Cyprian, Ernst SalomonBiblio.com
132 résultats
17301363338Gotha: Verlegts Johann Andreas Reyher 1730. Hardcover. Small Quarto 28 307 1 240; VG; bound in contemporary vellum some general shelfwear and soiling; ink titling to spine; boards lightly bowed; bookplate of M Gottfried Engelhart Geiger to front pastedown small label to front pastedown ink name stamp to ffep ink name dated 1853 to ffep; early underlining to the first dozen pages of part 2; minor worming to lower margin of last four leaves; small ink mathematics diagram to rear endpaper; text in German and Latin; shelved case 3. Part two is 'Confessio oder Bekentnüs des Glaubens' with restarted pagination;. 1363338. Shelved Dupont Bookstore. Verlegts Johann Andreas Reyher hardcover
17641330465Lausanne: Jean Pierre Heubach 1764. Troisieme Edition. Hardcover. Octavo xliv 4 144 pages; VG; bound in period brown paper-wrapped boards worn paper label with ink titling to spine; mild wear and rubbing to boards; text block entirely untrimmed; no endpapers bound in; small bookplate to front pastedown; scarce imprint; text in French; shelved case 0. A fascinating oddity being a Swiss pirate of a French translation of a living Swiss author publishing in Switzerland.<br /> <br> <br /> <br> <br /> First translated from the German by M. Huber in 1762 and published in Lyon based off the first edition published in Zurich in 1756.<br /> <br> <br /> <br> <br /> Jean-Pierre Heubach was the Director of the Société typographique de Lausanne pirated French books published with a royal privilege. British Library<br /> <br> <br /> <br> <br /> Contains the bookplate of Paul Wallich 1882-1938 a German banker and son of the banker Hermann Wallich. 1330465. Shelved Dupont Bookstore. Jean Pierre Heubach hardcover
176649408Parisdeux premiers textes et Lyon: HumblotVincent et Jean-Marie Bruyset 1766. Fine. Humblot Vincent et Jean-Marie Bruyset Parisdeux premiers textes et Lyon 1766 1764 et 1762 10 x 16.50 cm 3 ouvrages reliés en 5 volumes New editions. One frontispiece engraved by De Longueil after Watelet and 4 title fleurons engraved by Watelet for the Choix de poésies cf. Cohen col. 500. One frontispiece engraved by Watelet after Pierre 5 head-vignettes engraved by Marguerite Le Comte 4 and Watelet 1 and one tailpiece for Daphnis cf. Cohen col. 436. One frontispiece 10 head-vignettes and 2 tailpieces engraved by Watelet for the Idylles cf. Cohen col. 431. Contemporary full grained calf bindings. Smooth spines decorated with blind fillets unidentified gilt numbers at foot. Blind fillet frame to boards. All edges speckled red. Small hole in the blank of the title of volume III. One tear without loss to the half-title of volume II. Small crack with loss of leather to one joint. From the La Germonière library with its engraved bookplate. HumblotVincent et Jean-Marie Bruyset hardcover
1787714P29Newcastle: M. Brown 1787-8. Leather. Good Only. 8.5" by 5". Not Stated. A collection of three devotional works bound in one by Salomon Gessner William Craig and John Bunyan illustrated with beautiful frontispieces. Three volumes in one.'The Death of Abel' is the second edition of this work published in 1788. However this does not appear to be a true second edition as the first English edition translated by Mrs. Collier was published in 1761 and as seen on ESTC there were many editions published between the first in 1761 and this edition in 1788. The work is however the second edition published by M. Brown in Newcastle who published their first edition of the work in 1787. ESTC citation number T201289. This is a scarce edition. Collated complete.'The Life of Jesus Christ' was published in 1788. This is a very scarce work with no records of it on ESTC or on Jisc. 'The Holy War' was published in 1787. ESTC citation number N17425. Text is continuous despite the pagination. Collated complete.'The Death of Abel' is illustrated with a frontispiece.'The Holy War' is illustrated with a frontispiece.'The Death of Abel' is a detailed description of the biblical story of the brothers Cain and Abel.'The Holy War' is a novel about the fictitious town 'Mansoul' a perfect town which sees its inhabitants rebelling and trying to overthrow their ruler. 