70 résultats
183115881JLondon: Henry Colburn and Richard Bentley 1831. Third Edition corrected and revised by Mary Shelley as well as being the First Illustrated Edition. Engraved frontispieces and illustrated title page by Theodor von Holst depicting Frankenstein and the creature. Late 19th-century brown three-quarter morocco with red leather label and gilt-stamped and tooled spine. Marble endpapers and matching all three marbled sides. Vintage 19th century bookplate of Anthony Salvin and Anne Andrews Neffield. A little foxing to the first few pages else a very good plus copy. Henry Colburn and Richard Bentley hardcover books
18803782London: Reeves and Turner 1880. First Thus. First edition edited by H. Buxton Forman. Together eight octavo volumes 214 x 136 mm. Uniformly bound by Bayntun Rivière of Bath stamp-signed in gilt on front turn-in in mid twentieth-century dark brown crushed levant morocco. Covers with gilt triple fillet border spines decoratively ruled and lettered in gilt in compartments with five raised bands board edges with gilt-dotted rule gilt inner dentelles marbled endpapers all edges gilt. Frontispieces and plates. A spectacular set. Volume I of The Poetical Works is set with a fine oval portrait miniature 81 x 62 mm of Shelley surrounded by an inner oval band of onlaid russet morocco within single gilt fillets and an outer decorative intertwining gilt border which is set with sixteen semi-precious stones. A superb example. From the library of William A. Foyle with his bookplate on front pastedown.<br/><br/>"It would be difficult indeed to over-estimate the gains which have accrued to the lovers of Shelley from the strenuous labours of Mr. Harry Buxton Forman C.B. He too has enlarged the body of Shelley's poetry Mr. Forman's most notable addition is the second part of The Daemon of the World which he printed privately in 1876 and included in his Library Edition of the Poetical Works published in the same year.but important as his editions undoubtedly are it may safely be affirmed that his services in this direction constitute the least part of what we owe him. He has vindicated the authenticity of the text in many places while in many others he has succeeded with the aid of manuscripts in restoring it. His untiring industry in research his wide bibliographical knowledge and experience above all his accuracy as invariable as it is minute have combined to make him in the words of Professor Dowden ‘our chief living authority on all that relates to Shelley's writings.' His name stands securely linked for all time to Shelley's by a long series of notable words including three successive editions 1876 1882 1892 of the Poems an edition of the Prose Remains as well as many minor publications—a Bibliography The Shelley Library 1886 and several Facsimile Reprints of the early issues edited for the Shelley Society" Oxford Edition of The Complete Poetical Works of Percy Bysshe Shelley.<br/><br/>Granniss 89. Reeves and Turner unknown books
1821WRCLIT66924London: C. and J. Ollier 1821. 67-311pp. Octavo. Sewn self-wrappers untrimmed. Some dust tanning at extended edges a few soft creases and light spots of soiling but a very good copy. Full morocco slipcase and chemise. First edition published anonymously and one of Shelley's scarcest later publications. This copy has the title in the form with the colon after the main title. The lady addressed in the subtitle Emilia Viviani is generally regarded as the motivation for the poem's completion rather than its original inspiration as Grannis quotes Richard Garnett's observation that the poem was in its first draft before Shelley made her acquaintance. It was long asserted that the edition consisted of only one hundred copies but recent scholarship suggests a modestly larger edition perhaps on the order of three hundred copies. GRANNISS pp.65-7. WISE P.59. TINKER 1900. NCBEL III:315. C. and J. Ollier unknown books
1823117880London: G. and W.B. Whittaker 1823. Rare first edition of Shelley's second novel which has been called "a meditation on political psychological and sexual power" and is considered by many to be her finest work. 12mo. bound in 19th century three quarter calf over marbled boards by Bumpus gilt titles and tooling to the spine morocco spine labels raised bands. In very good condition contemporary name. A very sharp example. Valperga "was a novel surprisingly long in its gestation " and possibly concurrent with Frankenstein . "Although not published until 1823 its inception actually dates from six years earlier. 'I first thought of it in our library in Marlow' Mary Shelley wrote as she was completing it in 1821." See: Curran Stuart. Cambridge Companion to Mary Shelley". The preface details some literary sources for this historical tale of the fourteenth-century despot Castruccio Castracani. In terms of historical fiction it represents a feminine counterpart to the male romanticism of Sir Walter Scott. Ref: Block p 213; Summers A Gothic Bibliography p. 541. G. and W.B. Whittaker hardcover books
