61 résultats
19003415Elmira NY or Auburn NY 1900. Wooden blook 4.75 x 6.25". A hand-made wooden box in the shape of a 12mo book with a compartment carved from the interior and lined with blue velvet. In very good condition with a 1" x 3" section of varnish removed on the front board; scattered scratches to the surface that seem to be heavier on the rear board where the box was laid; wear and oxidation to the metallic gold used on the fore edges. AN EXCELLENT WOODEN BOOK WITH A SECRET COMPARTMENT the gift of one male prison guard to another featuring many qualities of American Folk Art. <br/><br/>The term "Blook" was coined by Mindell Dubansky of the Metropolitan Museum of Art; it is the contraction of the words "Book Look" and refers to an everyday object that looks like a book. Our blook is decorated with Tole paintings in green white gold orange and burgundy. The front of the blook has a decorative shield with "To Walter Long 1900" in script within a central cross; the shield is surrounded by wreath of flowers and leaves on a burgundy field with a green border that extends around the spine to the rear cover of the blook. The "spine" has a central green panel bordered in orange and decorated with arabesques in gold with the word "Friendship" in script written on a diagonal. The rear of the blook has a central shield with three horizontal panels with the words "Compliments of Elvey D. Ridley" in script on the first two horizontal panels; the shield is formed by an arabesque border and is superimposed on top of a foliate branch. The edges of the "text block" of the blook are painted metallic gold.<br/><br/>The secret compartment is accessed by sliding the spine of the blook downward and then outward to remove it and the compartment is revealed when a small sliding door on the front "cover" of the blook is pulled toward the spine. <br/><br/>Our blook is a token of friendship between two who worked at the Elmira Reformatory in 1900. Walter Long was a guard and Elvey D. Ridley was a "keeper". Ridley transferred to Auburn Prison to become a guard in 1900. It is likely that Ridley's move to Auburn prompted this gift to his friend. <br/><br/>A unique blook offering between two friends and a scarce instance of early 20th century folk art. <br/><br/>For records of the two men see: State of New York Civil Service Commission. Seventeenth Report of the State Civil Service Commission. March 13 1900 p. 793 and February 28 1901 p. 116 Albany: James B. Lyon State Printer. unknown books
1900349Sevilla: original 1900. original. Framed. Fine. F. Candella. Watercolor on paper unframed: 6.8" x 4.1" / 17.2 x 10.3 cm ca.1900 signed "FCandel "F" & "C" ligated Sevilla Spain. Colorful and humorous watercolor of a mounted horseman wooing his fair duena. original unknown books
182017384London: Printed for Longman Hurst Rees & Orme 1820. Third edition. Illustrated by Five engravings intended to show the Different Stages of the Neutral Tint title vignette. 1 vols. 8vo. Original rose paper-backed blue boards printed paper label on upper cover Price 10s.6d. Boards.". Rubbed spine and edges worn interior quite fresh. A very good copy of this unusual work. Third edition. Illustrated by Five engravings intended to show the Different Stages of the Neutral Tint title vignette. 1 vols. 8vo. Painting on Velvet. There are instructions and recipes for making the colors needed for painting on velvet at the back. A source for Theorem painters Printed for Longman, Hurst, Rees & Orme unknown books
1880382501880. PAINTING. A TREATISE ON PAINTING. In four parts. By John Burnett. New edition. London: Henry Sotheran & Co. 1880. 4to. red cloth; 73pp. 22pp. 45pp. 61pp. with 25 b&w and 8 hand-colored plates. Spine detaching binding shaken ex-library. As is. unknown books
1853D7142London: William Pickering 1853. The Aldine Edition of the British Poets. Hardcover. Very Good. Ornately gilt-ruled red morocco gilt-stamped lettering and ornament in spine compartments 5 raised bands inside gilt dentelles a.e.g. with a fore-edge painting of a 19th-century cock fighting ring the "sport" was a favorite of Gray's; 16mo 100 x 160 mm; pp. xvi cxxiv 223. Just a little light scuffing at spine tips and along edges of boards. Internally bright and clean with handsome armorial bookplate Ex Libris John Train on front paste-down. A lavish copy. <br/><br/> William Pickering hardcover books