'The Death of Abel' was originally written in German by Salomon Gessner and is translated here into English by Mrs. Collier. Gessner was a Swiss painter and poet.'The Life of Jesus Christ' was written by William Craig who was one of the ministers of Glasgow.'The Holy War' was written by John Bunyan who is best known for 'The Pilgrim's Progress'.Prior owner's ink inscription to the frontispiece of 'Death of Abel' 'See page 106'. Prior owner has obscured the line 'in five books' to the title page with ink the ink has offset onto the frontispiece and smudged. In a full calf binding. Externally the front board is detached but present and the rear joint is cracked. Rubbing to the boards and spine. Discolouration and marks to the boards and spine. A small amount of loss to the head and tail of the spine heavier to the spine. A little bumping to the extremities. A small amount of loss to the front joint with some lifting of leather. Two surface cracks to the spine to the head and tail. Rear hinge is strained. Prior owner's pencil inscription to the recto to the front endpaper. Internally generally firmly bound. Pages are age-toned with the odd spot and odd handling mark. Small closed tear to the tail of the frontispiece of 'The Death of Abel' not affecting image. Small puncture marks to the gutter of 'The Holy War'. Good Only M. Brown hardcover
1793423176Paris : Chez Defer de Maisonneuve 1793. 1st edition. Hardcover. Very good leather-backed over marbled boards. Spine with raised bands and compartments uniformly tolled in gilt. Boards somewhat dust-dulled nicked and rubbed as with age. Marbled end-papers. Very light browning and foxing to the pages. Physical description; text volume no illustrations 161 pages 27 cm x 34.5 cm. Subjects; Abel Biblical figure. Abel Biblical figure Fiction. Cain Biblical figure. Cain Biblical figure Fiction. French poetry biblical. Paris : Chez Defer de Maisonneuve hardcover
1764171264to. Bound in 2 cont. full calf Cambride-binding-style. 5 raised bands gilt backs. Corners bumped backs slightly rubbed. Engraved frontispiece. 260062706 pp. and 6 folded engraved maps and plans. Titlepage of vol. 2 loose. <br/><br/><em>The 2 volume form part of "Uebersetzung der Algemeinen Welthistorie der Neueren Zeiten die in England durch eine Geselschaft von Gelehrten ausgefertiget worden. Hrsg. von S.J. Baumgarten u. J.S. Selmer". The Ost-Indien section is complete. The maps shows Tranquebar Batavia Karte von Ostindien Stadt Diu Goa. </em> hardcover
1755755<p>copper engraving on 4 sheets which may be joined of Western Asia from Turkey to Saudi Arabia to India by Solomon Bolton -1768 after the French cartographer Jean Baptiste Bourguignon D Anville 1697-1782 engraved in 1755 - dated - and published in the 1765 edition of Malachy Postlethwayt's c1707-1767 monumental 2 Volume 'The Universal Dictionary of Trade & Commerce' concentrating on various states of trade including slavery between England and America published 1751 till 1774. <br />'Malachy Postlethwayt's Dictionary of Trade & Commerce' is a monumental dictionary of trade and commerce based in part on the Dictionnaire universel de Commerce Paris: 1723-30 of Jacques Savary de Bruslon under whose name it is often catalogued but has been adapted by Postlethwayt for a British audience with substantial enlargements and improvements and entirely new material relating to England and her colonies using the skills of Bolton. Postlethwayt devoted twenty years to the preparation of the dictionary which was first published in 1751-55 & includes a description of British affairs in North America since the peace of 1763. <br />Richard William Seale 1703-1762 was a British mapmaker and engraver who produced work for many of the Britsh cartographers and publishers of his time.</p><p>Condition: with folds as issued light foxing on wide margins thick paper very good condition.</p> J & P Knapton, London.