1819219217Livorno Italy: Printed for C. and J. Ollier Vere Street Bond Street 1819. First edition one of 250 copies without initial blank. 104 pp. 1 vols. 8vo 9-1/8 x 5-3/4 inches: 232 x 146 mm. Bound in full green morocco gilt spine t.e.g. by Riviere & Sons professionally rebacked in invisible fashion spine gilt very slightly sunned else fine. Bookplate of Robert Hoe and Blairhame. First edition one of 250 copies without initial blank. 104 pp. 1 vols. 8vo 9-1/8 x 5-3/4 inches: 232 x 146 mm. Hoe Copy of Shelley's verse drama. First edition of Shelley's dramatization of this dark tale of parricide child abuse and incest - based on actual events - and arguably the most enduring Romantic verse-play. Only 250 copies were printed according to Shelley himself. According to Granniss "With the exception of Queen Mab The Cenci is the only one of Shelley's works which reached a second edition during his lifetime ." On the other hand the play was never staged until the Shelley Society produced it on the occasion of Robert Browning's birthday on May 7 1886. Granniss 50; Ashley V 69; not in Tinker Printed for C. and J. Ollier Vere Street, Bond Street unknown books
181927381Livorno Italy: printed for C. and J. Ollier London 1819. First edition 8vo in 4s pp. xiv 104; bound without the initial blank leaf in later full blue straight-grain morocco double gilt-ruled borders on covers enclosing a blindstamped roll gilt-decorated spine in 6 compartments gilt-lettered direct in 1 a.e.g.; nice copy. Printed in an edition of only 250 copies. Shelley had been fascinated by the lurid story of Beatrice Cenci and Guido's portrait of her as seen in the Columna palace at Rome and originally intended the latter to be copied as a frontispiece for this book. He worked exceptionally fast on his version of the tragedy starting in May and ending in August of his annus mirabilis the same year he wrote Prometheus Unbound The Masque of Anarchy and the 'Ode to the West Wind.' The book is excellently produced well printed on thick laid paper: "It has a few errors of the press incidental to the Italian compositors' ignorance of English . but on the whole it seems to me a preferable text to the second edition -- a text more like the absolute production of Shelley" Foreman. This is the only book of Shelley's to reach a second edition in his lifetime. It is dedicated to Leigh Hunt. Forman p. 56; Wise p. 51; Ashley Library V p. 69. <br/><br/> printed for C. and J. Ollier, London unknown books
1824140941633London: Printed for John and Henry L. Hunt 1824. First Edition. Near Fine. First edition. xi iii 415 1 pp. bound with the errata leaf. Later green calf gilt smooth spine gilt brown decorative morocco lettering-pieces gilt all edges gilt blue marbled endpapers stamp-signed by Zaehnsdorf for A. C. McClurg. Near Fine with slightly sunned spine some minor rubbing to extremities. From the collection of Louis V. Ledoux 1880-1948 poet and Japanese print collector with his bookplate. An attractive copy. One of only 500 copies. Printed for John and Henry L. Hunt unknown books
1822146161822. in original boards London: Printed and Published by R. Carlile 1822. Original drab paper-covered boards. First Published Edition second issue -- which is to say the sheets of William Clark's 1821 pirated edition with the 1822 cancel title leaf of radical publisher Richard Carlile. "Queen Mab a Philosophical Poem in Nine Cantos with Seventeen Notes" -- Shelley's first major poetic work -- was first privately-printed in 1813. Since it was a radical and revolutionary vision of a utopian world from an atheistic viewpoint Shelley never intended it to go beyond his friends. But in 1821 a stash of the undistributed sheets was discovered by London bookseller William Clark and the result was an 1821 pirated edition with the help of the infamous book pirate Thomas Moses whose monogram also appears here on the final page of text. Shelley tried to suppress this Clark/Moses edition but was unsuccessful because the courts ruled that "books liable to conviction for blasphemy or sedition are not entitled to legal protection." Clark spent four months in prison courtesy of the Society for the Prevention of Vice; Clark's sheets ultimately fell into the hands of his former employer Richard Carlile who issued this edition with his own title leaf in 1822 -- Shelley having just drowned off the coast of Italy in July 1822. This copy