87 résultats
17921380941792. A New Edition Corrected with the Additions of An Essay on the Knowledge of Prints and Cautions to Collectors. Hardcover. G Marks from a variety of previous owners; some foxing to select pages; book block must have been rebound once and only 9 of the 12 original plates on pink paper were stitched in as part of that process. Comparing this copy to a scanned one shows that the missing images are of Pietro da Cortona Peter Paul Rubens and Anthony Van Dyck. Three-quarters brown & white paper boards with brown leather corners and spine gilt letters on spine gilt top edges 287 pp. 9 of expected 12 BW plates. Title on spine: Richardson on Painting. A later reprint of essays first written by Jonathan Richardson 1667-1745 in the early 1700s and considered to be the first such writings in English which addressed artistic theory. Enhanced by occasional BW plates of representative artists. A classic. hardcover
1792O22926DUBLIN: JAMES MOORE 1792. Full-Leather. Fair. Spine on the book is split apart. Pages are all present. There is some edge wear. Front cover is in pretty good shape. Back has some cuts in the leather and some stains. PROMPT PROFESSIONAL SERVICE! JAMES MOORE hardcover
1789E16986London: J. Murray 1789. Second edition. Wraps. Very Good. 12mo in original plain paper wraps. 96 pp. Fore edge uncut. Half title reads: "Essay On Falstaff &c./ Priced sewed Two Shillings". The second edition the first being the previous year. Wraps with moderate even soiling and a old round small sticker top corner and though still tight lacking the spine strip ; interior generally fine and clean. As early as 1820 this was considered a collectible book as referenced in A Catalogue of Rare Curious and Valuable Old Books on sale by Alfred Russell Smith it would have cost you 3 shillings 6 in those days. Hubbard's Shakespeariana notes that there is no apparent difference between this edition and the 1788. J. Murray unknown
17856048423Harrison and Co. 1785. Volume 20. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library. Octavo size. Cloth boards. Gilt lettering on spine. Internally clean and tight. Please note the Image in this listing is a stock photo and may not match the covers of the actual item950grams ISBN: Harrison and Co. hardcover
1769s020.055GB: C. Bathurst. Mess. Kincaid and Bell in Edinburgh 1769. Errata on verso of A4 with pasted-on slip at bottom. Clean tight text is a bit waved. Name of Cha: Bill at top of title page which is a bit dust marked and has a small repair to reverse top right. Fitted with new cream endpapers and professionally rebound in cream paper covered boards and grey cloth spine with modern title label. Front cover a little marked at base. Still a most presentable book. Book is in very good condition with minor signs of wear and/or age. . 1st Edition. Hardback. VG/No DW. C. Bathurst. Mess. Kincaid and Bell in Edinburgh Hardcover
1793HH4644Alex Hogg 1793. ~No date printed except on illus. Mid 20th-century rebind in light brown buckram cloth spine slightly sunned new black endpapers. First published 1774. Lacks frontis. ~Robust packaging. All UK orders trackable others on request Used books are exempt from USA tariffs. Hardback. Hardback. Very Good. 928pp. 21 copperplate illus. No dustwrapper. Alex Hogg Hardcover
17921365476Dublin: James Moore 1792. Hardcover. Octavo iv 4 347 pages 55 18; G; Fully bound in sheep with red label and gilt lettering to ruled spine; Boards have light shelfwear overall rubbing along hinges moderate toning to back corner upper a few light scrapes to back board and light rubbing/cracking to spine; Textblock shows light age toning to edges light interiorly occasional very light to light foxing initials penned to top edges light damp-staining to bottom edges. RWO. 1365476. Special Collections. James Moore hardcover
1787619L3London: James Ridgway 1787-1788. Leather. Good. 8.5" by 5.5". None. Two collections of satirical poetry bound as one being an early edition of the satirical poem directed at William Pitt's the younger's administration. The eighth edition of this satirical poem directed at the administration of William Pitt the Younger. A collaborative effort this work takes the form of a piece of literary criticism of the epic poem 'The Rolliad'. With an engraved frontispiece and engraved title page. This work was originally published in a serial form for the early daily newspaper the 'Morning Herald' from 1784-1785. This work is a very early if not first edition in book form. The main victim of this satire is John Rolle MP for Devon but further individuals mentioned include William Pitt Henry Dundas and Charles