2 140 résultats
19931170567Hildesheim ; Zürich ; New York : Olms, 1993. 303 S., Abb. Originalleinen mit Schutzumschlag.
199783750Eggingen: Edition Isele (c 1997). 43 Ss. Gr.8°. Schlichte Pp. mit handmarmor. Bezugspapier. [4 Warenabbildungen]
1971004909Potchefstroom: Author 1971. Soft cover. Very Good. Ex-lib with usual stamps etc. Laminated wraps. 579pp. Doctoral thesis. Author paperback
1995275902PN. New. 1995. Soft Cover. Date is original print. This is a reprint edition . PN paperback
1972183260New York: Solomon R. Guggenheim Foundation 1972. Paperback. VG Minor wear and fading on cover. Tan paper wraps. Book 20 pages illustrations. Contains exhibition checklist insert. Contents: Romare Bearden -- Robert Beauchamp -- Irving Kriesberg -- Joseph Kurhajec -- Maryan Maryan S. Maryan -- Red Grooms and Archie Peltier -- Lester Johnson -- Mary Frank -- Peter Schumann and Bread and Puppet Theater members -- H.C. Westermann. Solomon R. Guggenheim Foundation paperback
1972183259New York: Solomon R. Guggenheim Foundation 1972. Paperback. VG Library stamp and writing from prevous owner on cover. Minor wear and fading on cover. Tan paper wraps. Book 20 pages illustrations. Contents: Romare Bearden -- Robert Beauchamp -- Irving Kriesberg -- Joseph Kurhajec -- Maryan Maryan S. Maryan -- Red Grooms and Archie Peltier -- Lester Johnson -- Mary Frank -- Peter Schumann and Bread and Puppet Theater members -- H.C. Westermann. Solomon R. Guggenheim Foundation paperback books
1972183260New York: Solomon R. Guggenheim Foundation 1972. Paperback. VG Minor wear and fading on cover. Tan paper wraps. Book 20 pages illustrations. Contains exhibition checklist insert. Contents: Romare Bearden -- Robert Beauchamp -- Irving Kriesberg -- Joseph Kurhajec -- Maryan Maryan S. Maryan -- Red Grooms and Archie Peltier -- Lester Johnson -- Mary Frank -- Peter Schumann and Bread and Puppet Theater members -- H.C. Westermann. Solomon R. Guggenheim Foundation paperback books
197914096San Bernadino: California State College 1979. First edition. Paperback. Very Good. Oblong quarto. A very good clean copy of this catalog with text by Poppy Solomon. Featuring work by ten sculptors including Aldo Casanova Jim Croak Jud Fine Gene Flores Dimitri Hadzi George Herms Gloria Kisch Roger Lintault George Rickey and Jack Zajac. <br/><br/> California State College paperback books
1979126272San Bernardino Calif: California State College San Bernardino 1979. Softbound. VG- Slight soiling on front cover; otherwise nice. White glossy stapled wraps with black lettering 32 pp 15 BW images. Issued in conjunction with a 1979 exhibition of sculpture outdoors on the college campus. Participating sculptors are Aldo Casanova Jim Croak Jud Fine Gene Flores Dimitri Hadzi George Herms Gloris Kisch Roger Lintault George Rickey Jack Zajac. Each one gets a double-page spread here with artist bio quotes and BW illus. Scarce. California State College, San Bernardino unknown books
1972171103Hempstead NY: The Emily Lowe Gallery Hofstra University 1972. First edition. Softcover. Exhibition catalog for a show that ran April 10 through May 12 1972. Introduction by Robert Doty. Includes information about and 1 black and white image from each of these photographers: Timothy H. O'Sullivan Solomon D. Butcher Alfred Stieglitz Charles H. Currier Edward Weston Walker Evans Andre Kertesz Harry Callahan Robert Frank Emmet Gowin and Duane Michals. A clean close to near fine copy in stapled wrappers with some slight toning to the edges. An important catalog that is fairly uncommon. The Emily Lowe Gallery, Hofstra University unknown books
1998Q-0761512438Clarkson Potter 1998-03-25. Paperback. New. New. In shrink wrap. Looks like an interesting title! Clarkson Potter paperback
1963720060PN. New. 1963. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1963720155PN. New. 1963. Soft Cover. Date is original print. This is a reprint edition. . PN paperback
1981149941981. Softcover. VG-. General shelf wear covers lightly soiled. Some light pencil markings. Red/white/blue wraps. 92 pp. 18 color 39 bw plates. Illustrated catalogue listing of 57 works by various artists. Includes biographies of the artists along with listings of their solo and group exhibitions and a six-page introduction by Peter Frank. Wonderful illustrations. unknown books
1934KC16093Moscow: MTP 1934. Hardcover. Poor. 8vo. 92 pp. Original stamped black cloth; lacking the rare photocollaged jacket. This "documentary pamphlet" is one of the masterworks of Constructivist design. Unfortunately this is an incomplete copy. <br/><br/> MTP hardcover books