includes at the rear Shelley's dedicatory poem "To Harriet which had appeared in his 1813 copies but which Shelley had ever since tried to suppress -- and for good reason. In 1811 19-year-old Shelley had eloped with 16-year-old Harriet Westbrook under her threat that she would otherwise take her own life; in July 1814 -- after the 1813 QUEEN MAB was printed with its dedication -- Shelley fled pregnant Harriet for the Continent with Mary Godwin and after Harriet did in fact take her own life married Mary at the end of 1816. In 1818 Mary's FRANKENSTEIN was published. This copy is still remarkably in the original drab paper-covered boards albeit without spine label; the leaves are uncut and the original endpapers are intact. There is minor edge-wear and one small patch of the spine has chipped away but this is certainly near-fine condition. Housed in a cloth clamshell case with leather label. Incidentally in the legendary eight-day Jerome Kern sale of January 1929 the highest price achieved today just over $1 million was by a copy of QUEEN MAB annotated by Shelley -- thanks to Lee Biondi for this tidbit. unknown books
182254896London: Charles and James Ollier 1822. First edition 8vo pp. 7 viii-xi 1 60; ca. 1970s full red goatskin triple gilt rules on covers gilt-decorated spine in 6 compartments gilt-lettered direct in 3; the binding is signed on the turn-in "Ex Libris Brent Gration-Maxfield 1972." With the final leaf containing "Written on Hearing the News of the Death of Napoleon." A fine copy. Hellas was the last work Shelley published since three months later on 8 July 1822 he drowned in the Bay of Spezia. Ashley Library V pp. 84-85; Tinker 1902. <br/><br/> Charles and James Ollier unknown books
1835170915004New York: Wallis and Newell 1835. First Edition. Hardcover. Very Good. First American edition. Following the three volume British edition. Two volumes in one. Bound with The Naval Officer by Frederick Marryat as issued. 228; 219pp. Period half calf and marbled boards morocco spine label lettered in gilt. About Very Good. Small stain in upper margin of first 60 pages or so of Lodore. Crease down middle of spine wear to edges. Some textual foxing and spotting heaviest at Naval Officer title page and facing last page of Lodore; wrinkling to pages of Naval Officer. Published as part of the Franklin Library series but fortunately unlike most surviving copies not an institutional copy. The rare first American appearance of a proto-feminist novel by Mary Shelley best-known as the author of Frankenstein also known as The Beautiful Widow. Wallis and Newell hardcover books
1843245808London: Reprinted for Thomas Rodd Great Newport Street Compton & Ritchie Printers Middle Street Cloth Fair 1843. First edition. 16 pp. 1 vols. 8vo. Sewn as issued. In half blue morocco slipcase and chemise. Fine. First edition. 16 pp. 1 vols. 8vo. 'Liberty is dead!' - Political Tract by Shelley. According to Wise: "In 1843 when advertising the present pamphlet for sale Rodd asserted that it was a facsimile reprint of an alleged original edition of which the author had printed twenty copies in 1816. No example of this mysterious original has ever been unearthed; no trace of it beyond Rodd's own statement has ever been discovered; and no mention of any kind either of its printing or distribution is to be found in the correspondence of Shelley or any of his friends. My own opinion is that no original ever existed that the private impression of twenty copies was a myth and that Rodd's so-called facsimile reprint of 1843 is in fact the actual princeps of the Address."<br/>Political essay arguing that the death of Princess Charlotte in childbirth was "a private grief" while the execution of three weavers for high treason in Derbyshire was a national tragedy.<br/>"The execution of Brandreth Ludlam and Turner is an event of quite a different character from the death of Princess Charlotte . It is a national calamity that we endure men to rule over us who sanction for whatever ends a conspiracy which is to arrive at its purpose through such a frightful pouring forth of human blood and agony . Liberty is dead!"<br/>Uncommon. Ashley V p. 64; Granniss Shelley pp. 43-44; Wise Shelley p. 46 Reprinted for Thomas Rodd, Great Newport Street (Compton & Ritchie, Printers, Middle Street, Cloth Fair) unknown books
1821226038Livorno Italy: C. and J. Ollier 1821. Second edition but the first to appear in England; the book was first printed in Livorno Italy in 1819 in an edition of only 250 copies. xvii 103 pp. 1 vols. 8vo. Later half red morocco spine gilt t.e.g. others uncut. Fine copy. Second edition but the first to appear in England; the book was first printed in Livorno Italy in 1819 in an edition of only 250 copies. xvii 103 pp. 1 vols. 8vo. Ashley Library V p. 69; Wise: A Shelley Library p.51 C. and J. Ollier unknown books
