339 résultats
1955011122NY: Kurt Volk 1955. 1st Edition. Hardcover. As New. Book conceived by typographer and publisher Kurt Vol designed by Meyer Wegman edited by Charles Brodie. Printed on Okawara handmade paper. Bound in moire silk stamped in gold. As new in black glossy-paper backed box which is slightly rubbed. THE collectible copy. Kurt Volk hardcover books
1907222567New York Mitchell Kennerley 1907. 1907. First American edition from English sheets. Thick 8vo. Frontispiece portrait from photograph by Ellis & Walery and 25 illustrations. Original blue cloth spine with printed paper label t.e.g. uncut. Good-very good. No bookplates. Former owners ink signature on the title page. F. Hardcover. New York, Mitchell Kennerley, 1907. hardcover books
1928483Paris. Société d'édition Le Livre Emile Chamontin 1928. Trans. into French by E. Jaloux and F. Frapereau. Large 4to 349 pp. 3/4 maroon moroccan gilt back t.e.g marbled boards and end papers with original wrappers bound in. Illus. With 23 steel engravings by Jean-Emil Laboureur. No. 61 of 230 numbered copies. Godefroy 369 Carteret IV p. 409. ORIGINAL WRAPS BOUND IN INCLUDING SPINE. Corners rubbed end paper slightly split interior fine. Fine example of Laboureur's work at the height of his stylized art deco period. Société d'édition Le Livre, hardcover books
1918302950New York Brentano's Publishers ca. 1918. 1918. 8vo. Frontispiece. 3/4 blue morocco t.e.g. others uncut spines faded to brown; rubbing; nicks. Good. 2 volumes. Hardcover. Good/No Jacket. New York, Brentano's Publishers [ca. 1918]. hardcover books
1906010286Boston: John W. Luce and Company 1906. First Edition Thus. Hardcover. Very Good/No Dustjacket. John W. Luce and Company hardcover books
198439730Washington DC: Library of Congress 1984. First edition. 30 pp. Fade along spine else near fine in stapled wrappers. A lecture delivered at the Library of Congress on March 1 1983. Washington DC: Library of Congress, unknown books
19383674London/Paris: Limited Editions Club 1938. Limited to 1500 numbered copies this being copy no. 834. With Derain: Limited to 1500 numbered copies signed by Derain this being copy no. 834. Two quarto volumes 10 7/8 x 7 3/4 in. Publisher's full terra cotta cloth with gilt decoration Beardsley and black printed wrappers Derain. The Derain volume in original mylar as issued. A fine set. Housed in the publisher's red cardboard slipcase a little worn at extremities. Beardsley: 10 11-105 3 pp; Sixteen black and white illustrations of which twelve are full-page. Derain: 8 9-71 1 1 limitation 1 blank. Ten inserted color plates on black paper.<br/><br/>When Salomé was first published in February 1893 the Pall Mall Budget magazine asked Beardsley for a drawing in response. They rejected the macabre fantastic image he based around the play's last scene in which Salomé embraces the severed head of John the Baptist. J'ai Baisé Ta Bouche Iokanaan. Here it is redrawn as the Climax without the text. In April however an art publication The Studio ran it as part of its first edition. Wilde saw the drawing pre- publication and liked it; in March he inscribed a copy of the earlier printing of the book "March '93. For Aubrey. For the only artist who besides myself knows what the Dance of the Seven Veils is and can see that invisible dance."<br/><br/>Illustrator Aubrey Vincent Beardsley 21 August 1872 - 16 March 1898 was an English artist and author. At the age of nineteen he achieved notable and lasting acclaim for his illustrations in the Dent edition of Malory's Le Morte Darthur in 1892. He was a leading figure in the Aesthetic movement which also included Oscar Wilde and James A. McNeill Whistler. In 1894 Beardsley became the art editor of The Yellow Book under the general editorship of Oscar Wilde but with his advancing tuberculosis and Wilde's arrest - that put an end to that satirical periodical. His drawings in black ink influenced by the style of Japanese woodcuts emphasized the grotesque the decadent and the erotic. Although in increasingly poor health Beardsley continued to produce illustrations including those in The Savoy The Rape of the Lock and The Lysistrata. Aubrey Beardsley died from tuberculosis at the very young age of 25 on the 16th March 1898.<br/><br/>Illustrator André Derain 1880-1954 was a French artist painter sculptor and co-founder of Fauvism with Henri Matisse. Limited Editions Club unknown books
195131366London: George Allen & Unwin Ltd 1951. 1st edition. Hardback. Dust jacket. NF/VG chip from top of spine panel/pc. 336 pp adverts at rear. 8vo. <br/><br/> George Allen & Unwin Ltd hardcover books
193224244London: The Nonesuch Press 1932 1932. First edition number 182 of 800 numbered copies. Dreyfus Nonesuch Press 8a. Fine copy in the original slightly worn at the edges dust jacket. 8vo original gilt decorated white linen after designs by Ricketts gilt lettering. Vignette title-page. An imaginary conversation about Oscar Wilde between Jean Paul Raymond a fictional character and Charles Ricketts written entirely by Ricketts. Inscription on the front paste-down from San Francisco collector Albert Sperisen to San Francisco printer Lawton Kennedy. <br/><br/> London: The Nonesuch Press, 1932 unknown books
