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2001A0812xvi220 pages with figures maps tables plates appendix bibliography and index. Octavo 9" x 6" bound in original wrappers. Inscribed by the author. First edition.<br /><br />Based on their enormously complex calendars that recorded cycles of many kinds the Aztecs and other ancient Mesoamerican civilizations are generally believed to have had a cyclical rather than linear conception of time and history. This boldly revisionist book challenges the understanding. Ross Hassig offers convincing evidence that for the Aztecs time was predominantly linear that it was manipulated by the state as a means of controlling a dispersed tribute empire and that the Conquest cut off state control and severed the unity of the calendar leaving only the lesser cycles. From these he asserts we have inadequately reconstructed the pre-Columbian calendar and so misunderstood the Aztec conception of time and history. Hassig first presents the tradition explanation of the Aztec calendrical system and its ideological functions and then marshals contrary evidence to argue that the Aztec elite deliberately used calendars and timekeeping to achieve practical political ends. He further traces how the Conquest played out in the temporal realm as Spanish conceptions of time partially displaced the Aztec one. His findings promise to revolutionize our understanding of how the Aztecs and other Mesoamerican societies conceived of time and history.<br /><br />Condition:<br /><br />Inscribed on title. A fine copy. University of Texas Press paperback
2011018842Konya: TC Konya Valiligi Il Kültür ve Turizm Müdürlügü 2011. 2nd Edition . Soft cover. New. 4to - over 9¾ - 12" tall. Paperback. Pbo. 4to. 30 x 21 cm. In Turkish. 14 151 9 p. color ills. and plts. Hattat Hüseyin Öksüz Konevi. Calligraphic plates and biography of contemporary Turkish calligrapher Hüseyin Öksüz. <br/> <br/> TC Konya Valiligi Il Kültür ve Turizm Müdürlügü paperback
2007003346Rome: Museo Nazionale Palazzo Venezia 2007. 172 pages; filled with color images including 2- and 4-panel foldouts; many full-page images. "Patrick Mimram Paris 1956 est un artiste complet." Indeed: composer painter sculptor photographer video artist digital imagery arranger. His Billboard Project presented names and "laconic" statements on urban sites around the world. The catalogue presents a range of his work. French English Italian text. First Edition. Printed Paper Boards. Fine/No Jacket as Issued. 4to. Exhibition Catalogue. Museo Nazionale Palazzo Venezia Hardcover
2012176865Cénlit Ediciones S.L. 2012. Tapa dura. 2ª Mano. . . Ilustrado a color. Golpe en el lomo sup. con falta. . Tapa dura 32 p. il. col. 30x21 cm Cénlit Ediciones, S.L. hardcover
2015229896Berlino: Holzwarth Publications 2015. Rilegato hardback. Perfetto Mint. Catalogo della mostra tenutasi presso la Galerie Max Hetzelr Berlino 21 novembre 2015 - 9 gennaio 2016. Testi di David Campany e John Hilliard. Illustrazioni a colori. Edizione in inglese e tedesco. 8vo cm 29x245. pp. 104. Perfetto Mint. Prima edizione First Edition. <em>Since the late sixties John Hilliard's work has evolved by continually raising questions about the nature of photography as a representational medium subjecting it to a critical examination of its shortcomings and unreliability while also celebrating its material specificity. Pictorial characteristics such as lighting proportion and perspective and their realisation within photography build the basis of Hilliard's interest and are constantly challenged in his works. By emphasising the distinctions of photography in relation to other artistic media such as painting drawing or sculpture he continues a dialogue on its position within contemporary visual arts.