Jenkinson. This poem was written by Joseph Richardson George Ellis Richard Tickell French Laurence and Richard FitzPatrick. The second work to this volume is Sir John Hawkins' Probationary Odes. The seventh edition of this work. With publisher's adverts for Ridgway to the start of the work. Being an anthology of satires and parodies by Richard Tickell and others purporting to be the competitive essays of Thomas Warton's rivals for the laureatship. ESTC Richard Tickell was an English playwright and satirist. With the bookplate of one Alexander Adair to the front pastedown. This is likely to be the Adairs of Flixton Hall. Alexander Adair was the great grandson of Sir robert Adair of Ballymena and Custos Rotulorum of County Antrim. In a full calf binding. Externally generally smart. Patches of light rubbing to the extremities and to the spine. Front joint and hinge are tender with cords showing. Rear hinge and joint are tender with cords showing. Lacking portions of spine label. Prior owner's bookplate to the front pastedown Alexander Adair. Internally firmly bound. Pages are generally bright with just the odd spots. Good James Ridgway hardcover
1714287468London : Printed and sold by the assigns of J. Sowle 1714. Second Edition. Softcover. Poor copy in the original stiff-card wrappers; wear and tear as with age. Text remains in fine condition and without blemish. Physical description; 32 478 2 32 pages ; 20 cm. Subjects; Ellwood Thomas 1639-1713. Society of Friends Great Britain. Society of Friends. Society of Friends ; Biography. Quakers ; Biography. Society of Friends ; Early works to 1800. Tithes ; Early works to 1800. London : Printed and sold by the assigns of J. Sowle paperback
1792777P34London: T. and J. Egerton 1792. Cloth. Very Good. 9.5" by 7.5". Jonathan Richardsom. An illustrated collection of the works of Jonathan Richardson containing his best known and most influential works such as 'An Essay on the Theory of Painting'. A collection of the influential works of Jonathan Richardson including 'The Theory of Painting' 'Essay on the Art of Criticism' and 'The Science of a Connoisseur'.Richardson was an English artist known for his work as a portrait painter. His work 'An Essay on the Theory of Painting' inspired Joshua Reynolds.Illustrated with twelve plates.Collated complete.Half-title is present. Rebound in a cloth binding with new endpapers. Externally generally smart with some marks to the boards and spine. Fading to the spine and boards. Internally firmly bound. Pages are lightly age-toned with some odd spots. Light tidemark to the head of the plates. Very Good T. and J. Egerton hardcover
1769H6347London: Printed by his Majesty's Law Printers for J. Worrall et al. 1769. Hardcover. Very Good. 8vo old calf neatly respined with nearly matching calf light wear to boards very good bookplate of John Minet Henniker 1777-1832 a peer and practising barrister. 32 428 15 pp index. Contents VG. Rare on the market. Printed by his Majesty's Law Printers for J. Worrall et al. hardcover
176561565Altenburg Richter 1765. 8vo. In contemporary full calf with five raised bands and gilt lettering to spine. All edges coloured in red. Light wear to extremities boards with a few scratches. Small paper-label pasted on to top of spine. Internally nice and clean. 8 248 186 6 pp. <br/><br/><em>Abridged German translation of Richardson's The Paths of Virtue Pamela and Clarissa Harlowe. </em> hardcover
1759404954Philadelphia: William Dunlap 1759. Crudely mistrimmed with occasional loss of a few letters of text G8 with marginal loss extending into text a bit browned light wear to joints. 8vo. viii 242; iv 220 pages. 20th-century brown half morocco. Provenance: John Martin early inscripttion on front flyleaf. FIRST AMERICAN EDITION. "Richardson visited America in 1701 and traveled through Virginia Carolina Pennsylvania New Jersey New York and New England. He spent some time with William Penn at his country house and had several conversations with him as to the Indians’ belief. His book also contains some account of George Keith’s disputes with the Quakers" Sabin. Evans 8308; Howes B-668; Sabin 71024. William Dunlap unknown
