87 résultats
17255074London: Printed for A.C. and sold by A Bettesworth. 1725 1725. Second edition. 8vo. 195x115mm. pp. 14 153174-220; 2342. Lacking divisional title page "The Connoisseur". Contemporary panelled calf rebacked with modern black morocco labels lettered in gilt. Very slight rubbing to edges and boards but otherwise very good. Internally there is some water staining to the first few leaves and to the fore-edges of leaves y3/4 and Z1/2 of part one. Leaf H2 of part one has been trimmed at fore-edge but with no loss of text. First issued in 1719 these works were then republished in 1725 with a new general title but with the divisional titles still dated 1719. Rare in commerce and comparatively so institutionally ESTC recording seven copies in the UK and nine in the US and Canada. Jonathan Richardson 1667-1745 was a painter but has had more lasting influence as a writer on the theory of art. His first writing on the subject was An Essay on the Theory of Painting 1715 which is said to have inspired Joshua Reynolds. Richardson's 1722 Account of Some of the Statues Bas-Reliefs Drawings and Pictures in Italy was required reading for English aristocrats off on their Grand Tour and many of its ideas and theories were adopted by Winckelmann. The Two Discourses in this book are essentially essays on taste and a plea to take more seriously the development of an aesthetic sensibility. ESTC No.: N22288 London: Printed for A.C. and sold by A Bettesworth. 1725 hardcover
1728000229<p><strong>First edition in French of this first comprehensive English treatise on art theory.</strong> </p><p><strong>Description:</strong> 3 parts in 2 vols. contemp. marbled calf spine with raised bands and gilt in compartments morocco label lettered in gilt. Octavo: 19 × 12 cm; part 1 14 ll. 216 pp. 3 pl.; part 2 2 ll. 238 pp.; part 3 2 ll. lxxii pp. 12 ll. 759 pp. Title page printed in red and black with engraved vignette. Red dyed edges. </p><p><strong>Condition:</strong> Spine ends and corners lightly rubbed and bruised. One short tear to upper front joint of vol. 2. Some worming to front cover of vol. 1 and spine of vol. 2. Handwritten numbering on the front flyleaf: <em>No. 359</em> vol. 1 <em>No. 360</em> vol. 2. A few leaves somewhat browned the first 80 leaves of vol. 2 somewhat soiled at lower margin. </p><p><strong>Notes:</strong> Jonathan Richardson's <em>Traité de la peinture et de la sculpture</em> published in Amsterdam in 1728 by Herman Uytwerf is a major work of 18th-century art theory translated into French from Richardson's earlier English writings and revised by the author himself. In three parts often bound in two volumes it reflects the collaboration between Jonathan Richardson the Elder 1665–1745 a prominent English portraitist and theorist and his son Jonathan Richardson the Younger 1694–1771 with contributions from the Dutch scholars Antoine Rutgers and Lambert Ten Kate. The 'Traité' stands out as a foundational text in art theory combining practical advice critical methodology and first-hand observation all underpinned by a vision of art as a noble and communicative pursuit. Its influence extended to later theorists and artists cementing Richardson's legacy in the history of Western art discourse. </p> Herman Uytwerf hardcover
1792777P34London: T. and J. Egerton 1792. Cloth. Very Good. 9.5" by 7.5". Jonathan Richardsom. An illustrated collection of the works of Jonathan Richardson containing his best known and most influential works such as 'An Essay on the Theory of Painting'. A collection of the influential works of Jonathan Richardson including 'The Theory of Painting' 'Essay on the Art of Criticism' and 'The Science of a Connoisseur'.Richardson was an English artist known for his work as a portrait painter. His work 'An Essay on the Theory of Painting' inspired Joshua Reynolds.Illustrated with twelve plates.Collated complete.Half-title is present. Rebound in a cloth binding with new endpapers. Externally generally smart with some marks to the boards and spine. Fading to the spine and boards. Internally firmly bound. Pages are lightly age-toned with some odd spots. Light tidemark to the head of the plates. Very Good T. and J. Egerton hardcover
