228 résultats
189643963239989290St. Petersburg: Tipografiya brat'yev Panteleevykh 1896. Hardcover. Good. Ð—Ð¾Ð»Ñ Ð. Рим : Роман. / Пер. Ð’. Л. Ранцова. Издание редакции «ВеÑтника иноÑтранной литературы». Санкт-Петербург : Ð¢Ð¸Ð¿Ð¾Ð³Ñ€Ð°Ñ„Ð¸Ñ Ð±Ñ€Ð°Ñ‚ÑŒÐµÐ² Пантелеевых 1896. 771 Ñ. Твердый владельчеÑкий переплёт увеличенный формат. Прижизненное издание. . Zola É. Rome Rim : A Novel. / Translated by V. L. Rantsov. Publication of the editorial office of "Vestnik inostrannoy literatury". St. Petersburg : Tipografiya brat'yev Panteleevykh 1896. 771 pp. Hard owner's binding enlarged format. Lifetime edition. This 1896 edition of Rome is a remarkable lifetime publication of Émile Zola’s work in Russia released the same year as the original French debut. It is the second installment of his "Three Cities" trilogy Lourdes Rome Paris a series that marked a significant departure from his earlier naturalistic cycles into the realm of philosophical and social critique. In Rome Zola explores the journey of the young priest Pierre Froment to the Eternal City where he seeks an audience with the Pope to defend his book on "New Catholicism." The novel serves as a grand canvas contrasting the ancient ruins and the grandeur of the Vatican with the rising tide of socialism and the persistent poverty of the modern city. It is a profound meditation on the struggle between traditional religious dogma and the "new religion" of science and social justice—themes that resonated deeply with the Russian intelligentsia of the late 19th century. The translation by Vladimir Rantsov a prolific figure in the late-Imperial literary scene was published by the editorial office of the influential journal Vestnik Inostrannoy Literatury Herald of Foreign Literature. This large-format volume printed by the renowned Panteleev Brothers reflects the high prestige Zola held in Russia where he was viewed not only as a novelist but as a moral authority and champion of truth following the Dreyfus Affair. This substantial tome is a primary artifact for collectors of Zola’s international bibliography and historians of the Russian-French literary dialogue. Tipografiya brat'yev Panteleevykh hardcover
1886000593London: VIZETELLY & CO. Good with no dust jacket. 1886. Half-Leather. Set of three 3 matching illustrated editions with fine bindings assumed originally from a larger set. Book One - Nana 1887 a 'new edition' translated without abridgment from the 127th French edition. Book Two - His Masterpiece 1887 a 'new edition' with a portrait of the author etched by Bocourt. Book 3 - Germinal 1886 translated without abridgment from the 60th French edition and illustrated with sixteen page engravings from designs by J. Ferat. Ox-blood half leather with 5-band spine with gilt title treatment. Marbelized end papers. Overall in very good shape save for some moderate dingage and rubbing and splitting at the front covers and the upper spines. Nana the worst rating good overall. Super shelf presence and three of Zola's best reads of the Rougon-Macquart series.; 12mo - over 6¾" - 7¾" tall; LITERATURE DRAMA PROSE FRENCH FRANCE ZOLA EMILE ZOLA NATURALISM NATURAL . VIZETELLY & CO. hardcover
190043963192737834Kyiv — Kharkov: F. A. Ioganson 1900. Hardcover. Fair. Ð—Ð¾Ð»Ñ Ðмиль. ПлодовитоÑть. Пер. Ñ Ñ„Ñ€. Д. Ð. СеÑлавина. Киев — Харьков : Ф. Ð. ИоганÑон 1900. 453 Ñ. Твердый переплет обычный формат. . Zola Emile. Fecundity Fécondité. Translated from French by D. N. Seslavin. Kyiv — Kharkov : F. A. Ioganson 1900. 453 pp. Hardcover standard format. This 1900 edition presents one of the most provocative and debated works of Emile Zola 1840–1902 published in Russia almost immediately after its original release in France. Fecundity is the first installment of Zola's final cycle The Four Gospels Les Quatre Évangiles. Moving away from the gritty naturalism of the Rougon-Macquart series Zola utilizes this novel as a social manifesto contrasting the virtues of a large rural family with the perceived moral decay and "depopulation" of urban French society. The translation by D. N. Seslavin captures the grand often biblical cadence Zola employed for this late-period work. The novel follows the protagonist Mathieu Froment as he builds a prosperous life centered on labor and the upbringing of numerous children serving as an ideological counterpoint to the Malthusian anxieties of the late 19th