58 résultats
1773CLL-115Paris, Le Boucher, 1773-1774 In-8 de (2) ff., IV, 280 pp. - XVI, 104 pp., veau porphyre, triple filet doré en encadrement, dos à nerfs orné de caissons de fleurons dorés, pièce de titre de maroquin vert, coupes et bordures décorées, tranches dorées sur marbrure (reliure de l'époque).
1773CLL-858A Paphos et se trouve à Paris, chez Le Boucher, 1773 In-8 de (2) ff., IV, 280 pp., maroquin rouge, triple filet doré en encadrement sur les plats avec fleurons aux angles, dos lisse orné de caissons de fleurons dorés, pièce de titre de maroquin olive, double filet doré sur les coupes, roulette intérieure dorée, tranches dorées (reliure de l'époque).
177460357Paris, Le Boucher, 1773 & 1774 4to (228 x 156 mm). Bound in a very beautiful, a bit later, light brown full grained morrocoo binding with five raised bands, richly gilt spines, gilt lines to boards, inner gilt dentelles and gilt capitals. All edges gilt. Binding by 'Sture Falks Bogbinderi', Lund, Sweden. Housed in a slipcase. Ex-libris to pasted down front end-paper (Maurice B. Worms) and to front free end-paper (Per Erik & Ludmilla Lindahl). A very nice and clean copy. (4), IV, 280, XVI, 104 pp. + 2 frontispieces, 12 headers and 13 tailpieces by Eisen, engraved by Massard and Duclos.
1785ST11935Parmae: Ex Regio Typographeio 1785. ONE OF 50 COPIES ON FINE PAPER of a total of 310 copies. 308 x 216 mm. 12 1/8 x 8 1/2". 2 p.l. xciv 100 pp. 1 leaf. <br/> VERY ATTRACTIVE CONTEMPORARY CRIMSON STRAIGHT-GRAIN MOROCCO spine beautifully gilt in compartments between green stylized pentaglyph and metope strips flanked by double raised bands the plain-ruled compartments densely stippled with gold dots surrounding a small central medallion from which emanate a number of wavy vines bearing flowers and small leaves anular dot cornerpieces elaborately gilt turn-ins blue watered silk endpapers the pastedowns framed with elegant gilt garlands and bead-and-lozenge roll free endleaves with cresting gilt frame leather hinges these expertly renewed at top and bottom all edges gilt. In a modern brown cloth chemise and morocco-backed slipcase. Small author portrait tondo on title page large and elaborate armorial vignette on dedication page engraved by Cagnoni. Text of poems in Greek commentary in Latin both printed entirely in majuscules. Front pastedown with morocco monogram bookplate of Charles C. Kalbfleisch engraved bookplate of Hugh Morriston Davies and book label of Charles Whibley see below. Brooks 287; Dibdin I 265; Schweiger 25; Brunet I 252; Graesse I 111. ◆Spine probably a bit sunned though difficult to tell with so much gilt four tiny wormholes to joints extremities with a hint of rubbing but the binding solid lustrous and attractive; A SPECTACULAR COPY INTERNALLY entirely clean fresh and bright and with enormous margins.<br/> <br/> This is a superb copy of the luxury paper Bodoni printing of the works of the sixth century B.C. lyric poet Anacreon. Imbued with delicacy and grace these works come down to us only in fragments quoted by other authors or in the derived form of imitators and they did not find their way into print until after the middle of the 16th century. Produced by Giambattista Bodoni 1740-1813 the most celebrated European printer of his era this remarkable piece of work is called "magnificent" by Brooks and Dibdin says that a "more elegant and exquisitely finished production . . . cannot be conceived." The appearance of the page printed only with capitals and offered here in a copy with vast margins is simply as stately and powerful as one could ever hope for. Bodoni was not only a great printer but also the most important type designer and punchcutter in Italy during his day. He was responsible for some of the most graceful and immaculate books to be printed during the end of the 18th and beginning of the 19th century and the present item is certainly to be counted among his most beautiful productions. The present copy has a distinguished provenance. Charles C. Kalbfleisch was a discriminating American collector whose library featured a great many beautiful bindings and who was known for choosing only the finest copies available. Parke-Bernet sold much of his collection in January of 1944 in a sale entitled "The Arts of the Book . . . The Splendid Library Formed by the Late Charles C. Kalbfleisch New York." Hugh Morriston Davies 1879-1965 was a pioneering surgeon known as "The Doyen of Thoracic Surgery" who collected fine bindings especially those of the 18th century. Charles Whibley 1859-1930 authored important books and wrote popular periodical columns of literary interest edited a number of works in the substantial and distinguished "Tudor Translations" series was at the center of a British literary circle with links to the Symbolist poets of France and made an enormous contribution to literature by recommending T. S. Eliot to Faber & Faber. Ex Regio Typographeio unknown
