CHERET, Jules ; ROBIDA ; RABELAISBiblio.com
37 résultats
1885Affiche Cheret Robida Rab<p><strong>Superb advertising "indoor poster" lithographed in colors for bookstores. </strong>It announces the publication of the Rabelais' Works with illustrations by Albert Robida at La Librairie Illustrée in 1885-1886. The two volumes will have 49 full page illustrations and numerous in-text drawings in the first printing. Here we recognize the lively and colorful style of Robida associated with the know-how of the printer Chéret both major artists of Art Nouveau and Paris " fin de siècle ".</p><p><br />2 Traces of former central folds bottom and edges slightly yellowed otherwise <strong>this poster with very bright colors and contrasting composition is in very good condition. </strong></p> Imprimerie Chaix (succursale Chéret)
188839319Paris: Decaux. Very Good with no dust jacket. 1888. First Edition. Leather. Color tinted and b/w; 4 III 404 4 pages; HAND COLORED: B & W and hand colored engraved plates gilt decorative binding. Blue cloth. Mm. 295 x 200 7 pounds. Blue marbled boards with morocco spine with 5 ribs. Quite nicely illustrated with colored tinted and b/w full page comic plates as well as numerous textural cuts. . Decaux hardcover
1887048358Boston and New York: Houghton Mifflin Company; Riverside Press 1887. Copyright 1887 this edition undated likely 1920s. The stories redeem the characters of Rabelais' giants: Grangousier Gargantua and Pantagruel. Includes ten full page black and white illustrations by Dore and additional engravings by Robida throughout the text. Green cloth lettered in gilt and decorated in red top edge tinted dark red 246 pages. Some modest rubbing to the extremities gilt lettering on spine rubbed and very difficult to read good hinges sound text block clean pages no names or other markings. Hard Cover. Very Good. 8vo - over 7¾" - 9¾" tall. Houghton Mifflin Company; Riverside Press Hardcover
1888652605Ticknor and Company 1888. Later Printing. Hardcover. Very Good/No Jacket. 8vo. - over 7¾ in. - 9¾ in. 1888 Printing. Hardcover bound in green cloth gilt stamped titles to front and spine red and white stamped illustration to front cover. Mild wear to boards front cover image and gilt clean mild wear to upper spine end front inner hinge showing faint signs of starting yet binding solid and strong interior text and images clean. Very Good copy. Ticknor and Company hardcover
189066271Paris : Charavay - Mantoux - Martin Librairie dÕEducation de la Jeunesse sans date vers 1890. 315x215mm. cartonnage polychrome de lÕditeur. Bon tat. 2242 Charavay - Mantoux - Martin Librairie dÕEducation de la Jeunesse unknown
1895002280Paris: Libraire Illustree 1895. First . Hardcover. Very Good/No Jacket. Folio. A.Robida. 8 412 with 25 plates eau-forte couleur 8. lithographie with tissue guards and c. 248 illustrations in-text. Original illustrated paper covers front back and spine mounted on sheets at the back. Full vellum gilt titles to spine and dentelles teg marbled eps. A little spotting of prelims and fore edge spine bleached boards dust stained bookplates of Edward Penton and Charles M. Hutt on fpd. Folio <br/> <br/> Libraire Illustree hardcover
188565556Paris: La librairie illustrée 1885. Fine. La librairie illustrée Paris 1885 - 1886 24.50 x 32 cm 2 volumes reliés Illustrated edition by Robida first printing with 49 plates 8 in color 35 in camaieu and 6 in black and numerous text illustrations approximately 600. Publisher's polychrome illustrated boards signed Souze and bound by Engel. Special gilt and blue plate on red ground. Spine similar. Rear board with a half-timbered house in a central roundel and blind angular cornerpieces. Front board of first volume very good that of the second with a 1cm diameter stain and soiling to the upper part of the black border. Lower corners bumped others rubbed. A tear to the spine of the first volume. Headcaps rubbed those at head turned in. Soiling to rear boards. Scattered and unevenly distributed foxing. Some leaves sprung. Despite flaws a handsome copy overall of this rare binding. Robida's masterpiece of illustration with genuine imaginative profusion baroque and delightfully exuberant. La librairie illustrée hardcover