century. In Russia Zola's utopian vision of agrarian labor and traditional family values found a complex reception resonating with both the populist movements and the conservative social critics of the era. The book was published by F. A. Ioganson a prominent publisher active in both Kyiv and Kharkiv known for bringing contemporary European literature to the Imperial Russian provinces. This particular edition represents the first wave of Zola’s influence in the Russian Empire where his works were often subject to intense scrutiny or censorship due to their bold social commentary. For collectors of 19th-century European literature scholars of Zola’s late works and enthusiasts of pre-revolutionary Russian publishing this 1900 edition is a significant cultural artifact. It documents the rapid transmission of French literary thought into the Russian linguistic space at the turn of the century. F. A. Ioganson hardcover
190014035Paris: Imp. A. Eyméoud 1900. Fine. Imp. A. Eyméoud Paris s. d. circa 1900 11 x 16.50 cm agrafé First edition. Three small marginal lacks to the slightly faded front cover handsome interior condition. Rare. Imp. A. Eyméoud unknown
190016528Paris: Imp. A. Eyméoud 1900. Fine. Imp. A. Eyméoud Paris s. d. circa 1900 11 x 17 cm agrafé First edition. A good copy. Imp. A. Eyméoud unknown
1898Zol1<p><strong>DREYFUS AFFAIR ZOLA Emile 1840-1902</strong></p><p>Unpublished autograph manuscript signed " <em>Emile Zola</em> "<br />Grosvenor Hotel London 19 July 1898 5 pages in-4 on ligned paper<br />Fold marks small hole at the folding junction on 5th folio without affecting the text<br /><br /></p><p><strong><u>Unpublished manuscript on the Dreyfus Affair</u></strong><br /><strong>Written six months after his open letter "J'accuse…!" and directly in its continuity this momentous manuscript testifies to the writer's tireless commitment to the cause of Captain Alfred Dreyfus</strong></p><p><em><br />" La vérité aveuglante est pourtant que ce sont nos adversaires qui dès le premier jour et pas les moyens les plus monstrueux se sont efforcés et s'efforcent encore de nous fermer violemment la bouche. </em>… <strong><em>De toute ma lettre au président de la République </em></strong>" J'accuse…! "<em> <strong>on avait extrait savamment quelques lignes limitant les poursuite uniquement pour empêcher la vérité de se faire jour sur l'affaire Dreyfus</strong>. Le plan était de me condamner tout en me bâillonnant. et l'on se souvient du terrible : 'La question ne sera pas posée' revenant sans cesse sabrant tout éteignant toute lumière.</em> …<strong><em> Enterrer l'affaire tout l'ardent désir est là</em></strong><em> il n'y a rien d'autre au fond de l'effroyable campagne qu'on mène contre nous </em>…<em> nous n'avons d'autre idée que de la faire vivre jusqu'à ce que la vérité et la justice triomphent </em>…<em> Les choses vont trop bien l'abcès mûrit nous avons tout intérêt à attendre qu'il crève. <strong>Comment ! Esterhazy est sous les verrous et l'on s'imagine que nous ne sommes pas curieux de savoir avant toute chose quelle partie de vérité va éclater! Je veux bien être condamné mais tout de même la complaisance au martyre a des bornes</strong></em> …<em> On aura beau jusque-là travestir nos actes prodiguer les mensonges et les ignobles injures nos amis savent que <strong>nous resterons les soldats impassibles du vrai incapables d'une reculade capables de tous les sacrifices</strong> et de toutes les attentes les plus rudes et les plus anxieuses. Emile Zola "</em></p><p><br />"Pour la Lumière" is an unpublished article by Émile Zola written in July 1898 six months after "J'accuse…!" in the midst of the Dreyfus affair. This is the only article on the Affair that Zola wrote during his exile. Intended to appear on the front page of <em>L'Aurore</em> it was never published as it was most likely censored by Georges Clemenceau who was editor of the newspaper. The latter used the present manuscript to publish "Pour la Preuve" on the front page of <em>L'Aurore</em> of July 20 1898. When reading both texts "Pour la Preuve" appears much more watered down than "Pour la Lumière" and largely expurgated in places. All the power of "Zolien" prose thus disappears in the guise of a bland and tasteless article.