434 résultats
1967031348Madison MN: The Sixties Press 1967. 1st Edition 1st Printing. Hardcover. Near Fine/Good. 8vo - over 7¾ - 9¾" tall. Near fine/good used 1st printing pale blue colored paper covered boards with red text on spine and upper 111pp. Interior clean no marks except a former bookseller stamped initials and price at the top edge of the ffep binding tight. Slight rubbing to dj there is a tiny chip at the top fold-over of the upper no tears dj is not price-clipped. Dust jacket is sunned at spine and fore-edges. DJ enclosed in protective sleeve. <br/> <br/> The Sixties Press hardcover
198512516London: Michael Christopher Caine 1985/2021. This copy is from sheets from the Edition de Tete of around 20 on Barnham Green paper which were printed in 1985 in London. Caine has gathered these sheets and bound them in 1921. In pencil he has numbered this 48/65 and signed and dated it Paris 2021. Hand-coloured illustrations. 14.4 x 12.8 cms hand bound by Caine in stiff marbled paper wrappers and with a printed paper label on upper cover printed in Paris at Caine’s Petropolis Press in 2021. The book takes the form of two poems printed to celebrate the fleeting life of the baby Anna Sherington in 1984<em> In the Carolinas </em>by Wallace Stevens and Pablo Neruda’s <em>No Hay Olvido: Sonata</em> in Spanish with an additional English translation by Ben Belitt ‘There’s No Forgetting’.<br><br>A beautiful and heartfelt printing by the master of the Press Caine. Michael Christopher Caine unknown
1956009042Santiago de Chile: Nascimento 1956. Book. Near Fine. Pictorial Printed Wrappers. Limited and Numbered First Edition. 4to - over 9¾" - 12" tall. #169 of an edition of 1000 copies printed on Alfa Loeber paper. Neruda's brilliant tribute to typography and typographers. Near Fine small bit of wear at base of spine in a Very Good original glassine jacket 1'"x 2" hole front cover light wear at bottom edge glassine browned. There were an additional 154 copies printed 4 on Whatman paper and 150 on Fabriano paper. Uncommon. Nascimento Paperback
196314450Alpignano: Stamperia di Alberto Tallone 30 aprile 1963. Ottimo stato il volume minimi segni del tempo la custodia. Legatura editoriale in brossura con sovraccoperta a stampa ripiegata velina protettiva custodia e camicia editoriale in quarto cm 29.5 x 18.5 pp 112 14. Ottimo stato minimi segni del tempo sulla custodia. Edizione originale di questa raccolta di 20 poesie autobiografiche che il poeta cileno che aveva visitato la tipografia di Tallone nel 1962 volle espressamente veder pubblicate dallo stampatore piemontese: «Ahora este ramo de sombra antártica debe ordenarse en la bella tipografía y entregar su aspereza a Tallone rector de la suprema claridad la del entendimiento». Con l'aiuto di Giuseppe Bellini traduttore di fiducia cui aveva inviato questi versi totalmente inediti Neruda affidò la silloge a Tallone lasciandogli completa libertà tipografica; la stampa fu ultimata il 30 aprile 1963 utilizzando il carattere disegnato da Tallone e inciso a Parigi dal punzonista Charles Malin alla fine degli anni '40. In tutto furono tirati 300 esemplari del volume questo uno dei 235 su carta Magnani di Pescia. Sempre per Tallone a settembre dello stesso anno uscì curata da Bellini l'edizione italiana della raccolta: Sommario. Libro dove nasce la pioggia. Stamperia di Alberto Tallone 30 aprile unknown
1981390797Barcelona : Ediciones Nauta 1981. 1st edition reprint. Hardcover. Near fine copy in the original colour-printed boards. Slightest suggestion only of dust-dulling to the spine bands and panel edges. Remains particularly well-preserved overall; tight bright clean and strong. Physical Description: 88 p. : ilustraciones algunas a color ; 32 cm. Subjects: Guayasamín Oswaldo 1919-1999; Trabajos pictóricos; Pintores ecuatorianos; Ecuatorian Painters; Latin American Painters; Latin American Art: Ecuador. Barcelona : Ediciones Nauta hardcover
19793685Surrey: Circle Press 1979. Hardcover. Fine. Christie John. Illustrated by John Christie. One of 300 numbered copies signed by the author and the artist. Folio-sized. 11 folded sheets i.e. 22 fol. un-sewn in a wrapper all contained in a cloth chemise with a lettered spine. Slipcase. The work is illustrated with ten color screenprints each initialed by Christie and a color print entitled "Notes 1" one of 300 numbered and signed by the artist. Minor wear to the slipcase cloth otherwise fine condition. Signed by Author and Artist. Signed by author and artist. <br/><br/> Circle Press hardcover
192635672Santiago de Chile: Edit. Nascimento 1926. Some chipping and wear at spine and foredge and covers. ind. color wrps. FIRST EDITION SIGNED on title page. Very early publication his fifth book. SCARCE. Edit. Nascimento unknown
1963mon0000217771Losada. 1963-01-01. Paperback. Acceptable. in x in x in. Ex-library book usual markings. Well read copy with some spine wear - still very useable. Losada. paperback
1970325434Santiago Chile: Lord Cochrane 1970. hardcover. very good/chipped and torn. folio. Mario Toral. pp.149. unnumbered copy one of 4782 in print run. Dust jacket chipped torn and worn with signs of some damping. Previous owner's name and stamp on FFEP. Heavy oversized book; additional postage will apply. Lord Cochrane hardcover