1793189847Paris: Chés l'auteur des estampes rue Bergere Chez Veuve Herissant à Notre-Dame / Chez Barrois l'ainé quai des Augustins 1793. Leather bound. As-Is needs rebound but scarce and well-illustrated boards are loose pages age toned with light foxing spots text is otherwise clean and clear. Three volumes bound in brown leather with gilt tooling marble illustrated text block and marbled end pages. Volume 1 has bw illustrated title page XII 215 pp with bw engravings. Volume 2 is 120 pp with bw engravings. Volume 3 is 236 pp bw engravings. Engravings have tissue guard sheets. Text is in French. Contents: Tome I. Préface ; Idylles ; Evandre et Alcimne pastorale ; Eraste -- tome II. Nouvelles idylles ; Lettre sur le paysage a M. Fueslin ; A la cascade ; Chanson d'un suisse a sa maitresse sous les armes ; Ynkle et Yariko ; La nuit ; Tableau du déluge ; Le premier navigateur -- tome III. La mort d'Abel poëme ; Daphnis ; Lettres de M. Gessner a M. le Barbier l'ainé auteur des dessins de cet ouvrage. Includes engravings by Bacquoy Dambrun Delignon Allix Godefroy Gaucher Girault Halbou Ingouf Langlois Le Beau Lépine Le Vilain Panquet Petit Ponce Texier Trière Thomas de Longueil and Viguer after Le Barbier. Chés l'auteur des estampes rue Bergere Chez Veuve Herissant à Notre-Dame / [Chez] Barrois l'ainé quai des Augustins hardcover
1702004491Te Leyden Leiden: Pieter van Der Aa 1702. Hardcover. Very Good/No Jacket. 4to 10" x 16". Thomas Stanley Schild-Knaap. Historische beschrijving der grieksche en oostersche wijsgeeren : behelsende der selver Daaden gevoelens en gedenkwaardige spreuken. Waar by gevoegd is Basilius Kennet Leeraar der vrye Konften &c. in de Hooge School tot Oxfort Levensbedrijf der grieksche digteren beyde uyt de laatste engelsche drukken vertaald door Salomon Bor Bedienar des Goddelijken Woords tot Zeyst. Zijnde dese werken alomme vercierd met getrouwelijken naar oude marmorebeelden gedenkpenningen gesteentens etc getekende printen plaatkunst : En yder met sijn besondere Bladwijzers voozien. Dutch. Two volumes in one. Full calf boards red spine label gilt compartments panel and medallion to boards. Speckled edges. 16 432 8 8 114 2 pp. 6 engraved plates. Engraved title typographic title page several full-page engravings in-text. Foliated and grotesque head- and tail-pieces inhabited and foliated initials. Text in two columns. Professionally rebound original boards and spine cloth hinge repair. Wear to spine label rubbing to extremities scuffs and cracking to calf boards. A few small spots of wear to edges. Outer edge gilt dentelle detailing has been significantly rubbed. Repairs to fore- and tail edge of half-title and engraved title. Some damp staining to endpapers upper corner of some pages near front and fore edge near rear. Light foxing and a few sporadic stains offsetting but text remains clear readable and free of annotations. Stub to p. 99 of second sequence. Volume one by Thomas Stanley 1625-1678 is a series of critical biographies of ancient Greek philosophers. Volume two by Basil Kennett is a treatment of ancient Greek poetry and literature including Homer Empedocles Pindar and others. STCN #175849730. Pieter van Der Aa hardcover
177956131Providence: Southwick and Wheeler 1779. Folio broadsheet approx. 16" x 10" text in triple column beneath the running head; lower outside corners eroded with loss to the beginnings and/or ends of about ten lines about 20-25 words mostly on the recto; all else very good. With the ink signature of Theodore Foster 1752-1828 U.S. Senator from Rhode Island 1790-1803. Solomon Southwick had published the Mercury a newspaper in Newport until that town was occupied by the British in 1778. Southwick then buried his printing press and types and eventually sought safety in Providence. Once in Providence Southwick decided to continue to print however the only way he could supply himself with materials was through John Carter the owner of the Providence Gazette. Apparently there was a dispute between Carter and Southwick as to who would get to purchase the printing press and types left by the recently deceased John Waterman. This was the only printing press and type available because the British had seized all