269 résultats
195531184London: The Golden Cockerel Press 1955. Hardcover. Very good-/No dust jacket. London: The Golden Cockerel Press 1955. Introduction by Phyllis Harnoll Engravings by Cecil Keeling. Numerous b/w engraving. 131 pp. Hardcover. Large 8vo size. Black embossed cloth over red marbled paper covered boards. Gilt lettering to spine. Extremities slightly bumped and rubbed; corners worn. Very slight scattered foxing and soiling only to endpapers. Else quite good; clean and bright binding tight. Very good-/No dust jacket. Oversized - extra shipping charges apply Insurance required to ship this item. The Golden Cockerel Press hardcover books
1963134888Hollywood: Paramount Pictures 1963. Revised Final White script for the 1963 film. Copy belonging to a crew member presumed with annotations in holograph ink and pencil on both sides of the first page. <br/><br/>Based on a screenplay by Jacqueline "Jay" Presson Allen a romantic comedy about unsuccessful writer Bill Austin Johnson who lives in New York with his wife Bertie Leigh. Their lives change dramatically when Bill's first novel becomes a bestseller and he persuades Bertie to quit her job and move to the suburbs. Bill begins working long hours on Broadway adapting his novel for the theater and he spends more and more time with his attractive agent Lucinda Ford Hyer. Bertie is suspicious and begins courting actor Gar Aldrich Jeremy Slate. <br/> <br/>Set in New York shot on location in California. Edith Head was nominated for an Oscar for her costume designs. <br/><br/>Playwright and screenwriter Jay Allen was living in New York when she wrote the screenplay performing on radio and in cabaret both of which she loathed so much that she tried to get fired from nearly every production. After a long period of writer's block she started writing again and sold some of her work to live television programs like "The Philco Television Playhouse." When she married Lewis M. Allen in 1955 they moved to the countryside where Allen had a baby and spent two and a half "absolutely wonderful years in the country."<br/><br/>Eventually the couple came back to the city to work. Allen drew on her married life and wrote "The First Wife" a witty script about a suburban working couple. When Allen read Muriel Spark's "The Prime of Miss Jean Brodie" she instantly saw the books potential for stage adaptation. After undergoing hypnotherapy to alleviate another bout of writer's block Allen produced a draft of the play in three days. <br/><br/>Allen's notable film credits as screenwriter include "Marnie" 1964 "The Prime of Miss Jean Brodie" 1969 "Cabaret" 1972 "A Star Is Born" 1976 "Deathtrap" and "The Verdict" both 1982 and "Lord of the Flies" 1990. <br/><br/>Self wrappers noted as REVISED FINAL WHITE SCRIPT on the front wrapper rubber-stamped copy No. 107 and production No. 10228 dated February 1 1963 with a credit for screenwriter Anhalt. Title page integral with front wrapper. 160 leaves with last page of text numbered 158. Mimeograph on eye-rest green stock dated 2/1/63 and 2/4/63. Pages Near Fine bound with two silver brads. Paramount Pictures unknown books
1976UOTTWHE00VFFunk and Wagnalls 1976. Very Good. Otten Jane. When Your Parents Grow Old. Shelley Florence D. NY: Funk and Wagnalls 1976. 298pp. Indexed. 8vo. Hardcover. Book condition: Very good. Slight shelf wear. Dust Jacket Condition: Very good. Slight shelf wear. Funk and Wagnalls hardcover books
199048515NY: Vantage Press 1990. Hardcover. Very good. 18pp. Very good hardback in a very good dustjacket. Inscribed and signed by Jones to author Terry Kay on the front free endpaper. <br/><br/> Vantage Press hardcover books
1998162038Washington: National Gallery of Art 1998. Hardcover. VG. Illus. boards with crimson spine; 253 pp. BW illus. A compilation of information "about watermarks in the papers used by Rembrandt. The vast extent of the corpus of Rembrandt's printed work -- the sheer number of surviving works on paper -- lends itself to such a far-reaching study. The authors have relied on the precise information now available in radiographic images to verify the accuracy of the watermarks in question and they have organized their material and presented it in a format that is easily accessible to the researcher. Perhaps even more important than its uses for Rembrandt print research is that the methodology developed in preparign this book might well become a model or even a stimulus for similar projects on other artists in the future." foreword. National Gallery of Art hardcover books
19937374New York: Oxford University Press 1993. 1st edition. Hardback. Dust jacket. F/F. 270 pp including index an occasional illustration 8vo. <br/><br/>The role African-American voices played in the creation of Huck Finn as believed by Fishkin at any rate. Oxford University Press hardcover books
1990406473Dresden: Verlag der Kunst 1990. A near fine copy. 11.25 x 9.5 inches. 211 pages. Profusely illustrated in black-and-white. Original white cloth; pictorial dust jacket. First edition inscribed by the artist on the title page. With 140 full-page photographs. <br/><br/> Verlag der Kunst hardcover books
