106 résultats
1820580073London: Keating and Brown 1820. In three parts. Bokkplate of Edmund de Pentheny o'Kelly. Advertising leaf at end. Pages foxing. Bookplate on inside front cover. Library stamps on front endpaper. Library label on front cover. Cover scuffed. This book has hardback covers. Ex-library. With usual stamps and markings. in poor condition suitable as a reading copy. No dust jacket. Please note the Image in this listing is a stock photo and may not match the covers of the actual item250grams ISBN: Keating and Brown hardcover
1852021742William Pickering; London. 1852. The Aldine Edition of the British Poets. . Hard. Good. 12mo. 7". Engraved portrait frontispiece to volume I. Good. Publishers cloth. Covers a little rubbed and sunned to spines particularly. Printed paper labels to spines. Armorial bookplate of the British Conservative politician Arthur Jeffreys to each front pastedown. Slightly foxed. <br/> <br/> William Pickering; London. unknown
1808979Z3London: W. Suttaby 1808. Leather. Good. 5" by 3". None stated. A charming miniature all in one volume containing Dryden's translation of the poetical works of Virgil bound in half calf. A 'complete in one volume' miniature edition.Illustrated with a monochrome frontispiece and an engraved title page. John Dryden's translation of the poetical works of Virgil Publius Vergilius Maro containing a biographical account of his life his 'Pastorals' 'Georgics' and 'Aenid'. This translation was Dryden's defining work as a translator. Virgil is regarded as one of Rome's greatest poets. His 'Aeneid' is considered to be a national epic of Ancient Rome. It is modelled after Homer's 'Iliad' and 'Odyssey'. Bound in contemporary half calf. Bound in contemporary half calf. Externally front joint starting with rubbing to the extremities joints and boards. Front free endpaper starting. Internally firmly bound with tidemarks to the title page and frontispiece with minimal age toning and light spotting to the extremities. Good W. Suttaby hardcover
1855919Y40Stuttgart : J. B. Metzler 1855. Leather. Very Good. 6" by 4.5". None. A smart collection of poetical works from England's first Poet Laureate John Dryden with very scarce biographical and critical notes by one Ludwig Gantter. A smart series of works from English poet literary critic and playwright John Dryden who was appointed England's first Poet Laureate in 1668.Bound in quarter morocco with marbled boards and endpapers. Dryden is widely regarded as the dominating literary figure of Restoration England so much so that the period came to be known in literary circles as the "Age of Dryden." This book contains a biographical sketch of the poet by Ludwig Gantter and critical notices from the likes of Sir Walter Scott Thomas Campbell and Thomas Babington Macaulay among others. In quarter morocco binding with marbled boards and endpapers. Externally smart with rubbing to the extremities and light marks. Internally firmly bound. Pages are generally bright with scattered spotting heaviest to the first and last few leaves. Very Good J. B. Metzler hardcover
1803042132London: Printed by James Swan for Vernor and Hood; Cuthell and Martin; J. Walker; Lackington Allen and Co.; Wynne and Scholey; and J. Scatcherd 1803. Book. Good. Full-Leather. First Thus. 8vo - over 7¾" - 9¾" tall. Complete in three 3 volumes uniformly bound in tree calf lettered in gilt on burgundy title panels covers bordered in gilt decoration. All boards present both detached on Vols. I and III loose on Vol. II leather rubbed but still presentable viable candidates for professional restoration. 1833 gift inscription on front flyleaf of each volume. xxxiixcii224 iii326 ivcxvi260 pp. illus. w/ engraved plates. Scattered internal foxing and soiling generally light. Exteriors Fair to Good interiors VG. Printed by James Swan for Vernor and Hood; Cuthell and Martin; J. Walker; Lackington, Allen and Co.; Wynne and Scholey; and J. S Hardcover
185522341Edinburgh:: James Nichol. 1855. publisher's blindstamped full leather a.e.g. rebacked retaining original spines. New endpapers; some light scuffing to the bindings; but a nice set. 8vo. James Nichol. hardcover