1773ST16314Paris: Chez Le Boucher 1773. First Edition with these Illustrations. 214 x 136 mm. 8 3/4 x 5 1/2". 2 p.l. iv 280 pp. without "Héro et Léandre" as usual.Translated by Julien Jacques Moutonnet de Clairfons. <br/> LOVELY RED MOROCCO GILT BY CHAMBOLLE-DURU stamp-signed on front turn-in covers with French fillet border raised bands spine gilt in compartments with rose sprig at center curling floral cornerpieces gilt titling densely gilt turn-ins marbled endpapers all edges gilt. Engraved frontispiece and 25 charming and delicate engraved illustrations by Jean Massard after Charles Eisen. Cohen-de Ricci 79; Brunet I 254; Graesse I 113. For the binding: Flety 40. ◆Lower half-inch of joints just starting to show wear three minor stains and one short scratch to upper board but a fine and pretty copy the text fresh and smooth with deep impressions of the type with rich impressions of the engravings with ample margins and with a lustrous binding.<br/> <br/> This is a very attractive copy of the first printing of an anthology of French versions of classical poetry described by Cohen-de Ricci as "one of the most elegantly illustrated books of the 18th century." Charles Eisen 1720-78 was Louis XV's court painter as well as drawing master to Madame de Pompadour. Bryan says that "almost all the important books published in France in his time contain his exquisite plates" which "he engraved with a light point and with striking originality." He "took his inspirations direct from nature but added something of the ideal after the manner of Watteau and Boucher." The text contains biographies of and works by four important Greek poets: Anacreon sixth century B.C. Sappho b. ca. 612 B.C. Bion third century B.C. and Moschus second century B.C. The binding here is a perfect example of the kind of handsomely done French classical work produced for an extended period under the name of Chambolle. A rough contemporary of and certainly the equal in technique to binders like Trautz Marius Michel père Lortic and Cuzin the elder Chambolle served his apprenticeship under Hippolyte Duru and later formed a partnership with him as is clear from the stamped signature on our volume. Chambolle's son continued the business when his father retired in 1898 and in her "Modern Bookbindings" Sarah Prideaux says of her contemporary "Chambolle most worthily continues the traditions associated with the name of his father. . . . To him are confided the classics of former times which he clothes in the styles appropriate to them keeping to a simplicity of ornamentation which reveals great taste and feeling for composition.". Chez Le Boucher unknown
179129736Parma: Giambattista Bodoni 1791. Two parts in one volume. The fine sedicesimo edition of 1791 with provenance of Herzog Albrecht Kasimir August von Sachsen-Teschen. Title with an engraved roundel with Anacreon's portrait by Giuseppe Lucatelli 1751-1828; the following leaf with engraved roundel portrait of the marquis Jose Nicolas de Azara. Text in Greek bound before the text in Latin. 16mo 102x68 mm in very fine contemporary red morocco executed by Georg Friedrich Krauss the leading Viennese binder for Duke Albert von Sachsen-Teschen. The boards framed within gilt Greek-key roll the smooth spine with author's name and imprint in gilt on double green morocco lettering-pieces four further compartments with the gilt initials 'AS' in fine gilt tools and additional gilt tooling these separated by flat bands trimmed in green morocco and gilt tooled green silk endpapers board edges gilt tooled and turn-ins with gilt dentelles a.e.g. blue silk ribbon marker. 4 120; 122 2 pp. A superb and beautiful copy the condition being essentially without flaw. A FINE COPY OF ANACREON BY THE PROMINENT PRINTER AND PUNCHCUTTER GIAMBATTISTA BODONI 1740-1813 OFFERED HERE IN A PRECIOUS MOROCCO BINDING FOR DUKE ALBERT OF SACHSEN-TESCHEN SON OF FRIEDRICH AUGUST 11 OF SAXONY KING OF POLAND. Albert had a well-known taste for the arts his collection of prints and drawings was one of the richest in all of Europe and he was the founder of the eponymous Albertina in Vienna.<br> In 1791 Bodoni printed two different editions of Anacreon one in octavo and the edition offered here in sedicesimo. The smaller Anacreon is one of the finest books ever executed by the great printer. The text is set in the Greek font he designed a few years prior which was based on one of Henri Estienne's 1554 types. His Greek font was highly admired all throughout Europe. The King of France as Bodoni once stated in a letter requested two copies of this beautiful gem of a book.<br> The very fine binding was executed by the leading Viennese binder Georg Friedrich Krauss. Krauss was active between 1791 and 1824 and was one of von Sachsen-Teschen principle binders.<br> Giambattista Bodoni hardcover
17852936Parmae, ex Regio Typographeco, s.d. (1785) ; in-4 ; plein veau havane moucheté, dos à nerfs, caissons décorés, pièce de titre rouge, triple filet doré d’encadrement des plats, toutes tranches dorées, roulette décorative dorée d’intérieur (reliure de l’époque) ; (2) ff. de titre et dédicace, XCIV pp., 100 pp., (1) f. d’achevé d’imprimer, portrait gravé d’Anacréon à la page de titre et vignette gravée par Cagnoni en tête de la dédicace.
