336 résultats
1842142381842 P., Ernest Bourdin, s.d. (1842), 1 vol. grand in-8° (266 x 173 mm) relié plein chagrin vert empire, dos lisse, richement orné de volutes dorées, médaillon représentant Bonaparte, général en chef doré au centre du plat supérieur et Napoléon devant les pyramides au centre du plat inférieur, le tout très richement encadré de fers dorés et à froid, toutes tranches dorées, couvertures illustrées en bistre sur fond jaune conservées (BOUTIGNY Relieur, avec son étiquette), de (2) ff. (faux-titre et titre) XVI pp. (notice et préface) 330 pp. (1) f. (table). Avis au relieur sur feuillet bleu conservé.Somptueux exemplaire, avec seulement très peu de rousseurs marginales et dans une reliure éditeur éclatante.
187523500Paris Librairie Bachelin-deflorenne 1875 In-8 256 pp, sur beau papier mais , couvertures sales et dos cassé et quelques rousseurs
1890684091 vol. in-12 reliure de l'époque demi-basane brune., Retaux-Bray, Paris, 1890, 88 pp.
1882fh875Librairie Patriotique, Librairie de la Petite République Française Relié 1882 In-4 (19,5 x 27,8 cm), reliure demi-chagrin, dos à 4 nerfs orné de fleurons dorés, 311 pages, gardes papier couleur à la cuve, édition originale, ouvrage illustré d'environ 200 dessins d'Alfred Le Petit ; frottements aux plats, coiffes et coupes, par ailleurs intérieur frais, bon état général. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
188120086Paris, Librairie anticléricale, 1881. In-12°, front.-252 pp., intérieur frais (rares petits défauts). Reliure demi-percaline bleu nuit, plats de papier marbré, dos lisse titré doré (reliure frottée, coins émoussés).
188120086Paris, Librairie anticléricale, 1881. In-12°, front.-252 pp., intérieur frais (rares petits défauts). Reliure demi-percaline bleu nuit, plats de papier marbré, dos lisse titré doré (reliure frottée, coins émoussés).
188137369Librairie anticléricale, coll. « Léo Taxil » 1881 Collection Léo Taxil. Petit in-8, demi-basane bleue nuit, dos lisse, filets et fleurons dorés, 249 pp. Non rogné. Frontispice. Dos passé, petits frottements. Rares rousseurs.
187637370Chez tous les libraires 1876 In-12, demi-basane bleue nuit, dos lisse, filets et fleurons dorés, XII- 240 pp. Dos passé, petits frottements, coins sup. émoussés. Rousseurs éparses.
1831RO20237751A.-J. Dénain. 1831. In-18. Relié demi-cuir. Etat d'usage, Coins frottés, Dos satisfaisant, Intérieur frais. 346 pages. Page de faux titre désolidarisée. Plats, contreplats et gardes jaspés. Auteur, titre, tomaison et ornements dorés au dos. Tranches et coins des plants frottés. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
18192515<p>In 1911 <strong>Jean Montaudon </strong>1886-1926 Dr Auzoux's great-nephew took over the management of the famous factory of "papier-mâché clastic anatomy models" and wanted to diversify the catalog. He launched into producing illustrated educational posters but had to cope with fierce competition from the houses Deyrolle Hachette and Cie Masson and even Armand Colin. All of them were more established in this key sector of educational publishing. This forced him to adopt a daring and original commercial strategy : the publication of <strong>"luxury" wall posters of high scientific accuracy and artistic quality</strong> mainly intended for students of universities and Ecoles Normales training schools for future teachers. Therefore he entrusted the printing to one of the most important <strong>Art Nouveau producers of posters</strong> and advertising objects whose name remains notoriously associated with Mucha Sarah Bernhardt and Lefèvre-Utile : <strong>Ferdinand Champenois</strong>. As for <strong>typography</strong> the Auriol font flagship of Art Nouveau too were chosen to adorn the titles and subtitles. The graphic execution of the plates was the work of talented designers who knew how to combine finesse and precision of line with a remarkable sense of color and great attention to detail. Finally for the creation of the drawings he hired two major specialists : <strong>the zoologists Rémy Perrier 1861-1936 and Casimir Cépède 1882-1954.