1853FF2448Oxford:: University Press 1853 1852. 1853. 12 cm. unpaginated. Original full chocolate brown blind- and gilt-stamped morocco all edges gilt with fore-edges protected by brass-edging and clasp verso of clasp states "DOWNES". Ownership inscriptions of J.C. McMullen to Stanley Herbert McMullen 1854 . . . and with love to Charles T. McMullen Xmas 1898 both predating the painting. Very good. With a fore-edge painting of a single full-bloomed rose with three buds surrounding 3 leaves and a spray of blue dots. There is no background. The painting is 20th century. / Bound together with N. Brady & N. Tate A NEW VERSION OF THE PSALMS OF DAVID fitted to the tunes used in Churches. Oxford 1852. University Press, 1853, 1852. unknown books
1879WRCLIT84843Edinburgh & London: William Blackwood & Sons 1879. vi303pp. Small octavo. Full olive green morocco a.e.g. spine and upper board lettered in gilt gilt decorated inner dentelles marbled endsheets. Joints and extremities rubbed but sound spine darkened a few scattered dust marks otherwise very good. A volume from the "Cabinet Edition" of Eliot's works with the engraved bookplate of Princess Helena third daughter of Queen Victoria and Prince Albert on the front pastedown. The volume is further embellished with a fore-edge painting in color identified as a view of the Acropolis from the west. The binding is signed in type at the lower edge of the verso of the front free endsheet by R. de Coverly the London binder under whom T.J. Cobden Sanderson and Charles McLeish the younger trained. William Blackwood & Sons unknown books
18149026271London: T. Cadell and W. Davis 1814. Hardcover. Fine condition. Bound in full green morocco with gilt tooling on front and back cover and on the spine. Gilt inner dentelles. All edges gilt. 240 plus 36 pages. 6 1//5 inches tall. Many vignette wood engravings. With a fore edge painting of a manor scene identified on the front free end paper in pencil as Newsparch Isle of Wight. A beautiful scene with remarkably rich color. <br/><br/> T. Cadell and W. Davis hardcover books
18132467London: Rivington 1813. Full straight-grained maroon full morocco binding with five raised bands and gilt lettering on spine marbled endpapers. Superb traditional style fore-edge painting showing a night rambler and his dog at a moonlit lake alongside ruins by preeminent fore-edge painter Martin Frost with his monogram and authentifcation ticket at front. Numerous excellent engraved plates. Slight foxing. An excellent early 19th century binding and an outstanding complementary fore-edge painting. In matching maroon cloth thumbhole slipcase. <br/><br/> Rivington hardcover books
1830FF2469London:: William Pickering 1830. 1830. Small 8vo. cxxviii 292 pp. Frontis. portrait printer's device on title 5 chapter headings glossary. Original full dark green gilt-stamped morocco all edges gilt raised bands spine title and compartments bound by J. CARRS & CO. Glasgow. With a modern fore-edge painting of Kylemore Abbey County Galway. kmw William Pickering, 1830. hardcover books
1862FF2436London:: Smith Elder and Co. 1862. 1862. Half-title: The four Georges: sketches of manners morals court and town life. <br /><br /> Small 8vo. iv 226 2 pp. Original full turquoise blue crushed morocco raised bands all edges gilt by W. M. HOLLOWAY ca.1850-70 London; head and rear joint mended with kozo spine toned. Bookplates of Thomas Clarke Butler-Cole; Alfred C. Howell. Very good. First edition contained within four parts. With a lovely fore-edge painting ca. 1952 of a scene of Windsor Castle. PROVENANCE: Thomas Clarke Butler-Cole 1870-; Alfred C. Howell 1847-1928. See: Hover Caroline F. Aucassin et Nicolette the Alfred C. Howell collection: a bibliography. New York: Hover 1977. Smith, Elder and Co., 1862. hardcover books
1867FF163London:: Charles Griffin 1867. 1867. 8vo. xxxviii 682 pp. Index to subjects. Original full brown morocco stamped in darker brown gilt corner devices four raised bands a.e.g.; light edge wear corners showing some scuffs to outer edges. Early ownership signature of Gerald Beach. With a fore-edge painting estimated date of painting: 1985 showing two trappers in the woods one holding a captured and killed ferret or similar creature. Painted by/for Harrington's London ca.1990s. Charles Griffin, 1867. hardcover books
1827WB15033London: Longman Rees Orme Brown and Green 1827. Second Edition. Hardcover. Good. Red morocco gilt binding rubbed and worn with rear board detached and front board starting. Contains a double fore-edge painting one a view of the Castle on the Rhine and the other of Oxfordshire with fishing scene. The book is inscribed in a contemporary hand to "J. L. Sealy from his affectionate friend T. W. Tindal." <br/><br/> Longman, Rees, Orme, Brown and Green hardcover books
