thomas Trattner 1758. Gr.-8°. 8 Bll. 245 S. 21 Tafeln Halb-Kunstleder mit umlaufendem Rotschnitt Bibliotheksexemplar; Stempel auf Vorsatz Vortitel und Titelblatt; Papier altersbedingt gebräunt; stockfleckig; sonst altersgemäss gut erhalten - Angebunden: Antonius Klobusiczki de Zetteny: Materia Tentaminispublici quod ex anni huius scholastici praelectionibus quovis cui libuerit periclitante . Wien: Joh. Th. Trattner 1758. 10 Blätter. unknown
1796023399New-York: T. and J. Swords. Volume 1 only of 2 volumes. First American Edition. Full leather expertly rebacked with new spine label and volume number. Very early bookplate of Pardon Bowen of Providence possibly the Dr. Pardon Bowen who was born in 1757. Also a hospital library bookplate from Providence. 434 pp. All 6 color plates called for on the final page are present. 1796 on title page and advertisement on final page dated October 1 1796.Occasional slight foxing Very Good. . Very Good. Hardcover. 1st Edition. 1796. T. and J. Swords hardcover
173417931Amsterdam: Aux dépens de la Compagnie 1734. Fine. Aux dépens de la Compagnie Amsterdam 1734 10.50 x 17 cm deux tomes reliés en deux volumes First illustrated edition of a work that was initially published in 1542 in Wittenberg. 2 frontispieces and 21 engravings by Bernard Picard representing hagiographical episodes from the life of Saint Francis. Cohen 5. Red and black title pages. The half-title in an engraved border by Picard bears the date 1733. Contemporary full navy morocco bindings. Smooth Jansenist spine. Series of hatchings on the leading edges. Edges gilt. Spines slightly faded. Handsome binding quite rare. Famous pamphlet particularly violent against the book by Barthelemy de Pise which highlighted the similarities between the life of Jesus Christ and the life of Saint Francis. The book begins with a preface by Conrad Badius and Martin Luther very insulting towards the Papists and Cordeliers. The work is in Latin and French it reprises the hagiographical account of Saint Francis while adding footnotes and extremely severe and virulent criticisms. More generally the book is a direct attack against Catholics by Protestants accusing them of heresies abominations satanism. « Car il ce livre est tel que quand hommes et diables dégorgeraient leurs poisons exécrables tous contre Dieu ils n'en sauraient plus dire qu'un moine seul en a osé écrire » For it this book is such that when men and devils would pour out all their execrable poisons against God they could not say more than what one monk alone has dared to write Conrad Badius. Aux dépens de la Compagnie unknown
179817365<p>Philadelphia: Printed by John Omrod 1798 First American edition of this educational classic that shows the influence of Rousseau on the work of Erasmus Darwin 1731 – 1802. First published in London the previous year. Included in this edition is an American printing of Mrs. M. Peddle's Rudiments of Taste a popular conduct book was first published in London in 1789 and in the United States in 1790. Contemporary tree sheep with red morocco spine label. Gilt-ruled spine. Twelvemo. Separate title-page for Mrs. M. Peddle's The Rudiments of Taste. Some wear to binding and a couple cracks to sheep on upper board. Quite a fresh copy despite some foxing to first few leaves and some slight toning throughout. A very good tight copy of a fragile book. Darwin wrote the present work after helping his daughters Susan and Mary Parker establish a boarding school for young women in 1794. Here he draws on the theories of Rousseau Locke and Genlis to advocate for the education of women in schools in topics like philosophy the natural sciences history art manufacturing and language. Darwin believed that women should be educated for the purpose of becoming better wives and companions to men but promoted progressive notions that women's education would take place in well-resourced schools rather than in the home and that women should be educated in the concepts of finance industry and manufacturing. In Peddle's The Rudiments of Taste "Classical influence blends with Christian…Peddle recommends reading ancient and modern history travels biography science and good poetry not novels which leave their readers incapable of 'relishing anything superior'" Blain Grundy and Clements eds. The Feminist Companion to Literature in English p. 841.</p> Printed by John Omrod,
1800D18575London: J. Johnson 1800. First Edition. Hardcover. Near Fine. 4to. 19th century diced gilt-ruled calf. With 12 finely engraved plates. This copy has a nice provenance with early ownership signature of James Law a Lichfield resident as was Erasmus Darwin. Later bookplate of Marshall Laird to front pastedown. The content of this marvelous book ranges from a poem on broccoli to a detailing of the struggle for existence xix.7; a struggle that his grandson Charles would elaborate on sixty years later. <br/><br/> J. Johnson hardcover
1795019670London: Printed for J. Johnson St. Paul's Church-Yard 1795. Book. Very good condition. Hardcover. 3rd Edition. Quarto 4to. Part I: 3rd edition printed 1795; xx 200 pages of text. Part II: 4th edition printed 1794; viii 218 pages followed by Additional Notes with 124 pages. Leather spine and corners with marbled paper-covered boards; hinges professionally mended. The spine has two large raised sections and is gilt lettered and decorated. Part I and Part II each contains a frontispiece. The text contains 19 plates including one fold-out and an additional in-text engraving. Previous owner's bookplate and notation on the inside front cover. Two plates are by William Blake Fertilization of Egypt and Tornado with 4 plates of the Portland Vase attributed to Blake but are unsigned. Two plates by Fuseli. Except for a few spots of soiling in the margins the text is clean and unmarked. Height = 285mm 11.25 inches. . Printed for J. Johnson, St. Paul's Church-Yard Hardcover