</p><p>The manuscript dates from the very beginning of the writer's London exile. On July 18 1898 Zola's conviction following the publication of "J'accuse…!" on January 13 of the same year was confirmed by the court of Versailles. On the orders of Georges Clemenceau and his lawyer Fernand Labori Zola left the France for London the same day even before the end of the trial.<br />The circumstances surrounding the writing of "Pour la lumière" are fairly well known from various sources: Zola's correspondence the diary that the writer kept during his exile published later under the title of "Pages d'exil" and a note that Bernard Lazare left on these events. The five pages of the article were written during the end of the day on July 19 1898 in a small room on the top floor of the Grosvenor Hotel in which the writer felt imprisoned: "the window was barred by the openwork frieze that crowns the whole immense building: a foretaste of the prison" he reported in his "Pages d'exil".<br />"Pour la Lumière" was to offer an answer to all those who accused the writer of fleeing justice while retrospective of his trial since his "coup d'éclat" of January 13 tipping point in the Dreyfus affair.</p><p>The manuscript which has remained unpublished to this day opens for Zola an exile that will last almost a year. No text of him concerning the Affair was published until June 1899 marking his return to his homeland.</p>
1884105718Paris : Librairie des Bilbiophiles Jouaust 1884. 210x140mm. frontispice IV - 287Êpages eaux fortes lettrines bandeaux culs-de-lampe reliure dՎpoque demi-chagrin ˆ coins avec titre auteur tomaison filets ornementations et fleurons dorÂŽs au dos ˆ cinq nerfs. Trois filets dorÂŽs sur les deux plats. Plats et gardes papier marbrÂŽ. Tranche supÂŽrieure dorÂŽe. Belle reliure. TrÂs bel exemplaire tirÂŽ sur papier vÂŽlin non justifiÂŽ. 1334 Librairie des Bilbiophiles, Jouaust unknown
18822925302Paris.: G. Charpentier. 1882. Hardcover. Cubierta deslucida. Good. 19 cm. 408 p. Encuadernación en tapa dura artesanal lomo en piel. Idioma Francés. Texte imprimé. H. Mitterand et H. Suwala p. 36-37 . Cubierta deslucida. Literatura francesa. Otros géneros. Ensayos Siglo XIX. 840-43"18" 821.133.1-4/-9 G. Charpentier. hardcover
1900258038Albert Langen Verlag für Litteratur und Kunst München 1900. Hardcover Leder mit Lesebändchen und Kopfgoldschnitt ohne Schutzumschlag Band XXII Kleine Bibliothek Langen Nur Band XXII. Zustand: keine Beschädigungen keine Eintragungen. Rücken Ecken Kanten gut. Der Schnitt ist mit Ausnahme des Kopfgoldschnitts etwas fleckig. Ansonsten für das Alter sehr gut erhalten. Albert Langen Verlag für Litteratur und Kunst, München, hardcover
18863399112Paris.: G. Charpentier. 1886. Hardcover. Good. 17 cm. 309 p. Encuadernación en tapa dura artesanal hol lomo en piel nervios y doble tejuelo. Idioma frances. Zola Émile 1840-1902 . G. Charpentier. hardcover
1887037110London: Vizetelly & Co. A clean tight half-leather hardcover in good condition; bumped and worn at extremities ten letter/number sequence written on paste-down scattered foxing throughout. . Good. Hardcover. 1887. Vizetelly & Co. hardcover
187926632Philadelphia: T. B. Peterson and Brothers. Very Good with no dust jacket. 1879. First English Edition. Hardcover. Bound in three-quarter leather. Owner's bookplate inside the front cover. Front board is rubbed and light rubbing around the edges. ; 16mo 6" - 7" tall; 368380 pages . T. B. Peterson and Brothers hardcover
187925-0581Philadelphia: T. B. Peterson & Brothers 1879. 1879 312pp ads red cloth w/ black design & gilt lettering trans. by John Stirling wear to corners wear to sping ends & edges owner's name to front free ep a couple signatures beginning to loosen contents clean & unmarked. First American. Cloth. Very Good -/No Jacket. 12mo - over 6¾" - 7¾" tall. T. B. Peterson & Brothers Hardcover
1898040681London: Chatto & Windus 1898. 1st English Edition. Hardcover. Good/No Dust Jacket. Octavo. pp XII 347 32. 1st printing. Prior owner nameplate to FPD. Spine sunned wear to head of spine. Internally fine. Chatto & Windus hardcover
1898MSZ5336Chatto and Windus. Fair with no dust jacket. 1898. Hardcover. Hard cover published by Chatto and Windus in London in 1898. No DJ. Spine is faded and cocked and has a tear along front edge near top. Spine has some fraying along edges. Corners of covers are bumped and worn with some wrinkling. Back cover is stained some and has an indentation along side edge. Some page corners are bent or creased. Side and bottom edges of pages have some stains. Several pages are missing pieces from bottom edge. ; 7.5" x 5" x 1.25"; 347 pages . Chatto and Windus hardcover