the printing materials that had been previously ordered. Apparently Carter purchased the press and sold it to Southwick on the condition that the press "should not be set up in town or used to oppose a friend in business who had served him in distress." At first Southwick started his business in Rehoboth Massachusetts but secured a one-half interest in printing for the state of Rhode Island. In March of 1779 in company with Bennett Wheeler he began to publish in Providence The American Journal and General Advertiser using the Updike house next to John Carter for their office. There was much bad feeling displayed by Carter at Southwick's alleged treachery and Carter printed a story in the Providence Gazette about the incident and Southwick printed a response to Carter. Carter soon printed his rebuttal to the charges that Southwick made and once again Southwick printed his answer. This rare printing was Southwick's answer to Carter's rebuttal. It takes up the entire front side of this broadsheet and one-and-one-half columns on the back. Also included on this rare broadsheet is a Full Pardon offered by General George Washington to all the deserters in the Army that wanted to come back but feared to do so because they thought that they would be severely punished. There is also news from Charleston about Colonel Campbell's expedition from Savannah to Augusta Georgia. Not found in OCLC; but apparently there are copies at Brown University and the R.I. Historical Society. Southwick and Wheeler unknown
1786D7472Paris 1786-1793. Hardcover. Very Good. Contemporary mottled calf gilt-stamped ornament in spine compartments 5 raised bands gitl-stamped lettering in red and black leather spine labels a.e.g.; 3 volumes 4to 208 x 288 mm; with 3 unsigned engraved additional title-pages 73 of 74 plates lacking the plate to face p. 37 in Volume 2 and 70 vignettes after Le Barbier. Some light scuffing along joints and edges of boards; occasional foxing though plates are mostly unscathed; mid-19th century ownership signature on half-titles. A nice bright set. <br/><br/>Cohen-de Ricci 433; Ray The Art of the French Illustrated Book 39 "the happiest of all collaborations between artist and writer". hardcover
1718918P20Boston: B. Green 1718. Cloth. Good Only. 5.5" by 4". None. A very scarce volume of two sermons preached by Solomon Stoddard an early Congregationalist work published in America. A vanishingly scarce work.Two sermons published in one volume 'The Presence of Christ With the Ministers of the Gospel' and 'An Examination of the Power of the Fraternity'.An early American work written by Solomon Stoddard a pastor of the Congregationalist Church in Northampton Massachusetts Bay Colony for 55 years.Stoddard was the first librarian at Harvard University and was the grandfather of revalisist and theologian Jonathan Edwards. He was a significant figure in the religious history of colonial America in particular in the Puritan churches of New England. One of his important contributions was the modification of the Half-Way Covenant which allowed the children of the baptised but non-converted church members to be baptised; he went further and allowed that the halfway members should be allowed to receive Communion. His work as a pastor and author helped to influence the leaders of the Great Awakening. Bound without the title page and pages 9-16 of 'An Examination of the Power of the Fraternity'.Publication and author information from Jisc from a copy held at the University of St Andrews Library. Bound in cloth wraps. Externally generally smart with some marks heavier to the rear board. Internally firmly bound. Pages are age-toned with some marks. Bound without the title page and pages 9-16 of 'An Examination of the Power of the Fraternity'. Loss to leaf A2. Edge wear to all leaves and a faint tidemark. Chip and discolouration to the head of leaves C2 to C4. Good Only B. Green hardcover
