88 résultats
18245788374N. Delangle 1824. Volume 1-2. This is an ex-library book and may have the usual library/used-book markings inside.This book has hardback covers. In poor condition suitable as a reading copy. Re-bound by library. Medium 8vo with brown marbled boards and brown leather quarter binding. Backstrips missing and front board of vol II. detached. Bumped corners and some general wear. Marbled end papers and edges. Frontispiece with tissue guard. Interior is secure clean and clear though fairly heavily foxed. Contains several plates with tissue guards. Please note the Image in this listing is a stock photo and may not match the covers of the actual item1600grams ISBN: N. Delangle hardcover
183851340Paris: Bourgueleret 1838. Fine. Bourgueleret Paris 1838 14 x 22.50 cm relié Bilingual edition translated by Charles Nodier and first printing of the frontispiece printed on China paper as well as the 10 steel-engraved out-of-text plates by Finden after drawings by Tony Johannot. Half brown shagreen binding with corners spine slightly faded with four raised bands decorated with gilt fillets and compartments embellished with gilt arabesques gilt fillet frame on brown cardboard boards marbled endpapers and pastedowns marbled edges contemporary Romantic binding. Work also illustrated with more than 100 wood-engraved in-text vignettes. Some minor foxing of no consequence. Bourgueleret hardcover
183839099Paris: Bourgueleret 1838. Fine. Bourgueleret Paris 1838 14 x 22.50 cm relié Bilingual edition translated by Charles Nodier and first printing of the frontispiece printed on China paper as well as the 10 hors-texte plates engraved on steel by Finden after drawings by Tony Johannot. Half glazed navy calf binding smooth spine decorated with a gilt cartouche adorned with gilt arabesques light rubbing traces on the joints marbled paper boards marbled endpapers and pastedowns contemporary Romantic binding. Work also illustrated with more than 100 in-text wood-engraved vignettes. Some minor foxing handsome copy in contemporary Romantic binding complete with its tissue guards protecting the 10 hors-texte plates which is rare. Bourgueleret hardcover
183114206s. l. Paris: Extrait de La Revue des deux mondes 1831. Fine. Extrait de La Revue des deux mondes s. l. Paris s. d. 1831 15.50 x 25 cm agrafé First edition. Plain paper cover. Rare. Extrait de La Revue des deux mondes unknown
189874615Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 23 x 35 cm une feuille Rare original lithograph executed by Paul-César Helleu for L'Estampe Moderne series number 20 published in December 1898. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe printing on the reverse some foxing. Lithograph inspired by an extract from Polichinelle by Charles Nodier. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very grand luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too inconsistent owes its reputation not to its own beauty but to its particular affinities with printing ink. Its texture smooth and soft together is more apt than any other to receive a beautiful printing. This property makes China paper sought after for printing engravings."" Anatole France. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art in the same way as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189874614Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1898. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1898 23 x 35 cm une feuille et une serpente Rare original lithograph executed by Patrice Dillon for L'Estampe Moderne series number 20 published in December 1898. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe printing on the reverse; engraving preceded by a tissue guard captioned with the artist's name title and an extract from a work. Lithograph inspired by an extract from Polichinelle by Charles Nodier reproduced on the print's tissue guard. Magnificent French monthly publication edited between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other magazines such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specifically by each artist for the magazine. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Époque. Each issue of four prints was printed in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential printing of very grand luxury: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print of beautiful format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a complete work in itself. Its quality of ink absorption and its affinity with colors also make it the ideal medium for these very beautiful lithographs. French collectors' interest in artistic posters intensified at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral medium became precious and devoted to preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art in the same way as the illustrated luxury book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1888864A16Paris: Librairie des Bibliophiles 1888. Leather. Near Fine. 7" by 4.5". Ad. Lalauze. French translation of Oliver Goldsmith's famous novel 'The Vicar of Wakefield' in two bright volumes. One of the most popular novels among Victorians The Vicar of Wakefield was originally published in 1766 and concerns family endurance and the drama surrounding the Primrose family who live an idyllic country life until they loose finances and their daughter is abducted. A comedic novel told with much sentiment. Written by Oliver Goldsmith popular Anglo-Irish novelist playwright and poet in the Georgian era. This is his most well known work along with the pastoral poem 'The Deserted Village' and his play 'The Good Natur'd Man.'The French edition translated with preface and notes by Charles Nodier. A new edition. Also issued in limited editions. Complete in two volumes. Collated complete with eight full page plates of etchings by Lalauze. Housed in custom marbled slipcase. In uniform quarter morocco binding over marbled boards gilt to top edge. Externally very smart with minor shelf wear only back strip gently faded. Internally firmly bound Odd minor faint spotting to fore edge vol. 2 only not affecting any of the leaves that are bright and clean. Near Fine Librairie des Bibliophiles hardcover