</strong> The choice of these representatives of French academic excellence proved to be judicious and gave the Auzoux Establishments the new impetus Montaudon wanted for the company. He had probably been convinced by their common attachment to the transmission of knowledge since both graduated from the Ecole Normale. They lead careers as respected teachers within the Faculty of Sciences of Paris and other institutions. The extent of the intellectual networks to which they belonged undoubtedly played a significant role. While Cépède frequented the artistic circles of Bourdelle and Gémier and later worked with Doctor Toulouse on the documentary programs for the Science Department of the Pathé film company Perrier maintained through his brother Edmond director of the Natural History Museum and president of the Academy of Sciences close links with the scientific elite of his time. In addition to their respective areas of expertise malacology and bacteriology-parasitology they had very valuable skills and experience. Among other things Rémy Perrier published several reference works and participated in the development of school illustrations. Also Casimir Cépède developed vaccines and created removable insect models in order to train healthcare teams to antimalaria protocols. Given such skills and experience Montaudon granted them very advantageous contracts 20% copyright and complete freedom on the choice of subjects. Thus by the end of the Wolrd War I the two scientists had planned a "collection" of around 150 plates which was supposed to enable them to "give a complete course in zoology". Series on anatomy human physiology and botany were also considered as indicated in the catalogs. Undeniably the outcome is a real success both in substance and in form - precise rigorous aesthetic - achieving the aim of standing out from other publishers. The first volume of an <em>Atlas de Zoologie et d'Anatomie</em> containing the description of 17 posters also appeared at the beginning of the 1920s. However when the financial results of the company were calculated in 1922 they turned out to be disastrous. The accounting reports underlined the major reason for these economic difficulties were the posters : their distribution remained limited and obviously far too weak to make all the investments profitable. In the end only around thirty of those plates have seen the light of day for the zoology section less than ten for the plant biology section and the second volume of the Atlas was never published. The project ended in 1923 even before Jean Montaudon's death. Four years later his widow decided to sell the establishment to Henri Barral who had also acquired the "Maisons Tramond and Vasseur" specialized in wax anatomy models and the creation of skeletons from dissection remains. It was not before the 1940s that a new series appeared - including the famous schematic posters in color with a black background which were essential attributes of post-war classrooms.</p><p><strong>Relatively scarce and underrated the educational posters from the "Rémy Perrier and Casimir Cépède collection" have been poorly preserved in heritage institutions or are incomplete. </strong>Nowadays they are therefore highly sought after by collectors lovers of natural sciences or cabinets of curiosities. Their very good condition with very little defaults further adds to their quite exceptional character.</p><p><strong>For security reasons this item will be shipped rolled and in a tube. </strong></p> Jean Montaudon (Ferdinand Champenois printer)
18192499<p>In 1911 <strong>Jean Montaudon </strong>1886-1926 Dr Auzoux's great-nephew took over the management of the famous factory of "papier-mâché clastic anatomy models" and wanted to diversify the catalog. He launched into producing illustrated educational posters but had to cope with fierce competition from the houses Deyrolle Hachette and Cie Masson and even Armand Colin. All of them were more established in this key sector of educational publishing. This forced him to adopt a daring and original commercial strategy : the publication of <strong>"luxury" wall posters of high scientific accuracy and artistic quality</strong> mainly intended for students of universities and Ecoles Normales training schools for future teachers. Therefore he entrusted the printing to one of the most important <strong>Art Nouveau producers of posters</strong> and advertising objects whose name remains notoriously associated with Mucha Sarah Bernhardt and Lefèvre-Utile : <strong>Ferdinand Champenois</strong>. As for <strong>typography</strong> the Auriol font flagship of Art Nouveau too were chosen to adorn the titles and subtitles. The graphic execution of the plates was the work of talented designers who knew how to combine finesse and precision of line with a remarkable sense of color and great attention to detail. Finally for the creation of the drawings he hired two major specialists : <strong>the zoologists Rémy Perrier 1861-1936 and Casimir Cépède 1882-1954.