1792016939London: Sold By T. And J. Egerton 1792. Book measures 23x20.cm. vi287pp complete with 12 plates. A disbound copy with the period boards so ideal for rebacking. Internally endpapers dirt marked text claen plates are stained mainly to verso but moderately showing on the printed side. Ideal binding copy. A New Edition. Good Plus. Quarto. Sold By T. And J. Egerton hardcover
17921701250009London : Sold by T. and J. Egerton Whitehall ; J. Debrett Piccadilly ; R. Faulder and W. Miller 1792-01-01. Hardcover. Acceptable. Quarto. vi 287 pp. 11 of 12 plates on pink tinted paper. Contemporary calf original spine reacked on modern cloth. Wear to edges chipping to spine darkening to leather. Marginal dampstain throughout. Foxing and soiling to plates. Dampstain prominent on plates affecting engraving of last plate. A reading copy. London] : Sold by T. and J. Egerton, Whitehall ; J. Debrett, Piccadilly ; R. Faulder, and W. Miller hardcover
17921380941792. A New Edition Corrected with the Additions of An Essay on the Knowledge of Prints and Cautions to Collectors. Hardcover. G Marks from a variety of previous owners; some foxing to select pages; book block must have been rebound once and only 9 of the 12 original plates on pink paper were stitched in as part of that process. Comparing this copy to a scanned one shows that the missing images are of Pietro da Cortona Peter Paul Rubens and Anthony Van Dyck. Three-quarters brown & white paper boards with brown leather corners and spine gilt letters on spine gilt top edges 287 pp. 9 of expected 12 BW plates. Title on spine: Richardson on Painting. A later reprint of essays first written by Jonathan Richardson 1667-1745 in the early 1700s and considered to be the first such writings in English which addressed artistic theory. Enhanced by occasional BW plates of representative artists. A classic. hardcover
17955274London: J. Ridgway 1795. Fourth Edition. Fourth edition. Measuring approximately 8.75" x 5.5" with 153 numbered pages. <br /> <br /> This book is in poor condition. Heavy chipping to entire spine. Heavy scuffing to both boards. Front board completely detached. Previous owner's handwriting on front pastedown and endpaper. Interior pages are moderately foxed. <br /> <br /> "The Rolliad" in full "Criticisms on the Rolliad" is a work of British satire directed principally at the administration of William Pitt the Younger the British statesman and Prime Minister. It was written and originally published in serial form in the Morning Herald in 1784–85.<br /> <br /> Please view the many other rare titles available for purchase at our store. We are always interested in purchasing individual or collections of fine books.<br /> <br /> Inventory number N11-11. J. Ridgway unknown
1795BB12337London: J. Ridgway 1795. Hardcover. Good. Later half red morocco and cloth spine ruled and lettered in gilt t.e.g.; 8vo; pp. xxxii 396 "Criticisms on the Rolliad" 1-18 25-150 153-156 "Political Miscellanies" see below plus frontispiece. Some light scuffing at spine tips more pronounced at tail and along edges of boards; top edge of boards a bit sunned. Frontispiece a bit loose; text block just a little age-toned and brittle; 4 leaves missing from the "Political Miscellanies." A handsome binding and a tight unmarked copy. Armorial bookplate on front paste-down. Sold as is. <br/><br/> J. Ridgway hardcover
17856048423Harrison and Co. 1785. Volume 20. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In good all round condition. No dust jacket. Re-bound by library. Octavo size. Cloth boards. Gilt lettering on spine. Internally clean and tight. Please note the Image in this listing is a stock photo and may not match the covers of the actual item950grams ISBN: Harrison and Co. hardcover
1759BIBRR1112255621759. Paperback. USED. THIS RARE/ANTIQUE BOOK PUBLISHED IN THE YEAR 1759 BY S. Richardson HAVING 406 PGS AND SIZE 5.258.50 WRITTEN IN English. THE BOOK IS IN READABLE CONDITION Originally in Unbound with some issues like loose binding and some Pin Holes. THE IMAGE OF THIS BOOK IS GIVEN FOR YOUR REFERENCE. WE CAN REBIND THE SAME IN LEATHER BINDING FOR EXTRA $ 25. paperback
1783h114.056GB: Joseph Johnson 1783. "Doctor Gourlay 1783" written on reverse of title page. 442 pages plus index. Clean tight text. Text edges a bit worn and waved. In old marbled boards with plain leather spine. Binding bit worn. Book is in very good minus condition with minor but noticeable signs of wear and/or age. . Hardback. VG-/No DW. Joseph Johnson Hardcover
