WIELAND, Christoph MartinBiblio.com
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17823117Schmieder 1782. WIELAND Christoph Martin. WIELANDS OBERON: Ein Gedicht in verzehn Gesangen. Carlsruhe: Schmieder 1782. 12mo. later green boards with small leather title label on spine and small call mark on a paper label. First Edition. From the series: Collection Of The Best German Prose Writers and Poets. Very Good tight; some scattered foxing text. $75.00. Schmieder unknown
177815281Reutlingen 1778. Satyre auf Chrisoph Martin Wieland der seinerseits auch exotische Romane schrieb Einbd. Weinig berieben.Ex Libris. N.a.V.Gering stockfl. EA 8°. Pbd. d. Zt. Deutsche Literatur unknown
1785001032Leipzig: Weidmanschen Buchhandlung 1785. Full Calf. Very Good. 24mo - over 5 - 5¾" tall. 1785 - 1790. All volumes are tight and calf with some light wear attractive. Pages are considerable age toned and some foxing but otherwise clean and never disconcerting. A very good copy of old and rare collection of German master poet's works. Weidmanschen Buchhandlung unknown
17475492<p><em>Proof Copy of Illuminations on the Occasion of the Wedding of Maximilan Joseph III of Bavaria to Princess Maria Anna of Saxony</em></p><p>WIELAND Matthias. Wahre Abbildung der Beleichtung des Land-Haußes zu München. Welches bey höchster Vermählung S: Regierend Churfürstl: Durtl: sic in Bayrn Maximilian Ioseph mit der Pollnisch- und Chur-Sachßisichen sic Princesin Frauen Maria Anna Churfrtl: Durtl: vorgestöhlet worden den 17.t July annô MDCCXLVII. Munich engraved by Matthias Wieland signed in the plate 1747.£1500</p><p>Broadside 330 x 500mm copper engraving inscribed lower right M: Wieland scul. Mon. Munich 1747; trimmed to or beyond the plate mark on the right touching the framing lines. Two penetrating ink stains on the verso small abrasion in the lower border but overall very clean and crisp printed on strong paper.</p><p>Illuminated festive broadside engraving for the wedding of Prince-Elector Maximilian Joseph III to Maria Anna of Saxony showing the nightly illuminations on the occasion. This is a proof copy: the central medallions for small portraits of the couple are still empty at the foot of the print there is a scale for the precise insertion of the presumably separate portrait plates.</p><p>Maximilian III Joseph 1727 - 1777 also known by his epithet "the much beloved" was a Prince-elector of the Holy Roman Empire and Duke of Bavaria from 1745 to 1777. His marriage to his first cousin Maria Anna Sophia of Saxony in 1747 remained childless. He was the last of the Bavarian branch of the House of Wittelsbach and his early death in 1777 caused problems in the succession of the Wittelbach and eventually resulted in the War of Bavarian Succession.</p><p>At a slightly later date there was fireworks display at the Nymphenburg palace which Wieland depicted on an oversized more than 1000mm copperplate engraving. Ornamentstichsammlung Berlin no. 2912; digitised. He describes himself there as the fireworker Tormentarius. Both sheets are recorded in Maillinger Bilder-Chronik I nos. 976/977 in Pfister Kunstsammlung no. 2650 the present one in its final state.</p><p>The recording of the celebration of the wedding forms part of official art in the Renaissance and the Baroque with a clear political purpose. It made the contemporary viewer see and understand pageantry as an instrument and manifestation of power.</p><p>Provenance: Small crowned monogram stamp of the Franz Joseph Graf von Enzenberg Collection on the reverse Lugt 845 auctioned in March 1879 by Wawra in Vienna. The broadside is not listed separately in the catalogue and was presumably part of the bundles listed at the end.</p><p>Maillinger Bilder-Chronik I nos. 976/977; Pfister Kunstsammlung Monacensia Bavarica no. 2650 only the present one in its final state; British Museum 18591210.1103 for the large fireworks broadside.</p> Wieland
