153 résultats
1859281544Frankfurt-am-Main 5619 1859. Boards. Good. 666 pp. twelve issues bound together title taped to spine title and last pages stained and worn some foxing throughout hinge started generally paper in good shape hardcover
187030523Paris : V. Masson 1870. 195x120mm. VII- reli demi cuir titre dor au dos. 400 V. Masson unknown
1868mon0000065332J.B. Lippincott 1868. Hardcover. Acceptable. in x in x in. Spine is heavily stained and is frayed along the edges. Prominent bumping to the corners. Soiled boards. In POOR to FAIR condition. Small quarter-size spot on the free front end paper is missing at the top corner. Faint pencil writing on the ffep barely visible due to the dark paper. Light to moderate foxing throughout the book. Small dark spots on the middle surface of the back board. J.B. Lippincott hardcover
1868B5201Philadelphia: J. B. Lippincott Co. c. 1868. The book is in very good condition. . Binding: Contemporary full brown cloth. Tooled border on top and bottom cover. Gilt text and decoration on spine. Notes: This book is a philosophical and intellectual approach to defining mankind’s relationship with the arts and how the arts reflect the desires of man. These ideologies are supported by an extensive survey on the methods of art execution over many different styles. Size: 8vo 187x119mm Category: Book Art Architecture & Design; J. B. Lippincott Co. hardcover
1896036943Philadelphia: J.B. Lippencott Company 1896 Includes a historic survey of the methods of art execution in the departments of drawing sculpture architecture painting landscape gardening and the decorative arts. Designed as a textbook for schools and colleges and a handbook for amateurs and artists. Abridged edition. Condition notes: 425 numbered pp; HB. Pages: clean bright tight; front hinge cracked at title p but intact mildly cocked. Cover: ridged burgundy cloth gilt titles spine; lt shelfwear extrems mildly worn. J.B. Lippencott Company hardcover
1823z07242Paris: De l'imprimerie de L.-T. Cellot 1823. First edition. Hardcover. Very Good. First edition 1823. xi1587 pp. Half title. In French. Later half brown morocco and marbled boards spine gilt raised bands. Corners bumped spine lightly scuffed. Contemporary ink ownership signature in upper margin of half title. Ex-lib. with institutional bookplate on front pastedown and inkstamp in rear free endpaper at gutter. Some residue from earlier bookplates in front endpapers. Mild foxing throughout and some faint dampstaining. Overall very good. Early 19th-century French lexicon termes used in the medical and natural sciences. De l'imprimerie de L.-T. Cellot hardcover
18364318FB1836. Paris J.-B. Baillière 1836. 8°. 1 Tafel fehlend 352 S. Moderne Steifbroschur mit aufgezogenem Originaltitel Titel gebräunt. Durchgehend leicht fleckig. Sonst in schöner Erhaltung. unknown
18344319FB1834. Brüssel Louis Hauman et Compe 1834. 12°. 132 S. Pappband der Zeit mit montiertem goldgeprägtem Rückentitel Ecken und Kanten stärker bestoßen und berieben. Umlaufender Rotschnitt. Durchgehend geringfügig fleckig und stellenweise mit sehr leichten Knickspuren. Sonst innen in guter Erhaltung. unknown
1824620C22Paris : Bechet Jeune 1824. Cloth. Very Good. 8.5" by 5.5". None. An interesting volume written by three notable French surgeons exploring medical procedures and knowledge of the early nineteenth century. Volume IV only. Lacking volumes I II and III. New edition second edition. Revised and expanded this work discusses new surgical practises surgical dressings and operations of the early 19th century. Written in the original French. With the binder label to the tail of the front pastedown of C. Cooper & Co Ltd. Written by three medical professionals R. B. Sabatier L. J. Sanson and L. J. Begin each of whom were highly regarded medical professionals and surgeons. Ink inscription to the reverse of the title page which reads 'Birmingham Library 14 Days Forfeiture 2d per day over.' In a full cloth binding. Externally generally smart. Light rubbing to the head and tail of the spine resulting in a small amount of fraying. Large crack to the front joint with patches of rubbing to the rear joint. Patches of rubbing also to the extremities. Small white flecks spots to the tail of the front board perhaps paint. Light offsetting to the front and rear endpapers with a small binders label to the tail of the front pastedown. Internally firmly bound. Pages are generally clean with the odd spot and handling mark heavier to the title page. Small amount of loss to the tail of the half-title page. Ink inscription to the reverse of the title page. Very Good Bechet Jeune hardcover