18905291Grandcamp: S.P. C1890. First Edition / Orignal letter written and signed by Albert Robida. Dated the third of August and from Grandcamp. the letter is to a single sheet of writing paper folded and written to three of the sides. It includes an attractive small vignette of him raising a glass to toast to his friend the letters recipient. The text reads: "Grandcamp August 3. My dear friend. You are a thousand times too kind – what a supply! 10 bottles of Maruani wine 6 elixirs 2 crates of tea and 4 of paste – enough to brighten up the rainy days warm us up on cold days and cheer us up on cold days. A sad end to the season probably for the Normandy coast with the Asian visitor arriving in Le Havre. It's a good thing you left Villers which must be depopulating like Trouville with this threatening neighbour so close by. We must be noticing it everywhere for the last two weeks it's been cleaner the Municipality is cleaning! I wonder if we'll be lucky enough to finish our season without any trouble. - With the prospect of finding the Seine nymphs in their broth of microbes in Argenteuil. My friend Montetand went to Saint-Malo for a small plot of land bought at the tip of Varenne that's where there's a deal on superb land on the Rance near Dinard a large park divided into lots - too far unfortunately! I wish you a good season in Valesaire in the Mediterranean Barbizon. Give my respects to these ladies and my best wishes to Dr. Laffat Mr. Jaros and your brother. Good handshake of your A. Robida". Below the vignette is the text "My vice. Isigny Police Court: 25 francs fine for drunkenness and disorderly conduct." A lovely piece from Robida. The letter is clean and tidy with just a little creasing both from the original fold and from it being folded again. 17.5cm x 22.5cm. The Asian visitor is almost certainly a reference to the Fifth Cholera pandemic which was rife in France between 1881 and 1896. . Première édition / Lettre originale écrite et signée par Albert Robida. Datée du 3 août et provenant de Grandcamp. La lettre est sur une seule feuille de papier à lettres pliée et écrite sur trois des côtés. Elle comporte une jolie petite vignette qui le représente levant son verre pour porter un toast à son ami le destinataire de la lettre. Le texte se lit comme suit : "Grandcamp 3 août Mon cher ami. Tu es mille fois trop gentil - quel cadeau ! 10 bouteilles de vin de Maruani 6 élixirs 2 caisses de thé et 4 de pâte de quoi égayer les jours de pluie nous réchauffer les jours de froid nous remonter le moral les jours de froid. Triste fin de saison sans doute pour la côte normande avec l'arrivée au Havre du visiteur asiatique. Heureusement que vous avez laissé Villers qui doit se dépeupler comme Trouville avec ce voisin menaçant tout près. On doit le remarquer partout depuis deux semaines c'est plus propre la municipalité nettoie ! Je me demande si nous aurons la chance de finir notre saison sans encombre. - Avec la perspective de retrouver les nymphes de la Seine dans leur bouillon de microbes à Argenteuil. Mon ami Montetand est allé à Saint-Malo pour un petit terrain acheté à la pointe de la Varenne c'est là qu'il y a une affaire pour un superbe terrain sur la Rance près de Dinard un grand parc divisé en lots - trop loin malheureusement ! Je vous souhaite une bonne saison à Valesaire dans le Barbizon méditerranéen. Présentez mes respects à ces dames et mes meilleurs vœux au Dr Laffat à M. Jaros et à votre frère. Bonne poignée de main de votre A. Robida". Sous la vignette figure le texte "Mon vice. Tribunal de police d'Isigny : 25 francs d'amende pour ivresse et trouble de l'ordre public". Une belle pièce de Robida. La lettre est propre et bien rangée avec juste un peu de plis provenant à la fois de la pliure originale et d'une nouvelle pliure. 175 cm x 225 cm. Le visiteur asiatique est presque certainement une référence à la cinquième pandémie de choléra qui a sévi en France entre 1881 et 1896. S.P. unknown
187985629Paris: Maurice Dreyfous 1879. Fine. Maurice Dreyfous Paris 1879 17 x 26 cm relié Edition illustrated with 105 pen drawings by Albert Robida Half-green shagreen binding spine with four raised bands outlined in black fillets and decorated with gilt fleurons green paper boards stamped in blind at center of first cover: ""Université de France Lycée Condorcet"" marbled endpapers and pastedowns speckled edges. Maurice Dreyfous hardcover
1879792P11Paris: Maurice Dreyfous 1879. First edition. Leather. Near Fine. 10" by 6.5". Albert Robida. A first edition French work written and illustrated by Albert Robida touring the old towns of Switzerland in a lovely signed binding. The first edition of this work.In the original French.Bound by R. Ruban in a half morocco binding with marbled paper to the boards.Albert Robida's charming topographical work studying the old towns and villages of Switzerland.Illustrated with a frontispiece and many full-paged and in-text illustrations throughout.Collated complete.Robida was a notable French illustrator and novelist best known for his acclaimed trilogy of futuristic novels set in the twentieth century.From the library of Paul Gallico a noted novelist best known for 'The Snow Goose' and 'The Poseidon Adventure'. In a half morocco binding with marbled paper to the boards by R. Ruban. Externally smart with some minor marks to the boards. A little rubbing to the spine and extremities. Internally firmly bound. Pages are bright and generally clean with a few odd spots to the first and last few pages. Near Fine Maurice Dreyfous hardcover
