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1946143611Los Angeles: Beacon Productions 1946. Final Draft script for the 1947 film. Copy likely belonging to an uncredited costume designer with annotations in manuscript pencil throughout.<br /> <br /> Groucho Marx's first solo film appearance and his first with a real mustache as opposed to one made with grease paint. Marx plays an incompetent theatrical agent whose only client is Carmen Miranda in her first film after leaving Twentieth Century-Fox and who he tries to pass off as two different performers. <br /> <br /> Set in New York City and shot there on location. <br /> <br /> Tan titled wrappers noted as Final Draft on the front wrapper dated October 28 1946. Title page integral with the first page of the text. 97 leaves with last page of text numbered 97. Mimeograph on pink stock rectos only. Pages Near Fine wrapper Good bound with two silver brads. Beacon Productions unknown
200069313Museum; Et Al. New. 2000. Hardcover. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 192 pp. With 208 ills. 174 col. . 29 x 23 cm. In English. C/TO: ISBN 0714126284. -- with a bonus offer-- . Museum; Et Al hardcover
199631854New. 1996. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED - 96 pp. With 114 ills. 28 x 22 cm. In English. -- with a bonus offer-- . paperback
199267984DPV. New. 1992. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English and Spanish. 174 pp. With 71 ills. 58 col. and 29 reference ills. 30 x 21 cm. -- with a bonus offer-- . DPV paperback
199284025University of Texas Press. New. 1992. Hardcover. 0292781210 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 411 pp. 250 ills. 50 color 4to. -- with a bonus offer-- . University of Texas Press hardcover
199284024University of Texas Press. New. 1992. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - Corresponds to ASIN: B000UYA3BC. 411 pp. 250 ills. 50 color 4to. -- with a bonus offer-- . University of Texas Press paperback
199284023University of Texas Press. New. 1992. Paperback. 0292781229 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - FLAWLESS COPY BRAND NEW PRISTINE NEVER OPENED -- - 411 pp. 250 ills. 50 color 4to. -- with a bonus offer-- . University of Texas Press paperback
197484564University of Texas Press. As New. 1974. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - Corresponds to / paperback edition of ASIN: B001ON9ZLC. 127 pages 70 illustrations; 4to. -- with a bonus offer-- . University of Texas Press paperback
197484563University of Texas Press. As New. 1974. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - AS NEW THE TEXT BLOCK IS PRISTINE CLEAN UNMARKED AND IN EXCELLENT CONDITION - - 127 pages 70 illustrations; 4to. -- with a bonus offer-- . University of Texas Press paperback
199783380Museum. New. 1997. Hardcover. 0810969041 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 158 pages; approx 90 illus. 73 in color 4to. -- with a bonus offer-- . Museum hardcover
199883381Museum. New. 1998. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- 158 pages; approx 90 illus. 73 in color 4to. -- with a bonus offer-- . Museum paperback
199756197Harry N Abrams Inc. New. 1997. Hardcover. 0810965097 . FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- with a bonus offer-- . Harry N Abrams Inc hardcover
198992046IVAM; Et Al. New. 1989. Paperback. 8475797040 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 146 pages; color and black and white illustrations. -- with a bonus offer-- . IVAM; Et Al paperback
199175120Museum. New. 1991. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in English. 56 pp. With 29 ills. 16 col. . 22 x 26 cm. -- with a bonus offer-- . Museum paperback
199468623C. C. J. A. New. 1994. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 400 pp. With 233 ills. 225 col. . 28 x 23 cm. -- with a bonus offer-- . C. C. J. A. paperback
1997C102982U. D. As New. 1997. Paperback. 8486897289 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 324 pages; a number of color illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee -- with a bonus offer-- - May be EITHER: out of print OOP and extremely rare in this pristine condition; signed by author or contributor; or a first or special edition; inquire for details . U. D. paperback
1998317423New York: Metropolitan Museum of Art 1998. First. hardcover. fine/near fine. LIPPI Filippino. 288 illustrations including 217 in full color. 406 pages. 4to tan cloth d.w. New York: Metropolitan Museum of Art/Harry N. Abrams 1998. First Edition. A fine copy in a near fine dust wrapper.<br/> <br/> Catalogue published in conjunction with the exhibition "The Drawings of Filippino Lippi and His Circle" at The Metropolitan Museum of Art October 28 1997 to January 11 1998.<br/> <br/> Metropolitan Museum of Art unknown