185545381New York:: D. Appleton & Co. 1855. old full calf; gilt spines; all edges marbled. Some light scuffs to the binding; but an attractive set handsomely bound. 8vo. D. Appleton & Co., unknown
180164137xvi 1008 pages 4 books in 1 being sacred and moral; didactic descriptive narrative and pathetic; Dramatic chiefly from Shakespeare; & Sentimental lyrical and ludicrous includes engraved title page at front and also before the 3rd part Published by J. Johnson, G.G and J. Robinson and Others hardcover
185933237London Routledge Warne and Routledge 1859 1859. see description. 8vo lx445pp full morocco covered boards raised bands blind rules all edges gilt just light foxing of first few leaves otherwise text very clean binding in very good condition London, Routledge, Warne and Routledge, 1859, unknown
1852108427London UK: William Pickering 1852. Leather Bound. Good. 16mo 5.75 - 6.75'' tall. Leather Bound. Condition: Good. William Pickering London UK 1852. 323315319309317 pages. Brown 5-ribbed full leather binding gold floral decor on spine marbled endpapers Double Comb Double Nonpareil ALL page ends gold gilt. Moderate general wear. Slight 'leather burn' on board edge. Size: 16mo 5.75 - 6.75'' tall. William Pickering 1796-1854 was an English publisher notable for introducing cloth binding to British publishing. Pickering began working as an antiquarian bookseller before 1820 and quickly moved into publishing. In 1819 he began publishing a series of Diamond Classics- small books set in tiny type that were offered in a uniform binding of cloth or leather at an affordable price of 6 shillings. These are probably the first publishers' bindings in cloth- an innovation which had a rapid and profound impact on the publishing industry. He specialised in scholarly editions of classic authors. Poetry::Before 1900 6846 6846 William Pickering hardcover
1862961Y38London: George Routledge and Sons c1862. Leather. Very Good Indeed. 7.5" by 5". Not Stated. A handsome calf-bound volume of poems by John Dryden illustrated with engravings. An anthology of works from John Dryden an English poet literary critic and playwright who was appointed England's first Poet Laureate in 1668. In half calf binding with cloth boards and decorative gilt to the spine. Includes his epistles translations prologues epilogues odes and songs. This copy is illustrated with a frontispiece and five plates of engravings. In half calf binding with cloth boards and decorative gilt to the spine. Externally very smart with slight rubbing to the extremities and fading to the spine. Internally firmly bound. Pages are generally bright with occasional scattered spots throughout. Very Good Indeed George Routledge and Sons hardcover
18081006Y6London: W. Suttaby 1808. Leather. Good. 5" by 3". Not Stated . A Suttaby pocket edition of Virgil's poetical works translated by John Dryden. 'Complete in one volume' pocket-sized edition of John Dryden's translation of Virgil.In a full contemporary calf with gilt to the spine. Contemporary endpapers. Engraved frontispiece and title page. Collated complete. Dryden's defining work as a translator containing a biographical account of Virgil followed by his 'Pastorals' 'Georgics' and 'Aenid'. A charming copy of this work which became the standard English translation of Virgil for generations.Virgil is regarded as one of Rome's greatest poets. His 'Aeneid' is considered to be a national epic of Ancient Rome and is modelled after Homer's 'Iliad' and 'Odyssey'. In a full contemporary calf with gilt to the spine. Externally generally smart with rubbing to the extremities and a mark to the spine. A couple scratches to the boards. Internally firmly bound. Pages are marginally toned with occasional spots. Minor tide mark to the lower first few leaves. Faded contemporary ownership inscription to front paste down. Good W. Suttaby hardcover
1829039203London: John Murray 1829 8vo. original modern blue cloth gilt bound without half-title slightly rubbed & bumped endpapers offset a little toning & spotting prev. owner's name to upper pastedown else clean; pp. ii-viii 698 last corrigenda. A very good copy. First Edition. Hard Cover. VG. John Murray hardcover
