38 résultats
184127507Paris: Gide 1841. First printing. Print. Very good condition. A wonderful lithographic view looking over Sydney Harbor from Bennelong Point. Printed for the official account of the French voyage by Abel du Petit-Thouars "Voyage Autour du Monde sur La Venus 1836-1839" one of the rarest French voyages including Australia. <br /> <br /> R.G. Menard was the artist on board the Frigate Venus and spent November and December 1838 at Sydney and his name appears in the image as the artist. However an article written by Kenneth Binns published in the Royal Australian Historical Society Journal in 1920 points out that Charles Rodius was the original artist of this view published in London in 1834. Menard only replacing the aboriginals in Rodius' image with French sailors in the 1838 version. This is Pl. no. 65 from "Voyage autour du monde sur la fregate Venus Atlas pittoresque Abel du Petit-Thouars.<br /> <br /> The SLNSW Rex Nan Kivell copy NK2127; Libraries Australia ID 8136839. <br /> <br /> Image size 16.5 x 11 inches on paper 21 x 13.5". Central image in fine condition with margins browned. Paper browning is common in this work. This image has never been framed. Gide unknown
189773906Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original color lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on Japan paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin numbered stamp of the deluxe issue on the verso. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed in colors on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work in its own right. Its ink absorption quality and its affinity with colors also make it the ideal support for these very fine lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
1876783L5Paris: Alphonse Lemerre 1876. First edition. Paperback. Very Good. 6.5" by 4". None. A very scarce first edition of Louis Menard's 'Reveries d'un Paien Mystique'. An anthology of sonnets philosophical dialogues and stories. Extremely scarce in the original paper wraps even more so with the glassine wrap. In the original French. Louis Menard is best remembered for his early discoveries on collodion. He wrote works on chemistry painting poetry and history. He also published translations under the pseudonym of L de Senneville. A lovely first edition of this important author's work. In the original paper wraps. Externally bright. The front wrap has detached from textblock. Chip to the top right edge of the front wrap. With original glassine dust wrapper. Dust wrapper has spot to the bottom. Internally binding is tender with some gatherings loosening due to binding type. Pages are bright with just the occasional light spots. Very Good Alphonse Lemerre paperback
183870587Paris: Firmin-Didot frères 1838. 8vo pp. xvi 315 3; woodcut vignette on title page woodcut tail-pieces 17 hand-colored lithographs signed: Ar. Rivera; publisher's elaborate blind-tooled red paneled calf double gilt rule borders on covers smooth gilt-decorated spine gilt-lettered direct a.e.g.; spine slightly sunned but generally a very good sound and clean copy printed on pink paper. Neither OCLC nor Mills mention the pink paper. Mills College Check List 1231; Riedel-Horatiana A-303. OCLC locates 11 copies only Yale Berkeley and Northwestern in the U.S. Mills adds Newark Public. Firmin-Didot frères unknown
18406490Paris: Gide 1840. First printing. Engraving from "Voyage autour du monde sur la fregate la Venus pendant les annees 1836-39." <br /> Attractive lithograph with sepia block color of the tiny town of Acapulco and surrounding countryside drawn from the Venus at anchor in the bay with two small boats in the foreground. <br /> In 1836 Dupetit-Thouars was appointed to command this expedition to the Pacific to look after French commercial and political interests. He visited Hawaii Kamchatka Tahiti California Acapulco Easter Island the Cook Islands Rarotonga New Zealand Australia and Mauritius. In California he anchored at Monterey Bay where supplies were scarce and even water was difficult to obtain after a long summer drought. His survey work continued down the coast down to Acapulco. <br /> Drawn by Menard lith. by Sabatier. 38.5 x 19.5 cms plus wide margins. The image is crisp and clean. Gide unknown
187541607Paris: Administration des Deux RevuesHurtauLibrairie de l'Art IndépendantE. Leroux 1875. Fine. Administration des Deux Revues Hurtau Librairie de l'Art Indépendant E. Leroux Paris 1891 & 1898 & 1896 & 1875 & 1897 14.50 x 23 cm 5 volumes reliés en 1 First edition of each volume. Bradel binding in half red cloth smooth spine decorated with double gilt fillets marbled paper boards original wrappers preserved for each volume. Autograph inscriptions signed by the author to Messrs. Ravaisson and Caro at the head of the first cover of the first volume and on the title page of the fourth volume. A handsome and rare set. Administration des Deux RevuesHurtauLibrairie de l'Art IndépendantE. Leroux hardcover