1997102982U. D. New. 1997. Paperback. 8486897289 . FREE UPGRADE to Courier/Priority Shipping Upon Request - IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Flawless copy brand new pristine never opened -- Text in Spanish. 324 pages; a number of color illustrations. Catalogue Raisonne Catalog Raisonné Complete Works Catalogo Razonado Obra Completa Raisonnee U. D. paperback
19339014Detroit USA: Unpublished 1933. Inscribed with drawings and doodles by the artistic super-couple Frida Kahlo and Diego Rivera at the unveiling of Rivera's newly completed masterpiece the Detroit Industry Murals at the city's Institute of Art early in 1933. With these drawings into a child's autograph album made a few days before their departure for New York City Kahlo and Rivera marked the close of a period of great artistic achievement for them both. Just three days before these drawings were created Rivera finished his industrial frescoes and Kahlo completed her anguished sequence of Detroit canvases which are considered to be among her greatest works. In the drawing that she executed for Lydia Cohen in this album Kahlo depicts a cat seen from behind placidly sitting and looking away from both artist and the album's owner. Next to this she has written 'To Lidia with the love of Carmen Rivera' - signing herself with her formal married name as she did on her Detroit paintings. According to Helga Prignitz-Poga only one other depiction of a cat is known in Kahlo's work Self Portrait with Thorn Necklace lending special significance to this image. Rivera's first contribution to the album shows in portrait format a full length image of a woman whose face is seen in profile wearing boots and what may be a feathered Aztec skirt next to a little gate or perhaps a swimming pool ladder. This is signed 'Diego Rivera' and undated. Five leaves later Rivera has drawn a wild yet instantly recognisable portrait head of himself seen in profile as in voluble full flow using blue-black ink and inscribed it: 'Diego Rivera. Detroit March 16 1933.' Together Kahlo and Rivera spent much of 1932 and early 1933 in Detroit where Rivera was commissioned to create a series of frescoes for the Detroit Art Institute which would draw upon the city's industrial heritage. It is generally acknowledged that while in the city both artists hit 'a career peak' as Rivera completed his DIA mural and Kahlo worked intensely on a series of portraits dealing with her personal struggles. Later Rivera remembered how: 'Frieda began work on a series of masterpieces which had no precedent in the history of art. Never before had a woman put such agonized poetry on canvas as Frida did at this time in Detroit.' Whilst they lived in the city the couple were feted and entertained by Detroit's elite. Kahlo in particular responded provocatively to her American hosts: 'the expansive Rivera speaking Spanish and French and demanding all the attention with the petite and caustic Kahlo dressed in colorful Mexican costumes. At Henry Ford's sister's home Frida talked on about the wonders of communism. At a dinner at Henry Ford's she asked the anti-semitic industrialist if he was Jewish.' One of the other elite Detroit households who entertained Kahlo and Rivera was the Cohen family parents of Lydia -or Lidia - Cohen who on the evening of March 13 1933 persuaded Kahlo and Rivera to inscribe her little album. This album captures a pivotal moment in art history. PROVENANCE: Lydia Cohen and by descent. LYDIA COHEN'S ALBUM: Black roan with amateur tape repairs to the backstrip and loss at the head and tail of the spine; 55 paper leaves alternating pink yellow and gree in colour; c75 inscriptions. Lydia Cohen has written her name on the front flyleaf and her schools in Detroit: William T Sampson School; George Brady School; Roosevelt Elementary; Durfee Middle School. The entries into the album do not follow chronological order but dot around between 1922-1934 with contributions from school teachers friends musicians mostly English and sometimes written and drawn in Hebrew. Kahlo's contribution appears first followed by Rivera's pair of drawings all three inserted between other signed pages. A second Spanish speaker seems to have been present that night spent with the Cohens Kahlo and Rivera on March 16. 1933. They have written: 'El idioma es corto y la palabra tosca para hablar de las vellezas tullas mejor recibe mi galarte via en il idioma quero lo el alma entiende' 'The language is short and the word is crude to speak of the tullas' virtuousness it is better to receive my reward via the language that the soul understands' - perhaps suggesting they were also a creative figure and signed 'Y Ay'. The album is housed in a custom-made drop-back solander box with natural wool lining. Please contact Christian White Rare Books Ltd for more information or images of this item 1933 Unpublished unknown