1759033598Philadelphia PA: William Dunlap "at the Newest Printing-Office in Market-Street" 1759. Book. Good. Full-Leather. First American Edition. 8vo - over 7¾" - 9¾" tall. Full calf five raised bands. Leather shows surface rubbing rounded and exposed corners both covers reinforced/reattached by stitching along joints. Main title detached but present all other leaves firmly anchored. viii242vi220 pp. Interior shows typical signs of use including light to moderate foxing occasional light dampstaining some creased corners. Some fascinating period inscriptions: 1 main title: "John Gardiner's / Book / Given by His Mother / to Him Catharine Tomlinson / 178"; 2 front pastedown: partially decipherable undated Gloucester County New Jersey; 3 manuscript notes on blank verso of second title concerning the passing of two friends Bowman and Buchan on the same day month and year "2nd of the 4th mo. 1753" dated 2nd mo 18th 1818; 4 name of Elizabeth Easttaugh and date of 23 of 8th mo 1738 on blank recto of rear flyleaf; signature of John Gardiner on rear flyleaf. Howes B 668 combined edition. Quaker. William Dunlap, "at the Newest Printing-Office, in Market-Street" Hardcover
1781D20449London: W. Strahan 1781. Seventh edition. Hardcover. Good. In seven volumeswith frontis engraved plates. Contemporary likely original calf numerous boards detached or loose. Sold as is. Contemporary ownership signatures of a Marianne Tomlinson of Stourbridge one of which dated 1816 and a Geoge Stokes. <br/><br/> W. Strahan hardcover
1784RICec[RI37London: Printed For W.Strahan And T.Cadell 1784. 1784. 8vo. pp. xvi 478 1 leaferrata. with half-title. contemporary sprinkled calf extremities & spine very worn covers & first 2 leaves detached occasional light foxing. First Edition. The author was tutor to Lord Cathcart's two sons and accompanied them to St. Petersburg in 1768 following Lord Cathcart's appointment as ambassador-extraordinary to the Russian empress. During the course of his four years there he also acted as secretary to Lord Cathcart. His letters touch on the causes and progress of the Turkish War the state of agriculture in Russia the slavery of the Russian peasants life at court the situation of the Jews in Russia &c. Crowther 2053. Nerhood 96. F. Hardcover. London: Printed For W.Strahan, And T.Cadell, 1784. Hardcover
1757AQ16791London: Printed and Sold by Luke Hinde 1757. vi 236pp 4. With two terminal advertisement leaves. Contemporary calf gilt. Extremities rubbed some loss to head of spine splitting to upper joint. Book-label of Henry Birkbeck and faded ink ownership inscription to FEP loss to FFEP slight loss to lower corner of leaf H5 very occasional marginal chipping lightly foxed. The first edition of an account of the ministry of Quaker John Richardson 1667-1753 a respected member of the Society of Friends notable for his preaching tours of Britain and latterly America where he would befriend William Penn and on one occasion accompany the state founder to treat with Native Americans. ESTC T133591. First edition. 8vo. Printed and Sold by Luke Hinde unknown
1750292361London: Henry Lintot 1750. Third Edition. Full Leather. Good binding. The set in two volumes in worn period calf with morocco labels. With loss to the leather and wear at the extremities. Volume I is lacking at least the last leaf of the Index with significant damping to the Index as well. Lacking the front endpaper as well. Volume II appears to be complete. ESTC T97037. Good binding. Henry Lintot unknown
1790ABE-17460245941291790. 1st Edition. Hardcover. Very Good. Designed chiefly for the Use of Manufacturers. The Chemical Principles of the Metallic Arts; With an Account of the Principal Diseases Incident to the Different Artificiers; The Means of Prevention and Cure; and a Concise Introduction to the Study of Chemistry Birmingham: Printed by Thomas Pearson; and sold by R. Baldwin Pater-Noster Row London 1790 First Edition first issue 8vo: Endpapers 47 leaves mispaginated as clii 1 leaf 201 1 pp 2 leaves index 1 blank 3 folding tables first two following p xxxii; third following p 186. Modern ¼ calf over cont. marbled boards. Maroon morocco label and gilt decorations on smooth spine. Light library stamps of Birmingham General Hospital Library. Overall VG. Neville II p 376: An important and certainly one of the earliest English books on diseases resulting from working in the mining and extractive metallurgy industries. The sheets of this 1790 book were reissued in 1806 with a new title page. See Neville for very brief biogtaphical details of this surgeon. hardcover
17768608London: printed for John Donaldson corner of Arundel-Street No. 195. in the Strand. Sold by T. Wilson at York 1776. Seventh edition. 8 vols. 12mo. pp. ix iii 345 i; ii 315 i; 299 i; 308 ii; 322; 320; 324 ii; 346 ii portrait frontispiece of Richardson. One or two trivial spots and stains; L1 pp. 121-22 in vol IV torn without loss old repair; contemporary sheep smooth spines gilt with contrasting red and green lettering and numbering pieces a little worn and rubbed and a couple of small areas of loss. ESTC T58983 Book printed for John Donaldson, corner of Arundel-Street, No. 195. in the Strand. Sold by T. Wilson, at York unknown