171671961716 reliure hollandaise, dorure passée. in-12, 3 gravures, XIV-300pp., (2ff.), et XXIV-104pp. (1f.), Amsterdam Vve Paul Marret 1716,
1773GITa230A Paphos et chez Le Boucher 1773. In-8 IV 280pp. Plein maroquin rouge, dos à nerfs rehaussés d'un filet perlé doré, compartiments dorés et fleuronnés dans les entrenerfs, plats encadrés d'un triple filet doré, coupes filetées, dentelle dorée sur bordure intérieure, tranches dorées (Ruban). 1er tirage du frontispice, des 12 vignettes et 13 culs de lampes par Eisen gravés par Massard et Duclos.
1785RO40104389A Paphos. 1785. In-24. Relié plein cuir. Etat d'usage, Coins frottés, Mors fendus, Intérieur bon état. 176 pages. Gravure en noir et blanc en frontispice. Auteurs, tomaison et caissons dorés sur le dos. Filets dorés encadrant les plats. Tranche dorée. Signature d'époque en page de titre.. . . . Classification Dewey : 880-Littératures helléniques. Littérature grecque
1779020736Paris chez LE BOUCHER 1779 Un volume in-12 (10,2 x 16,5cm), [1] ff. de titre, 264 pp. [2] ff. d'approbation et privilège. Reliure de l'époque en veau blond, dos lisse orné de pièces de titre en maroquin rouge et de tomaison en maroquin vert, caisson à fleuron doré, triple filet d'encadrement doré sur les plats et petit fer aux angles, filet sur les coupes, roulette sur les chasses, tranches dorées, signet. (reliure légèrement frottée, un coin tassé, tâches et auréole sur les plats, très rares rousseurs marginales). Seconde partie seule contient : Idylles de Moschus, Héro et Léandre, Epigrammes de l'anthologie, Morceaux de Catulle, Morceaux d'Horace, Veillées de Vénus, Poésies de divers auteurs, Loisirs d'un Poète. Bandeaux et culs-de-lampe. Ravissante publication hélas sans le tome premier.
178555046Additis var. Lectionibus, 1 vol. in-4 (279 x 210 mm) reliure de l'époque pleine basane marron, dos à 5 nerfs orné, Ex Regio Typographeio, Parmae [ Parma , Parme ], 1785, 2 ff., XCIV-100 pp. et 1 f. n. ch.
17840041201784 Parmae [Parme], Ex Regio Typographeio [Bodoni], 15 septembre 1784. Petit in-quarto (170 X 246 mm) maroquin rouge à grain long, encadrement de dentelle et filet dorés sur les plats, dos lisse fileté, titre doré avec en queue la date d'impression et la mention «Bodoni», chainette dorée en queue, coupes et coiffes filetées, tranches dorées (Reliure de l'époque); (7) ff. dont titre, LXXXII-103 pages, (1) page d'achevé d'imprimer. Deux ex-libris gravés collés sur le premier contreplat.
