2 660 résultats
197610960HOW IT WAS Knopf 1976 first edition fine in like dust-wrapper. Inscribed by the author Hemingway's last wife. Illustrated with photos. Knopf unknown
19848905New York: Charles Scribner's Sons 1984. First Edition First Printing. Hardcover. Near Fine/Near Fine. 5 1/4 X 7 1/4 Inches. 140 PP. Collection of quotes and stories written by Hemingway on the craft of writing throughout his career. Phillips has pulled from Hemingway's letters both personal and professional as well as his own written works. The finished product is a hit-list of tips for those attempting to write. Complete number line to the "1" on the copyright page. Original price of $12.95 intact on front flap. Charles Scribner's Sons hardcover
1958100852<p>Paris:: Paris Review. Very Good. 1958. Paperback. Features an interview wirh Ernest Hemingway by George Plimpton. First edition paperback. Moderate edge wear and age toning two small clear tape repairs to rear cover else very good in illustrated wraps. .</p> Paris Review, paperback
1944315212Burbank CA: Warner Bros 1944. 12a 3-14 pp. Folio. Original side-stapled glossy wrappers. Wrappers good only with extensive tape repair to margin of wrappers horizontal fold internally very good. 12a 3-14 pp. Folio. Promotional material for the 1945 film "To Have or Have Not" featuring 12 pages of adveristing and poster material and fourteen pages of articles about the film and its performers. The screenplay was adapted from Hemingway's "worst book" in Hawks' estimation by Jules Furthman and William Faulkner the latter's participation making it the only film on which two winners of the Nobel Prize have ever collaborated. It was Bacall's debut film and where she and Bogart first met. <br /> Faulkner wrote the second revised final version of the script and was responsible for its change of setting from Cuba to Martinique. Warner Bros unknown
1931225810New York: Random House 1931. First edition Number 355 of 500 numbered copies marked out of series at the Harbor Press. Folding frontispiece. 116 pp. 1 vols. 8vo. Black ribbed cloth. Fine. In blue morocco and cloth and chemise. First edition Number 355 of 500 numbered copies marked out of series at the Harbor Press. Folding frontispiece. 116 pp. 1 vols. 8vo. The First Bibliography of Ernest Hemingway by the famous bookseller and proprietor of House of Books. Random House unknown
19517715New York: Charles Scribner's Sons 1951. 1951. Fine. - Octavo gray cloth titled in black on the spine. The covers are very lightly bumped & the spine & extremities are slightly darkened. 63 pages with an erratum printed on page 51. Near fine. <p>"The first and only printing consisted of 750 copies." Hanneman B-51. The preface is by Hemingway. New York: Charles Scribner's Sons, 1951. hardcover
1940535816New York: Longmans Green 1940. Softcover. Near Fine. Advance excerpt stapled into the dust jacket as issued. Translated by Whittaker Chambers and Barrows Mussey. Octavo. 16pp. Two tiny tears on front of the jacket else very near fine. Uncommon and desirable Hemingway ephemera reprinting the entirety of Hemingway's preface as well as the first few pages of the book. An account of the fight against fascism in Spain. Additionally there is a long Hemingway blurb on the rear panel of the jacket. Seldom encountered in this format. Longmans Green unknown
1939219743New York: Modern Age Books 1939. First edition Number 126 of 440 copies signed by Quintanilla. Four lithographs & 62 full-page drawings by Luis Quintanilla one full-page color plate laid in. 1 vols. 8vo. In the original half cream calf and pictorial blue-gray cloth stamped in gilt. Spine very slightly scuffed and toned otherwise near fine in repaired slipcase with printed label on front. First edition Number 126 of 440 copies signed by Quintanilla. Four lithographs & 62 full-page drawings by Luis Quintanilla one full-page color plate laid in. 1 vols. 8vo. Hanneman B 34 Modern Age Books unknown
1957602250New York: Parade 1957. Unbound. Near Fine. First edition. Small tabloid quarto. Illustrated. Cheap newsprint a little toned else near fine. Feature cover article on films made of Hemingway's novels with several images of the author. Parade unknown
1939560097New York: Hearst Magazines Inc 1939. Softcover. Very Good. First edition. Quarto. Illustrated wrappers. Very good or better with short tears along the edges. Contains a short story by Hemingway Under the Ridge a novelette by Faith Baldwin and a full-length novel by Hugh Walpole. Hearst Magazines, Inc unknown
