8 résultats
185454762Paris: P. Jannet 1854. Fine. P. Jannet Paris 1854 10 x 16.50 cm reliure de l'éditeur New edition printed on laid paper and revised and corrected from the best texts notably from the 1732 edition. Publisher's binding in full red cloth smooth spine trace of a label at foot of spine blind fillet frame on boards yellow paper endpapers and pastedowns. Notice by Tenant de Latour. Some light foxing spots on the endpapers. Handsome copy from the Elzevirian library. P. Jannet hardcover
1859142053Paris : A. Delahays 1859. First Edition. Paperback. Near fine paperback copy. Particularly and surprisingly well-preserved; tight bright clean and especially sharp-cornered. ; 468 pages; Description: xix 468 p. ; 18 cm. Subjects: French literature --18th century --History and criticism. Paris : A. Delahays paperback
1809845W30Paris: Leopold Collin 1809 . Leather. Good. 8.5" by 5". None. The second edition of this lovely collection of memoires of Louis Petit de Bachaumont. Second edition of Memoires Historiques Litteraires Politiques Anexdotiques et Critiques De Bachaumont in quarter calf bindings and marbled boards. The title translates to 'historical literary political anecdotal and critical memoirs of bachaumont'.By Jean-Toussaint Merle.Includes the first two volumes of the three volume set: Volume I 1762-1772 and Volume II 1773-1782. Louis Petit de Bachamont was a French writer historian and art critic. In quarter calf bindings and marbled boards. Externally smart. There is some bumping to the heads and tails of the spines and to the extremities. There is some light rubbing to the leather. Internally firmly bound. The pages are bright and clean with a few light spots throughout. Good Leopold Collin hardcover
1830186011830. Paris Brissot-Thivars / A. Sautelet et Cie / Mame et Delaunay 1830. 3 forts vol. au format in-8 214 x 137 mm de 2 ff. n.fol. viii - 470 pp. ; 2 ff. n.fol. et 460 pp. ; 2 ff. n.fol. et 498 pp. brochÂŽs sous couvertures d'attente de l'ÂŽpoque de plein papier marine. Edition en partie originale. Ensemble ne comportant que 3 sur 4 volumes ; couvrant ici la pÂŽriode 1762 - 1772. ''Ouvrage trÂs important pour l'histoire des moeurs ˆ la fin du XVIIIÂme siÂcle en France''. in Graesse. Les MÂŽmoires secrets occupent sans contredit une place distinguÂŽe parmi les monuments les plus curieux de l'histoire littÂŽraire du XVIIIÂme siÂcle. PubliÂŽs pour la premiÂre fois en 1777 alors que tous les personnages mise en jeu dans ce tableau exact et fidÂle s'agitaient encore sur la scÂne du monde les MÂŽmoires secrets renfermaient trop d'ÂŽlÂŽments de succÂs pour n'Âtre pas accueillis avec une faveur marquÂŽe.'' in PrÂŽface. Coupes ÂŽlimÂŽes. Plissures ÂŽparses affectant les plats. Petits manques aux dos. Plissures angulaires affectant quelques feuillets. Rares rousseurs dans le texte. Petite cerne affectant quelques feuillets. Du reste belle condition. b42961 unknown
185479620Paris: P. Jannet 1854. Fine. P. Jannet Paris 1854 10 x 16.50 cm reliure de l'éditeur New edition printed on laid paper and revised and corrected from the best texts notably from the 1732 edition. Half red morocco-grained shagreen binding spine with five raised bands set with gilt dots and decorated with richly ornamented double gilt compartments gilt date at foot marbled paper boards combed paper endpapers and pastedowns top edge gilt. Notice by Tenant de Latour. Handsome copy from the Elzevirian library. P. Jannet hardcover
185414247Paris: P. Jannet 1854. Fine. P. Jannet Paris 1854 9.50 x 15.50 cm relié New edition printed on laid paper revised and corrected from the best texts notably from the 1732 edition. Half red shagreen binding spine with five raised bands decorated with gilt compartments and ornaments with dotted patterns and gilt fillets date at tail top edge gilt. With notes by Tenant De Latour. P. Jannet hardcover
182682217Paris: Constant Letellier et fils 1826. Fine. Constant Letellier et fils Paris 1826 13.50 x 22.50 cm relié New edition illustrated with an engraved portrait frontispiece. Half brown glazed calf binding with corners spine with four raised bands decorated with gilt garlands and black fleurons a small scratch at foot of spine gilt friezes at head and foot of spine gilt fillets framing the marbled paper boards marbled endpapers and pastedowns contemporary Romantic binding. a small tear to the upper corner of the first board light surface wear to margins of boards. Handsome copy attractively bound in contemporary Romantic binding. Constant Letellier et fils hardcover
189774009Paris: Imprimerie Champenoispour CH. MassonH. Piazza 1897. Fine. Imprimerie Champenois pour CH. Masson H. Piazza Paris Décembre 1897 22.50 x 34.50 cm une feuille et une serpente Rare original lithograph in sanguine manner executed by Lucien Lévy-Dhurmer for L'Estampe Moderne series number 8 published in December 1897. One of 50 deluxe proofs printed on Japan paper with large margins laid paper mounted on Japan paper artist's signature in the plate publisher's dry stamp representing a child's profile in the lower margin numbered stamp of the deluxe edition on the reverse; engraving preceded by a tissue guard inscribed with the artist's name title and text trace of an angular fold; blank tissue guard. Lithograph inspired by an extract from Bachaumont which is reproduced on the print's tissue guard. Magnificent French monthly publication issued between May 1897 and April 1899 L'Estampe moderne consists of unpublished chromolithographs which unlike other periodicals such as Les Maîtres de l'Affiche and as stipulated on the tissue guards were specially created by each artist for the periodical. Thus 100 prints appeared in total covering the major artistic movements of the late 19th century: Symbolism Art Nouveau Pre-Raphaelites Orientalists and Belle Epoque. Each delivery of four prints was issued in 2000 copies sold at 3.50F and 100 on Japan paper offered at 10F. Henri Piazza also planned a confidential deluxe edition: 50 copies on Japan paper with large margins and 50 in black on China paper at the considerable price of 30F. This print of handsome format is superbly printed on the most prestigious of papers: Japan paper. Thick silky satiny and pearlescent it contributes to making each page a work of art in its own right. Its quality of ink absorption and its affinity with colors also make it the ideal support for these very beautiful lithographs. The interest of French collectors in artistic posters grew at the beginning of the 1890s. Octave Uzanne to describe this fever invented the term ""affichomanie."" The poster originally popular and posted in the streets of the capital then became an art object and its ephemeral support became precious and destined for preservation. Piazza decided to remove the poster from its advertising vocation and elevate it to the rank of a complete work of art on the same level as the luxury illustrated book. He thus composed a prestigious collection of entirely original works by the most prominent European artists of the moment: Georges de Feure Eugène Grasset Henri Detouche Emile Berchmans Louis Rhead Gaston de Latenay Lucien Lévy-Dhurmer Gustave-Max Stevens Charles Doudelet Hans Christiansen Henri Fantin-Latour Steinlen Ibels Engels Willette Henri Meunier Evenepoël Bellery-Desfontaines Charles Léandre etc. Handsome copy. Imprimerie Champenoispour CH. MassonH. Piazza unknown