189773907Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Mai 1897 33 x 24.50 cm une feuille Rare original lithograph executed by René Ménard for L'Estampe Moderne series number 1 published in May 1897. One of 50 deluxe proofs printed on China paper with wide margins artist's signature in the plate publisher's dry stamp depicting a child's profile in the lower margin mounted on a sheet of laid paper with the numbered stamp of the deluxe issue on the verso some foxing. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of original chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were created specially by each artist for the review. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each issue of four prints was produced in 2000 copies sold for 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe printing: 50 copies on Japan paper with wide margins and 50 in black on China paper at the considerable price of 30F. This print in a handsome format is superbly printed on one of the most prestigious papers: China paper. ""Despite all its qualities China paper too insubstantial owes its reputation not to its own beauty but rather to its particular affinities with printing ink. Its texture smooth and soft at once is more suited than any other to receive a fine impression. This property makes China paper sought after for printing engravings."" Anatole France. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and pasted in the streets of the capital then became an art object and its ephemeral medium became precious and destined for preservation. Piazza decided to remove the poster from its advertising purpose and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy in the symbolist style of the artist. Imprimerie Champenoispour CH. MassonH. Piazza unknown
189376893Paris: Librairie de l'Art Indépendant 1893. Fine. Librairie de l'Art Indépendant Paris 1893 13 x 20.50 cm broché The first edition published in a small number of copies. Spine and boards very lightly and marginally lightened. Rare and handsome copy. Precious signed autograph inscription from Louis Ménard to Judith Gautier: ""Hommage affectueux et soüvenir affectueux."" ""Affectionate homage and fond remembrance."" Librairie de l'Art Indépendant hardcover
18957275Paris: Librairie de l'Art Indépendant 1895. Fine. Librairie de l'Art Indépendant Paris 1895 14.50 x 23 cm broché First edition of some parts the first published in simplified orthography with no mention of deluxe copies. Handsome and rare copy. Librairie de l'Art Indépendant unknown
18416489Paris: Gide 1841. First printing. Print. Very good condition. Lithograph of the church of San Blas Mexico. A large church in traditional mission architecture with groups of Mexicans in foreground and on horseback. In 1836 Dupetit-Thouars was appointed to command this expedition to the Pacific to look after French commercial and political interests. He visited Hawaii Kamchatka Tahiti California Acapulco Easter Island the Cook Islands Rarotonga New Zealand Australia and Mauritius. In California he anchored at Monterey Bay where supplies were scarce and even water was difficult to obtain after a long summer drought. His survey work continued down the coast down to Acapulco. Drawn by Menard lith. by Blanchard. From the volumes published by Gide in 1840. 27 x 21 cms plus wide margins that are lightly but uniformly foxed. lithograph from "Voyage autour du monde sur la fregate la Venus pendant les annees 1836-39." The image is very crisp. Gide unknown
1880860A13Paris: Vve A Morel et Cie 1880-2. Cloth. Near Fine. 9.5" by 6.5". Cl Sauvageot. Three volumes from Rene Menard's exploration of live in ancient times in the original French. Three volumes of four each complete in itself. Concerned with ancient history. The first edition. In the original French. Rebound in uniform cloth complete with half titles.Text by Rene Menard. With numerous illustrations in text by Cl Sauvageot after ancient monuments.Volume I concerned with the people of antiquity; Volume II with families in antiquity; Volume III with labour in antiquity. Rebound in uniform full cloth new endpapers. Externally lovely. Internally firmly bound. Pages clean with age toning and browning as usual with the type of paper used. Near Fine Vve A Morel et Cie hardcover
1880245310Morel et cie 1880. Etat Correct tampons de bibliothèque intérieurs tachés de rousseurs légères sans gêne pour la lecture couverture défraîchies un peu marqué bonne tenue des reliures. in8. 1880. Relié. riche iconographie en noir et blanc Morel et cie unknown
181922948A NISMES: Gaude fils 1819. 4º.- Rústica con cubiertas originales en papel marrón.- 59 páginas.- 15 láminas grabadas fuera de texto casi todas ellas plegadas. Ejemplar con todos los márgenes y barbas sin cortar. A pesar de que en la portada aparece que la obra esté ilustrada con 14 grabados éste ejemplar tiene 15. Brunet 24751 en nota Gaude fils unknown