179456867Leipzig Göschen: 1794-98. 8vo. Bound in 32 uniform hcalf. Spines gilt. Title lables with gilt lettering. Internally clean. unknown
177425971Biel 1774. Combabus Verklagte Amor Aspasia Gedanken bey einem schlafenden Endymion Alceste Rücken mit Verlust EA W/G58 Heilmann Kl.-8°. Pbd. Deutsche Literatur unknown
17923198Weidmann Weidmannsche 1792. WIELAND Christopher Martin. OBERON: EIN GEDICHT IN ZWOLF GESANGEN. Leipzig: Weidmann Weidmannsche 1792. 16mo. brown quarter-morocco leather & light-tan boards marbled endpapers; 311 pages. Later Edition. A poem in 12 cantos and considered Wieland's romantic epic masterpiece first published in 1780. It went through seven rewrites and was finally published in its finished form in 1796. Very Good contents clean & tight. $85.00. Weidmann (Weidmannsche) unknown
1768047789<p>Leipzig: Weidmann's Erben und Reich 1768. The scarce 1st edition of Wieland's verse romance The Philosophy of the Graces. A narrative poem that advocates rational unity between the sensual and the spiritual. A classic of Enlightenment literature by Wieland 1733-1813 a key figure in Weimar Classicism along with Goethe Herder and Schiller. 96 pp. German text in fraktur. 12mo hardcover. Rebound in modern paper boards in an appropriate period style. New endpapers. Engraved title page vignette of two wrestlers. Binding is Near Fine. Good internally. Slight trimming at the lower margin of the title. Large old paper repair to tears in the last leaf. In all a sturdy and attractive copy.</p> Weidmann's Erben und Reich hardcover
17686602Leipzig: Weidmanns Erben und Reich 1768. Hardcover. Very Good. 8vo 200 x 121mm. 96pp. Engraved vignette to title depicting arguing characters. Scarce first edition. Original marbled paper board backed with morocco strip lettered in gilt to second compartment; light occasional foxing light edgewear. The German poet and author Christoph Martin Wieland sometimes called the German Voltaire was a typical stylist of the German rococo period. Wieland wrote the Musarion oder die Philosophie der Grazien Musarion or the Philosophy of the Graces in 1768 to open his series of ìlight and gracefulî romances in verse which appealed so irresistibly to his contemporaries and acted as an antidote to the sentimental excesses of the subsequent Sturm und Drang movement. His Musarion can be considered a continuation of his earlier novel Agathon 1766-1767 but the conflict between sensuous delight and purity of character is here softened by a spirit of renunciation. The overarching themes supported the balanced appreciation of the roles of both philosophy and love in a ìgracefulî life. <br/><br/> Leipzig: Weidmanns Erben und Reich hardcover
1799435731Leipzig : in der Weidmannischen Buchhandlung 1799. New Edition. Hardcover. Finely bound in contemporary gilt-tooled half aniline calf over marbled boards. Spine bands and panel edges slightly dust-toned and rubbed as with age. Text remains clear and without blemish. Remains particularly well-preserved overall. Physical description; xxiv152p ; 16 cm. Leipzig : in der Weidmannischen Buchhandlung hardcover
177222175Biel 1772. Fünf Gesänge Nachdruck d. Ausgabe v. 1768 Heilmann Kl.-8°. br. Deutsche Literatur unknown