17255074London: Printed for A.C. and sold by A Bettesworth. 1725 1725. Second edition. 8vo. 195x115mm. pp. 14 153174-220; 2342. Lacking divisional title page "The Connoisseur". Contemporary panelled calf rebacked with modern black morocco labels lettered in gilt. Very slight rubbing to edges and boards but otherwise very good. Internally there is some water staining to the first few leaves and to the fore-edges of leaves y3/4 and Z1/2 of part one. Leaf H2 of part one has been trimmed at fore-edge but with no loss of text. First issued in 1719 these works were then republished in 1725 with a new general title but with the divisional titles still dated 1719. Rare in commerce and comparatively so institutionally ESTC recording seven copies in the UK and nine in the US and Canada. Jonathan Richardson 1667-1745 was a painter but has had more lasting influence as a writer on the theory of art. His first writing on the subject was An Essay on the Theory of Painting 1715 which is said to have inspired Joshua Reynolds. Richardson's 1722 Account of Some of the Statues Bas-Reliefs Drawings and Pictures in Italy was required reading for English aristocrats off on their Grand Tour and many of its ideas and theories were adopted by Winckelmann. The Two Discourses in this book are essentially essays on taste and a plea to take more seriously the development of an aesthetic sensibility. ESTC No.: N22288 London: Printed for A.C. and sold by A Bettesworth. 1725 hardcover
1764FB367 (1 to 6) /4C<p>Leather binding with black and red title plates.</p><p>Volumes I. to VII. but <strong>volume III. is missing.</strong></p><p><strong>A noteworthy collection.</strong> <strong><em>Clarissa; or The History of a Young Lady: Comprehending the Most Important Concerns of Private Life. And Particularly Shewing the Distresses that May Attend the Misconduct Both of Parents and Children In Relation to Marriage</em></strong> is an epistolary novel by English writer Samuel Richardson published in 1748. It tells the tragic story of a young woman Clarissa Harlowe whose quest for virtue is continually thwarted by her family. The Harlowes are a recently wealthy family whose preoccupation with increasing their standing in society leads to obsessive control of their daughter Clarissa. It is considered one of the longest novels in the English language based on estimated word count. It is generally regarded as Richardson's masterpiece. In 2015 the BBC ranked <em>Clarissa</em> 14th on its list of the 100 greatest British novels. In 2013 <em>The Guardian</em> included <em>Clarissa</em> among the 100 best novels written in English.</p><p><strong>PLOT SUMMARY </strong> Robert Lovelace a wealthy "libertine" and heir to a substantial estate begins to court Arabella Clarissa's older sister. However she rejects him because she felt slighted by his more ardent interest in her parents approval than in her. Lovelace quickly moves on from Arabella to Clarissa much to the displeasure of Arabella and their brother James. Clarissa insists that she dislikes Lovelace but Arabella grows jealous of Lovelace's interest in the younger girl. James also dislikes Lovelace greatly because of a duel which had occurred between the two of them. These feelings combine with resentment that their grandfather had left Clarissa a piece of land and lead the siblings to be aggressive to Clarissa. The entire Harlowe family is in favour of her marrying Roger Solmes however Clarissa finds Solmes to be unpleasant company and does not wish to marry him either. This makes her family suspicious of her supposed dislike of Lovelace and they begin to disbelieve her. The Harlowes begin restricting Clarissa's contact with the outside world by forbidding her to see Lovelace. Eventually they forbid her to either leave her room or send letters to her friend Anna Howe until Clarissa apologises and agrees to marry Solmes. Trapped and desperate to regain her freedom Clarissa continues to communicate with Anna secretly and begins a correspondence with Lovelace while trying to convince her parents not to force her to marry Solmes. Neither Clarissa nor her parents will concede. They see her protests as stubborn disobedience and communication between parents and daughter breaks down. Lovelace convinces Clarissa to elope with him to avoid the conflict with her parents. Joseph Leman a servant of the Harlowes shouts and makes noise so it may seem like the family has awoken and discovered that Clarissa and Lovelace are about to run away. Frightened of the possible aftermath Clarissa leaves with Lovelace