Ionesco, IrinaBiblio.com
Irina IonescoBiblio.com
Les immortelles French Edition
199117754<p>First edition first print Very Fine as new in DJ</p> Contrejour hardcover
Book Beat · États-Unis275,00 $US≈ 232,68 €
193 résultats
19881163Tokyo 1988. Very Good/very good. Dust jacket with obi. Oblong 4to. All illus. mostly in color. Controversial - known for photos of his daughter at age 13. <br/><br/>One of his better books. unknown
199117754<p>First edition first print Very Fine as new in DJ</p> Contrejour hardcover
19762956Bruxelles: Cosmos 1976. Good condition illustrated 462 pp Cosmos unknown
197724847Pittsburgh PA: Museum of Art--Carnegie Institute 1977. Pictorial wrappers. Near Fine. The catalogue based on the October 1977-January 1978 exhibition at Pittsburgh's Museum of Art at the Carnegie Institute. Clean and Near Fine in its pictorial wrappers. #94 OF 100 COPIES WHICH ALSO INCLUDE A SIGNED LAID-IN PIERRE ALECHINSKY COLOR LITHOGRAPH. Tall quarto essay by Eugene Ionesco "Three Approaches" introducing the text. Both this essay and Pierre Alechinsky's text translated from their original French by Michael Fineberg. Museum of Art--Carnegie Institute unknown
197788043Paris: Gallimard 1977. Fine. Gallimard Paris 1977 14 x 21 cm broché First edition a Service de Presse advance copy. Handsome copy complete with its illustrated dust jacket. Autograph inscription signed by Eugène Ionesco to his friend the director playwright and writer Simone Benmussa whom he erroneously called Suzanne and her companion the actress Erika Kralik: ""Pour Suzanne Ben-Mussa et Erika avec toute ma tendresse. Eugène Ionesco."" Literary adviser to the Jean-Louis Barrault - Madeleine Renaud Company then in 1957 editor-in-chief of the Cahiers Renaud-Barrault Simone Benmussa also directed from the Odéon theatre the cultural service and the Cahiers of the Renaud-Barrault company. She adapted for the theatre works by her friend Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Gallimard unknown
197388042Paris: Gallimard 1973. Fine. Gallimard Paris 1973 11 x 16.50 cm broché First edition of which there were no deluxe copies a Service de Presse advance copy. Some occasional light worming to the edges. Autograph inscription signed by Eugène Ionesco to his friend the director playwright and writer Simone Benmussa: ""Pour Simone Benmussa avec ma vieille amitié et pourtant toujours jeune fidèlement affectueusement Eugène Ionesco Janvier 1974."" Literary adviser to the Jean-Louis Barrault - Madeleine Renaud Company then in 1957 editor-in-chief of the Cahiers Renaud-Barrault Simone Benmussa also directed from the Odéon theatre the cultural service and the Cahiers of the Renaud-Barrault company. She adapted for the theatre works by her friend Nathalie Sarraute Pierre Klossowski Jean Cocteau Gertrude Stein. She was the companion of the actress Erika Kralik. Gallimard unknown
196766850Paris: Mercure de France 1967. Fine. Mercure de France Paris 1967 14.50 x 21.50 cm broché First edition one of 50 numbered copies on pur fil the only deluxe copies. Handsome copy. Mercure de France unknown
196286344Paris: Gallimard 1962. Fine. Gallimard Paris 1962 15 x 21.50 cm broché First edition one of 31 numbered copies on pure linen paper the only deluxe copies. A fine copy. Iconography. Autograph inscription signed by Eugène Ionesco to Henri Saret. Gallimard unknown
196238707Paris: Gallimard 1962. Fine. Gallimard Paris 1962 15 x 21.50 cm broché First edition one of 31 numbered copies on pur fil paper the only deluxe copies. Iconography. Boards very lightly and marginally sunned without gravity handsome interior condition. Gallimard hardcover
196866849Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 22.50 cm broché First edition one of 60 numbered copies on pur fil the only deluxe copies. Photographic cover handsome copy. Mercure de France unknown
196870024Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 21.50 cm broché First edition one of 60 numbered copies on ""pur-fil"" paper only large papers. Very nice copy. Mercure de France unknown
196854181Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 22.50 cm broché First edition one of 60 numbered copies on pur fil paper the only large paper copies. Cover illustrated with a photograph a good copy. Mercure de France unknown
1977Q-0810906562H.N. Abrams 1977-01-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! H.N. Abrams hardcover
198720295Limited Editions Club. Fine. 1987. Wraps. Signed by author/illustrator. Limited edition of 1000 copies this being copy #869. Cream wraps are toned on spine otherwise flawless. Spine is straight. Binding is tight. Pages are clean and pristine. Book has never been cracked open. Slipcase with red morocco leather top and bottom is sunned on the cream boards with a couple of blemishes but is in very good condition. ; 0 pages; Signed by Author & Illustrator . Limited Editions Club paperback
197548434Paris: Gallimard 1975. Fine. Gallimard Paris 1975 15 x 22 cm broché First edition for ""L'homme aux valises"" one of 20 numbered copies on Hollande tirage de tête. A very attractive copy. Gallimard unknown