<br /><br /></em> <em>Dalla fine degli anni Sessanta il lavoro di John Hilliard si è"; evoluto sollevando continuamente domande sulla natura della fotografia come mezzo di rappresentazione sottoponendola a un esame critico delle sue carenze e della sua inaffidabilità e celebrando al contempo la sua specificità" materiale. Le caratteristiche pittoriche come l'illuminazione le proporzioni e la prospettiva e la loro realizzazione all'interno della fotografia sono alla base dell'interesse di Hilliard e vengono costantemente messe in discussione nelle sue opere. Sottolineando le distinzioni della fotografia rispetto ad altri mezzi artistici come la pittura il disegno o la scultura Hilliard prosegue il dialogo sulla sua posizione all'interno delle arti visive contemporanee.</em> Holzwarth Publications, hardcover
2001217449Milano: Mazzotta 2001. Brossura wrappers. Ottimo Fine. A cura di Vittoria Coen e Nicoletta Pallini. Catalogo della mostra tenutasi presso la Galleria Civica d'Arte Contemporanea Trento 27 gennaio - 25 marzo 2001. Testi di Vittoria Coen e Nicoletta Pallini. Numerose illustrazioni a colori alcune in bianco e nero. Bibliografia. Edizione in italiano e inglese. 8vo cm 245x295. pp. 224. Ottimo Fine. . Mazzotta, unknown
2011459815Liverpool : Liverpool University Press 2011. First Edition. Hardcover. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight bright clean and especially sharp-cornered. Physical description; xi 189 pages : illustrations map. Notes; Includes bibliographical references and index. Subjects; Byron George Gordon. English Irish Scottish Welsh. Literature. Romantics. British. Poets English. Geneva Lake Switzerland and France. Liverpool : Liverpool University Press hardcover
2012224513Munchen: Hirmer Verlag 2012. Rilegato hardback. Perfetto Mint. Edited by D. Elger and Gerhard Richter Archive. Con 100 fotografie di G. Richter al alvoro. 8vo. pp. 146. Perfetto Mint. Prima edizione First Edition. Hirmer Verlag, hardcover
2002215879Venezia: Edizione a cura della Galleria 2002. Rilegato hardback. Ottimo Fine. Catalogo della mostra tenutsi presso la Galleria Flora Bigai Venezia 11 maggio - 20 settembre 2002. Con 2 poesie di Mario Luzi. Testo di Maurizio Sciaccalunga. Illustrazioni a colori e in bianco e nero. Biografia Bibliografia Catalogo delle opere. Edizione in italiano e inglese. 4to. pp. 124. Ottimo Fine. . <em>L'artista ha utilizzato i tre piani della galleria che si aprono a materiali diversi per ordinare un percorso attorno alla sua opera che egli stesso compie. Le tre sezioni della mostra Rebis ripropongono infatti quasi come fosse un riassunto l'intero cammino artistico di Giuseppe Maraniello che si potrà percorrere partendo dalle sculture in bronzo dai riflessi bruni o ramati della prima sezione per proseguire con le opere in oro e argento dallo splendore eccessivo e ridondante della seconda sezione e giungere infine nel bianco abbagliante e nei marmi candidi delle opere dell'ultima parte.</em> Edizione a cura della Galleria, hardcover
2001239353Roma: Galleria Nazionale d'Arte Moderna 2001. Cartoncino Cardboard. Perfetto Mint. Cartoncino di invito alla mostra della Galleria Italiana d'Arte Moderna Roma 12 Aprile 2001. Nella mostra fra le altre opere esposte di <strong>Pascali</strong> <strong>Paolini</strong> <strong>Zorio</strong> <strong>Pistoletto Castellani Lo Savio Fabro e Manzoni </strong>veniva presentata la ricostruzione del garage della galleria l'Attico di <strong>Fabio Sargentini </strong>compresa la saracinesca con il fiore nero di <strong>Kounellis </strong>ed alcuni filmati storici degli anni '60. . Cm 115x11. . Perfetto Mint. . <strong>Fabio Sargentini</strong> Roma 26 agosto 1939 è"; un performance artist regista scrittore e gallerista italiano. È conosciuto come gallerista d'avanguardia e direttore della storica