but becomes his prisoner for many months. Her family now will not listen to or forgive Clarissa because of this perceived betrayal despite her continued attempts to reconcile with them. She is kept at many lodgings including unknowingly a brothel where the women are disguised as high-class ladies by Lovelace so as to deceive Clarissa. Despite all of this she continues to refuse Lovelace longing to live by herself in peace. Lovelace is too cynical to believe that virtuous women exist and he is desperately trying to seduce Clarissa despite declaring that he loves her. Although he puts her under increasing pressure to submit Clarissa does not waver. Under the pretence of saving her from a fire Lovelace at last gains entry to Clarissa's bedroom but she thwarts his attempted assault with vigorous resistance. She promises under threat of rape to forgive and marry him. However she considers this promise made under duress as void; soon after she makes her first successful escape from Lovelace concealing herself in lodgings in Hampstead. Enraged by Clarissa's flight Lovelace vows to seek revenge. He hunts her down to the lodgings where she is hiding and rents all the rooms around her effectively trapping her. He hires people to impersonate respectable family members of his in order to gain her trust. During this time he intercepts a letter to Clarissa from Anna Howe warning her of true extent of his deception and roguery. He commits forgery to put an end to the communication between them. Eventually he persuades Clarissa to accompany his imposter-relatives out in a carriage and thus carries her back to the disguised brothel. There with the assistance of the prostitutes and brothel madam he first drugs and then rapes her. After the rape Clarissa suffers a loss of sanity for several days presumably brought on by her extreme distress as well as the dose of opiates administered to her. This temporary insanity is represented in her "mad letters" by the use of scattered typography. When Clarissa recovers her senses Lovelace soon realises that he has failed to "subdue" or corrupt her; instead she is utterly repulsed by him repeatedly refusing his offers of marriage despite her precarious situation as a fallen woman. She accuses him of deceiving and unlawfully detaining her and insists that he set her free. He continues to claim that the impersonators really were his family members and that his crime was simply one of desperate passion. He tries to convince her to marry him alternating between threats and professions of love. She steadfastly resists and attempts several more escapes. Lovelace is forced to concede that Clarissa's virtue remains untarnished but he begins to convince himself that the "trial" was not properly conducted. Since Clarissa was drugged at the time she could consent nor refuse. He decides to orchestrate a second rape but without drugs. Pretending to be angered by the discovery that she has bribed a servant to help her escape Lovelace begins to menace Clarissa intending to escalate the confrontation to physical violence but she majestically condemns his premeditated villainy and threatens to kill herself with a penknife should he proceed. Utterly confounded by her righteous indignation and terrified by her willingness to die for her virtue Lovelace retreats. More intent than ever to make Clarissa his wife Lovelace is called away to attend his dying uncle from whom he is expecting to inherit an Earldom. He orders the prostitutes to keep Clarissa confined but well-treated until he returns. Clarissa escapes however. The brothel madam is able to have her jailed for a few days for unpaid bills and Clarissa finds sanctuary with a shopkeeper and his wife when she is released. Corresponding with Lovelace's real family she discovers for herself the true extent of his deception. She lives in constant fear of again being found by him who continues to send her marriage offers through his disreputable friend John Belford as well as through his own family members. Clarissa is determined not to accept. She becomes dangerously ill from the stress rarely eating convinced that she will die soon. Her illness and probable anorexia progress. She and Belford become correspondents she appointing him executor of her will as she puts all of her affairs in order to the alarm of the people around her. Belford is amazed at the way Clarissa handles her death and laments what Lovelace has done. In one of the many letters sent to Lovelace he writes "if the divine Clarissa asks me to slit thy throat Lovelace I shall do it in an instance." Eventually surrounded by strangers and her cousin Col. Morden