1832000649London: Edward Moxon 1832 1832. FIRST EDITION FIRST BINDING COMPLETELY UNRESTORED. 1 vol. 12mo bound in the original tan boards the secondary binding was cloth printed paper spine label partially present uncut as issued outer hinges starting inner hinges fine internally clean and bright a VERY GOOD UNSOPHISTICATED COPY. Housed in a full green straight grained morocco solider slipcase gilt lettered spine. <br /><br />Written to denounce the state of things that occasioned the notorious 'Peterloo Massacre' at Manchester in 1819 for publication in The Examiner but turned down by the editor Leigh Hunt ".because he thought that the public at large had not become sufficiently discerning to do justice to the sincerity and kind-heartedness of the spirit that walked in this flaming robe of verse." London: Edward Moxon, 1832 hardcover books
1892318687Cambridge: Printed at the Riverside Press 1892. Large Paper Edition limited to 250 numbered copies inscribed by the editor on the ffep of Volume I: "To Mr. and Mrs. Lewis S. Bigelow/ from their friend/ G.E.R. Woodberry/ April 13 1901. 8vo. Bound in modern half brown morocco over marbled boards spines gilt with burgundy and green calf title labels some foxing to endpapers uncut and largely unopened else fine. Large Paper Edition limited to 250 numbered copies inscribed by the editor on the ffep of Volume I: "To Mr. and Mrs. Lewis S. Bigelow/ from their friend/ G.E.R. Woodberry/ April 13 1901." 8vo. Centenary Edition. Printed at the Riverside Press unknown books
1888260925London: Printed for private circulation for the Shelley Society 1888. One of three copies on vellum signed by the printers Richard Clay & Sons. ii 17 9 pp. 8vo 8-1/2 x 5-1/4 inches. Polished tan calf gilt spine front hinge started but holding by Tout. Bookplate of Edwin B. Holden. One of three copies on vellum signed by the printers Richard Clay & Sons. ii 17 9 pp. 8vo 8-1/2 x 5-1/4 inches. Printed for private circulation [for the Shelley Society] unknown books
1821114154London: Clark 1821. First. hardcover. near fine. Later 1/2 brown morocco over marbled boards spine gilt with five raised bands g.t. London: W. Clark 1821. First published edition after a privately printed edition in 1813. Pirated edition printed in 1821 by Clark -- who spent 4 months in prison for it -- without Shelley's authorization.<br/><br/> Title page expertly repaired; although it lacks the advertising leaf and has the bowdlerized text with words being replaced by hyphens on several pages the rare dedication page in verse to Harriet his first wife who had committed suicide in 1816 usually missing is present as is Clark's imprint on the final page of text.<br/><br/> Clark unknown books
188660258London: Reeves & Turner 1886. Second edition with the notes of Mary Wollstonecraft Shelley. Thick 8vo. 2 volumes: xcvii 3 572; xiv 2 580 14 publisher's catalogue pp. Frontispiece to each volume. Noted lawyer Clarence Darrow's copy with his signature in both volumes bookplate in volume one and library stamp in volume two. Darrow 1857-1938 was best known for his defense of John Scopes in what became known as the Scopes "Monkey" Trial Eugene Debs arrested during the Pullman strike and Nathan Leopold and Richard Loeb tried and convicted of murdering a 14-year old boy as well as for his work with the American Civil Liberties Union. Dark blue cloth some wear to spine ends particularly at the head of volume one with beautifully gilt illustrated covers. Front joint of volume one split approximately 3 inches at the top and 1 inch at the bottom short split to upper joint of volume two and some separation at hinge of several signatures but a very good copy with a wonderful association. <br/><br/> Reeves & Turner hardcover books
181834239London: Printed for C. and J. Ollier 1818. First edition revised issue of "Laon and Cythna" with the cancels and new title this copy with the 1818 date. With leaf d1 bearing the Pindar quote and "Revolt of Islam" title lacking blank b2 as usual and the errata leaf at end. Pp. ii v-xxxii 2 270 errata. 1 vols. 8vo. Contemporary half black morocco marbled boards. Some rubbing upper joint starting some offsetting and spotting else very good from the library of James Lorimer Graham with his bookplate. First edition revised issue of "Laon and Cythna" with the cancels and new title this copy with the 1818 date. With leaf d1 bearing the Pindar quote and "Revolt of Islam" title lacking blank b2 as usual and the errata leaf at end. Pp. ii v-xxxii 2 270 errata. 1 vols. 8vo. James Lorimer Graham was the fourth Duke and seventh Marquis of Montrose. At this time he was the Marquis of Graham. He was a statesman serving as privy councillor a commissioner of the India board lord steward of the queen's household chancellor of the duchy of Lancaster postmaster-general where he was involved in several important changes including the Electric Telegraphs Bill which put the telegraphic communication system in the hands of the post office and also Chancellor of the University of Glasgow. Granniss 43-44; Ashley 5:68 Printed for C. and J. Ollier unknown books