1817FF152London:: Printed for Longman Hurst Rees Orme and Brown . . . 1817. 1817. Volume II only. Small folio. 89-209; ci i xii pp. Numerous fine engraved plates. Original full crimson red straight-grained morocco gilt tooled covers gilt spine a.e.g. Unrelated broadsheet mounted to rear inside cover. Bookplate of Robert John Verney Lord Willoughby de Broke. Probably sold by Dawson's Book Shop. Signature and inscription of Gladys McKenney Molony to St. Mary-of-the-Woods College Library April 9 1976. Superb binding. With a fore-edge painting by the "Dover" painter of "Edinburgh from the Grass Market." Painted ca. 1926-28. Provenance I: Gladys McKenney Molony purchased this fore-edge painting in 1976 and presented it to her alma mater. The library subsequently sold much of her gift during the summer of 2007. II: Robert John Verney Lord Willoughby de Broke 1809-1862. Printed for Longman, Hurst, Rees, Orme, and Brown, . . . 1817. unknown books
181050698Edinburgh: John Ballantyne; London: Longman Hurst Rees Orme and Brown and W. Miller 1810. 8vo.10 433 pp. Half-title. Somewhat later black straight-grain morocco gilt and marbled endpapers gilt title on spine dull a.e.g.; some scattered foxing and spots in margins of text; cracking along the spine and its extremities and splitting along the rear leather joint and corresponding hinge. Eighth edition. The gilt edges conceal a contemporary double fore-edge painting each with an ink manuscript identification at the edge of the endpaper just above the painting: 1 "Rodmarton Place Gloucestershire" the country house and its outbuilding sitting amidst a grove of trees and 2 "Thornbury Castle Gloucestershire" the manor several employees and some farm animals also amidst a grove of trees. "Ainderby Teeple" possibly the binder blindstamped in the upper cover. <br/><br/> John Ballantyne; London: Longman, Hurst, Rees, Orme, and Brown, and W. Miller hardcover books
1857FF153Edinburgh:: Adam and Charles Black 1857. 1857. Small 8vo. 746 1 pp. Engraved frontispiece portrait of the author with his favorite wolfhound "Maida" by John Horsburgh after the painting by Sir John Watson Gordon Scottish painter 1788-1864 engraved half-title by W. Allan & T. Dobbie engraved plates. Original full red morocco tooled in gilt gilt spine a.e.g. Ownership inscription of Ellen Davis Browell October 1859. Fine. With a beautiful fore-edge painting by Martin Frost of "Abbotsford" and an oval inset portrait of Sir Walter Scott signed by Frost with his initials on the outer left margin. Abbotsford was the home of Sir Walter Scott. Painted by Martin Frost in 1986. See: Weber Jeff Annotated Dictionary pp. 151-3 Frost fl. 1973-2018. Adam and Charles Black, 1857. unknown books
1830FF149London:: Printed for T. Cadell; and E. Moxon 1830. 1830. 8vo. vii 284 pp. Bound ca. 1890/1905 in full olive brown crushed morocco gilt corner decorations dentelles a.e.g. marbled endleaves; p. 273/4 torn and mended. Alfred Trapnell bookplate. Very good. With a vertical fore-edge painting of a large urn or vase with a plant. The painting is not signed or dated. The view is suggestive of three urns that decorate the text of this volume but it is not a copy of them. Alfred Trapnell bookplate his library sold in NY ca. 1910 "997" label. Was the fore-edge painted before Trapnell bought the book or after Alfred Trapnell was a famous collector of porcelains. From the Phoebe Easton collection of fore-edge paintings. Printed for T. Cadell; and E. Moxon, 1830. unknown books
1848FF150London:: Edward Moxon 1848. 1848. 12mo. xi 377 pp. Half-title index. Original full maroon morocco gilt-stamped gilt spine a.e.g.; corners worn else very good. Earlier unrelated ownership inscription 1848. Bookplates of Edward Laurence Doheny and Carrie Estelle Doheny. With a fine fore-edge painting by the "Dover Painter" ca. 1920s of "The ruins of the Villa Maecenas at Tivoli." The title label inscribed by the artist. The "Dover Painter" worked for Marks & Co. and became the backbone of the Doheny collection with about half of her collection being specimens from this artist. Edward Moxon, 1848. unknown books
1842FF2466London:: Edward Moxon 1842. 1842. 8vo. vii 320 pp. Numerous engraved illus.; lacking frontispiece portrait. Original full maroon blind- and gilt-stamped morocco raised bands gilt compartments all edges gilt. Bookplate of Oscar Ehrhardt Lancaster fore-edge painting collector. With a fore-edge painting of "Sadler's Wells Theater" London ca.1813 after Thomas Hosmer Shepherd 1792-1864; engraved by J. Garner 1830. This is a "modern" painting 20th century. Edward Moxon, 1842. hardcover books