1769H6347London: Printed by his Majesty's Law Printers for J. Worrall et al. 1769. Hardcover. Very Good. 8vo old calf neatly respined with nearly matching calf light wear to boards very good bookplate of John Minet Henniker 1777-1832 a peer and practising barrister. 32 428 15 pp index. Contents VG. Rare on the market. Printed by his Majesty's Law Printers for J. Worrall et al. hardcover
1759404954Philadelphia: William Dunlap 1759. Crudely mistrimmed with occasional loss of a few letters of text G8 with marginal loss extending into text a bit browned light wear to joints. 8vo. viii 242; iv 220 pages. 20th-century brown half morocco. Provenance: John Martin early inscripttion on front flyleaf. FIRST AMERICAN EDITION. "Richardson visited America in 1701 and traveled through Virginia Carolina Pennsylvania New Jersey New York and New England. He spent some time with William Penn at his country house and had several conversations with him as to the Indians’ belief. His book also contains some account of George Keith’s disputes with the Quakers" Sabin. Evans 8308; Howes B-668; Sabin 71024. William Dunlap unknown
1759033598Philadelphia PA: William Dunlap "at the Newest Printing-Office in Market-Street" 1759. Book. Good. Full-Leather. First American Edition. 8vo - over 7¾" - 9¾" tall. Full calf five raised bands. Leather shows surface rubbing rounded and exposed corners both covers reinforced/reattached by stitching along joints. Main title detached but present all other leaves firmly anchored. viii242vi220 pp. Interior shows typical signs of use including light to moderate foxing occasional light dampstaining some creased corners. Some fascinating period inscriptions: 1 main title: "John Gardiner's / Book / Given by His Mother / to Him Catharine Tomlinson / 178"; 2 front pastedown: partially decipherable undated Gloucester County New Jersey; 3 manuscript notes on blank verso of second title concerning the passing of two friends Bowman and Buchan on the same day month and year "2nd of the 4th mo. 1753" dated 2nd mo 18th 1818; 4 name of Elizabeth Easttaugh and date of 23 of 8th mo 1738 on blank recto of rear flyleaf; signature of John Gardiner on rear flyleaf. Howes B 668 combined edition. Quaker. William Dunlap, "at the Newest Printing-Office, in Market-Street" Hardcover
1754695181754. 1754 Richardson Samuel THE HISTORY OF SIR CHARLES GRANDISON IN A SERIES OF LETTERS In Six Volumes London 1754 Volume 6 states Second Edition on tpage 8vo Bookplate of Sir George Shiffner Bar on front pastedown on all volumes Contemporary half-leather/marbled paper-covered boards/leather spine labels/gilt Leather on spines has cracked due to dryness with minor chips volume 56 Hinges are tender volumes 1 6 epages offset in all volumes minor shelf-rubbing on edges Overall this is a Very Nice set. unknown
1714287468London : Printed and sold by the assigns of J. Sowle 1714. Second Edition. Softcover. Poor copy in the original stiff-card wrappers; wear and tear as with age. Text remains in fine condition and without blemish. Physical description; 32 478 2 32 pages ; 20 cm. Subjects; Ellwood Thomas 1639-1713. Society of Friends Great Britain. Society of Friends. Society of Friends ; Biography. Quakers ; Biography. Society of Friends ; Early works to 1800. Tithes ; Early works to 1800. London : Printed and sold by the assigns of J. Sowle paperback
1781blb06167London: W. Strahan; J. Rivington & Sons; T. Caslon etc. etc. 1781. 7th. Hardcover. Good. Three Volumes of the 7 Volume Set - conditions approximately the same for all unless noted: Full brown marbled calf leather with elaborately decorated panels in red black and gilt to spine. Small books are tight square and free of major flaws and markings but are worn particuarly the leather to edges and corners. Minor foxing to all three and name of prior owner on the FFEP of all three. Titling and gilt in good condition to spine and interiors good. Volumes IV V & VII stated as the Seventh Edition on the copyright page. W. Strahan; J. Rivington & Sons; T. Caslon, etc. etc. hardcover