186993832Boston:: Sever Francis & Co. Good. 1869. Hardcover. Third American edition. Small octavo bound in burgundy cloth with the title in gilt lettering on the spine dark brown endpapers. An ex-library copy with typical markings: moderate to heavy shelf wear and aging frayed with loss at the spine ends library book-plate on front paste-down small library stamp on title page library pocket and card on rear paste-down occasional foxing throughout text block else good. ; 177 pages . Sever, Francis, & Co., hardcover books
1818WRCLIT65256London: Printed for C. and J. Ollier 1818. 2v-xxxii2270pp. plus errata. Large octavo. Full ruby-red morocco raised bands gilt inner dentelles t.e.g. by Riviere. Some rubs to joints and tips faint signs of ownership stamp in lower margin of title occasional small marginal spots and tanning; generally a very good copy with the erratab2 bound at the end. First edition second state comprised of sheets from LAON AND CYTHNA equipped with a cancel title and considerably revised via some 26 cancel leaves. A few copies appeared with title-leaves misdated 1817. TINKER 1895. GRANNISS P.50. WISE SHELLEY LIBRARY p.50. Printed for C. and J. Ollier hardcover books
1843260343London: Thomas Rudd 1843. First. unbound. fine. 16 pages stitched as issued. Enclosed in a a half crimson morocco slipcase spine elaborately gilt; inner cloth wrappers. London: Thomas Rudd 1843. First Edition<br/><br/> The publisher states that this is a facsimile reprint of the original edition of 20 copies printed in 1816 but no evidence indicates the existence of such an edition.<br/><br/> Thomas Rudd unknown books
187623925London: Reeves & Turner 1876. 4 volumes 8vo later full green pebble-grain morocco gilt rules on covers fleurons in the corners inner dentelles gilt decorated spines a.e.g. by Little Brown & Co.; Franklin Dexter bookplates; 10 plates and facsimiles; slight rubbing but near fine throughout. <br/><br/> Reeves & Turner unknown books
187095863London: E. Moxon Son & Co 1870. Finely bound example of the Poetical Works of Shelley. Octavo 2 volumes. Bound in full contemporary calf by Zaehnsdorf gilt titles and tooling to the spine morocco spine labels gilt ruled raised bands inner dentelles top edge gilt marbled endpapers. Frontispiece of Shelley to volume one. Folding facsimile manuscript of Shelley's writing to volume two. Carefully revised with notes and a memoir by William Michael Rossetti. In near fine condition. Percy Bysshe Shelley was one of the major English Romantic poets and is regarded as among the finest lyric poets in the English language and one of the most influential. A radical in his poetry as well as in his political and social views Shelley did not see fame during his lifetime but recognition for his poetry grew steadily following his death. Shelley was a key member of a close circle of visionary poets and writers that included Lord Byron Leigh Hunt Thomas Love Peacock and his own second wife Mary Shelley the author of Frankenstein. E. Moxon, Son, & Co hardcover books
1843400585London: "Reprinted for Thomas Rodd" 1843. First edition. Fine. 8vo. Gatherings stitched; red morocco slipcase. According to Wise: "In 1843 when advertising the present pamphlet for sale Rodd asserted that it was a facsimile reprint of an alleged original edition of which the author had printed twenty copies in 1816. No example of this mysterious original has ever been unearthed; no trace of it beyond Rodd's own statement has ever been discovered; and no mention of any kind either of its printing or distribution is to be found in the correspondence of Shelley or any of his friends. My own opinion is that no original ever existed that the private impression of twenty copies was a myth and that Rodd's so-called facsimile reprint of 1843 is in fact the actual princeps of the Address" Ashley V p.64. Granniss Shelley pp.43-44; Wise Shelley p.46. <br/><br/> "Reprinted for Thomas Rodd" unknown books
1852299677London: Edward Moxon 1852. hardcover. fine. Edited by Mrs. Shelley. 5 vols. 12mo full tan polished calf decoratively gilt spines black leather spine labels marbled edges. London: Edward Moxon 1852. A charming set. Fine.<br/><br/> Edward Moxon unknown books