19341697301934. TELINGATER Solomon. 1914-i. Dokumental'nyi pamflet. By Ilya Feinberg. 92 20 pp. illustrated throughout with photomontage and 9 full page plates including 2 foldout plates. 8vo 250 x 180 mm. publisher's bound in black cloth front board embossed and printed with metallic red and silver ink preserved in a new cloth folding box. Moscow: MTP 1934. This stunning book was published to mark the 20th anniversary of the start of the First World War. A splendid example of Telingater's skill as a book designer combing photomontages with dramatic layout and strips of red paper with white type tipped in throughout the book. An elaborately constructed book that is an analysis of the Great War and the international and domestic issues and events that coincided and inspired the Russian Revolution. Intricately designed with two concertina foldouts one depicting dinosaurs. Front inner hinge repaired otherwise very good condition. hardcover
19530012058<p>Vedado Havana Cuba: Dr. Frederick K. Solomon Rabbi of Temple Beth Israel in Havana Cuba. Very Good with no dust jacket. 1953. Non-Book. On offer is an excellent relic of post WWII judaica being a Pesach sermon typed edited and signed by progressive rabbi Dr. Frederick K. "Fritz" Solomon originally Solomonski 1899-1980 SEE BIO NOTES FOLLOWING LISTING. Rabbi Solomon dated this sermon 1953 which is the year the Cuban Revolution began and when he was rabbi of the Temple Beth Israel synagogue in Vedado Havana Cuba. Solomon's sermon does not tell the story of Passover Solomon tells his audience to go read that for themselves! . Instead he gives context and insight into the roots of the many Passover traditions Jews undertake. He explains "Passover is more than anything else a time for memories personal as well as historical". Solomon discusses the Passovers of his childhood and segways into legends surrounding the Seder traditions drawing comparisons between tradition religion and modern behaviour. An excerpt follows to provide the flavour of the sermon: "It is the Chad Gadyah with which we end the Seder night's Service. It has the character of a Nursery Rhyme and it makes happy singing. But hidden behind the gay form is a serious meaning and a message. All around you you observe that strength and power rule almost unopposed in the world. As the cat eats the kid and the dog eats the cat so it appears the stronger devours the weaker. Oppression seems a law of nature: until God comes to help and stops all injustice. You would not stand by if you saw a dog trying to bite a kitten; you would not look on if you saw a big strong boy scaring a little one: if I know you you would go and intervene and stop the unequal fight. And this is what God wants you to do it is what the prophets as God's messengers have taught us this is what we must teach the world" page 5. In 1953 Passover took place from March 30 through April 7th. Only three months later Cuba would be thrown into turmoil when the revolution began with an armed revolt conducted by Fidel Castro and his fellow revolutionaries on the 26th of July against the military dictatorship of Cuban President Fulgencio Batista. Solomon being a progressive liberal Jewish rabbi was in Havana at the time running a synagogue. This is a special piece of judaica that is as meaningful today as it was in the 1950s as the world was recovering from the second world war amidst ongoing political and social turmoil. BIO NOTES: Frederick Solomon 1899-1980 painter and Rabbi was born in Berlin Germany in 1899. In 1938 when the synagogue he was serving at was torched by Nazis and he was subsequently summoned by the Gestapo he left Germany with his wife Margot and emigrated to England. Solomonski was interned in the Isle of Man in Hutchinson Square camp in the early 1940s as a prisoner of war along with many other artists. While still in Europe Solomon had studied art under the German-Jewish artists Max Liebermann Martin Brandenburg and Eugene Spiro and German expressionist Willy Jaeckel. In England he continued his artistic career exhibiting his religious and expressionistic work at various galleries throughout the country including the Royal Academy and the Kensington Art Gallery in London where he had a one-man show. His work is in the permanent collections of the Courtauld Institute the Bazalel Museum in Jerusalem and the Ben Uri Art Gallery St. John's Wood London now incorporating the London Jewish Museum of Art. In 1954 he left England to take a position as Rabbi for Temple Beth