SAMSON & CO (designers)Biblio.com
153 résultats
184513929Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184510164Paris 1845. Pen ink and watercolour. Very good condition apart from some light foxing and mild creasing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184514075Paris 1845. Pen ink and watercolour. Good condition apart from some overall light foxing and slight discolouration of the paper due to age. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184510166Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light foxing and a few small horizontal brown marks in the left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184513930Paris 1845. Pen ink and watercolour. Very good condition apart from some light foxing mild creasing a small tear at the right edge of the sheet and a few small brown stains at the far left side of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184514105Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184513985Paris 1845. Pen ink and watercolour. Good condition apart from some light soiling minor foxing and two small losses in the lower right side of the image. A few small brown stains scattered in the margins. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184510206Paris 1845. Pen ink and watercolour. Very good condition apart from some mild creasing and several skillfully repaired tears. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184513966Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling and minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184513960Paris 1845. Pen ink and watercolour. Good condition apart from some minor soiling and foxing and a light water stain spanning the lower quarter of the sheet and image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184515378Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and mild creasing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184515379Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and foxing overall light creasing and a vertical crease in the center. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This drawing shows a full-height outline of a covered pot with high waisted body and spreading foot drawn in ink and completed in delicate washes of red green and soft blue. The main surfaces are filled with loose asymmetrical floral sprays centred on a large bouquet of roses and other garden flowers repeated on the shoulder foot and domed cover. The spout and opposing handle take the form of sinuous dragon- or serpent-like creatures their heads heightened in red and their scaly bodies mottled in green adding a whimsical zoomorphic note to the otherwise floral scheme. The French porcelain manufactory Samson & Co. was founded in 1845 by Edmé Samson 1810-1891 a Paris-born painter on ceramics who began by making replacement pieces for damaged services before turning to high-quality reproductions of historic wares. Working first at 7 rue Vendôme later rue Béranger in Paris and later from a factory at Montreuil run by his son Emile Samson 1837-1913 the firm drew on a large study collection of original pieces to copy or adapt designs from Sèvres Meissen Chelsea Derby and Worcester as well as Chinese export porcelain Japanese Islamic Delft faience and maiolica. Samson always maintained that its reproductions were distinctly marked to avoid confusion with the originals though later removal or alteration of marks has often led the firms work to be mistaken for earlier pieces. Production continued into the twentieth century finally ceasing in 1969 and the manufactory is now recognised as one of the most inventive nineteenth-century interpreters of historic ceramic styles. Surviving design drawings such as the present work offer rare insight into the way the Samson workshop translated museum models and historic patterns into working colour copies for its painters and modellers. unknown
184513924Paris 1845. Pen ink and watercolour. Very good condition apart from a few light foxing marks and minor creases. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184513983Paris 1845. Pen ink and watercolour. Very good condition apart from some light soiling and a few small tears at the edge of the bottom margin. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184514400Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling and minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
184518737Paris 1845. Watercolor. Very good condition apart from very mild soiling and a vertical crease where the sheet was once folded. This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
1888246842Munchen : T. A ermanen K. Hof-Bokhendlar 1888. First Edition. Hardcover. Bound in crude library gilt-blocked cloth. Some wear and tear as with age. Remains preserved overall; bright clean and sharp-cornered. Physical description; 288 p. ; 25 cm. Subjects; Bible. Pentateuch. Aramaic. — Commentaries. Munchen : T. A ermanen K. Hof-Bokhendlar hardcover