1990135532Dresden: Verlag der Kunst 1990. First edition. Hardcover. 211 pages. Text in English and German with essays by Shelley Rice and Naomi Rosenblum. A wide ranging collection of black and white images taken from Rosenblum's long career. A fine copy in a very near fine dust jacket. Signed and warmly inscribed by Rosenblum on the title page. Verlag der Kunst unknown books
1990221882Dresden: Verlag der Kunst 1990. First. hardcover. fine/fine. Numerous photographic illustrations throughout. 211 pages with text in English and German. Square 4to white cloth d.w. Dresden: Verlag der Kunst 1990. A fine copy in a fine dust wrapper. Inscribed by the photographer.<br/><br/> Verlag der Kunst unknown books
1990197194New York: Visibilities. Susan T. Chasin 1990. Magazine. 26p. 8x11 inches illustrations and photos stapled pictorial wraps. magazine format. Dykes to Watch Out For cartoon on inner cover. Visibilities. Susan T. Chasin unknown books
19023497London: Hacon and Ricketts The Vale Press 1902. First editions thus. First editions thus. Tall 8vo. Two separate titles five total volumes two Keats three Shelley. A superb set of both Vale Press titles sold here together since bound similar and obviously stored safely together by the same owner as all five volumes in fine condition. Bound in publisher's original beige smooth buckram cloth. Borders initials and decorations including a full-page decorative title in each volume of the Shelley and double-page title spread in the Keats by Charles Ricketts. Spine as near to original hue as ever seen. Browning to prelims in the Keats but no browning in the three Shelley volumes amazingly. Shelley all three volumes unopened.The finest set of all five we have ever seen and thus selling as a unit. Hacon and Ricketts, The Vale Press unknown books
1992249370Boulder: Westview Press 1992. Paperback. ix 278p. glossy softbound in 9x6 decorated wraps an unmolested copy sound clean and unmarked. Westview Press paperback books
1940WRCLIT80021Ysleta TX: Press of Edwin B. Hill 1940. Two printed leaves mounted inside a printed leaflet 20.5 x 14 cm. Fine. First printing in this format of a poem by Hunt first printed in the LONDON MERCURY. One of 23 copies printed. OCLC/Worldcat accounts for 12 of those 23. Press of Edwin B. Hill unknown books
1965368666Garden City: Doubleday & Company 1965. Hardcover. Near Fine/Very Good. First edition. Slightly bowed rear board else about near fine in a very good spine darkened dustwrapper with short tears and shallow chips. Signed by the author. Doubleday & Company hardcover books
198836345Columbia MA: University of Missouri 1988. First Edition. Small 4to pp. 112. Notes bibliograph index. Illustrated in black and white. Fine in slightly scuffed dj. University of Missouri unknown books
1988174124Columbia MO: University of Missouri Press 1988. Hardcover. VG/VG- light fading to dust jacket at spine. Gray cloth boards with gilt spine lettering. Glossy gray and illustrated dust jacket with purple lettering. ix 112 pp. BW illustrations. Thomas Stothard 1755-1834 was probably the most prolific illustrator of his times executing designs for everything from landscape sculpture and history painting to ceramics silverwork and book illustration. The resounding popularity of his art attests to the extent to which his decorative style and sentimental subject matter appealed to a wide range of his contemporaries. The general spread of his fame and the rise of his prices must be measured against this background. His sentimental art is a challenge to the accepted notion that political artists produce only" tough" art. An account of Stothard's life in particular of the special nature of his relation to his employers reveals the increasingly complex role of the artist in an industrial society. University of Missouri Press hardcover books
1974130358Beverly Hills CA: United Artists 1974. Lobby card from the 1974 film an early and unusual entry in the American neo-noir canon. Based on the 1937 novel a hard boiled classic by proletarian writer Edward Anderson. <br/><br/>Robert Altman made almost no mistakes in the 1970s and this was one of the many high spots. The director along with novelist-screenwriter Calder Willingham adapted a forgotten but seminal work from the dust bowl era and brought it to life with Carradine and Duvall two actors who were staples of his highly successful stable of actors during the New Hollywood era. <br/><br/>11 x 14 inches. Near Fine with a couple of shallow corner creases and some light rubbing. <br/><br/>Hanna 69. Spicer p. 436. United Artists unknown books
1960118802Los Angeles: United Artists / Contemporary Productions / Harold Hecht Productions 1960. Draft script for the 1961 film "The Young Savages" here under its working title "A Matter of Conviction" SIGNED by director John Frankeheimer on the front wrapper. Directed by Frankenheimer based on the 1959 novel "A Matter of Conviction" by Evan Hunter who also wrote as Ed McBain written for the screen by Edward Anhalt and J.P. Miller and starring Burt Lancaster Dina Merrill Shelley Winters Telly Savalas. <br/><br/>One of the first "thinking man's pictures" of the 1960s addressing the topic of juvenile delinquency head-on with Lancaster as a lawyer initially bent on prosecuting a group of young thugs then coming around to them as he studies the details of the case. The first of four films that Lancaster would make with director Frankenheimer. <br/><br/>Light blue titled wrappers with only the title on the front wrapper and a holograph ink notation at the top edge of same reading "Lanchester" sic which is possibly contemporary to the script's use and possibly later. Title page present with a date of April 9 1960 and a credit for Harold Hecht Productions also known as Hecht-Hill-Lancaster Productions. 131 leaves mimeograph duplication rectos only. Pages Near Fine wrapper Very Good plus with light fading and a couple of short closed tears at the edges bound with two gold brads. United Artists / Contemporary Productions / Harold Hecht Productions unknown books