1968644<p>Very well preserved brochure. <br />First Brazilian edition. <br />Autographed by Pablo Neruda "To Luis Carlos seu amigo Pablo Neruda" in green pen.</p> Editora Sabiá paperback
1972470263Montevideo Uruguay: Edición de la Embajada de Chile en Uruguay 1972. Softcover. Near Fine. First edition. 12mo. 12pp. Text in Spanish. Stapled printed wrappers. Wrappers lightly soiled small blank label laid down inside lower wrap near fine. A speech given by Neruda at that time the Chilean Ambassador to France and a recent Nobel laureate at the P.E.N. Club of New York on the occasion of the organization's 50th anniversary. This pamphlet was published by the Chilean embassy in Uruguay from a copy of the speech provided to them by the Central Bank of Chile. According to The New York Times Neruda who was introduced by Arthur Miller and received a standing ovation after his speech spoke at the "generous and fraternal association" to pay the debt he felt Latin American writers owed to Americans such as Walt Whitman Theodore Dreiser and a more recent generation of "great and noble writers faced with the conflicts involved in the vertiginous growth of your capitalist structure." The article was titled "Neruda Opens Visit Here With a Plea for Chile's Revolution."<br /> <br /> The short introduction states in part: "La Embajada de Chile cree que las palabras de Neruda deben ser conocidas con la mayor amplitud. Conesa intención las difunde en este país hermano" "The Chilean Embassy believes that Neruda's words should be known with the greatest amplitude. With that intention it spreads them in this brother country". Juan María Bordaberry was sworn in as president of Uruguay in 1972; the following year he would dissolve the Uruguayan General Assembly and rule as a military-sponsored dictator until 1976. Uncommon. OCLC locates only two copies one in the United States Nebraska. Edición de la Embajada de Chile en Uruguay unknown
19723114738New York: New Directions. Fine in Near Fine dust jacket. 1972. First Edition; First Printing. Hardcover. First edition. Fine in fine dust jacket. Presented in facing bilingual text. Splendid copy. ; 5 1/2" X 8 1/4"; 151 pages . New Directions. hardcover
194922.1439Santander: Taller de Artes Gráficas de los Hermanos Bedia 1949 - 1952. 1ª ed. Once volúmenes encuadernados en plena piel verde. 17.5x25. Taller de Artes Gráficas de los Hermanos Bedia unknown
1971577075Iowa City: Seamark Press 1971. Softcover. Very Good. First edition. Translated and printed by Howard Zimmon. Slim quarto. Papercovered boards with printed paper spine label. Facing Spanish and English text. Shoulders with splitting that has been neatly strengthened but still visible slight loss at the spine ends boards with light soil and some bumping about very good; the interior is bright and fine. A very nicely printed volume one of an unspecified number of copies but OCLC states an edition of only 50 copies. Seamark Press unknown
1961537001Lima Peru: Libreria-Editorial Juan Mecia Baca 1961. Softcover. Near Fine/Good. First edition. Introduction by Juan Mejia Baca. Slim octavo. 29pp. Illustrated from photographs. French-folded wrappers with unprinted glassine dust jacket that appears to be attached at the flaps. Top corner of cover bumped tiny stain on lower wrap near fine in good only glassine dust jacket torn vertically at the upper shoulder along with some edgewear and a tiny chip. Copy 264 of only 300 copies printed. Contains portions of poems by Neruda Hidalgo and Adan. Scarce. Libreria-Editorial Juan Mecia Baca unknown
1982LL 547<p># 7 of 30 copies all on buff Okawara hand-made paper printed in purple ink. Bound: loose in original buff wrappers housed in blue and black paper over boards clamshell box fine. Page size: 24 leaves; 10-1/2 inches x 8-5/8 inches. Handset in Garamond 20pt. by Claudio R. Lopolla and printed letterpress under the supervision of Cesar Palui.</p><p>An elegant edition of this poem of love and sadness from TWENTY POEMS OF LOVE AND A DESPERATE SONG originally published in 1924.</p><p># WorldCat US Libraries: no copies.</p> Ediciones Dos Amigos
1950022592New York: Masses & Mainstream 1950 First printing of the first edition. Book with light uneven toning to the title page otherwise interior pages only faintly toned at the margins; dust jacket with light toning to spine a hairline crimp along spine tape to verso and a faint small moister splash near bottom front cover else fine. An attractive copy. Masses & Mainstream hardcover
1977594033Torrance California: Labyrinth Editions 1977. Softcover. Fine. First edition. Translated with an afterword by Enrique Sacerio-Garí. Folio. Measuring 8½" by 15¼". Text in English. Japanese-sewn accordian-folded leaves with illustrated wrappers. A trifle creased at he crown still a fine copy in a fine cloth-covered and string-tied chemise. A very handsome publication designed and produced by Richard Bigus printed on Japanese Masa and Ragston papers in an edition of only 100. This is copy 80 Inscribed by Bigus to a noted collector of books and art on the limitation page: "To J.M. "Mel" Edelstein / Richard Bigus / Aptos CA. 1979. Labyrinth Editions unknown