</strong> The choice of these representatives of French academic excellence proved to be judicious and gave the Auzoux Establishments the new impetus Montaudon wanted for the company. He had probably been convinced by their common attachment to the transmission of knowledge since both graduated from the Ecole Normale. They lead careers as respected teachers within the Faculty of Sciences of Paris and other institutions. The extent of the intellectual networks to which they belonged undoubtedly played a significant role. While Cépède frequented the artistic circles of Bourdelle and Gémier and later worked with Doctor Toulouse on the documentary programs for the Science Department of the Pathé film company Perrier maintained through his brother Edmond director of the Natural History Museum and president of the Academy of Sciences close links with the scientific elite of his time. In addition to their respective areas of expertise malacology and bacteriology-parasitology they had very valuable skills and experience. Among other things Rémy Perrier published several reference works and participated in the development of school illustrations. Also Casimir Cépède developed vaccines and created removable insect models in order to train healthcare teams to antimalaria protocols. Given such skills and experience Montaudon granted them very advantageous contracts 20% copyright and complete freedom on the choice of subjects. Thus by the end of the Wolrd War I the two scientists had planned a "collection" of around 150 plates which was supposed to enable them to "give a complete course in zoology". Series on anatomy human physiology and botany were also considered as indicated in the catalogs. Undeniably the outcome is a real success both in substance and in form - precise rigorous aesthetic - achieving the aim of standing out from other publishers. The first volume of an <em>Atlas de Zoologie et d'Anatomie</em> containing the description of 17 posters also appeared at the beginning of the 1920s. However when the financial results of the company were calculated in 1922 they turned out to be disastrous. The accounting reports underlined the major reason for these economic difficulties were the posters : their distribution remained limited and obviously far too weak to make all the investments profitable. In the end only around thirty of those plates have seen the light of day for the zoology section less than ten for the plant biology section and the second volume of the Atlas was never published. The project ended in 1923 even before Jean Montaudon's death. Four years later his widow decided to sell the establishment to Henri Barral who had also acquired the "Maisons Tramond and Vasseur" specialized in wax anatomy models and the creation of skeletons from dissection remains. It was not before the 1940s that a new series appeared - including the famous schematic posters in color with a black background which were essential attributes of post-war classrooms.</p><p><strong>Relatively scarce and underrated the educational posters from the "Rémy Perrier and Casimir Cépède collection" have been poorly preserved in heritage institutions or are incomplete. </strong>Nowadays they are therefore highly sought after by collectors lovers of natural sciences or cabinets of curiosities. Their very good condition with very little defaults further adds to their quite exceptional character.</p><p><strong>For security reasons this item will be shipped rolled and in a tube. </strong></p> Jean Montaudon (Ferdinand Champenois printer)
185091065Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 18.80 x 27.80 cm ENGLISH DESCRIPTION ON DEMAND Edition originale exemplaire du tirage de luxe illustré d'un frontispice et de 16 planches rehaussées finement à l'aquarelle de Gavarni gravées sur acier par Geoffroy dans d'élégants encadrements découpés en dentelles et montés sur papier rose. Impression sur beau velin. Reliure en plein cartonnage historié de l'éditeur gardes et contreplats de papier jaune d'origine un peu salis en marge coins inférieurs émoussés coiffes frottées avec d'infimes manques à la percaline. Rousseurs. Bel exemplaire. Les textes de Méry sont des nouvelles autour d'une pierre précieuse ou d'un bijou. Les gravures illustrent divers parements féminins dans le premier volume autour des joyaux perle reliquaire pendentif rosaire saphir bracelet. dans le second volume le châle le manchon la mantille le turban le bouquet la couronne. G. de Gonet unknown