1895000794London: Frederick Warne and Co 1895. Hardcover. Very Good/No Jacket. 12mo. The Albion Edition. Blue leather binding with title in gilt on red leather spine label. A.E.G. with inner edges stamped in gilt. xxxii 575 p.p. Scuffing to boards. Light rubbing to edges extremities. Corners gently bowed. Spine slightly yellowed and rubbed at ends. Previous owner inscription on front free endpaper. otherwise interior clean. A very good copy. Frederick Warne and Co hardcover
185548073Edinburgh: James Nichol 1855. Two volumes bound in one 8vo xxiv ii 314 iii-xxiv 344 pp bound without the half title to the second volume. Marbled endpapers prize label to paste down. Contemporary full calf a.e.g. gilt spine and borders and arms of the Edinburgh Academy black label some mild rubbing and scuffs otherwise an attractive copy. Edinburgh: James Nichol unknown
1882biblio37878FIRST VOLUME ONLY. Contains "The Life of John Dryden" by Sir Walter Scott. Edinburgh: William Paterson 1882. XX446 pages. Frontispiece. Hardcover in NearFine condition no dj. Original Green Leather binding Gilt spine title Gilt top edge. Minimal wear to the top of the spine. Personal ExLibris of S. W. Tager inside front cover otherwise otherwise Clean Unmarked throughout. Strong Tight binding Excellent hinges. 9.1"x6.25"x1.5". be44902. William Paterson hardcover
1890FB1118 -1/6A<p>Tan calf spine and corners. Brown textured boards. Gilt banding on the spine with the title plate missing.</p><p>First Volume of a two-volume set</p> Cassell, Petter & Galpin. hardcover
1841FB985 /6B<p>Green calf binding with green cloth boards. Spine faded to brown has gilt banding and title with emblems.</p><p><strong>A treasured early Victorian copy</strong> <strong>Publius Vergilius Maro</strong> traditional dates 15 October 70 – 21 September 19 BC usually called <strong>Virgil</strong> or <strong>Vergil</strong> in English was an ancient Roman poet of the Augustan period. He composed three of the most famous poems in Latin literature: the <em>Eclogues</em> or <em>Bucolics</em> the <em>Georgics</em> and the epic <em>Aeneid</em>. A number of minor poems collected in the <em>Appendix Vergiliana</em> were attributed to him in ancient times but modern scholars consider his authorship of these poems as dubious. Virgil's work has had wide and deep influence on Western literature most notably Dante's <em>Divine Comedy</em> in which Virgil appears as the author's guide through Hell and Purgatory. Virgil has been traditionally ranked as one of Rome's greatest poets. His <em>Aeneid</em> is also considered a national epic of ancient Rome a title held since composition. <strong>John Dryden</strong> 9 August 1631 – 1 May 1700 was an English poet literary critic translator and playwright who was appointed England's first Poet Laureate in 1668. On 1 December 1663 Dryden married Lady Elizabeth Howard died 1714. The marriage was at St. Swithins London and the consent of the parents is noted on the licence though Lady Elizabeth was then about twenty-five. She was the object of some scandals well or ill founded; it was said that Dryden had been bullied into the marriage by her playwright brothers. A small estate in Wiltshire was settled upon them by her father. The lady's intellect and temper were apparently not good; her husband was treated as an inferior by those of her social status. Both Dryden and his wife were warmly attached to their children. They had three sons: Charles 1666–1704 John 1668–1701 and Erasmus Henry 1669–1710. Lady Elizabeth Dryden survived her husband but went insane soon after his death. Though some have historically claimed to be from the lineage of John Dryden his three children had no children themselves. Dryden is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. Romanticist writer Sir Walter Scott called him "Glorious John". What Dryden achieved in his poetry was neither the emotional excitement of the early nineteenth-century romantics nor the intellectual complexities of the metaphysicals. His subject matter was