1976WRCLIT34086Oxford: Clarendon Press 1976. Cloth. First edition. Poet Cid Corman's copy with his ownership signature and extensive annotations. About fine in lightly sunned dust jacket. Clarendon Press hardcover books
196899680New York: Atheneum 1968. hardcover. very good. Profusely illustrated. x 478pp. 8vo cloth. Atheneum 1968. A very good copy.<br/><br/> Atheneum unknown books
1996002384New York: Oxford Univ Press 1996. From the 29 volume Oxford Mark Twain in red cloth library binding and with library ISBN #. This series was reproduced by Oxford as facsimiles of the original American editions complete with reproductions of the original illustrations. Introduction by Walter Mosley Afterword by Twain scholar Lillian S. Robinson and SIGNED BY BOTH on the half-title page. A signed limited First Edition was printed in an edition of 300 but SIGNED copies of the library edition are exceedingly SCARCE making this a unique opportunity for a completist collector. In As New condition. . SIGNED. First Edition Thus. Cloth. As New/No Jacket As Issued. Oxford Univ Press Hardcover books
199236034NY: Wiley-Liss 1992. Hardcover. Very good. xvii 257pp index. Ink name on front free endpaper else a very good hardback bound in publisher's illustrated boards and issued without a jacket. <br/><br/> Wiley-Liss hardcover books
1960148524London: Hammer Film Productions 1960. Draft script for the 1961 Hammer film with name of editor John Pomeroy written in holograph ink and struck over with holograph pencil with copy No. 51 noted in holograph pencil all at the top margin of the front wrapper. Three pages of the script have annotations in holograph ink highlighting a section of dialogue and action.<br/><br/>House cat Tabitha witnesses the brutal murder of her mistress and becomes a ferocious killer seeking revenge.<br/><br/>Red untitled wrappers with die-cut title window in the British style. Title page present. 106 leaves with last page of text numbered 105. Mimeograph duplication rectos only. Pages Near Fine wrapper Near Fine bound internally with three flat metal brads.<br/><br/>Johnson and Del Vecchio Hammer Films: An Exhaustive Filmography pp. 203-205. Hammer Film Productions unknown books
191121671London & Philadelphia: William Heinemann & J. B. Lippincott Co 1911. leather_bound. Orig. pictorial gilt vellum. Teg. Very good. Robinson Charles. 128 pages. 27 x 20.5 cm. Deluxe issue 18 tipped-in colour plates by Charles Robinson tissue-guards pictorial endpapers wide text margins plethora of line drawings printed on heavy stock. Spine slightly darkened some age spotting back cover. William Heinemann & J. B. Lippincott Co unknown books
19113764London/Philadelphia: William Heinemann/J.B. Lippincott Co 1911. First Thus. First U.K. Robinson-illustrated Deluxe edition a Heinemann "Xmas Art Book" that originally sold for 15 shillings. Publisher's deluxe binding of full vellum over boards front cover and spine elaborately stamped and lettered in gilt pictorial end-papers top edge gilt. In the scarce original pictorial dust jacket with just some very minor rubbing at extremities. Small neat and inoffensive ink stamped signature on half-title and title-page. Quarto 10 3/8 x 7 3/4 in; 264 x 195 mm. Collating xii 4 17-127 1. Eighteen full color tipped-in plates including frontispiece with captioned tissue guards. Small color halftone or black and white some full page illustrations to each page. Housed in the original green cardboard slipcase with the color illustration from page 61 on front panel. A tight bright and Fine copy of this generously produced volume.<br/><br/>"No more tastefully illustrated book of verse could be desired than the elaborately artistic edition of Shelley's Sensitive Plant edited by Mr. Edmund Gosse illustrated with much richness of coloring and gracefulness of design by Mr.<br/>Charles Robinson and imported by the Lippincott Co. Mr. Gosse's introduction throws new light on the ' Lady the wonder of her kind' who played the part of 'an Eve in this Eden ' where grew the sensitive plant. Drawing upon Medwin's notes to a never-published second edition of his life of the poet he tells us that this paragon of her sex was a certain Countess of Mountcashell an Irish lady about fifty years of age of sufficient unconventionality to be welcomed by Shelley and his company as a congenial spirit. The notes on this lady and the editor's gleaning of facts concerning the mimosa pudica or sensitive plant celebrated bythe poet are interesting. The illustrations large and small accompanying the slender thread of text form the conspicuous feature of the book and make it one of the most sumptuous gift volumes of the year. The cover design is a thing of beauty"The Dial 1911. William Heinemann/J.B. Lippincott Co unknown books