185077587Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 19 x 28.50 cm relié First edition illustrated with a repeated frontispiece and 30 steel-engraved plates by Gavarni engraved by Geoffroy on China paper laid down. Printed on fine white wove paper. Blue or neutral tissue guards. Illustrated orange-tinted covers preserved spine and back covers with advertisements also preserved. Half lavender morocco binding with corners and long grain signed Mercier 1920 at the top of the first endpaper in Romantic style. Spine with false raised bands richly decorated with two complex mirrored tools in each compartment blind fillets and rolls on the bands. Separation fillets on the boards. Uncut copy full-margined. Perfect paper freshness. Light rubbing traces impact at foot of the Parures volume with a dent of 0.8cm. Very handsome copy rare in this condition. Blue leather bookplate P. Villeboeuf with his gilt monogram also at top of pastedowns. Méry's texts are short stories centered around a precious stone or jewel. G. de Gonet hardcover
185079613Paris: G. de Gonet 1850. Fine. G. de Gonet Paris 1850 S.d 18.80 x 27.80 cm 2 volumes reliés First edition illustrated with a repeated frontispiece and 30 plates by Gavarni engraved on steel by Geoffroy. Printed on fine vellum. Copy from the deluxe issue with plates finely heightened in watercolor; These engravings are presented in very beautiful frames with lace-cut margins. Illustrated orange-tinted covers preserved spine and back covers with advertisements also preserved. Half lemon yellow morocco binding with corners late 19th century. Spine with false raised bands richly decorated with roses in compartments ornamented with stars and other decorations. Red morocco title labels second title labels in soft green shagreen. Some rubbing. Small brown spots on the leather of the upper cover. Uncut copy shorter titles in margins. Some occasional foxing. Handsome copy. Méry's texts are short stories centered around a precious stone or jewel. The engravings illustrate various feminine adornments in the first volume around jewels pearl reliquary pendant rosary sapphire bracelet. in the second volume shawl muff mantilla turban bouquet crown. G. de Gonet hardcover
185077587G. de Gonet | Paris 1850 (S.d) | 19 x 28.50 cm | relié
185079613G. de Gonet | Paris 1850 (S.d) | 18.80 x 27.80 cm | 2 volumes reliés
185091065G. de Gonet | Paris 1850 (S.d) | 18.80 x 27.80 cm
1850RO30323595Comon et cie. 1849-1850. In-18. Broché. Etat d'usage, Plats abîmés, Dos abîmé, Intérieur acceptable. 191+ 188 pages. 100 vignettes en noir et blanc, dans le texte. 1er plat désolidarisé. Ex-libris à l'encre sur le 1er plat. Dos manquant, ou scotché. Partiellement désolidarisés.. . . . Classification Dewey : 130-Phénomènes paranormaux. Pseudo-sciences
185646402147Paris, chez les Marchands de Nouveautés, 1856 ; in-8, demi-basane blonde, dos orné d’un décor doré. (Reliure de l’époque) X pp., 372 pp.Panorama de la Verdurette à l’époque romantique, par des pamphlétaires qui n’en faisaient point partie. “Au moment où nous écrivons, l’Académie Française a perdu toute importance littéraire ; elle s’est placée elle-même, par l’organe de ses muets, hors de la littérature et des besoins du moment ; ses élections sont tournées en ridicule, ses arrêts sont cassés, et ses foudres n’alarment que ces âmes simples qui craignent encore le Vatican.”Qui se souvient de Messieurs Andrieux, Auger, Baour-Lormian, Campenon, Daru, Desèze, Droz, Duval, Jouy, Michaud, Lemontey, Pastoret ou Arnault ? Dans cette galerie d’illustres oubliés, resplendissent heureusement le Vicomte de Chateaubriand et.... le poète havrais Casimir Delavigne.Celui qui fit relier le volume à l’époque a ajouté une table manuscrite de 20 pp. à la fin.
1860R320167576L.Hachette et cie. 1860. In-12. Broché. Etat d'usage, Tâchée, Dos abîmé, Quelques rousseurs. 321 pages - corps de l'ouvrage désolidarisé des plats - quelques rousseurs à l'intérieur de l'ouvrage sans réelle conséquence sur la lecture - tâches et rousseurs sur les plats.. . . . Classification Dewey : 398.2-Conte populaire
181614154paris Pélicier et Delaunay 1816 1 Un volume broché de format petit in 8° de 52 pp.; couverture en papier bleu fortement effrangée.
18603812Paris, Hachette, 1860, in-12, 321pp, Reliure demi-basane rouge, Quelques défauts mineurs sinon bel exemplaire 321pp
185674008Paris, 1856, in-12, 249pp, reliure demi-chagrin, Très bel exemplaire! 249pp
1856gb379Librairie L. Hachette et Cie Relié 1856 In-12 (11,2 x 16,5 cm), reliure demi-chagrin, dos à 4 nerfs, 249 pages ; dos passé, quelques petites épidermures aux mors, frottements aux plats et coupes, assez bon état. Livraison a domicile (La Poste) ou en Mondial Relay sur simple demande.
1897RO30367076Calmann Lévy. 1897. In-12. Cartonnage d'éditeurs. Etat d'usage, Couv. défraîchie, Dos fané, Papier jauni. 273 pages. Nombreuses rousseurs. Coins frottés.. . . . Classification Dewey : 840-Littératures des langues romanes. Littérature française