1895FGN1-D-8Paris: Librairie de L'Art Independant 1895. First edition. Leather. Very Good. 7.5" by 5". None. The first edition of this collection of poetry by the French man of letters Louis-Nicolas Menard. The first edition of this work. In the original French. A collection of interesting poetry. Written by Louis-Nicolas Menard. Menad was a French man of letters and is also well known for his discovery of collodion. This volume bears the bookplate of The Right Hon. Sir Ronald Charles Lindsay. He served as British Ambassador to the United States of America from 1929 to 1939. In a quarter leather binding. Externally smart. A little rubbing to the boards and spine. Bookplate to the front pastedown. Internally firmly bound. Pages are lightly age-toned and clean. Very Good Librairie de L'Art Independant hardcover
189585099Paris: Librairie de l'Art Indépendant 1895. Fine. Librairie de l'Art Indépendant Paris 1895 13 x 18.50 cm broché Second edition the first in simplified spelling. Spine and boards lightly and marginally sunned as usual small tear at foot of front board. Librairie de l'Art Indépendant hardcover
1876173780Paris: Librairie De L'Art/Charles Delagrave 1876. Hardcover. VG. Marbled and 3/4 burgundy leather boards with gilt spine lettering marbled end papers. 558 pp. 52 unnumbered pages of plates. Illustrations. Text in French. Librairie De L'Art/Charles Delagrave hardcover
1838144585Nismes Chez L'Editeur Etc. 1838. Seventh Edition. Hardback. Fine copy in the original gilt-blocked cloth-backed marbled boards. Gilt cross-bands. Spine compartments uniformly tooled in gilt. Slightest suggestion only of dust-dulling to the panel edges. Remains particularly well-preserved overall; tight bright clean and strong. ; 150 pages; Physical desc. : vii 150p. Front. illus. part fold. 21cm. Subject: Nimes France -- Antiquities. Augmentee du resultat des fouilles faired depuis 1821 jusqu'a ce jour et d'un plan de la ville; ornee de gravures de tous les monumens par J. F. A. Perrot. Language: French. Nismes, Chez L'Editeur [Etc. ] hardcover
18774452Poitiers: Typographie de A. Dupré 1877. A lovely copy of this scarce first edition with a tipped in manuscript letter by the author. half leather binding with marbled boards. gilt titles to the spine. In excellent clean condition. Tipped in after the title page is a single page manuscript letter from Ménard to Gustave Saurin in a neat hand dated 1856. The pages of the book are clean and neat throughout. 283 pages. 230 by 150mm 9 by 6 inches. . Un bel exemplaire de cette première édition rare avec une lettre manuscrite de l'auteur. Reliure en demi-cuir avec des planches marbrées titres dorés au dos. En excellent état. Une lettre manuscrite d'une page de Ménard à Gustave Saurin datée de 1856 et écrite d'une main soignée est jointe à l'ouvrage après la page de titre. Les pages du livre sont propres et nettes. 283 pages. 230 x 150 mm 9 x 6 pouces. Typographie de A. Dupré hardcover
18984288Paris: Alphonse Picard & fils 1898. Fine. Alphonse Picard & fils Paris 1898 13.50 x 21 cm broché First edition of which there were no deluxe copies. Rare autograph inscription from Louis Ménard three corner lacks affecting the front wrapper which also has a small marginal tear. Alphonse Picard & fils unknown
188685015Paris: Librairie académique Perrin & Cie 1886. Fine. Librairie académique Perrin & Cie Paris 1886 12 x 19 cm broché First edition of the French translation established by Louis-Nicolas Ménard no mention is made of deluxe copies. Interior foxing and to the covers a small tear in the left margin of the second cover. Librairie académique Perrin & Cie unknown
18931660209Illinois Woman's Columbian Club of Menard County 1893. Hardcover. Used-Very Good. Oblong 4to. Blue cloth with gilt lettering this work was also published in red-orange cloth; no priority between the bindings to the best of our knowledge. Some wear to cloth with some fraying at extremities. Internally very good or better. Well illustrated. Illinois Woman's Columbian Club of Menard County hardcover
1878002096Paris: Librairie De Delgrave 1878. Lightly foxed; half-inch tear in front joint; a few gatherings sprung but still firmly attached. First Edition. Later Cloth. About Very Good. Librairie De Delgrave Hardcover
18988052Paris: Bibliothèque de La Plume 1898. Fine. Bibliothèque de La Plume Paris 1898 11.50 x 17.50 cm broché First edition written in simplified spelling; no mention of deluxe copies. Our copy is presented in temporary wrappers awaiting binding original wrappers preserved. Handsome and rare copy. Bibliothèque de La Plume unknown
188176718Paris: Different editors 1881-1893. 5 musical scores small size 27x18 cm. Each item 4 pages. Frontpages lithographed illustrations after designs by Cándido Faria. Item 2: illustration in colour folt in the middle; item 4: frontpage in colour 2 folts; some tears; item 5: frontpage in colour. - Good copies with annotated music and on last pages "Répertoire des Concerts" Different editors unknown
188067772Paris: A. Morel 1880-1883. 4 vols. Original publishers wrappers untrimmed edges still unopened; 25x16 cm. Richly illustrated. Text in French. - slightly browned some stains/ spots/ foxing throughout Although very good see pictures ¶ Contents: 1: Les peuples dans l'antiquité. viii622 pp. 2: La famille dans l'antiquité. iv572 pp. 3: Le travail dans l'antiquité. iv608 pp. 4: Les institutions dans l'antiquité. iv676 pp. A. Morel unknown