172058442à Leyde Leiden: Chez Pierre VanderBoudoin Janisson Vander 1720. Fine. Chez Pierre Vander Boudoin Janisson Vander à Leyde Leiden 1720 9.50 x 17 cm 6 volumes reliés First edition of Nicolas Gueudeville's translation particularly sought after for its illustration with the first printing of 55 half-page figures unsigned in the style of Romain de Hooge or Harrewyn Cohen 347. A frontispiece by Schinove and a large vignette with the arms of Frederick of Gloucester Prince of Hanover. Title pages in red and black. Contemporary full speckled brown calf bindings. Decorated smooth spines. Red morocco title labels and tan morocco volume labels. Triple fillet frame on boards. Head caps partially missing on volumes III and IV the others worn. Tail caps on volumes II III and VI worn. In volume VI from p. 95 to 115 a folded corner. Despite the noted flaws a handsome set well bound. Just like The Praise of Folly translated by Guedeville a little earlier which met with such success that this was the title retained in France for Erasmus's work although it was the translator's The Colloquies is a mixed work not merely an adaptation like most 18th-century translations but a recreation according to Guedeville's aims. The Colloquia Familiares or familiar conversations are a series of dialogues with very varied characters intended to represent the human comedy with a real didactic intention on the author's part: didacticism of language and morals. It is the entire society of the 16th century that parades through these dialogues with a watchword for the whole: the folly of men. Aubrey Rosenberg and most recently Paul Smith have examined Gueudeville's style as a translator and its main characteristics: amplification modernization oralization. As a general rule the translation is twice as long as the original the additions consisting essentially of humorous touches and jokes that accentuate the banter intended for a popular readership that does not necessarily read Latin. Allusions to current events are scattered here and there: the translator does not forget that he is also a journalist and there would undoubtedly remain discoveries to be made if one wanted to scrutinize more precisely the political scope of certain choices. The modernization furthermore consists in the use of fashionable vocabulary as well as the invention of pleasant neologisms. The insertion of oral turns of phrase such as interrogatives engaging the reader finally proceeds from Gueudeville's particular attention to the genre of texts he translates. He is thus sensitive to the theatricality implied by declamations. Similarly from the preface of his Colloquies he addresses his readers: ""Voulez vous bien que nous approfondissions un peu la Matière "" ""Would you like us to delve a little deeper into the Matter"". It nonetheless remains that the translator intends to be very respectful and faithful to Erasmus's work as evidenced by the numerous preliminary pieces on the author but he was above all concerned with amusing while instructing in keeping with the spirit of his century and the result seems to measure up as the philosophical and moralist matter of these dialogues is enhanced by a freshness of tone and banter for which Gueudeville is responsible. Chez Pierre VanderBoudoin Janisson Vander hardcover
179133222London: J. Johnson. Near Fine with no dust jacket. 1791. Second Edition. Hardcover. 4to 11" - 13" tall; 214 126 & 202 pages; Contemporary mottled calf with cracked covers both repaired. Small bookplate on inside front cover and old catalog description tipped in. 2nd edition of both parts with all plates. . J. Johnson hardcover
1791D18576London: J. Johnson 1791. First Edition. Hardcover. Very Good. 4to. Two parts bound as one. Early leather rebacked with modern spine. Complete with 18 plates five of which are attributed to William Blake. This copy with the early ownership signature of Louisa Ponsonby. The hope for the book a scientific poem in two parts Darwin wrote was to enlist Imagination under the banner of Science . . . to induce the ingenious to cultivate the knowledge of botany . . . and recommending to their attention the immortal works of the celebrated Swedish naturalist Linnaeus. Dictionary of Scientific Biography. <br/><br/> J. Johnson hardcover
179717295New York; Philadelphia: T. & J. Swords Volume 1; T. Dobson Volume 2 parts I and II 1797. FIRST AMERICAN EDITION. Complete with all half-titles and blanks. With 6 colored plates in Volume 1. Contemporary calf spine labels; text toned due to paper stock. Overall an excellent copy. First American editions of Erasmus Darwin’s important hypothesis on evolution which included discussion of how competition and sexual selection could cause change in species an idea on which his grandson Charles must certainly have drawn. Darwin’s focus here is the functioning of the body and he includes significant sections on anatomy and physiology as well as psychology. He was an early advocate of the inheritance of acquired characteristics similar to what Lamarck later developed. “The Zoonomia contains a system of pathology and a treatise on generation. Darwin believed that ‘one and the same kind of living filaments is and has been the cause of life’†Garrison & Morton.<br /> <br /> Darwin 1731-1802 grandfather of Charles Darwin was a remarkable polymath that worked as a physician naturalists medical botanist and inventor. T. & J. Swords (Volume 1); T. Dobson (Volume 2, parts I and II) unknown