1781D20449London: W. Strahan 1781. Seventh edition. Hardcover. Good. In seven volumeswith frontis engraved plates. Contemporary likely original calf numerous boards detached or loose. Sold as is. Contemporary ownership signatures of a Marianne Tomlinson of Stourbridge one of which dated 1816 and a Geoge Stokes. <br/><br/> W. Strahan hardcover
1796373757New York: Printed by Mott & Lyon for Evert Duycinck 1796. 144pp. 1 vols. 12mo. Contemporary calf backed patterned paper boards. Small tear at lower outer corner of title just touching a few letters. Cloth clamshell box. 144pp. 1 vols. 12mo. First published in London 1740 the first American abridged edition of Richardson's important epistolary novel was published in Philadelphia 1792 Evans 24744. A lovely example. ESTC W12615; Evans 31101; Welch 1103.5 Printed by Mott & Lyon, for Evert Duycinck unknown
1793HH4644Alex Hogg 1793. ~No date printed except on illus. Mid 20th-century rebind in light brown buckram cloth spine slightly sunned new black endpapers. First published 1774. Lacks frontis. ~Robust packaging. All UK orders trackable others on request Used books are exempt from USA tariffs. Hardback. Hardback. Very Good. 928pp. 21 copperplate illus. No dustwrapper. Alex Hogg Hardcover
1770162911770. Book Hardcover. Fair. 7 volumes complete. Contemporary calf worn and cracked around spines with loss at top of volume VII due to damp - stain visible to top of pages. Volume III top board loosening. Volume III also has a stain to bottom of pages throughout. Otherwise pages free from foxing and tight. Good for age. hardcover
1754310843London 1754. hardcover. very good. 6 of 7 volumes -- LACKING volume V. 12mo full contemporary brown calf ornately gilt spines with burgundy and black spine labels. Light age toning and some foxing London: Printed for S. Richardson 1754. A very good charming set although missing the one volume.<br/> <br/> unknown
17761360300London: John Donaldson 1776. Seventh Edition. Hardcover. Octavos 2 vii-ix 3 345 2 Vol. 1; 315 1 Vol. 2; 223-2991 Vol. 3; 3-308 1 Vol. 4; 3-324 1 Vol. 5; 3-320 Vol. 6; 3-322 Vol. 7; 3-346 1 Vol. 8. Good; bound in contemporary leather with burgundy and gilt spine titles some areas of discoloration to covers wear and slight tears to spine edges and corners all volumes are in protective plastic covers; some boards slightly shaken bindings else tight; text blocks age toned but clean; pages clean; half-title in Vol. 1 only; previous owner names in ink on ffeps "Jannett McCurdy's;" "AH Has ; J.C. Jennings;" long transcription of an extract from Chateaubriand in ink to front matter of Vol. 1 and dedication see Notes. Shelved above WWI. Samuel Richardson 1689 - 1761 was an English writer and printer known for his epistolary novels. He printed almost 500 works including journals and magazines working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer whose daughter he eventually married. He lost her along with five sons but remarried and had four daughters who reached adulthood but had no male heirs to continue the print shop. As it ran down he wrote his first novel at the age of 51 and joined the admired authors of his day. via Wikipedia<br> <br /> <br> <br /> Much like the Bertrams in Mansfield Park Jane Austen and her siblings were fond of putting on "theatricals" at home for their friends and neighbors. In 1793 at the age of eighteen Jane Austen began writing and shortly afterwards abandoned a dramatic adaptation of this work entitled "Sir Charles Grandison or the happy Man a comedy in 6 acts." She completed it in 1800.<br> <br /> <br> <br /> Extract copied into Volume 1:<br> <br /> "Of all representations of madness says dr. Joseph Warton that of Clementina's is most deeply interesting. I know not whether even the madness of Lear is wrought up and expressed by so many little strokes of nature & passion - it is absolute pedantry to prefer and compare the madness of Orestes in Euripides to this of Clementina"<br> <br /> <br> <br /> Richardson has founded the excellence of his good characters entirely upon a Christian basis. He has exemplified the beautiful ideal of human nature -- the character of Clementina Sir Charles Grandison and Clarissa Harlowe are the most virtuous amiable accomplish'd and noble that can well be imagined -- they are supported with strict propriety & elevated by uncommon dignity -- and charm the reader