178219266Dessau: auf Kosten der Verlags-Kasse und zu finden in der Buchhandlung der Gelehrten 1782. First edition. Hardcover. fair. 2 volumes in 1. 8vo. 304pp. 261pp. Paper covered boards. Famous work on the satirical work "Horazen's Briefe" translated from the Latin by renowned German poet and novelist C.M. Wieland see below. Serious age wear water marks and repair to boards with spine missing. Binding still firm. Browning and sporadic foxing with some underlining in red to very few pages not affecting text. Owners' writing to inside of both boards. In German in Gothic letters. binding in poor book in good- condition. On the author:<br /> Christoph Martin Wieland 1733-1813 was a German poet and novelist. He spend his boyhood in Biberach until he was sent to the school of Kloster monastery Bergen in 1747. When he left the school in 1749 he widely read the Latin classics and leading contemporary French writers; amongst German poets his favourites were Brockes and Klopstock. During the summer of 1750 he fell in love with Sophie Gutermann a cousin of his and this love affair inspired him to plan his first ambitious works Lobgesang auf die Liebe 1751 followed by Die Natur der Dinge 1752 a didactic poem in six books of Alexandrine verse. In 1750 he went to the University of Tübingen as a student of law but his time was mainly taken up with literary studies. The poems he wrote at the university are pietistic in tone and dominated by the influence of Klopstock. They attracted the attention of the Swiss literary reformer J.J. Bodmer who invited Wieland to visit him in Zürich in the summer of 1752. Wieland remained in Switzerland until 1760 where he <br /> spent the last year at Bern as a private tutor.Wieland as Gotthold Lessing said "forsook the ethereal spheres to wander again among the sons of men." quoted from the Encyclopedia Britannica Wieland met again his early love Sophie Gutermann who had become the wife of Hofrat La Roche then manager of Count Stadion's estates. The former poet of an austere pietism now became the advocate of a light-hearted philosophy from which frivolity and sensuality were not excluded. In Don Sylvia von Rosalva 1764 a romance in imitation of Don Quixote he held up to ridicule his earlier faiths and in the Comische Erzählungen 1765 he gave his extravagant imagination only too free a rein. More important is the novel Geschichte des Agathon 1766-1767 in which under the guise of a Greek fiction Wieland described his own spiritual and intellectual growth. This work which Lessing recommended as "a novel of classic taste" quoted from the Encyclopedia Britannica marks an epoch in the development of the modern psychological novel. Of equal importance was Wieland's translation of twenty-two of Shakespeare's plays into prose 8 vols. 1762-1766; it was the first attempt to present the English poet to the German people in something approaching entirety.Wieland married in 1765 and between 1769 and 1772 was professor of philosophy at Erfurt. With the exception of some years Weimar remained Wieland's home until his death. Here in 1773 he founded Der teutsche Merkur which under his editorship 1773-1789 became the most influential literary review in Germany. Without creating a school in the strict sense of the term Wieland had a strong influence on the German literature of his time. The verse-romance and the novel--more especially in Austria--benefited by his example and even the Romanticism of the 19th century borrowed from him in its excursions into the literatures of southern Europe. The qualities which distinguish his work his fluent style and light touch his careless frivolity in contrast to poetic depth show him to have been in literary temperament more akin to Ariosto and Voltaire than to the more spiritual and serious leaders of German poetry; but these very qualities in Wieland's poetry introduced a balancing element into German classical literature and added materially to its fullness and completeness. This is not to say however that Wieland shouldn't be counted among the great German poetic geniuses. Kant himself refers to Wieland in the same sentence as Homer citing him as an example of Kant's idea of artistic genius. Critique of Judgment 5:309 quoted in Encyclopedia Britannica. auf Kosten der Verlags-Kasse und zu finden in der Buchhandlung der Gelehrten hardcover