188071828París: Maurice Dreyfous 1880. Holandesa tela. Cuarto mayor. Maurice Dreyfous hardcover
188066488Paris : Maurice Dreyfous diteur 1880. 260x180mm. reliure cartonnage orn de lÕditeur rousseurs marginales. Plat suprieur et dos richement illustrs dÕornementations froid et dores. Tranches dores. Bel exemplaire. Belle reliure. 1210 Maurice Dreyfous, diteur unknown
187968000Paris : Maurice Dreyfous 1879. 255x175mm. reliure demi-chagrin. Plats papier marbr. Auteur titre filet et ornementation dors au dos faux-nerfs. Couverture suprieure conserve mais dtache de la reliure de lÕouvrage. Bon tat. 1250 Maurice Dreyfous unknown
18794190BB1879. Paris Maurice Dreyfous 1879. 4°. 2 312 S. Mit 27 Tafeln u. zahlr. Textillustr. Schwarz- u. goldgepr. Orig.-Leinenband mit dreis. Goldschnitt. Durchgehend leicht gebräunt u. stellenweise stockfleckig. Einband berieben und bestossen. Gelenke angeplatzt. unknown
1900ABE-1615586649146Paris: Librairie Illustree 1900 2 volumes. Tall 8vos. Quarter red morocco over marbled boards. Board edges with light wear spine ends slightly worn. Top edges gilt and marbled endpapers. numerous black-and-white illustrations throughout and 4 hand-colored plates in each volume. Text in French. Hardcover. Very Good. Paris: Librairie Illustree hardcover
188880331Paris: A La Librairie Illustrée s.d. 1888 ca. In-8 p. mm. 214x135 2 volumi mz. pelle coeva con angoli restaur. conserv. le copertine originali figur. a colori pp. 4VII3382; 4308; ben illustrato da oltre 300 vignette nel testo di cui 8 tavole in tinta fuori testo del grande disegnatore umoristico Robida. "Prima edizione". Cfr. Brun A. Robida. Sa vie son oeuvre p. 85. Esemplare ben conservato. A La Librairie Illustrée, unknown
188813374Paris: Decaux 1888. In-4 p. mm. 295 x 200 mz. pelle coeva con angoli dorso a cordoni con decoraz. e titolo oro taglio superiore dorato conservata la bella brossura originale a colori pp. 4III4044 molto ben illustrato dalle pregevoli composizioni di Robida: sono 317 nel testo e 48 tavole fuori testo di cui numerose a colori. "Prima edizione". Cfr. Brun1074 - CarteretIV343: "Edition recherchée" - BenezitIX15: "Albert Robida 1848-1926 dessinateur de talent était aussi un érudit". Esemplare ben conservato. Decaux, unknown
1883001910<p>Paris: Georges Decaux 1883. 1st Edition . Hardcover. Fair. 4to pp111 pp2 'table of chapters' complete with 8 full page colour plates including frontis and 4 b/w two tone full page plates most with tissue guards with many b/w and colour illustrations by the author throughout the text. Hardcover no dust jacket. Original pictorial cloth and blue leather binding in fair/good- condition with spine detached and marking to boards however this has not affected the binding which is still tight and solid. Inside light smatterings of foxing to text pages with all full page plates in remarkably good clean condition. A Scarce 1st edition of these misadventures of the peaceful Monsieur Dumollet who fearing a stagecoach accident journeys from Paris to Saint-Malo on a donkey to see his fiancé with many farcical mishaps on the way. <br /><br /></p> Georges Decaux hardcover
188321555Paris: Georges Decaux 1883. Georges Decaux unknown
1893465821893. <p>Robida Albert 1848-1926. Le vingtième siècle: La vie électrique. 4 234 2pp. 30 plates some in color; text illustrations. Paris: La Librairie Illustrée n.d. 1893. 290 x 200 mm. Publisher's binding of light green cloth with pictorial design stamped in red black and gilt all edges gilt slight soiling and wear; boxed. Occasional foxing but very good to fine. First Edition of Robida's satire on expectations for technology in the 20th century.</p> . unknown
188586008Paris: Marpon & Flammarion 1885. Fine. Marpon & Flammarion Paris s. d. 1885 12 x 18.50 cm reliure de l'éditeur Illustrated with drawings by Albert Robida. Full almond-green cloth binding smooth spine first cover decorated with a central oval medallion covers marginally browned blue paper endpapers and pastedowns with pockets red edges. Complete with its 5 loose facsimiles of gallant letters inserted in the pockets. Marpon & Flammarion hardcover