1768220312 etchings by and after Salomon Gessner plates numbered 2-12 first plate unnumbered with imprint in lower right corner = complete. Cont. plain wrappers. Oblong folio 370 x 250 mm.<br /><br />Leemann-Van Elck p. 267/268 nos. 2-12 ; Lonchamp. Manuel du Bibliophile Suisse 1215 "Suite de paysages avec le puits sur la première feuille". First edition second state with the number '4' in lower right corner of this suite of etchings c. 200 x 150 mm with classical landscape views printed on thick laid paper. Excellent impressions on the complete sheet with clear platemark and deep blacks. A few smudges in margins. A wide margined and well preserved set. chez D. Gessner Libraire
1762324172Philadelphia: W. Bradford 1762. First American Edition. xxi 1 blank 201 1 blankpp. 12mo. Contemporary sheep worn. Numerous tears some with small losses to text H10 and K4 with significant loss. Without blank leaves A12 and K6. Armorial bookplate. First American Edition. xxi 1 blank 201 1 blankpp. 12mo. Gessner's biblical epic first published in Zurich as Der Tod Abels in 1758. The first translation of German literature ever published in America according to Wilkens "Early Influence of German Literature in America" Americana Germanica III:2 1899 pages 102 164. Rare with only the American Antiquarian Society copy located by ESTC. Evans 9125; ESTC W19926; Hildeburn 1807 W. Bradford unknown
17651844AG1765. ca. 1765. Lavierte Tuschzeichnung. 135 x 225 cm. unknown
17661833AG1766. 1766. Lavierte Tuschzeichnung. 162 x 235 cm. Von Salomon Gessner unten links signiert und datiert. unknown
179332948-275Paris Defer de Maisonneuve 1793. With color-printed engraved frontispiece and 5 color-printed plates engraved by Colibert Clément and Casenave. 3 blank ff.; 161 pp. 3 blank ff. Royal 4to. Contemp. full calf with red spine triple gilt fillets on covers gilt inside dentelles back rep. Paris Defer de Maisonneuve 1793. De luxe edition printed on "grand papier vélin" with the six stipple-engraved color-prints "avant la lettre" after the Paris book illustrator and painter Nicolas André Monsiau 1754-1837. Still a good copy of one of "the most beautiful editions in French" M. Bircher. - Slightly foxed. - Leemann-van Elck 699; Maler und Dichter der Idylle S. Gessner 1980 no. 92; Cohen/de Ricci 436; Lewine 211. LITERATURE: FRENCH ; HELVETICA: ALLGEMEIN ; ILLUSTRIERTE BÜCHER vor 1900 ; ILLUSTRATED BOOKS BEFORE 1900 ; Paris, Defer de Maisonneuve unknown
177732710-1390Zurich for the author 1777-78. With 2 engr. titles with a small etched vignette 20 etched plates and 39 etched vignettes in the text all by Salomon Gessner. 191 pp.; 194 pp. 4to. Contemp. half calf with 2 spine labels spines gilt repaired slightly rubbed. Zurich for the author 1777-78. Only German quarto edition of the works of Salomon Gessner 1730-1788 only few copies printed. It is considered the finest of all editions and one of the best illustrated works produced in Switzerland comparable to the edition of Marguérite de Navarre's "Heptameron François" with the illustrations by Dunker and Freudenberger. Gessner himself was responsible for the illustrations the ornaments and the printing. In this German version he included the pastoral play "Evander und Alcimna" and the poem "An den Wasserfall" which the French "Oeuvres" of 1777 did not contain; on the other hand he omitted the "Contes" of Diderot which the French edition offered. There are four new illustrations as well and three were left out. - A clean wide-margined copy. - Leemann-van Elck Salomon Gessner p. 113 and no. 539; Maler und Dichter der Idylle Salomon Gessner cat. 1980 no. 88; Goedeke IV 1 82 11; Rümann 329; Lanckoronska/Oehler II 164; Cohen/de Ricci 432; Lonchamp 329. Not in Meyer. ILLUSTRATED BOOKS BEFORE 1900 ; HELVETICA: ALLGEMEIN ; Zurich, for the author unknown
173749776Augsburg 1737. Des florirenden vermehrten Wiens Fernere Befolgung oder Wahrhaffte und genaue Abbildung .;Pars Quarta Durchgehend Wasserrand. Vorsatzbl knittrig Johann Andreas Pfeffel Quer-2°. Hldr. Oesterreich unknown
17501828AG1750. um 1750. Öl auf Leinwand. 152 x 232 cm. Rückseitig bezeichnet «Gessner Salomon ca. 1750». unknown