1790Flo261Very good copy of the Large Paper Copy of the Quarto edition of Erasmus Darwin's masterpiece with the William Blake engravings. <br /><br />With the first edition of <i>Part 1: containing the Economy of Vegetation</i> 1791 and the second edition of<i> Part 2: containing the Love of the Plants</i> 1790 bound in one volume. <br /><br />Large Paper Copy in 29 x 22.5cm Henrey gives 26 x 21cm for all 1791 editions. <br /><br />Part I has 10 plates by Henry Fuseli William Blake Henry Webber and others engraved by William Blake Anker Smith Thomas Holloway. Includes frontispiece "Flora attired by the Elements" by Henry Fuseli engraved by Anker Smith four plates of the Portland Vase attributed to Blake bound next to Note XXII page 53 to 59 fold-out botanical of a Cyprepedium orchid botanical plate of Erythrina and Sections of the Earth. <br /><br />The Directions to the Binder indicates only 8 plates but this copy includes two additional plates: the famous "Fertilization of Egypt" designed by Fuseli and engraved by Blake with the dog-headed god Anubis standing astride the River Nile at page 127 and Henry Webber's design of the Wedgwood cameo of "Hope with Peace Art and Labour" and the famous Wedgwood anti-slavery medallion with an enslaved man in chains and the caption "Am I Not a Man and a Brother" at page 87.<br /><br />Part II is complete with 10 plates by Emma Crewe Thomas Holloway and Frederick Polydore Nodder. The frontispiece "Flora at play with Cupid" by "gifted" amateur artist Emma Crewe 1780-1850 daughter of John Crewe 1st Baron Crewe was criticized by Richard Polwhele: "she has rather overstepped the modesty of nature by giving the portrait an air of voluptuousness too luxuriously melting." Other plates are studies of the Venus flytrap the Aztec lily tape grass etc. by botanical artist Frederick Polydore Nodder. Also includes the engraving of a cupid playing with fire by Thomas Holloway within the text on page xi. <br /><br />With several fascinating newspaper articles and manuscript note from 1845 tipped in behind the Portland Vase plates. The articles relate to the "Destruction of the Portland Vase" in the British Museum by a drunken delinquent on July 9 1845 his subsequent release from prison and the Duke of Portland's decision to commission the artists Doubleday and Baldock to repair the broken vase. <br /><br />In an unsophisticated but solid later half-leather binding of brown leather and tan cloth gilt title and blind-tooling on spine new endpapers slight toning to frontispiece and title pages but interior clean and bright with little foxing. Some offsetting from plates on to text pages and dust to page edges. J. Johnson hardcover
1798167893Philadelphia: Printed by John Ormrod 1798. A "determined stand against the nearly universal belief that women ought to be feather-brained and feeble-bodied" First US edition of Darwin's treatise on the education of women presented here in a well-preserved contemporary binding. This copy's title page is signed in a contemporary hand by one "Eliza Phelan". Although Darwin ultimately sought to educate women so as to make them useful companions for men his was a more equal "different but complementary" conception of the male-female relationship than was commonly held ODNB. The Plan advocated the creation of dedicated schools for girls where such subjects as botany and experimental philosophy would be taught. "In retrospect the most important feature of the book is his determined stand against the nearly universal belief that women ought to be feather-brained and feeble-bodied. He was taking the first crucial step along the path that has led to sexual equality and feminism" King-Hele p. 284. Darwin wrote from the start with practical applications in mind: the work originated as advice to his two illegitimate daughters for whom he had bought a converted inn to run as a school for girls. It is perhaps for this reason that the work has been described as "the most appealing of Darwin's prose publications" ibid. p. 282. The Plan was originally published in Derby in 1797: the US edition was published a year later with Darwin's slender tract bound with the unrelated Rudiments of Taste a work which had been published several times before in Philadelphia and London over the previous decade. Duodecimo 168 x 99 mm. Engraved frontispiece numerous engraved head and tailpieces in the text. Contemporary speckled sheep smooth spine ruled in gilt forming 5 compartments red morocco label to second. Late 19th-century book label of one "Jean Rouche" to front pastedown. Small hole to foot of spine very light bumping and wear to extremities small ink stain to p. 38 over text without affecting legibility slight separation within gatherings I-N: a very good copy. ESTC W27662. Desmond King-Hele Erasmus Darwin: a Life of Unequalled Achievement 1999. unknown