1834FF2467London:: Printed for T. Cadell; and E. Moxon 1834. 1834. 8vo. vii 284 pp. Engravings throughout. Bound ca. 1890/1905 in full olive brown crushed morocco gilt corner decorations dentelles a.e.g. marbled endleaves. Bookplates of Alfred Trapnell and Oscar Ehrhardt Lancaster both owned fore-edge paintings. Very good. With a vertical fore-edge painting of a large urn or vase with a plant. The painting is not signed or dated. PROVENANCE: Alfred Trapnell bookplate his library sold in NY ca. 1910 "998" label. The fore-edge was painted before Trapnell bought the book as there was another ROGERS in the Phoebe Jane Easton collection that was a clear companion to this volume also with Trapnell's bookplate. Alfred Trapnell was a famous collector of porcelains. kmw Printed for T. Cadell; and E. Moxon, 1834. unknown books
1836FF2429Parigi:: Presso Baudry 1836. 1836. 2 volumes in 1. Sm. 8vo. xxx 2 442 2; iv 288 2 pp. Frontispiece portrait 2 half-titles; light foxing. Original full green straight-grain gilt-stamped morocco a.e.g.; rubbed Early ownership inscription 1839. Bookplate with signature of Edward Thomas King. With a beautiful scene painted by Don Noble unsigned of Tivoli Italy. Presso Baudry, 1836. unknown books
1880FF146London:: Frederick Warne and co. 1880. 1880. At head of title: The Lansdowne Poets. Small 8vo. 438 pp. Engraved illus. Original full green blind and gilt-stamped calf spine gilt maroon leather spine label a.e.g. School prize award mounted on front pastedown 1882. With a fine fore-edge painting showing The Tower of London and Mint from Tower Hill 1842 after Thomas Shotter Boys English engraver 1803-1874. Painted circa 1970s by Don Noble unsigned. See: Weber Jeff Annotated Dictionary pp. 214-6 Noble fl. 1965-2000. Frederick Warne and co., (1880). hardcover books
1841FF2465London:: William Smith 1841. 1841. 8vo. xviii 236 pp. Engraved half-title; occasional light foxing. Original deep purple blind- and gilt-stamped morocco all edges gilt. Bookplate of Olive Virginia Goodwin. With a fore-edge painting of Thomson Cottage James Thomson's home and Kew Foot Lane Richmond painted ca 1920-30s by the "Dover" artist probably working for Marks & Company London. PROVENANCE: Olive Virginia Goodwin related to Los Angeles urologist Willard Elmer Goodwin MD his mother 1915-1998. Willard Goodwin 1882-1967 the father of W.E.G. married Olive Virginia Belt thus related to Elmer Belt 1893-1980. kmw William Smith, 1841. unknown books
1828FF2476Vienna:: Joseph Riedl ca.1828. "Reminders of friendship" is a guest book for collecting manuscript memories. 1828. Oblong small 8vo. 56 leaves. Sketch-book largely with blank leaves: Title-page wood engraving verse leaf and following are 3 ink drawings: I dog; II bucolic scene with base of ruins 7 leaves of manuscript verses or notes written in German verse with penned name of Fr. Gelner 1829; III bucolic scene with a nude figure and what appears to be either an odd monument or a cooking structure or an odd chemical processor dated 1815. One of the leaves of verse has the penned name of Therese Koppa another shows the name of Bern Koppa. Original full elaborately gilt-stamped maroon morocco all edges gilt marbled endleaves. A handsome sketch book or memory book. From the library of Phoebe Jane Easton. Very good. PANORAMIC FORE-EDGE PAINTING BY 'STEVENS' – ON THIS MANUSCRIPT ALBUM. When fanning the edges of this little book one sees the hidden PANORAMIC watercolor painting applied ca. 1950s by "Stevens" the prolific post WWII British fore-edge painter. In this case his painting is applied to a charming memory or friendship album. See: L. Jeff Weber Annotated Dictionary of Fore-edge Painting Artist & Binders pp. 244-246. Joseph Riedl, ca.1828. ["Reminders of friendship" is a guest book for collecting manuscript memories]. unknown books
1883FF2463London:: Longmans Green Reader and Dyer 1883. 1883. Small 8vo. vi 2 855 1 pp. Original full blind- and gilt-stamped maroon morocco all edges gilt. Student's prize from King's College London to C. F. Felix Sladz inscribed by C. W. Browne M.A. 1891 as recognition for being "Headmaster's Monitor". Additionally signed Felix Sladz. With a handsomely painted fore-edge painting "after Rowlandson" of a landscape a somewhat rural scene showing a fishing at a river with 2 or 3 domiciles in the background. Well-painted for Harrington's late 1990s. kmw Longmans, Green, Reader, and Dyer, 1883. unknown books