197412113Barcelona: Editorial Seix Barral 1974. First edition. Hardcover. First edition of Neruda's posthumously published memoirs number 159 of the special large paper issue in a half-leather publisher's binding.<br /> <br /> Published six months after Neruda's death in 1973 this autobiography was completed by his widow Matilde Neruda and Miguel Otero Silva from the poet's original manuscript. The text includes Neruda's reflections on his diplomatic career literary development and political engagement. <br /> <br /> 513 3 blank pages including a photographic frontispiece portrait of Neruda with a facsimile signature. 6-1/2 by 9 inches. First edition first printing large paper issue on laid paper. Near fine bound in the publisher's deluxe half-leather binding which shows minor wear to the spine ends. Original wrappers bound in as issued. The size of this numbered deluxe edition is not specified. Editorial Seix Barral hardcover
1989LL 548<p>Artist's book one of 50 copies all on Canson paper in several colors blue cream beige grey lavender signed by the artist on each of the two etchings in pencil and dated "88". Page size: 9-13/16 x 6-1/2 inches; 32pp. Bound: loose as issued in red wrappers printed in black with author and title; housed in custom-made orange cloth over boards clamshell box with "a sus amigos" printed in dark orange and the name of the press and paraphe.</p><p>These two poems by Pablo Neruda printed by Ruben Paul LaPolla in black red green blue and brown ink often two colors per page were set by hand by Samuel Cesar Palui in 12pt Garamond. Ernesto Lowenstein oversaw the printing of this lovely New Year's greeting for friends of the press. This is a lovely book of verse complemented with two stunning etchings by Alicia Scavino - mystical magical and a loving homage to the poet.</p><p>About the illustrator: she was born in Buenos Aires in 1937 and died in 2006 in the same city. National Teacher of Visual Arts graduated from the Manuel Belgrano National School of Fine Arts in 1963 Professor of Painting graduated from the Prilidiano Pueyrredón School in 1966 and Higher Professor of Engraving graduated from the Ernesto de la Cárcova School in 1973. She exhibited in national salons provincial and municipal carried out 56 individual samples in Argentina and 7 abroad. He represented Argentina in 64 international exhibitions.</p><p># WorldCat US Libraries: no copies.</p> . Ediciones Dos Amigos
19391013<p>First edition. With a dedication from Neruda paperback 58 pages Agrupacion de Intelectuales Artistas Periodistas y Escritores A.I.A.P.E Montevideo 1939. 17.0 x 12.5 cm. Copy with a damaged spine a few pages underlined. Pages yellowed with age. Binding firm. Rare edition</p> Ediciones AIAPE paperback
1967023589Madison: The Sixties Press 1967 First printing of the first Sixties press edition with Spanish/English text. Faint toning to spine and a tiny crimp to bottom front corner else book in fine condition; dust jacket with light toning to spine a tiny closed tear to upper back cover and minute edge wear a touch of rubbing to upper back corner and a tiny nick to upper back cover else fine. A lovely copy. The Sixties Press hardcover
19626344Santiago de Chile: Orbe / Coleccion "El Viento en la Llama 1962. Later edition. Softcover. Very good/very good. 16mo 10cm x 14cm. A very good copy in the original cardstock wraps with dust jacket. Front inner hinge partly exposed but holding. Dust jacket age-toned and with a dampstain along the spine not affecting the interior. A cheaply produced volume and as such rather well-preserved. SIGNED by Neruda with a full-page inscription on the front free endpaper: "1965 A Westphallen un viejo libro con la amistad de toujours. Pablo Neruda." our translation: "1965 To Westphallen - an old book with everlasting friendship." Likely presented to someone with that surname possibly Peruvian artist Judith Westphalen different spelling is noted. Or the poet could be referring to the German region where he inscribed it. Though somewhat mysterious to us a question that might be cleared up by a Neruda scholar. We found no other signed copies of this important early work by Neruda first editions or reprints at the time of listing. This edition is also rather uncommon in commerce even unsigned. (Orbe) / Coleccion "El Viento en la Llama unknown
196976414Santiago de Chile Santiago: Nascimento 1969. Fine. Nascimento Santiago de Chile Santiago 1969 17.50 x 27 cm broché First edition printed in 500 numbered copies ours being one of the 250 hors commerce copies reserved for the author. A handsome copy. Nascimento unknown
1926132520Santiago: Editorial Nascimento 1926. First edition of this early Neruda work scarce in such nice condition. From the library of the noted Argentinean writer musicologist and hispanist Daniel Devoto 1916-2001 with his and his wife Maria Beatriz del Valle-Inclán's stamp to the front free endpaper. Octavo. Original wrappers printed in green red and black. Covers a little toned foxed. A very good copy. Becco 40. unknown