Ha Shalom in Williamsport PA. After three years in Pennsylvania he sought another position and as a member of the Central Conference of American Rabbis was appointed rabbi at Temple Beth Israel in the Vedado suburb of Havana where he wrote sermons and hosted religious services for his congregation a part of the Union of American Hebrew Congregations. Solomon was also active in the Jewish Progressive movement frequently communicating with representatives of The World Union for Progressive Judaism throughout the 1950s in an attempt to officially associate his congregation with the organization Bio Note Credit to East Coast Books. The sermon is six pages long and measures 8x10 inches. It is unbound. Rust marks from a paperclip that had held it together are present. The manuscript is typed with a signature by Solomon on page one in pen and multiple pen and pencil edits by Solomon throughout. No notable bends or tears normal age toning. Overall Very Good. ; Manuscripts; 8vo 8" - 9" tall; 6 pages; Signed by Author .</p> Dr. Frederick K. Solomon, Rabbi of Temple Beth Israel in Havana, Cuba
19560012056<p>Vedado Havana Cuba: Rabbi Frederick K. Solomon of Temple Beth Israel Havana Cuba. Good with no dust jacket. 1956. Non-Book. On offer is a spectacular relic of post WWII judaica being a 16-page sermon titled The Will to Be a Jew handwritten and edited by progressive rabbi Dr. Frederick K. "Fritz" Solomon originally Solomonski 1899-1980 SEE BIO NOTES FOLLOWING LISTING. Rabbi Solomon delivered this lecture in 1956 while he was rabbi of the Temple Beth Israel synagogue in Vedado Havana Cuba. In this thoughtfully composed sermon Dr. Solomon argues that Reform Judaism should be accepted as a way forward for the next generation of Jews who view religion differently than the orthodox and older generations. However the sermon is also a meditation on Jewishness more broadly. Solomon opens the sermon by asking that listeners consider the gaps between opinion and fact and how muddled the concepts often become. He then begins to discuss Judaism throughout history. Next Solomon reflects on what it is to be a Jew whether being born to a Jewish mother makes a Jew the racial and political components of Jewishness the Nazis' view of Jews and more. An excerpt of his discussion about what a Jew is follows: "Another conception of a Jew is his membership to the Jewish race and his descent from Abraham as teh first Hebrew. This was a principle laid down by the theorists of the 19th century especially Arthur de Gobineau who maintained that the decline of western civilization was caused by the infiltration of Semites into Europe. It was as you remember the principle adopted by the Nazis who did not care for a person's religion at all and therefore established rule that a Jew is everyone who has at least one Jewish grandparent. This was certainly quite arbitrary as science tells us that even after many generations a pure specimen of the original race can re-appear" p. 6-7. On page 9 the Rabbi states that "a Jew is everyone who adopts the Jewish faith" and then discusses the essence of the Jewish faith being challenged by the wide spectrum of Jewish people. He argues that Reform or Liberal Jews are being driven out of religion and Judaism by "the religiosity of orthodox Judaism". He states: "I am convinced that most of the younger generation who come from orthodox homes join our liberal Synagogues because they realize the discrepancy between observances and religious reality" p. 10. He closes by reading from Micah 6: 6-8 then stating: "When all is said and done it is your heart that makes you a Jew. And nobody can judge whether you are a good Jew but yourself" p. 13-13a. This sermon is a phenomenal piece of judaica that would enhance any collection. Its meditation on what it means to be Jewish is one that many Jews grapple with now as they have throughout history. Solomon's progressive take on Judaism feels ahead of its time and this sermon would make an excellent addition to a religious studies program or a progressive organization. BIO NOTES: Frederick Solomon 1899-1980 painter and Rabbi was born in Berlin Germany in 1899. In 1938 when the synagogue he was serving at was torched by Nazis and he was subsequently summoned by the Gestapo he left Germany with his wife Margot and emigrated to England. Solomonski was interned in the Isle of Man in Hutchinson Square camp in the early 1940s as a prisoner of war along with many other artists. While still in Europe Solomon had studied art under the German-Jewish artists Max