often factual and he aimed at expressing his thoughts in the most precise and concentrated manner. Although he uses formal structures such as heroic couplets he tried to recreate the natural rhythm of speech and he knew that different subjects need different kinds of verse. In his preface to <em>Religio Laici</em> he says that "the expressions of a poem designed purely for instruction ought to be plain and natural yet majestic. The florid elevated and figurative way is for the passions; for these are begotten in the soul by showing the objects out of their true proportion. A man is to be cheated into passion but to be reasoned into truth." <strong>Translation style</strong> While Dryden had many admirers he also had his share of critics Mark Van Doren among them. Van Doren complained that in translating Virgil's <em>Aeneid</em> Dryden had added "a fund of phrases with which he could expand any passage that seemed to him curt." Dryden did not feel such expansion was a fault arguing that as Latin is a naturally concise language it cannot be duly represented by a comparable number of words in English. "He.recognized that Virgil 'had the advantage of a language wherein much may be comprehended in a little space' 5:329–30. The 'way to please the best Judges.is not to Translate a Poet literally; and Virgil least of any other' 5:329." For example take lines 789–795 of Book 2 when Aeneas sees and receives a message from the ghost of his wife Creusa. <em>iamque vale et nati serva communis amorem.'</em> <em>haec ubi dicta dedit lacrimantem et multa volentem</em> <em>dicere deseruit tenuisque recessit in auras.</em> <em>ter conatus ibi collo dare bracchia circum;</em> <em>ter frustra comprensa manus effugit imago</em> <em>par levibus ventis volucrique simillima somno.</em> <em>sic demum socios consumpta nocte reviso</em> Dryden translates it like this: I trust our common issue to your care.' She said and gliding pass'd unseen in air. I strove to speak: but horror tied my tongue; And thrice about her neck my arms I flung And thrice deceiv'd on vain embraces hung. Light as an empty dream at break of day Or as a blast of wind she rush'd away. Thus having pass'd the night in fruitless pain I to my longing friends return again Dryden's translation is based on presumed authorial intent and smooth English. In line 790 the literal translation of <em>haec ubi dicta dedit</em> is "when she gave these words." But "she said" gets the point across uses half the words and makes for better English. A few lines later with <em>ter conatus ibi collo dare bracchia circum; ter frustra comprensa manus effugit imago</em> he alters the literal translation "Thrice trying to give arms around her neck; thrice the image grasped in vain fled the hands" in order to fit it into the metre and the emotion of the scene. In his own words The way I have taken is not so streight as Metaphrase nor so loose as Paraphrase: Some things too I have omitted and sometimes added of my own. Yet the omissions I hope are but of Circumstances and such as wou'd have no grace in English; and the Addition I also hope are easily deduc'd from Virgil's Sense. They will seem at least I have the Vanity to think so not struck into him but growing out of him. 5:529 In a similar vein Dryden writes in his Preface to the translation anthology <em>Sylvae</em>: Where I have taken away some of the original authors' Expressions and cut them shorter it may possibly be on this consideration that what was beautiful in the Greek or Latin would not appear so shining in the English; and where I have enlarg'd them I desire the false Criticks would not always think that those thoughts are wholly mine but that either they are secretly in the Poet or may be fairly deduc'd from him; or at least if both those considerations should fail that my own is of a piece with his and that if he were living and an Englishman they are such as he wou'd probably have written.</p> Thomas Allman. hardcover
1855mon0000023574Edinburgh: James Nichol 1855. Edinburgh: James Nichol unknown