1853919T6Paris: E. Blanchard 1853. Cloth. Good. 7.5" by 5.5". Jacques. The fourth French edition of this classic Victorian novel from Goldsmith with two parts bound in one illustrated throughout. French. Two parts bound in one volume. Fourth French edition. Illustrated throughout. One of the most widely read eighteenth century novels among Victorians this piece follows the lives of the Primrose family through bankruptcy. Written by Oliver Goldsmith an Anglo-Irish novelist dramatist and poet. Translated by Jean Charles Emmanuel Nodier a French author and librarian. Illustrated by Jacques. In the original brown cloth binding with gilt. Externally smart with light rubbing and minor bumping to the extremities. Minor splits in the cloth to the head of the spine with a small puncture mark to the rear board. Internally firmly bound. Pages are very bright with spotting throughout. Good E. Blanchard hardcover
183877696Paris: Bourgueleret 1838. Fine. Bourgueleret Paris 1838 14.50 x 22.50 cm relié Bilingual illustrated edition in first printing translated by Charles Nodier with the English text facing. Notice by Charles Nodier. 10 plates by Johannot on heavy laid paper before letters and more than one hundred vignettes. Printed on fine tinted laid paper. A frontispiece on China paper mounted on heavy laid paper. Text within ruled borders. Full glazed midnight blue calf binding. Smooth spine decorated with long mirror tools. Boards stamped in blind with a large Cathedral plate with foliate scrollwork motifs that seem to reproduce the front cover. Edges gilt. Interior border. Fresh overall but foxing on the frontispiece and title leaf. Traces of rubbing. One upper edge slightly bumped over 0.5cm. The figure p. 341 is missing. Captioned tissue guards present. Handsome copy in a full contemporary binding. The plate used for the boards seems particularly well suited to the work cathedral motifs softened by ornaments foliage and other elements. Bourgueleret hardcover
1836biblio261<p><em>Two volumes. Quarto. Chez Amable Costes. Paris. 1836/1837. </em><em>Complete set with 135 copper engraved plates and two folding engraved maps. </em><em>Premier Partie: viij 56 16 48 28 48 24pp. Engraved half title title section titles folding map slightly darkened to edge 51 copper engraved plates as listed in tables des matières et indication des figures; </em><em>Deuxieme Partie: 136 80 64 64pp. Title section titles 84 copper engraved plates as listed in tables des matieres et indication des figures plus one extra folding map. </em><em>Contemporary quarter morocco faux shagreen vellum corner tips. Spines in six compartments gilt lettering and decoration gilt faded to base of spine Vol. I. Marbled endpapers. All edges blue. Crisp and bright occasional light toning to text. Light shelf wear. A desirable set.</em></p><p><em>Carte Routiere de l'Italie dressee par Th. Duvotenay eleve de M.P.Lapie publiee par Amable Costes 1836.</em></p><p><em>Second map grave Flahaut; ecrit par Arnoul.</em></p> Chez Amable Costes hardcover
184300236Au comptoir des Imprimeurs-Unis 1843. Book. Good. Hardcover. 12mo - over 6¾" - 7¾" tall. In-12 relié Bon Etat. Au comptoir des Imprimeurs-Unis Hardcover
183659408Undated around 1836. 1 leaf 8vo. on light-blue paper. 16 lines and signed "Tout á vous et de coeur/ Charles Nodier" The letter seems to deal with Alexander Dumas' novel "Voyages de Gabriel Payot". On verso of the letter is transscribed in Nodier's hand "Monsieur Alexandre Dumas/ cour d'Orleans No 3./ Paris". Marks after folding. Faint scattered brownspots. unknown
1846JF93London: Chapman and Hall 1846. Book. Illus. by Tony Johannot. Fair. Soft cover. Picture Story Books by Great Authors and Great Painters series. Paperback: embellished with numerous illustrations from designs by Tony Johannot hand coloured colour frontispiece many text illustrations original wraps are slightly marked creases edges lightly rubbed spine is missing and has been covered with gauze internally the binding has been re-glued and a few page folds have been strengthened with paper tape inscription dated 1847 on reverse of front flyleaf some wear on the inside edge of the front flyleaf and colour frontispiece which is also partially loose small piece missing from lower edge of the title page internal marks back flyleaf missing etc - a fair copy of a scarce mid 19th century children's fantasy also includes the story 'The Idiot and his Birds'. 16mo 66 pages 10 publisher's catalogue featuring 'Boy's Own Library and Boy's Own Book. More photos available on request. Chapman and Hall Paperback