Galleria L'Attico di Roma. Nella sua carriera di gallerista ha lanciato molti artisti tra cui Pino Pascali Jannis Kounellis Luigi Ontani Piero Pizzi Cannella Nunzio Di Stefano Sergio Ragalzi Giancarlo Limoni Claudio Palmieri Enrico Luzzi Marco Tirelli Claudio de Paolis e si è adoperato per superare lo steccato tra le arti: dalla sua galleria sono infatti passati non solo la pittura e la scultura contemporanea ma il teatro la musica e la danza. Fabio Sargentini ha sempre accompagnato la sua attività" di gallerista d'avanguardia <sup id="cite_ref-1" class="reference"></sup>a quella teatrale e letteraria. Ha promosso diversi festival di danza e musica e dal 1979 ha messo in scena diverse opere teatrali. Sul versante letterario ha inoltre pubblicato diversi volumi. da Wikipedia Galleria Nazionale d'Arte Moderna, unknown
2001009708Philadelphia Museum of Art in association with Yale University Press Philadelphia Pa 2001 2001. 1st Edition . Hardcover. Fine/Good. xli 446 p. : ill. some col. ; 32 cm. ISBN 9780876331439 9780876331422 9780300091113 0876331436 0876331428 0300091117 ; OCLC 47785680 ; green cloth in color pictorial duistjacket ; creases on back dustjacket ; Contents: Thomas Eakins and American art / Darrel Sewell -- Chronology / Kathleen Brown -- Eakins's early years / Amy B. Werbel -- Studies in Paris and Spain / H. Barbara Weinberg -- The 1870s / Marc Simpson -- Images of Fairmount Park in Philadelphia / Elizabeth Milroy -- Eakins and the academy / Kathleen A. Foster -- The 1880s / Marc Simpson -- Eakins's vision of the past and the building of a reputation / Marc Simpson -- Photographs and the making of paintings / Mark Tucker and Nica Gutman -- The camera artist / W. Douglass Paschall -- The 1890s / Marc Simpson -- Portraits of teachers and thinkers / Kathleen A. Foster -- The 1900s / Marc Simpson -- The pursuit of "true tones" / Mark Tucker and Nica Gutman -- Eakins in the twentieth century / Carol Troyen -- Eakins as a writer / William Innes Homer ; <br/> <br/> Philadelphia Museum of Art in association with Yale University Press, Philadelphia, Pa, 2001 hardcover
200646042<p>London : Picador 2006. First edition. "It was not the dead that seemed to Quirke uncanny but the living" - the first of Banville's addictive Quirke series written initially under his "Benjamin Black" pseudonym - we meet the pathologist in the morgue long after midnight in 1950s Dublin. "It's soaked in my recollections. It is more connected to the circumstances of my life than my Banville books" John Banville. Demy 8vo 23cm. viii390iipp. Original black boards lettered in silver; a very good copy indeed in the dust-jacket - the jacket also very good indeed.</p> London : Picador, (2006). hardcover
2010058860London: Folio Society 2010. First Edition Thus . Hardcover. Fine/Near Fine. Folio - 11 x 9 Inches Tall. Colour plates. Maps. FIRST FOLIO SOCIETY EDITION. LONDON : 2010. Hardbacks. 2 Volumes in Slipcase. 48pp Colour plates. 6pp b&w Maps. Turquoise cloth gilt lettered spines. Gilt pictorial covers. Colour end-papers. In black slipcase; with matching gilt pictorial front. Bright tight and clean. Neat owner name dated 2010. No internal markings. Slipcase in excellent state with minor use only. FINE. Slipcase NEAR FINE.xxiv vi 1-282 ix 281 i 283-559 pages. Includes bibliographical references. Index. CONTENTS: v. 1. Kingdom to empire -- v. 2. Dominion to conquest. Folio; approx. 11 x 9 inches. Heavy books; extra postage needed. Will be well-packed for posting/shipping. Rosley Books for Antiquarian books Cumberland Everyman Keswick Inklings Literature MacDonald Rarities Theology and History. Folio Society London. SCARCE. <br/> <br/> Folio Society hardcover