while they command his admiration -- they show that mankind are truly happy only in proportion as they listen to the dictates of conscience and follow the path of duty --- where could Richardson a bookseller and a printer immersed in the occupation of his shop and his press acquire such a correct acquaintance with high life and refined society such exalted sentiments of religion honor love freindship and philanthropy as he has displayed in his works -- Where did he acquire such a command over our feelings such a power "to open the sacred source of sympathetic tears"<br> <br /> <br> <br /> The best answer to these questions is -- that he deriv'd those treasures from the rich resources of his own mind from the study of the bible and a quick insight into human nature & character. He has been justly styled "the great master of the human heart" -- "the Shakespeare of romance." -- Clarissa Harlowe -- & Sir Charles Grandison are long works because they are designed to develop the springs of human action and give a distinct view of the progressive various and complex movement of the human mind -<br> <br /> <br> <br /> Prolixity is made the pretext of the frivolous novel readers of the present age to neglect these invaluable works - alltho if they be weighed in the balance of literary justice they will be found to comprise as much if not more sterling excellence than half the novels that have been written since their publication."<br /> <br> <br /> Transcribed from The Beauties of Christianity pp. 103-104 by Chateaubriand tr. 1813 Frederic Shoberl<br> <br /> <br> <br /> There is a dedication in the same hand as the extract _______ "from her dear mother" on the recto of the title facing page. The dedicatee's name has been scratched out. 1360300. Shelved Dupont Bookstore. John Donaldson hardcover
17961360646London: T. Longman; T. Johnson; et. al 1796. Eighth Edition. Hardcover. Octavos iii-vi 2 316 pp Vol. 1; 358 pp Vol. 2; 374 pp Vol. 3; 302 pp Vol. 4; 294 pp Vol. 5; 372 pp Vol. 6; 421 pp Vol. 7. Good; bound in contemporary leather with black leather and gilt spine titles and elaborate gilt tooling to spines some areas of discoloration and surface marks to covers wear and slight tears to spine edges and corners; bindings tight; text blocks age toned but clean; pages clean; previous owner bookplate to front inside pastedowns "Walter Blunt." Shelved above WWI. Samuel Richardson 1689 - 1761 was an English writer and printer known for his epistolary novels. He printed almost 500 works including journals and magazines working periodically with the London bookseller Andrew Millar. Richardson had been apprenticed to a printer whose daughter he eventually married. He lost her along with five sons but remarried and had four daughters who reached adulthood but had no male heirs to continue the print shop. As it ran down he wrote his first novel at the age of 51 and joined the admired authors of his day. via Wikipedia<br> <br /> <br> <br /> Much like the Bertrams in Mansfield Park Jane Austen and her siblings were fond of putting on "theatricals" at home for their friends and neighbors. In 1793 at the age of eighteen Jane Austen began writing and shortly afterwards abandoned a dramatic adaptation of this work entitled Sir Charles Grandison or the happy Man a comedy in 6 acts. She completed it in 1800. 1360646. Shelved Dupont Bookstore. T. Longman; T. Johnson; et. al hardcover
176638631Printed for J. Rivington in St. Paul's Church-Yard and others 1766. 7 vols. sm. 8vo. Fifth Edition on laid paper with engraved portrait frontispiece some light and generally neglible age-staining to text neat contemporary uniform signature on front free endpapers; attractively bound in contemporary full speckled calf backs with five bands ruled in gilt second compartments with red leather labels framed and lettered in gilt third compartments numbered in gilt red sprinkled edges boards minimally worn and bruised a remarkably well-preserved bright crisp copy. The following point applies: small worm-hole in bottom blank margin of last half-dozen leaves of Vol. III. Complete with Editor's Concluding Note; Index Historical and Characteristical; Register of Similes and Allusions. NCBEL II 918. Printed for J. Rivington, in St. Paul's Church-Yard [and others], hardcover