1959332914Ketchum Idaho 1959. 4 black and white photographic prints images 7 1/2 x 7 1/2 inches. 10 x 8 inches. Remnants of cloth tape on verso; Very Good. 4 black and white photographic prints images 7 1/2 x 7 1/2 inches. 10 x 8 inches. Series of four candid photographs of Ernest Hemingway with his fourth wife Mary Welsh Hemingway. Both are seated at a table conversing each signing photographs in one Hemingway is having a drink. No markings on the photos but they appear to be from around the time of John Bryson's photos in LIFE magazine Ketchum Idaho February 1st 1959. unknown
194217020ELos Angeles: Paramount Pictures 1942. A terrific collection of four stills 8†x 10†from the acclaimed film For Whom the Bell Tolls adapted from Ernest Hemingway’s classic novel set in the 1930s during Spain’s civil war directed by Sam Wood starring Gary Cooper Ingrid Bergman Akim Tamiroff Katina Paxinou and Arturo De Cordova. All in fine condition. The photographs show: Cooper and Bergman sharing a flirtatious moment and a cup of coffee a particularly lovely shot of Miss Bergman in an intimate moment with Mr. Cooper reclining together on the grass a shot of Bergman and Cooper with a look of contention passing between them while Akim Tamiroff gestures near-by with a crust of bread and the last of Bergman and Cooper sharing a passionate kiss as Cooper is about to leave on his mission to blow up an all-important bridge. A fine set of photographs highlighting the generous gifts of talent and charisma of these two great actors. The film won an Oscar for Best Actress in a Supporting Role Katina Paxinou and was nominated for Oscars for Best Picture Best Actor in a Leading Role Gary Cooper Best Actress in a Leading Role Ingrid Bergman Best Actor in a Supporting Role Akim Tamiroff Best Art Direction - Interior Decoration Color Best Cinematography Color Best Film Editing and Best Music Scoring of a Dramatic or Comedy Picture. Paramount Pictures unknown
1935338250Chicago Illinois: Ken Inc 1935. Softcover. Very Good. Magazine. Cover by Wesley Neff. Folio. 138pp. Paper wraps. Some light foxing to the front wrap along with a crease and general wear to the wraps with scraps and tears very good. The debut issue of this magazine features an article by Ernest Hemingway "The Time Now The Place Spain" which is accompanied but a note from the editors stating that while Hemingway was originally announced as an editor for the magazine he is not only though it would have him and until then "he will remain as a contributor until he is fired or quits." The magazine has several articles on the Nazi's and Hitler "Hitler Hunts a Wife" as well as large black and white photos including Dorothea Lange's haunting photo Migrant Mother. Ken Inc unknown
1935338255Chicago Illinois: Ken Inc 1935. Softcover. Near Fine. Magazine. Cover by Wesley Neff. Folio. 138pp. Paper wraps. Some light foxing to the front wrap and general wear to with scraps about near fine. The debut issue of this magazine features an article by Ernest Hemingway "The Time Now The Place Spain" which is accompanied but a note from the editors stating that while Hemingway was originally announced as an editor for the magazine he is not only though it would have him and until then "he will remain as a contributor until he is fired or quits." The magazine has several articles on the Nazi's and Hitler "Hitler Hunts a Wife" as well as large black and white photos including Dorothea Lange's haunting photo Migrant Mother. Ken Inc unknown
1938565574Chicago Illinois: Ken Inc 1938. Softcover. Very Good. Magazine. Cover by Wesley Neff. Folio. 138pp. Stapled pictorial wrappers. Moderate wear light foxing on the page edges and a bit on the wraps staples oxidized centerfold loose still a very good copy. The debut issue of this magazine features an article by Ernest Hemingway "The Time Now The Place Spain." The magazine has several articles on the Nazis and Hitler "Hitler Hunts a Wife" as well as large black and white photos including Dorothea Lange's haunting photo Migrant Mother. Ken Inc unknown
1930583860Paris: Edward Titus Black Manikin Press 1930. Hardcover. Near Fine/Near Fine. First edition. Translated by Samuel Putnam. Introduction by Ernest Hemingway. One of 1000 copies. Near fine perfectbound wrapper with some waviness small crease and tiny bump at two corners in near fine red wraparound band with some wear and in fair only unprinted original glassine missing both flaps and with a large chip in very good publisher's plain card slipcase not shown with tone and some wear. Edward Titus, Black Manikin Press hardcover