1812006820Paris: Chez Jean Md d'Estampes 1812 Engraving 59 x 90 cm old color. The first edition of this map was published in 1674 by Hubert Jaillot under the title "La Russie Blanche ou Moscovie divisee suivant l'étendue des Royaumes Duches." It was incorporated into numerous atlases by Jaillot and his successors until approximately 1720 when it became evidently outdated. However around 1812 it was reissued likely to illustrate the French-Russian war. Chez Jean Md d'Estampes unknown
185930434Marseille: Imp. & Lithographie Vve Marius Olive 1859. Fine. Imp. & Lithographie Vve Marius Olive Marseille 1859 16 x 24.50 cm broché The first edition published in a small number of copies. Autograph inscription from M. de Pongerville at head of front cover. A small tear at head of spine light foxing to covers handsome interior condition. Rare. Imp. & Lithographie Vve Marius Olive unknown
1888246842Munchen : T. A ermanen K. Hof-Bokhendlar 1888. First Edition. Hardcover. Bound in crude library gilt-blocked cloth. Some wear and tear as with age. Remains preserved overall; bright clean and sharp-cornered. Physical description; 288 p. ; 25 cm. Subjects; Bible. Pentateuch. Aramaic. — Commentaries. Munchen : T. A ermanen K. Hof-Bokhendlar hardcover
18458611Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458607Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458619Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458626Paris 1845. Pen ink and watercolour. Good condition apart from some minor foxing overall light soiling and creasing. Possibly a design for a porcelain lidded box this work which includes detailed instructions for the artist regarding the specific details of the piece is a rare example of an original watercolour design by the Samson factory of Paris. The abbreviated written directions in the center of the image instruct the artist to include the signature 'VP' and to paint a bird motif on the front of the box the whole of which is to be painted in Marseille colors.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458621Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling minor foxing. Writing in the top right-hand corner reading: "Potiche per genre Berlin of 18-3B" A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458602Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458603Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling and a watermark in the lower half of the image. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458614Paris 1845. Pen ink and watercolour. Very good condition apart from some minor foxing. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458622Paris 1845. Pen ink and watercolour. Good condition apart from some minor foxing overall light soiling and writing that reads: "Potiche pans god. 3 B.B. semis 13 to 8 de P" A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458613Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling minor foxing and a 1 7/8" tear at the extreme right edge. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458624Paris 1845. Pen ink and watercolour. Good condition apart from two small waterstains and a slight crease. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours to be used and the image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b Paris 1810; d Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458605Paris 1845. Pen ink and watercolour. Good condition apart from some overall light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown
18458623Paris 1845. Pen ink and watercolour. Very good condition apart from some overall light soiling. A rare example of an original watercolour design for porcelain by the Samson factory of Paris.<br/> <br/> This finished design was intended as a reference source from which the porcelain painters could work using the design as a guide for the colours and image to be transformed from paper into fine porcelain. The French porcelain manufactory of Samson & Cie. was established by "Edmé Samson b. Paris 1810; d. Paris 1891 at 7 Rue Vendôme later Rue Béranger in Paris. The intention of the firm was to reproduce ceramics from museums and private collections and it claimed that all such reproductions would be distinctly marked to avoid confusion with the originals. In 1864 the factory was moved to Montreuil by Samson's son Emile Samson 1837-1913. The range of wares included copies of 18th-century porcelain from such factories as Sèvres Chelsea Meissen and Derby Chinese export-wares especially armorial wares decorated with famille rose colours and mugs decorated with the Fitzhugh pattern Delftware Iznikware maiolica and faience." Grove Dictionary of Art. unknown