2016206344London: Thames and Hudson 2016. Rilegato hardback. Perfetto Mint. With 88 photographs. Texts by Berbard Plossu Francis Hodgson Max Evans / <span id="result_box" lang="it">Con 88 fotografie. Testi di Bernard Plossu Frances Hodgson e Max Evans</span>. 8vo cm 23x28. pp. 144. Perfetto Mint. Prima edizione First Edition. <em><strong>La raccolta definitiva delle iconiche fotografie a colori di Bernard Plossu dedicate al sudovest americano</strong>. Bernard Plossu è";" stato definito "il più";" americano dei fotografi francesi" dal suo amico e collega Lewis Baltz. Anche se più"; conosciuto per il suo lavoro in bianco e nero spesso dedicato a un mondo bohémien di avventurosi spiriti liberi Plossu ha anche scattato a colori durante tutta la sua carriera. Il libro presenta 88 audaci e cinematografiche fotografie a colori molte delle quali inedite risalenti agli <strong>anni Settanta e ai primi anni Ottanta</strong> quando Plossu era residente negli Stati Uniti. Sorprendentemente realizzate utilizzando il procedimento Fresson di stampa al carbonio queste immagini ritraggono un paesaggio inconfondibilmente americano fatto di motel e rodei deserti e autostrade; un regno che è" allo stesso tempo aspro e onirico imbevuto del mitico immaginario del vecchio West.</em> Thames and Hudson, hardcover
2003475036University of California 2003. First Edition. Hardcover. Fine cloth copy in a near-fine very slightly edge-torn dust-wrapper. Remains particularly well-preserved overall; tight bright clean and strong. Series; A Joan Palevsky book in classical literature. Physical description; 383 pages : illustrations ; 26 cm. Notes; Includes bibliographical references p. 331-352 and index. Subjects; Art Roman Themes motives. Social classes. Art and Design. Popular culture. University of California hardcover
2002319677London: Methuen 2002. First Edition. Hardcover. Very good cloth copy in a good if somewhat edge-nicked and dust-dulled dust-wrapper now mylar-sleeved. Minor browning to the pages. Remains well-preserved overall. Physical description: xiii 289 pages; 24 cm. Notes: Includes bibliographical references and index. Subjects: English drama Greek influences. English drama Irish authors History and criticism. Greek drama Tragedy Appreciation Ireland. Mythology Greek in literature. Comparative literature English and Greek. English drama. English drama Irish authors. Genre: Criticism interpretation etc. London: Methuen hardcover
2002021990Seattle: Marquand Books / University of Washington Press 2002. First Edition . Blue Cloth. Fine/Fine DJ. 12 3/8" Tall. Color Plates of Works By Seth Randal. 128 Pp. Dark Blue Cloth Gilt. Fine In Fine Dust Jacket. Inscribed By Artist Seth Randal To Actor Nicolas Cage Dated In 2003. <br/> <br/> Marquand Books / University of Washington Press hardcover
2019053066Istanbul: Rh Sanat Yayinlari 2019. Dust jacket. New/New. 4to - over 9¾ - 12" tall. Original bdg. Dust wrapper. 4to. 29 x 24 cm. In Turkish. 384 p. color and b/w ills. Zehra Aral: Bir ressamin otoportresi. Texts by Mehmet Ergüven Emre Zeytinoglu Celal Binzet Aydin Çubukçu. <br/> <br/> Rh+ Sanat Yayinlari unknown
20081410878Oxford: Oxford University Press 2008. Reprinted. Hardcover. Octavo 160 pages. In Very Good condition. Spine is green with white print. Boards in green glossy illustrated paper. <br /> <br /> NOTE: Shelved in Netdesk Column BB. 1410878. FP New Rockville Stock. Oxford University Press hardcover
2006100498<p>2006. 2006. Fine. - An original glossy 8 inch high by 10 inch wide color photograph on photographic paper. The image depicts a scene from Quentin Tarentino's "Reservoir Dogs" in which Harvey Keitel stands over Steve Buscemi who is lying on the ground. They are both pointing guns at each other. Keitel and Buscemi are dressed in dark suits over white shirts and tie with blood staining Keitel's shirt. Boldly signed by Harvey Keitel at top left. Fine.</p> (2006).