199025884<p>Wiltshire :: Crowood 1990. First Printing of the First UK Edition. A Fine tight unread copy in a Fine bright dust jacket. This book is the first to detail Ernest Hemingway's trail through wartime Europe including his participation in the D-Day landings and his presence on the front line at the Battle of the Bulge; It also chronicles his tangled personal life and the impact his first-hand experience of war had on him both as a writers and as a man.</p> Crowood, hardcover
1925514020Berlin: Im Propylaen-Verlag 1925. Softcover. Very Good. First edition. Small quarto. 88pp. plus ads. Illustrated reproducing art and photographs in black-and-white including two photographs credited to Ernest Hemingway. Text in German. Yellow pictorial wrappers Fragile spine is worn covers are lightly dust soiled else a very good copy with text fresh and clean. Contains the first appearance of "Stierkampf Part I" "The Undefeated" part I by Ernest Hemingway translated into German by B. Bessmertny Hanneman C166. Also prints contributions by Andre Derain "Gedanken eines Malers" Paul Nikolaus Jules Laforgue "Warnung" et al. Im Propylaen-Verlag unknown
1925514019Berlin: Im Propylaen-Verlag 1925. Softcover. Very Good. First edition. Small quarto. 88pp. ads Illustrated in black-and-white reproducing numerous photographs and works of art; Text in German. Yellow pictorial wrappers Contemporary ink rubberstamp name and address on front cover at lower margin. Eroded along most of fragile spine covers are lightly dust soiled else a good to very good copy with the text fresh and clean. Contains the first appearance of "Stierkampf II" The Undefeated by Ernest Hemingway translated into German by B. Bessmertny. Hanneman C167. Also prints contributions by Carl Sternheim Walter Cohen Carl Zuckmayer et al. Im Propylaen-Verlag unknown
1955414395Westport Conn and New York: A.E. Hotchner and Ernest Hemingway and Anne Meyerson Typing & Mimeographing 1955. Softcover. Near Fine. Quarto. P.3 22 1 19 1 4 2 34 1 27. Typed leaves on rectos only bradbound into black leatherette wrappers stamped in gilt with Meyerson's information. The gilt title on the front wrap is covered with a typed label that reads "Ernest Hemingway's 'Love and Death' "; a title label on title page also covers a previous typed title; Ink number "16" on title page near fine.<br /> <br /> A play that includes scenes from The Snows of Kilimanjaro For Whom the Bell Tolls A Farewell to Arms and The Good Lion a fable written in Venice in 1950 which was published in Holiday magazine. It would be difficult to determine the original title stamped on the front wrap and on the title page without damaging the labels although on the front wrap the title begins with "T" and ends with "y." We speculate that this is likely the earliest draft of "The Hemingway Hero" for which scripts exist bearing an earlier title and that the title "The Heroes of Hemingway" is a possibility here.<br /> <br /> Laid-in is a letter from Hotchner to producer and director Fletcher Markle: "Herewith the script of LOVE AND DEATH. I am very enthusiastic about your casting suggestion and I'm sure Hemingway would be. I agree that Welles would add considerably to the overall value." He goes on to state that "I shall do my best to shake loose THE FIFTH COLUMN for I am certain that that and THE UNDEFEATED will go splendidly at 90-minute length." He concludes "My regards to your wife Mercedes McCambridge whose talents as an actress I have always admired." Our thanks to Ira Steingroot for identifying Markle and McCambridge.<br /> <br /> We have no evidence that the play was ever produced theatrically. Hotchner was a close friend of Hemingway's and seems to have created a cottage industry adapting Hemingway's works and television plays of The Snows of Kilimanjaro 1960 The Fifth Column 1960 and For Whom the Bell Tolls 1959 all directed by John Frankenheimer as well as several others all appeared with scripts by Hotchner. Although the title here indicates that this script was prepared for the stage it seems likely that it was later adapted into several "teleplays."<br /> <br /> OCLC locates three copies of The Hemingway Hero all with different pagination. It locates no copies with this title or pagination. A.E. Hotchner and Ernest Hemingway [and] Anne Meyerson Typing & Mimeographing unknown
1976546150United States: Paramount Pictures 1976. Unbound. Near Fine. Poster. Measuring approximately 14" x 36". Gently rolled a bit of faint spotting else near fine. Advertising poster for the 1977 American film directed by Franklin J. Schaffner and starred George C. Scott Hart Bochner Claire Bloom Gilbert Roland and David Hemmings. Adapted from Ernest Hemingway's posthumously published 1970 novel of the same name and nominated for an Academy Award for Best Cinematography. Paramount Pictures unknown