1896549<p>Le Parnasse Hippocratique - Recueil de poésies fantaisistes tirées de différents auteurs plus ou moins drolatiques sur des sujets hippocratiquesnde genres divers hormis le genre ennuyeux" - 50 illustrations de Robida. illustration de Robida Paris 1896 in-8 271pp </p> A. Maloine Editeur hardcover
187037149Paris: Aux bureaux de l'Eclipse et de la Lanterne de Boquillon et Aux bureaux du Journal amusant 1870. Fine. Aux bureaux de l'Eclipse et de la Lanterne de Boquillon et Aux bureaux du Journal amusant Paris s. d. Circa 1870 21.50 x 31 cm relié First edition. Contemporary half blonde sheep binding smooth rubbed spine decorated with triple gilt fillets joints cracked on one side at head and foot. Some tears and foxing. 54 discontinuous numbers for Monde comique lacking nos. 95 to 98 101 102 to 113 117 119 to 152 154 to 156 158 to 166 168 to 172 174 175 177 to 182 184 187 to 195 197 to 202 205 206 208 212 214 216 224 to 229 231 240 248 251 to 254 256 to 269 and 272 to 275 and 41 discontinuous numbers for Petit journal pour rire nos. 116 to 176 178 to 233 236 to 265 267 270 to 283 285 to 321 322 to 364 366 to 372 375 379 384 388 to 395 397 to 402 404 405 407 409 411 417 420 to 425 427 430 to 432 434 436 437 and 439 lacking. Each number consists of eight pages and features a front page heightened in colors by Robida for Monde comique and by Grévin in Petit journal pour rire. Artistic contributions by Lefman principally for Monde comique and by Bertall Daumier and Gillot among others for Petit journal pour rire. Alongside Journal amusant appeared from 1856 to 1904 Le Petit journal pour rire a ""popular"" version of smaller format and eight pages also less expensive most of whose illustrations were reprinted from Journal amusant. Its first editor-in-chief was Nadar. It had as director Eugène Philipon then Th. le Cerf. Starting from number 9 the front cover presented an original composition which was colored starting from number 50. From 1859 to 1889 Grévin was its author then starting in 1889 B. Gautier took over. Le Petit Journal pour rire also suffered interruptions during the 1870 war and the Commune. Amusing gathering of these two competing periodicals. Aux bureaux de l'Eclipse et de la Lanterne de Boquillon et Aux bureaux du Journal amusant unknown
188891170Paris: Georges Decaux 1888. Fine. Georges Decaux Paris 1888 21 x 31 cm Reliure de l'éditeur First edition illustrated with in-text and full-page black-and-white and colour drawings by Albert Robida. Publishers original illustrated cloth binding in full green percaline signed Engel smooth spine featuring a large polychrome illustration heightened with gold and palladium by Souze extending across the spine and boards; the original front cover in colour preserved; all edges gilt. ""Ceci qui va suivre sous un titre ambitieux pris simplement comme une étiquette en chiffres n'est bien entendu pas une histoire ni un tableau ni un résumé c'est une série d'esquisses de croquis à la plume et à la mine de plomb de portraits familiers de notre Siècle à différentes époques de sa vie tourmentée. . ce Siècle s'il nous a fait connaître des jours noirs a eu de bons moments et des rayons de gai soleil. Ce livre est une revue à grandes lignes des périodes sombres ou joyeuses de la pièce à grand spectacle qui s'est jouée sous nos yeux des évènements importants et des menus faits des hommes et des choses des types naissant prospérant et disparaissant des modes et des caractères un voyage en somme ou plutôt une croisière de cent années sur le fleuve éternel de la vie."" préfaceSome light foxing to the endpapers otherwise a very fine copy. Copies in the publishers original illustrated bindings are scarce and sought after. Georges Decaux hardcover
188888810Paris: Au cabaret Le Chat noir 1888. Fine. Au cabaret Le Chat noir Paris 20 octobre 1888 31 x 45 cm en feuillets First edition one of the rare copies printed on laid paper. This issue comprises 4 pages and includes a comic strip by Albert Robida: ""Vient de paraître !"" Literary contributions by Alphonse Allais ""La bonne fille"" George Auriol ""La statue de César Dupeauprez"" and Gaston Méry ""Au parc Monceau"" dedicated to Albert Tinchant. A pleasant copy with only a few faint marginal spots. Le Chat noir was a weekly magazine founded by Rodolphe Salis and Emile Goudeau published from 1882 to 1897 intended to promote the famous cabaret of the same name of which it served as a lasting record. It published texts recited during the performances. The magazine stands as a significant literary and artistic document of the late 19th century reflecting the bohemian spirit and the vibrant Parisian atmosphere of the era. Au cabaret Le Chat noir unknown