2022228126London: Mack 2022. Rilegato tela cloth. Nuovo New. Fotografie in bianco e nero di Gerry Johansson scattate nel 1992 e dal 2019 al 2021. Cm 24x17. pp. 320. Nuovo New. Prima edizione firmata su talloncino rilegato in fondo al volume Signed edition includes a slip signed by the artist and bound into the inside back cover. <em>Nel corso di più"; di tre decenni <strong>Gerry Johansson</strong> ha portato il suo occhio acuto e sensibile sui paesaggi periferici di tutto il mondo da Ulan Bator all'Antartide. <strong>Spanish Summer</strong> lo vede tornare in uno dei primi luoghi che hanno catturato la sua immaginazione: le <strong>pianure della Spagna centrale</strong>. La cappella è rimasta impressa nella memoria di Johansson e decenni dopo lo ha portato a tornare e a riscoprire il patrimonio architettonico il significato religioso e la bellezza del paese. Con queste immagini viene condotta un'indagine su un paesaggio in cui si sono sedimentate migliaia di anni di tracce culturali. L'accurata composizione di Johansson e le delicate tonalità" in bianco e nero rivelano un territorio in transizione in cui i fili del telefono trascendono gli antichi crocifissi l'intonaco moderno incontra la pietra consumata dal tempo e le ombre dei megaliti industriali si allungano alla cieca sulla polvere.</em> Mack, hardcover
2001451677Harper Collins 2001. First Edition. Hardcover. SIGNED. Very good cloth copy pages tanned as with age in a very good somewhat edge-bumped and dust-dulled dust-wrapper now mylar-sleeved. Remains well-preserved overall. Physical description; xxix 706 p. 32 p. of plates : ill. ; 25 cm. Subjects; Murdoch Iris 1919-1999 Biography. Novelists English 20th century Biography. Women novelists English 20th century Biography. Philosophers Great Britain Biography. Harper Collins hardcover
2004380064Stroud: Sutton 2004. Hardcover. Provenance: Bookplate of John F. Ashby. Fine cloth copy in an equally fine dust-wrapper. Particularly well-preserved overall; tight bright clean and especially sharp-cornered. Physical description: viii 344 pages 16 unnumbered pages of plates : illustrations some color maps plans ; 25 cm. Notes: Includes bibliographical references pages 319-337 and index. Contents: Seable rememoratijf signes : defining the devotional image -- Elegentissima Mariola : early images of Our Lady -- Ymago sancti loci : the patronal image -- The holie companie of heven -- An ymage ful notable like a pyte : the proliferation of Marian images -- Ritual and devotion -- Cult images -- Maad bi mennys hondis : the production of images -- Deface and destroy : the end of images. Subjects: Church of England History 1300-1400 14th century Church. Church of England History 1400-1500 15th century Church. Church of England Art. Art Medieval England. Christian art and symbolism Medieval 500-1500. Spirituality in art.Art médiéval Angleterre. Spiritualité dans l'art. Art Medieval. Christian art and symbolism Medieval. Devotional objects England. Christianity and art England. Stroud: Sutton hardcover
2005348407London : Thames & Hudson 2005. First Edition. Hardcover. Fine cloth copy in a near fine very slightly edge-nicked and dust-dulled dust wrapper now mylar-sleeved. Remains particularly and surprisingly well-preserved; tight bright clean and sharp-cornered. Physical description; 256 pages : illustrations chiefly color 1 map ; 28 cm. Notes; Includes bibliographical references and index. Contents; An architecture of layers -- Thai houses -- House elements -- Religious architecture -- The grand palace -- Temple and palace elements -- Temple and palace ornament -- Immigrant and foreign-influenced architecture -- Thai architectural forms today. Subjects; Architecture Thailand. Architecture Thaïlande ; Ouvrages illustrés. Architecture Thaïlande ; Guides manuels etc. Art thailandais ; Ouvrages illustrés. Architecture. Architecture Thailand. Architecture Asia. Thailande Antiquités ; Guides manuels etc. Thailand. Thailand : architecture : history. Genres; Bibliography. Illustrated. Nonfiction. London : Thames & Hudson hardcover
2013183646Editorial Crítica 2013. tapa dura. 2ª Mano - Bueno/2ª Mano. Editorial Crítica. 2013. Tiempo de historia Tapa dura con sobrecubierta 656 p. 23x16 cm Editorial Crítica hardcover