18272387Paris: Merlin / Crapelet 1827-1829. FIRST AND ONLY EDITION OF THE EXTREMELY RARE CATALOGUE OF THE FIRST SALE OF NODIER'S LIBRARY held to provide a dowry for his daughter. 2 ii 60 pp; 399 lots. BOUND WITH NODIER'S CELEBRATED "Mélanges tirés d'une petite bibliothèque" a fascinating collection of 52 bibliographic studies. 3 viii 428 pp. Both books printed on fine laid paper. 8vo. Beautifully bound in contemporary quarter calf and decorated boards. Spine gilt in five compartments. Light wear to extremities of binding. Internally bright and fine. Scarce. <br/><br/> Merlin / Crapelet hardcover
1846318171Paris: J. Hetzel 1846. Hardcover. Good. J. Hetzel 1846; no additional printings indicated; 310 1pp. eight plates with etchings by Tony Johannot. Blue cloth binding with stamped gilt titling and designs on spine and both boards; gilt page edges tissue protectors over plates. Binding is sturdy and fully intact; light foxing to a few interior end pages else text illustration very good throughout; moderate amount of wear to edges of boards cloth split/frayed over gently bumped corners and spine ends gilt remains bright and bold. Due to the size/weight of this book extra charges may apply for international shipping. Ships same or next business day from Dinkytown in Minneapolis Minnesota. J. Hetzel hardcover
184543159Paris: Bibliothèque d'Education & de Recréation ca. 1845.- SOLO VOL. 2º de 2 con 2 h. 324 p. 1 h.: Ilustrado con 5 preciosas láminas grabadas al acero; 8º 183 x 12 cm; Texto en francés; Enc. en Media Piel época lomo con hierros en seco y dorados tapas con plancha en seco. Con algunas rozaduras en la cabeza del lomo y las tapas que han sido restauradas quedando el libro muy bien. Aunque no va indicado en el texto sabemos que estos cuentos estaban formados por 2 Tomos. Nosotros solamente ofrecemos el Tomo 2º. o segunda serie. LITERATURA Y ESTUDIOS LITERARIOS EXTRANJEROS DE LOS SIGLOS XVI-XXI Livre en français Bibliothèque d'Education & de Recréation hardcover
1844ABE-1647116823606J. Techener 1844 Hardcover 8vo. 1st ed. 492pp. Half leather over marbled boards. Spine decorated and lettered in gilt. Marbled end pages. "The famous French bookcollector's description and catalogue of his own collection. Each entry 1254 items has bibliographical notes." Age toning/foxing to some pages otherwise clean and tight. Text in French. A lovely rare copy. 1st Edition. Hardcover. Very Good. J. Techener hardcover
184448412Paris J. Techner 1844. 8vo. Bound uncut in contemp. hcalf spine richly gilt and titlelabel with gilt lettering. Small tear at upper hinge. 4IIIVIII5649232428 pp. Clean and fine printed on good paper. <br/><br/><em>First edition of the famous French bookcollector's description and catalogue of his own collection. Each entry 1254 items has bibliographical notes. </em> unknown
184492890Paris : Gallerie des Beaux-Arts - J. Techener - Paulin 1844. 180x125mm. frontispice reliure chagrin. Couverture conservÂŽes. TrÂs bel exemplaire. 205 Gallerie des Beaux-Arts - J. Techener - Paulin unknown
19001381584Paris: Édouard Pelletan 1900. Limited Edition #79/127. Softcover. Quarto xv 28 pages. In Good minus condition. Bound in publisher's tan illustrated covers. Heavy tearing and chipping to spine. Rubbing to edges and corners of covers. Heavy age toning and moderate staining to covers. Textblock completely detached from covers. Rear two gatherings detached from textblock. Previous owner's signature and penciling to front free endpaper. Light penciling to rear free endpaper. Mild age toning with scattered foxing and staining throughout textblock. DH Consignment. Shelved Case 11. 1381584. Shelved Dupont Bookstore. Édouard Pelletan unknown
1820561Paris: Librairie De Gide Fils. 1820. second edition enlarged. G with light rubbing to binding mostly at extremties scattered foxing binding very solid and tight. ; 12mo half burgundy leather over marbled boards black and gilt rules to spine decorative endpapers 206p. uncut 2 VOLS. IN 1 SECONDE EDITION CORRIGEE ET AUGMENTEE. . Librairie De Gide Fils hardcover
180257986Paris 1802. Uncut in original pink blank wrappers inserted in contemp. stiff marbled wrappers and kept in a custom made box in hmorocco spine with gilt title. I-IV5-8 pp. A few brownspots. <br/><br/><em>Extremely scarce first edition of the authors napoleonic satire which landed him in jail when printed. It circulated in manuscript anonymously before it went into print. </em> unknown
1873H3204Paris: Garnier Freres 1873. Hardcover. Near Fine. Published 1873 large 8vo quarter red morocco gilt pebbled cloth boards 471 3 pp illustrated near fine but for lightest wear to binding and some foxing to preliminary and terminal pages. Garnier Freres hardcover
182660403Paris:: A. Thoisnier-Desplaces 1826. old full sheep. 1828 ownership annotations in each volume; some scattered inoffensive foxing; bindings scuffed and worn at extremities but tight and sound. 8vo. A. Thoisnier-Desplaces, unknown
1832023463Paris: Librairie D'Eugene Renduel 1832 Written in French. 373 pages plus table index at back. Printed on laid paper. 8vo Quarter leather and green marbled boards. Leather stamped in gilt and elaborately blindstamped. 4 raised bands on spine. 15 page new preface at front as well as the preface of the first edition. Original ribbon marker now loose. Some various light water staining toward lower third or less of most pages. The strong printed text and bright paper is easily read. Just a few notations. A little scattered foxing. Page edges stained yellow. Boards worn along most edges. Leather worn at head of spine. Tightly bound. near Good condition considering its age. . Librairie D'Eugene Renduel hardcover