17331602202271<p>Kleiner Salomon / Pintz Johann Georg engraver.</p><p>Das Prachtige Rath-Hauss der Stadt Augsburg / L'Hôtel Superbe de la Ville d'Augsbourg.</p><p>Augsburg: Jeremias Wolff's Heirs 1733.</p><p>Folio approx. 29 × 42 cm. Complete with engraved title and 16 finely executed copper plates.</p><p>Magnificent architectural suite depicting the celebrated Augsburg Town Hall one of the most beautiful civic buildings of the German Baroque. The engravings executed by Johann Georg Pintz after drawings by Salomon Kleiner 1700–1761 present the exterior and richly decorated interiors of the Rathaus including the famed Goldener Saal Golden Hall and princely chambers. Parallel German and French text engraved throughout.</p><p>Collation of plates complete 16 total:</p><p>1. Engraved title page German–French</p><p>2. I. Prospect des schönen Rath-Hauses zu Augsburg General View</p><p>3. II. Zwey Profille des schönen Rath-Hauses zu Augsburg Two Cross Sections</p><p>4. III. Grund-Riße von dreyen Etagen des Rath-Hauses zu Augsburg Three Floor Plans</p><p>5. IV. Das untere Pfletsch oder Saal Entrance Hall with Staffage</p><p>6. V. Die Fürsten-Stube gegen dem Perlach-Platz Princely Chamber toward Perlach Square</p><p>7. VI. Die Fürsten-Stube gegen St. Peters Kirchen Princely Chamber toward St. Peter's Church</p><p>8. VII. Die Gericht-Stuben Courtrooms</p><p>9. VIII. Die Bau-Stuben / Daß Pfleg-Ampt Construction and Administration Rooms</p><p>10. IX. Daß Vor-Zimmer / Die Steuer-Stuben Antechamber and Tax Offices</p><p>11. X. Der große so genandte Guldene Saal auf dem Rath-Hauß zu Augsburg The Great Golden Hall folded plate</p><p>12. XI. Der große Guldene Saal im Grundriß mit A. bezeichnet Golden Hall Plan A</p><p>13. XII. Der große Guldene Saal im Grundriß mit B. bezeichnet Golden Hall Plan B</p><p>14. XIII. Die Erste Fürsten-Stuben First Princely Chamber</p><p>15. XIV. Die Andere Fürsten-Stuben Second Princely Chamber</p><p>16. XV–XVI. Die Dritte und Vierte Fürsten-Stuben Third and Fourth Princely Chambers</p><p>Condition: Complete copy. One plate misplaced bound out of order. Small expert restoration of a pinhole in one plate. Some plates lightly dusty; minor water staining to upper right corner not affecting image areas. Binding worn and requires restoration or replacement but the interior plates are generally clean well-printed and strong impressions throughout.</p><p>References: Katalog der Ornamentstichsammlung Berlin 2118; Schefold Bayerisch Schwaben p. 184; Thieme/Becker XX 452 f.</p><p>A complete and well-preserved example of this rare and important architectural series — one of the most impressive engraved monuments to Baroque civic architecture in southern Germany.</p> Jeremias Wolff’s Heirs
17751821AG1775. 1775. Lavierte Tuschzeichnung. Blattformat: 324 x 478 cm. Tuschzeichnung: 264 x 418 cm. Unten in der Mitte vom Künstler signiert «S. Gessner. 1775». Das Papier etwas stockfleckig. Kunsthaus Zürich 1930 Katalog-Nr. 741 Tafel XVI. unknown
17731823AG1773. 1773. Lavierte Tuschzeichnung mit weiss gehöht. 224 x 32 cm. Unten rechts vom Künstler signiert «S. Gessner f.». Leemann 1930 S.322 Antike Berglandschaft. unknown
172549774Augsburg 1725. Wahrhaffte und genaue Abbildung sowohl der Keyserl.Burg und Lust-Häuser als andere Fürstl. und Gräfl.Paläste u.schöne Prospecte.Pars secunda Vorsatzbl. Knittrig Johann Andreas Pfeffel Quer-2°. Hldr. Oesterreich unknown
178632947-1233Paris l'Auteur des Estampes Veuve Hérissaut & Barrois l'ainé 1786-93. With 2 engr. frontispieces 3 engr. titles 72 engr. plates and 70 vignettes engr. after Le Barbier by Bacquoy Dambrun Godefroy a.o. XII pp. 1 leaf 215 pp.; 182 pp.; 236 pp. Large 4to. Contemp. calf gilt lettering on spine all edges gilt marbled endpapers slightly rubbed. Paris l'Auteur des Estampes Veuve Hérissaut & Barrois l'ainé 1786-93. One of the most beautiful 18th-century de luxe editions in France of Salomon Gessner's 1730-1788 complete works with the charming illustrations by Barbier. Gessner's friend Michael Huber 1727-1804 Henri Meister and Bruté de Loirelle were responsible for the translation. At the end of volume three are two letters by Gessner addressed to Barbier concerning the illustrations and the translation. Barbier had dedicated this work to Madame de Genlis and Gessner expressed his pleasure about this gesture. - Nice copy. - Leemann-van Elck Gessner p. 691; Cohen/de Ricci 433; Lewine 209; Sander 786. LITERATURE: FRENCH ; HELVETICA: ALLGEMEIN ; LITERATUR: FREMDSPRACHIGE ; Paris, l'Auteur des Estampes, Veuve Hérissaut & Barrois l'ainé unknown