185930434Marseille: Imp. & Lithographie Vve Marius Olive 1859. Fine. Imp. & Lithographie Vve Marius Olive Marseille 1859 16 x 24.50 cm broché The first edition published in a small number of copies. Autograph inscription from M. de Pongerville at head of front cover. A small tear at head of spine light foxing to covers handsome interior condition. Rare. Imp. & Lithographie Vve Marius Olive unknown
1812006820Paris: Chez Jean Md d'Estampes 1812 Engraving 59 x 90 cm old color. The first edition of this map was published in 1674 by Hubert Jaillot under the title "La Russie Blanche ou Moscovie divisee suivant l'étendue des Royaumes Duches." It was incorporated into numerous atlases by Jaillot and his successors until approximately 1720 when it became evidently outdated. However around 1812 it was reissued likely to illustrate the French-Russian war. Chez Jean Md d'Estampes unknown
1824620C22Paris : Bechet Jeune 1824. Cloth. Very Good. 8.5" by 5.5". None. An interesting volume written by three notable French surgeons exploring medical procedures and knowledge of the early nineteenth century. Volume IV only. Lacking volumes I II and III. New edition second edition. Revised and expanded this work discusses new surgical practises surgical dressings and operations of the early 19th century. Written in the original French. With the binder label to the tail of the front pastedown of C. Cooper & Co Ltd. Written by three medical professionals R. B. Sabatier L. J. Sanson and L. J. Begin each of whom were highly regarded medical professionals and surgeons. Ink inscription to the reverse of the title page which reads 'Birmingham Library 14 Days Forfeiture 2d per day over.' In a full cloth binding. Externally generally smart. Light rubbing to the head and tail of the spine resulting in a small amount of fraying. Large crack to the front joint with patches of rubbing to the rear joint. Patches of rubbing also to the extremities. Small white flecks spots to the tail of the front board perhaps paint. Light offsetting to the front and rear endpapers with a small binders label to the tail of the front pastedown. Internally firmly bound. Pages are generally clean with the odd spot and handling mark heavier to the title page. Small amount of loss to the tail of the half-title page. Ink inscription to the reverse of the title page. Very Good Bechet Jeune hardcover
18344319FB1834. Brüssel Louis Hauman et Compe 1834. 12°. 132 S. Pappband der Zeit mit montiertem goldgeprägtem Rückentitel Ecken und Kanten stärker bestoßen und berieben. Umlaufender Rotschnitt. Durchgehend geringfügig fleckig und stellenweise mit sehr leichten Knickspuren. Sonst innen in guter Erhaltung. unknown
18364318FB1836. Paris J.-B. Baillière 1836. 8°. 1 Tafel fehlend 352 S. Moderne Steifbroschur mit aufgezogenem Originaltitel Titel gebräunt. Durchgehend leicht fleckig. Sonst in schöner Erhaltung. unknown
1823z07242Paris: De l'imprimerie de L.-T. Cellot 1823. First edition. Hardcover. Very Good. First edition 1823. xi1587 pp. Half title. In French. Later half brown morocco and marbled boards spine gilt raised bands. Corners bumped spine lightly scuffed. Contemporary ink ownership signature in upper margin of half title. Ex-lib. with institutional bookplate on front pastedown and inkstamp in rear free endpaper at gutter. Some residue from earlier bookplates in front endpapers. Mild foxing throughout and some faint dampstaining. Overall very good. Early 19th-century French lexicon termes used in the medical and natural sciences. De l'imprimerie de L.-T. Cellot hardcover
1868mon0000065332J.B. Lippincott 1868. Hardcover. Acceptable. in x in x in. Spine is heavily stained and is frayed along the edges. Prominent bumping to the corners. Soiled boards. In POOR to FAIR condition. Small quarter-size spot on the free front end paper is missing at the top corner. Faint pencil writing on the ffep barely visible due to the dark paper. Light to moderate foxing throughout the book. Small dark spots on the middle surface of the back board. J.B. Lippincott hardcover
1868B5201Philadelphia: J. B. Lippincott Co. c. 1868. The book is in very good condition. . Binding: Contemporary full brown cloth. Tooled border on top and bottom cover. Gilt text and decoration on spine. Notes: This book is a philosophical and intellectual approach to defining mankind’s relationship with the arts and how the arts reflect the desires of man. These ideologies are supported by an extensive survey on the methods of art execution over many different styles. Size: 8vo 187x119mm Category: Book Art Architecture & Design; J. B. Lippincott Co. hardcover