1807307233Samuel Bagster 1807. Hardcover. Good. 13 to 14 cm tall 24mo. . Posted within 1 working day. Royal Mail Tracked 24 to UK. Tracked Airmail worldwide. Robust recyclable packaging. Picture is the actual item. Samuel Bagster hardcover
1814H41310London Edinburgh Glasgow: Oliver & Boyd John Bell Longmans etc. 1814. Hardcover. Very good. 4 volumes of mainly English plays 12mo 5.75 x 3.75 inches uniformly bound in old half calf with red spine labels marbled boards volumes numbered 1-4 and each containing several plays a few from Bell's British Theatre but the vast majority published in Edinburgh by Oliver & Boyd. Light rubbing and wear to bindings contents very good. Only a few plays have frontispieces or engraved plates. A selection of the most popular plays of the time. A full list of the plays follows with dates given if they appear on title page: Vol. I: The Carmelite Cumberland 1791 The Brothers Cumberland The Maid of the Mill Bickerstaff 1814 A Bold Stroke Mrs. Centlivre 1814 The Beaux' Stratagem Farquhar The Beggars' Opera Gay The Quaker Charles Dibin Coriolanus Shakespeare. Vol. II: The Duenna Mrs. Inchbald The Rivals Sheridan The Jealous Wife Colman She Stoops to Conquer Goldsmith The Country Girl Garrick The Wonder! Mrs. Centlivre The Mourning Bride Congreve The Road to Ruin Holcroft. Vol. III: The Gentle Shepherd Ramsay The Busy Body Mrs. Centlivre Rule a Wife and Have a Wife Beaumont & Fletcher The Busy Body Mrs. Centlivre - yes this appears twice in this volume Love in a Village Bickerstaff The West Indian Cumberland 1814 The Belle's Stratagem Mrs. Cowley The Man of the World Macklin. Vol. IV: Cleone Dodsley 1792 Venice Preserved Otway The Gamester Edward Moore Pizzaro Augustus von Kotzebue Isabella or the Fatal Marriage "Altered from Southern" Douglas John Home Aurenge-Zebe or the Great Mogul a Tragedy Dryden Glasgow 1752. Oliver & Boyd, John Bell, Longmans, etc. hardcover
18274708London: Jones & Company 1827. 1st Thus First Printing. Hardcover. Excellent. Beautiful silk-woven miniature edition. Two books bound as one volume. Miniature Edition Jones & Company London 1827; 9 x 5.5cm; blank leaf 8 pages Publisher's ads 2 plates portrait tissue guard & "University Edition" title page xv blank 217 6 Publisher's ads 228 pages blank leaf; salmon silk-woven boards spine top bumped edges rubbed spine faded blue paper on spine with gold titling all edges gilt an excellent copy. Part of the "Jones' Diamond Poets" series so named due to the diamond-point tooling used to produce sharp clear text in these miniature formats. Includes "Pastorals" & "The Aeneid". <br/> <br/> Jones & Company hardcover
181368092London: The Stanhope Press 1813. Full red morocco binding gilt title and decoration inside dentelle. All edges gilt. 2 volumes bound in 1 complete 13x8 cm. 132 pp. & 132 pp. Engraved frontispieces to both volumes. corners bit bumped previous owner's name paper slightly browned Although very good decorative little book see pictures The Stanhope Press unknown
1843442482London : W. Pickering 1843. Hardcover. Poor set 5 vols in gilt-blocked aniline calf. All covers detached but included. Spines cracked with some loss. Pages browned and nicked. Texts remain complete. Physical description; 5 v. : 17 cm. Subjects; Dryden John 1631-1700 Criticism and interpretation. Dryden John 1631-1700. London : W. Pickering hardcover
185523955Edinburgh: James Nichol. Very Good with no dust jacket. 1855. First Edition Thus. First Printing. Leather. Half brown crushed morocco over marbled boards spines in six compartments separated by raised bands gilt lettering on burgundy labels in two compartments gilt borders on covers marbled endpapers t.e.g. John Dryden 1631-1700 was an English poet literary critic translator and playwright who in 1668 was appointed England's first Poet Laureate. He is seen as dominating the literary life of Restoration England to such a point that the period came to be known in literary circles as the Age of Dryden. . Mild shelf-wear along edges and hinges which remain strong covers lightly rubbed otherwise unmarked unread tight square and clean. VERY GOOD. . British Poets Series. 8vo 8" - 9" tall. xxiv 2 314; xxiv 344 pp . James Nichol hardcover