177338330Chez Le Boucher | à Paphos & se trouve à Paris 1773 | 14 x 22.20 cm | relié
1785185501785 Paphos (Lyon), sans nom d'éditeur (Cazin), 1785, 2 tomes en 2 vol. in-18 de (2)-176 pp. ; (2)-180 pp., 1 frontispice représentant Apollon, la tête couronnée de laurier au centre d'un soleil rayonnant, tient sa lyre à la main gauche en indiquant de la droite le fronton du temple où l'Amour grave avec un de ses traits les noms des poètes, rel. d'ép. de plein veau glacé fauve moucheté, dos lisses ornés de fers dorés, pièces de titres et de tomaisons de maroquin vert-olive, tranches dorées, encadrements de triple-filets dorés sur les plats, bon ex.
1791bn1506I. B. Bodonius Regis Catholici Typographys et B. Parm. Typogr. Praef. Relié 1791 In-12 relié demi chagrin havane à coins, faux titre et titre puis CXVIII, feuille de titre : Anacreontos Thioy Melh, puis 111 pages, portrait gravé au titre et au faux titre. Il s'agit de la réimpression de l'édition en caractères grecs majuscules de l'Anacréon que Bodoni fit paraître pour la première fois à Parme en 1784 en caractères minuscules. Il est dédié au Chevalier De Azara ambassadeur d'Espagne, devenu son conseiller et mécène. L'un des premiers chefs-d'Oeuvre de la typographie bodonienne. On consultera le numéro 28 de la revue FMR où un article : Question de Caractère est consacré à Bodoni. Ex-Libris de P. de la Morandière et de A. -G. Du Plessis ; dos en partie insolé, bon exemplaire Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
171023121710 LONDINI AUGUSTA Imprimebatur Impensis Matthei Hawkins, prostatque venalis ad Angelum in Areâ Paulinâ A. D. CIC DCCX. (1710) Un volume in°12 plein maroquin rouge, dos à nerfs. Décors floral estampé à froid sur les plats. Filet doré en encadrement sur les plats, les chasses et chants des plats; Tranches dorées. Portrait en frontispice 10 + 172 pages. Deuxième édition
173631357ABIn Venezia, Apresso Francesco Piacentini, 1736. 4°. (3) Bl., 208 S. Mit 1 Portät. Pergamentband der Zeit.
1712668561 vol. in-12 reliure de l'époque pleine basane marron, dos à 5 nerfs orné, Chez Fritsch et Böhm, Rotterdam, 1712, CCXI-354 pp. et 3 ff. n. ch. avec un frontispice gravé par Bernard d'après un dessin de Picart
179948959Imprimerie de Pierre Didot l’Aîné 1799 In-8 Jésus, reliure de l’époque demi-basane brune - Traduit par Jean-Baptiste GAIL
1794335571794 Paris - Didot l'ainé - 1794 - 1 volume in12 de XX - 78 pages - Reliure plein maroquin rouge - Dos quatre nerfs orné - filet sur les coupes - Quadruple filet doré d'encadrement sur les plats - [Bernasconi] -
1706102708Paris, Chez Pierre Ribou 1706 In-16 16,5 x 9,5 cm. Reliure de l’époque veau havane, dos à nerfs encadrés de fers dorés, [34]-236-81 pp. Reliure frottée, manque pièce de titre, intérieur assez frais.
170461700Chez Pierre Ribou | à Paris 1704 | 9.50 x 16.50 cm | relié
1705WB15640Cambridge: Recentioribus Typis Academicis Imprensis Edmundi Jeffery 1705. Hardcover. Near Fine. First edition edited by Barnes a professor of Greek at Cambridge University. 12 mo. 20 lxxv 37 401 7pp. Index. Illustrated with three copper engraved folding portraits the author the editor and the Duke of Marlborough. Contemporary vellum. A handsome copy. <br/><br/> Recentioribus Typis Academicis, Imprensis Edmundi Jeffery hardcover books
17053238Cambridge: Recentioribus Typis Academicis Imprensis Edmundi Jeffery 1705. 12mo. First edition edited by Barnes a professor of Greek at Cambridge University. 20lxxv374017pp. Index. Illustrated with 3 copper engraved folding portraits the author the editor and the Duke of Marlborough. Cont. tooled paneled calf gilt decorated spine with red morocco label. 2" crack at top of front hinge but a very sound copy. See Dibdin GREEK & LATIN CLASSICS 4th ed. Vol. I p. 260-261. Recentioribus Typis Academicis, Imprensis Edmundi Jeffery unknown books