1783373066Carlsruhe : bey Christian Gottlieb Schmieder 1783. Neu umgearbeitete und vermehrte Ausgabe. Hardcover. Worn copy bound in modern decorated boards with gilt decoration to the spine. Wear and tear as with age. Remains well preserved overall; bright and clean. Physical description; 316 pages. Subjects; History of the Abderites. Carlsruhe : bey Christian Gottlieb Schmieder hardcover
1798105081Weidmann Leipzig 1798. 1798. Ohledr. kl 8° 290 278s. Fraktur. Etwas berieben und bestoßen sonst in gutem Zustand LSB85b. HC Weidmann, Leipzig 1798., unknown
178835898Kjöbenhavn Boghandler Lønstrups Forlag 1788. Et samtidigt hldrbd. rygforgyldning og skindtitel. Ryg med brugsspor. To kobberstukne titelblade med vignet af Dresden. 18XVI325;4272 pp. Med subskribentliste. Indvendig med brugsspor og lidt brunpletter. <br/><br/><em>Første danske oversættelse - Ikke i Bibliotheca Danica. </em> unknown
1774105094C. HoffmannWeimar 1774 1774. priv. Pappband 398s. Fraktur. in gutem Zustand WZC14 . HC C. Hoffmann,Weimar 1774, hardcover
1774105093C. Hoffmann Weimar 1774 1774. privater Pappband 366s. Fraktur in gutem Zustand WZC14. 2 HC C. Hoffmann, Weimar 1774, hardcover
1774105095C. HoffmannWeimar 1774 1774. priv. Pappband 302s. Fraktur in gutem Zustand WZC14. HC C. Hoffmann,Weimar 1774, hardcover
1774105092C. HoffmannWeimar 1774 1774. priv. Pappband 380s.Fraktur in gutem Zustand WZC14 2 HC C. Hoffmann,Weimar 1774, hardcover
179036744Weimar 1790. 9. - 12. Stück September - Dezember 1790 1.Jahrg.d."neuen" Merkur Einbdn.gering ber. Ecken best.Zustand insgesamt gut Selbstbestimmtes Leben Kl.-8°. Pbd. d. Zt. Deutsche Literatur unknown
177760031Reuttlingen: Ben Johann Georg Fleischhauer 1777. Octavo 18cm. Two volumes bound together in contemporary half brown leather and glazed paper titled on leather spine labels all edges sprinkled red; marbled pastedowns; 18250pp; 232pp. Externally rubbed and scuffed but internally clean and generally sound: Very Good. A German comic poem in 18 cantos. Ben Johann Georg Fleischhauer unknown
17776046Carlsruhe: Carlsruhe: Christian Gottlieb Schmieder 1777. Hardcover. Very Good. Vol. I xvii 250 pages Vol. II 234 pages Kleine Chronik X 386 pages. Half brown calf with tan boards 5 raised bands and tan leather label on spine edges of text block are dyed red. Condition of book is VERY GOOD; Light wear to front & rear boards binding is very tight occasional light toning & light foxing all text is very legible. Bookplate of Victor Lange on front pastedown also previous owner's name in ink dated 1784. Text in German. STK. Carlsruhe: Christian Gottlieb Schmieder hardcover
177625963Reutlingen 1776. Aus den Archiven der Natur gezogen 2 Teile in einem Band Einband stark ber. 2.Aufl Johann Georg Fleischhauer 8°. Pbd. Deutsche Literatur unknown
177611275AB1776. Karlsruhe Schmieder 1776. 18 : 105 cm. 6 Blatt 314 Seiten Halblederband der Zeit mit Rückenschild. Fliegende Vorsatzte fehlen; Einband berieben Bezugspapier des Rückdeckels fehlt zur Hälfte. unknown
17707943FB1770. 2 Teile in 1 Band. Leipzig Weidmanns Erben und Reich 1770. Kl.-8°. Gest. Frontispiz 2 Kupfer im Text 272 S. - 232 S. Lederband der Zeit mit Rückenschild beschabt oberes Kapital mit kleiner Fehlstelle. Umlaufend roter Sprenkelschnitt. Vorderes Innengelenk sowie Buchblock bei S. 32/33 von Teil 2 angeplatzt. Vorderes fliegendes Blatt mit Resten eines alten Etiketts. Stellenweise geringfügig bis leicht fleckig. Sonst innen in schöner Erhaltung. unknown