Liebermann Martin Brandenburg and Eugene Spiro and German expressionist Willy Jaeckel. In England he continued his artistic career exhibiting his religious and expressionistic work at various galleries throughout the country including the Royal Academy and the Kensington Art Gallery in London where he had a one-man show. His work is in the permanent collections of the Courtauld Institute the Bazalel Museum in Jerusalem and the Ben Uri Art Gallery St. John's Wood London now incorporating the London Jewish Museum of Art. In 1954 he left England to take a position as Rabbi for Temple Beth Ha Shalom in Williamsport PA. After three years in Pennsylvania he sought another position and as a member of the Central Conference of American Rabbis was appointed rabbi at Temple Beth Israel in the Vedado suburb of Havana where he wrote sermons and hosted religious services for his congregation a part of the Union of American Hebrew Congregations. Solomon was also active in the Jewish Progressive movement frequently communicating with representatives of The World Union for Progressive Judaism throughout the 1950s in an attempt to officially associate his congregation with the organization Bio Note Credit to East Coast Books. The sermon pages measure 8x10 inches and there are a total of 16 pages of writing. Solomon has numbered his work pages one through 13 with three additional pages tipped in throughout the sermon as addendums. The sermon is unbound. The pages are all intact with some minor bends and tears that do not interfere with the readability of the document. The sermon is written in blue pen with the Rabbi's changes written in red pen and pencil. The writing is legible though in a somewhat tricky cursive hand. Overall Good. ; Manuscripts; 8vo 8" - 9" tall; 16 pages; Signed by Author .</p> Rabbi Frederick K. Solomon of Temple Beth Israel, Havana, Cuba
1978OMV565BROCHESTER NEW HAMPSHIRE NH 1978. On offer are two 2 original handwritten manuscript pages of notes by Professor Frederick Solomon the German Expressionist artist and friend of noted British painter Richard Carline from their old days on London. The manuscript pages are relating to a visit by Carline to New Hampshire in 1978 and detail his itinerary of shows meetings lectures etc as arranged by Solomon it appears. VG. Very Good. 4to - over 9¾" - 12" tall. Manuscript. unknown
1964GB0038HH2TOI3N00The Solomon R. Guggenheim Museum 1964. Paperback. Good. Pages can have notes/highlighting. Spine may show signs of wear. ~ ThriftBooks: Read More Spend Less.Dust jacket quality is not guaranteed. The Solomon R. Guggenheim Museum paperback
1963309781963. Softcover. VG- exlib with stickers and stamps to cover at tail light wear to cover edges. Orange wraps. Unpaginated. 42 bw plates. unknown books
1930D1L200422028Allen Publishing Company 1930-01-01. Leather Bound. Good. A nice copy. Text in clean/unmarked condition. Cover shows wear. Allen Publishing Company hardcover
1946S13337Moscow:: Journal of Physics 1946. 1946. 2 offprints. Original wrappers. Very good. INVENTORY: 1. PEKAR Solomon Isaakovich. Autolocalization of an Electron in a Dielectric Inertially Polarizing Medium. Offprint from: Journal of Physics vol. X No. 4 pp. 347-350 1946. 2. PEKAR Solomon Isaakovich. Local Quantum States of an Electron in an Ideal Ionic Crystal. Offprint from: Journal of physics vol. X No. 4 pp. 341-346 1946. 3. PEKAR Solomon Isaakovich. The method of Effective Mass for the Electron Motion in Crystals. Offprint from: Journal of Physics vol. X No. 5 pp. 431-434 1946. / Soviet theoretical physicist of Jewish origin and member of the Ukrainian Academy of Sciences. Journal of Physics, 1946. unknown
1946S13337Moscow:: Journal of Physics 1946. 1946. 2 offprints. Original wrappers. Very good. INVENTORY: 1. PEKAR Solomon Isaakovich. Autolocalization of an Electron in a Dielectric Inertially Polarizing Medium. Offprint from: Journal of Physics vol. X No. 4 pp. 347-350 1946. 2. PEKAR Solomon Isaakovich. Local Quantum States of an Electron in an Ideal Ionic Crystal. Offprint from: Journal of physics vol. X No. 4 pp. 341-346 1946. 3. PEKAR Solomon Isaakovich. The method of Effective Mass for the Electron Motion in Crystals. Offprint from: Journal of Physics vol. X No. 5 pp. 431-434 1946. / Soviet theoretical physicist of Jewish origin and member of the Ukrainian Academy of Sciences. Journal of Physics, 1946. unknown books
1987Q-0060157798HarperCollins Publishers 1987-09-01. Hardcover. New. New. In shrink wrap. Looks like an interesting title! HarperCollins Publishers hardcover