198762118Paris: Gallimard 1987. Fine. Gallimard Paris 1987 14.50 x 21.50 cm broché First edition one of 30 numbered copies on pure rag vellum the only deluxe copies. Handsome copy. Gallimard hardcover
196389591Paris: Gallimard 1963. Fine. Gallimard Paris 1963 11.5 x 18.3 cm Relié First edition one of 60 numbered copies on pure wove paper the only deluxe copies after 17 on Hollande.Bradel binding in full beige cloth smooth spine red morocco title-piece upper wrapper preserved sprinkled edges modest binding. Gallimard hardcover
196886328Paris: Mercure de France 1968. Fine. Mercure de France Paris 1968 14.50 x 21.50 cm broché First edition one of 60 numbered copies on pur fil paper the only deluxe copies. Very handsome copy. Autograph inscription signed by Eugène Ionesco to Henri Saret. Mercure de France unknown
197962117Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vélin d'Arches the only deluxe copies. Handsome copy. Gallimard unknown
197948181Paris: Gallimard 1979. Fine. Gallimard Paris 1979 14.50 x 21.50 cm broché First edition one of 25 numbered copies on vélin d'Arches the only large paper copies. Spine and lower cover slightly and marginally sunned not serious a very good copy. Gallimard unknown
197166938Paris: Gallimard 1971. Fine. Gallimard Paris 1971 12.50 x 19.50 cm broché First edition one of 16 numbered copies on Hollande the deluxe issue. A fine copy. Gallimard unknown
19591108Paris: Gallimard 1959. Presentation copy inscribed by Ionesco to Madame Armand Carlier. In publisher’s printed wrappers. With bookplate on half title. In fine condition. Presentation copy inscribed by Ionesco to Madame Armand Carlier. In publisher’s printed wrappers. 256 8 p. <p>Inscribed copy of Ionesco’s absurd dramas.<br /> <p><p><br /> Beside other pieces it contains “L'Impromptu de l’Alma†“Tueur sans gages†The Killer the first of Ionesco's Berenger play “Le nouveau locataire†The New Tenant.<br /> <p>. Gallimard unknown
198721217151987. Paris: Editions Gallimard.1987. 8vo. White card wrappers with red lettering and wraparound red banner entitled 'Un Clin D'Oeil Aux Hommes Un Regard Vers Dieu'; pp. x 169 9; minimal discolouration to top and bottom edge and minor stain to front cover and to spine; otherwise near fine. First French edition. Presentation copy from the author with an inscription to the title-page addressed to a Swedish novelist snd critic: ""Pour Ingmar Bjorksten- Eugene Ionesco. 3 Mai 1988- StockholmEugene Ionesco wrote his first play The Bald Soprano or La Cantatrice Chauve in 1950 and subsequently ushered in theatrical revolution through bold use of surrealistic techniques on an unsuspecting audience. It is considered a crucial milestone in the movement The Theatre of the Absurd. In 1970 Ionesco was inaugurated in the Academie Francaise securing a position amoungst some of the most revered dramatists of the 20th century.The blurb of La quete intermittente reveals that the story of the novel concerns an artist's existentialism; ""These new diary pages follow the Journal en miettes published twenty years ago. Today the author feels old often ill. The approach of death terrifies him. He is torn by doubt: why this rage for writing Why this universal glory Why this world"". unknown
197474507Paris: Editions du Chene 1974. First edition. Inscribed and with original signed print. Folio. Printed title and plate list and 25 loose vivid duotone Ionesco images. All housed in the original brown moire silk portfolio with flaps and ties and another Ioneco image laid down to the front. Excellent copy.This copy was inscribed by Irina Ionesco to a friend "Tonny" on the top margin of the title page. He/she must have been a good friend as there is an additional plate laid in and it is an actual silver gelatin Ionesco photograph same dimensions as the plates in the book. This original photograph is inscribed to the same person in colloquial French and bears a pencil number of 107. Editions du Chene unknown
1986114<p>Rare edition chez Artman avec les 2 femmes photographes Irina Ionesco et Suze Randall Dans la collection un seul autre livre avec 2 auteurs en commun : Jean-Pierre Bourgeois et Michel Moreau également en édition bleue lettres argentées</p><p>Le livre est avec son étui 31 x 22 cm chaque auteur avec 24 pages soit 48 photos pleine page.</p><p>L'édition a été publiée uniquement au Japon en 1986 40 ans en édition limitée réservée aux membres VIP d'Artman et par subscription nous n'avons pas le nombre total mais relativement faible cette édition est très recherchée</p><p>D'une part on trouve chez Ionesco une dizaine de pages avec Isis Peyrade sa nouvelle muse moitié Eva moitié Bardot</p><p>D'autre part chez Randall 7 pages avec Traci Lords la grande star du cinéma pornographique US vous noterez qu'elle n'a travaillé dans l'industrie du sexe que pendant 3 ans </p><p>Le livre est en excellent état comme l'étui on note des rousseurs sur le colophon dernière page et quelques unes peu visibles sur la page de titre l'intérieur est excellent.</p> Nippon Geijutsu Shuppansha hardcover