1896BUL91067Chatto & Windus London 1896. Book. Good. Hardcover. 2nd Edition. The revised and expurgated English edition. 8vo. 314pp xxxii publisher's advertisements. Decorated cloth lettered in gold at the spine. Patterned endpapers. A nice crisp if slightly dusty copy. The third volume of Zola's celebrated 'Les Rougon-Macquart' series. It was originally translated into English in 1888 by publisher Henry Vizetelly who was imprisoned for obscene libel the same year for his translation of Zola's 'The Soil'. This revised and expurgated version was subsequently produced by Vizetelly's son and for years remained the most widely available English translation. Chatto & Windus, London Hardcover
189360052New York: Cassell Publishing Co 1893. First American Edition. First printing. Octavo 20.5cm. Black cloth stamped in gilt; plain endpapers; viii414pp. Early owner's address in pencil to f.f.e.p. Straight and bright with pinpoint rubbing to extremities endpapers toned toward edges: Near Fine. Zola's treatise on his vision of naturalist fiction first published in French in 1880. Cassell Publishing Co unknown
189442388London: Chatto & Windus. Good with no dust jacket. 1894. First Edition. Hardcover. Publisher's gilt-titled flowered cloth decorative endpages." A new edition with illustrations by Georges Jeanniot." Spine has been repaired. Spine sunned light wear to edges slightly canted. Publisher's ad leaf at front 310pp 32pp ads. Lacks 3 illustrations. ; 8vo 8" - 9" tall . Chatto & Windus hardcover
1897mon0001614954London; Chatto 1897T. hardcover. Good. . First edition. Hardback. No dust jacket. Decorated cover boards. Spine ends bumped as well as corners of cover boards. Foxing and tanning to pages. London; Chatto hardcover
1897355490721524London: Chatto & Windus 1897. First Edition. Hard Cover. First UK Edition. Sole Authorised English Version. Edited by Ernest A. Vizetelly. Publisher's red illustrated buckram boards and spine gilt lettering to the spine blue flower-patterned end-papers. x 410pp 32pp publisher's ads to rear. A slightly faded spine otherwise VG indeed with a small discreet previous owner's label to the front paste-down and minor foxing to the first few pages. Firm hinges. No written inscriptions. A nicer copy than normally found. Photographs/scans available upon request. Chatto & Windus hardcover
1897040682London: Chatto & Windus 1897. 1st English Edition. Hardcover. Good/No Dust Jacket. Octavo. pp X. 410 32. 1st printing. Prior owner nameplate to FPD. Tiny mark to upper board. Internally fine. Chatto & Windus hardcover
1892040674London: Chatto & Windus 1892. 1st English Edition. Hardcover. Very Good/No Dust Jacket. Octavo. pp XIV 534 32.1st printing. Head of spine shows wear. Prior owner bookplate to FPD. Chatto & Windus hardcover
189226304New York: Cassell Publishing Company. Good with no dust jacket. 1892. Hardcover. Rubbing to boards. Rubbing to joints and spine. Some marks and stains to boards. 6mm chip to cloth at edge of lower corner of front board. Moderate foxing. Provenance: Ex libris bookplate Emma Augusta Tefft. ; 4 blank 4 565 3 blank pages frontispiece 7 plates. Blue cloth boards with gilt lettering on spine silver and maroon lettering on front board. Black illustration on spine. Silver maroon and black illustration on front board. Page dimensions: 189 x 122mm. Text in English translated from French by E. P. Robins. . Cassell Publishing Company hardcover
1893329557London : Chatto & Windus 1893. New edition. Hardcover. Good copy in the original gilt-blocked cloth. Spine bands and panel edges somewhat bumped and rubbed as with age. Remains quite well-preserved overall. Physical description: xiv 534 p.: map; 19 cm. Notes:Translation of La débâcle.Subject: Franco-Prussian War 1870-1871 Fiction.Other names: Vizetelly Ernest Alfred 1853-1922.Genre: Illustrated. London : Chatto & Windus hardcover
189242384London: Chatto & Windus. Very Good- with no dust jacket. 1892. First Edition. Hardcover. Publisher's gilt-titled decorative cloth decorative endpages. First UK edition. Spine has been repaired. Ad leaf precedes title xiv map 534pp 32pp ads. PO name canted trace foxing wear/mottling to boards. ; 8vo 8" - 9" tall . Chatto & Windus hardcover