Clarissa dies in the full consciousness of her virtue and trusting in a better life after death. Belford manages Clarissa's will and ensures that all her articles and money go into the hands of the individuals she desires should receive them. Lovelace departs for Europe and continues to correspond with Belford. Lovelace learns that Col. Morden has suggested he might seek Lovelace and demand satisfaction on behalf of his cousin. He responds that he is not able to accept threats against himself and arranges an encounter with Col. Morden. They meet in Munich and arrange a duel. Morden is slightly injured in the duel but Lovelace dies of his injuries the following day. Before dying he says "let this expiate!" Clarissa's relatives finally realise they have been wrong but it comes too late. They discover Clarissa has already died. The story ends with an account of the fate of the other characters.</p><p><strong>Samuel Richardson</strong> baptised 19 August 1689 – 4 July 1761 was an English writer and printer best known for three epistolary novels: <em>Pamela; or Virtue Rewarded</em> 1740 <em>Clarissa: Or the History of a Young Lady</em> 1748 and <em>The History of Sir Charles Grandison</em> 1753. He printed almost 500 works in his life including journals and magazines working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer whose daughter he eventually married. He lost her along with five sons but remarried and had four daughters who reached adulthood but no male heirs to continue the print shop. As it ran down he wrote his first novel at the age of 51 and immediately joined the admired writers of his day. Leading figures he knew included Samuel Johnson and Sarah Fielding the physicians Behmenist and George Cheyne and the theologian and writer William Law whose books he printed. At Law's request Richardson printed some poems by John Byrom. In literature he rivalled Henry Fielding; the two responded to each other's literary styles.</p> J Rivington.
179211296<p>B. Law and Son T. Cadell G. G. and J. Robinson R. Baldwin J. Johnson . London. 1792. EIGHT VOLUMES. Complete. 8vo. 7 x 4.4 inches. Engraved frontis in each volume the one in volume 2 being supplied in facsimile the others all original. Folding engraved music plate in Volume 2. Neat previous owner name to the top of the blank front free endpapers and a couple of volumes with a previous owners page number notes alongside them otherwise a lovely bright fresh and clean set throughout. Bound without the half titles in contemporary full tree calf bindings. Spines decorated and ruled in gilt. Red and green labels double ruled and lettered in gilt. Spines rubbed and chipped to extremities. Several hinges rubbed or cracked but all still holding firm. Aside from the one facsimile frontis plate this is a better set than usually found internally in worn but still atractive early leather bindings.</p> B. Law and Son, T. Cadell, G. G. and J. Robinson, R. Baldwin, J. Johnson .......... London. 1792 hardcover
1770162911770. Book Hardcover. Fair. 7 volumes complete. Contemporary calf worn and cracked around spines with loss at top of volume VII due to damp - stain visible to top of pages. Volume III top board loosening. Volume III also has a stain to bottom of pages throughout. Otherwise pages free from foxing and tight. Good for age. hardcover
177054171à Amsterdam: S. n. 1770. Fine. S. n. à Amsterdam 1770 9.50 x 17 cm 8 tomes reliés en 4 volumes New edition. Translation by Abbé Prevost with his introduction on the translation. Full glazed purple calf bindings. Smooth spines decorated in the grotesque style. Red morocco title labels and beige morocco volume labels. Headcap of volume 4 worn down with lack to joint at head. 9 corners bumped. Overall rubbed. Cut on upper board of volume 1. Half-title of volume III lacking. Good copy. ""Richardson was the inventor of bourgeois tragedy . He invented this novel where art consists in neglecting all the precepts of art where the accumulation of details foreign to the action where the repetition of the same scenes and the same feelings produce more effect than precision taste accuracy and order have ever produced"". AUGUSTIN FILON Histoire de la littérature anglaise : depuis ses origines jusqu'à nos jours Paris Hachette 1883. Abbé Prévost was not content to translate Richardson's novel he arranged and reworked it; not liking the ending he probably rewrote it and it is this version that circulated throughout Europe and made Richardson's reputation whereas the original comprised 28 volumes which Prévost reduced to 8 systematically cutting the verbosity and characteristic length of Richardson. S. n. unknown