192517378London: The Fortune Press 1925. 1st edition. Black cloth binding with printed paper label on front cover. Now protected by clear mylar dust wrapper. Gd cloth separating along lower rear joint/light wear to extremities/small scuff marks on front cover/some leaves are darker/previous owner's signature and date of 1925 on fep. 55 pp. 8vo. <br/><br/> The Fortune Press hardcover books
1920Embry 165100Beaumont Press 1920. First edition one of 75 copies signed by the publisher and artist. Very slight wear fine in custom mylar cover. Woodcuts by Ethelbert White. Beaumont Press, 1920. First edition, one of 75 copies, signed by the publisher and artist. unknown books
192885082NY:: E. P. Dutton & Co. Very Good in Very Good dust jacket. 1928. Hardcover. B006MPRKG4 . First edition. Some faint mottling to the black cloth portion of the binding else very good in a very good two inch closed edge tear at the crown of the spine four small chips dust jacket. ; 124 pages . E. P. Dutton & Co., hardcover books
198251425NY:: Atheneum. Near Fine in Near Fine dust jacket. 1982. Hardcover. 0689308507 . First American edition. Near fine in a near fine dust jacket. . Atheneum, hardcover books
197949933NY:: Viking. Very Good in Very Good dust jacket. 1979. Hardcover. 0670169749 . First printing thus. Very good in a very good light foxing on verso price clipped dust jacket. . Viking, hardcover books
192391091Garden City:: Doubleday Page & Company. Very Good in Good dust jacket. 1923. Hardcover. Complete in twelve volumes. Patrons' Edition De Luxe. Foxing to edges and endpapers previous owner's book-plate on front paste-downs else all volumes are very good in a good or better occasional large chips closed edge tears age toning damp staining to the jacket of Volume III dust jacket. . Doubleday, Page & Company, hardcover books
1906Embry 167979Brentano's 1906. First edition first printing. Light foxing to endpapers and first few leaves spine toned a shade near fine with hinges firm. Gray cloth no dust jacket. Brentano's, 1906. First edition, first printing. hardcover books
197331804London:: Limited Editions Club. Near Fine. 1973. Hardcover. Introduction by Sir John Gielgud. Illustrated by Tony Walton. This copy is number 969 of a limited edition of 1500 copies. SIGNED by the illustrator. Fine in a near fine some light soiling on top edge slipcase. . Limited Editions Club, hardcover books
1954Embry 166077Story Classics 1954. First printing thus. Owner's inked stamp slight foxing to spine overall near fine. Wood engravings by Dorothea Braby. Japanese vellum-backed red cloth. Story Classics, 1954. First printing thus. hardcover books
190612330912mo. Portland Maine: Thomas B. Mosher 1906. 12mo 54 pp. Title page in red and black. Green paper wrappers over stiff card decoratively printed and lettered in gilt. Light wear to wrappers former owner's name and shadow of a lost bookplate on the front free endpapers. § A sweet little printing of Wilde's six poetic vignettes in typical Mosher style. Originally published in the July 1894 issue of The Fortnightly Review a pirated edition was published by Charles Carrington in Paris in 1905 before Mosher's own pirate edition in 1906. In the forward Mosher considers the history and charms of prose poems. Thomas B. Mosher unknown books
1913123209Sm. New York: Brentano's 1913. Sm. thick 8vo xxxiv 353 pp. Full brown crushed morocco extra backstrip lettered in gilt gilt top. A fine copy nicely bound. § An attractive edition of Wilde's poems complete with 'Ravenna' at the end in a handsome binding. Brentano's unknown books
1945Embry 120657Heritage press 1945. Spine slightly sunned else fine in fine faintly worn publisher's slipcase. Illus by Valenti Angelo. Black cloth no dust jacket. Includes the Sandglass. Heritage press, 1945. hardcover books
1979Embry 166788Oxford 1979. First printing thus. Fine in fine faintly rubbed dust jacket in mylar cover. Oxford, 1979. First printing thus. unknown books
199894398North Pomfret:: Trafalgar Square Publishing. Fine in Fine dust jacket. 1998. Hardcover. 1570761035 . Wood engravings by Garrick Palmer. First edition thus. Fine in a fine dust jacket.; 37 pages . Trafalgar Square Publishing, hardcover books
1937Embry 166588Heritage Press 1937. First printing thus. Bookplate else fine in fine faintly rubbed slipcase. Illus. by Zhenya Gay. Gray leatherette. Heritage Press, 1937. First printing thus. hardcover books
1937Embry 165570Heritage Press 1937. First printing thus. Fine in very good to near fine slipcase with two seams with very short tears. Illus. by Zhenya Gay. Gray leatherette. Heritage Press, 1937. First printing thus. hardcover books