1996563499Ketchum / Sun Valley Idaho: The University of Idaho / The Hemingway Society 1996. Unbound. Very Good. Poster. Measuring 24" x 36". Illustrated with a large metallic silver image of Hemingway. Folded twice not as issued and a bit of additional creasing and edgewear very good. The University of Idaho / The Hemingway Society unknown
1958546162United States: Seven Arts / United Artists 1958. Unbound. Near Fine. Poster. Measuring approximately 28" x 22". Gently rolled light edgewear with faint creases backing tape along the edge of verso that extends slightly over the edge and poster name in ink near fine. Advertising poster for the 1958 American film noir crime film directed by Don Siegel and starring Audie Murphy Eddie Albert Jack Elam Richard Jaecke and Gita Hall in her film debut. The third adaptation of Ernest Hemingway's 1937 novel To Have and Have Not. Seven Arts / United Artists unknown
1927341756Dijjon: Maurice Darantiere 1927. Softcover. Fair. First edition. 12mo. 92pp. Paper wrappers. Fair only with chipped front wrapper that has been professionally restored extensive chipping at the spine and first six pages also chipped. The first issue of Pound's short-lived literary magazine that includes "Part of Canto XX" a poem from Ernest Hemingway and contributions from Richard Aldington Guy Hickok and John Rodker. Interestingly Hemingway's name is mistakenly listed as "E.W. Hemingway" on the cover when his middle name was Miller and his one-line poem "Neo-Thomist" is also misspelled and hand corrected by Pound in each of the 500 copies that were printed. Laid in is a postcard advertising the magazine and a small slip from New York newspaper man John M. Price. He not only inspired Pound to start the magazine but was in charge of distributing the first issue in States and seeking out contributions for future issues. Maurice Darantiere unknown
1930372878New York: Alfred A. Knopf 1930. First edition second printing. Illustrated xxi 378 vi 1 pp. 8vo. Grey linen stamped and printed. Spine and top edge sunned some light soiling from handling partially unopened very good with Bennett Schneider Book Seller ticket at rear. First edition second printing. Illustrated xxi 378 vi 1 pp. 8vo. Inscribed by Hemingway to his Kansas City Cousin Ruth Lowry: "Dear Ruth: The girl who wrote this was very lovely looking and a pretty good poet - was married to one of the most horrid citizens I have ever known now divorced. Think one has a Guggenheim fellowship - what a mine of information the fellow is- / Ernest-"<br /> <br /> The "lovely looking" "pretty good poet" who wrote this Genevieve Taggard 1894-1948 was an acquaintance of Hemingway's known to him from his travels in expatriate and leftist circles. Elsewhere he called her "a good poet" with a "very good heart" Maris Kathryn "Buried twice" TLS Sept. 27 2024. The "horrid citizen" Hemingway refers to is author Robert L. Wolf 1895-1970 a Jewish radical from a wealthy Cleveland family who was married to Taggard from 1921-1934 so the inscription must have been made after this date. Wolf lived in Paris from 1926-1928 where he was part of Hemingway's social circle and known for his amorous affairs and his struggles with mental illness. Wolf's letters to Taggard during this period mostly detail the agony of their failing relationship but Taggard has suggested that he also blamed his failure to produce novels to the responsibilities of marriage and fatherhood.<br /> <br /> The recipient of the inscription is Ruth White Lowry 1884-1974 Hemingway's Kansas City Cousin. Hemingway was familiar with the city having spent time there as a cub reporter for the Kansas City Star. After returning from Europe Ernest and his second wife Pauline spent time in Arkansas with Pauline's family; they needed somewhere with a good hospital where Pauline could give birth to their son so he went up to stay with Ruth and her husband Malcolm in their large house in Mission Hills where he worked on A Farewell to Arms writing pages 156-260 there in the mornings and swimming in their swimming pool in the afternoon and drinking bootleg Scotch at the country club. It was there that Pauline suffered a life-threatening cesarean section that informed the childbirth scene at the end of his novel. They returned in 1931 so that Pauline could give birth to their second child under the care of the same attending doctor and it was in the Lowry's house that Hemingway finished Death in the Afternoon. Alfred A. Knopf unknown