STRAND MarkABAA
22 résultats
2006134417New York: Alfred A. Knopf 2006. First edition. Hardcover. First printing. 51 pages. A review copy with slip laid in has some notes on the verso of it A later collection of poems from this Pulitzer Prize winner. A fine copy in a fine dust jacket. Alfred A. Knopf unknown books
200519089East Hampton: Glenn Horowitz Bookseller 2005. Fine in printed wrappers with French flaps. First Edition. One of 450 copies of the trade edition. A catalogue created for an exhibition of Strand's paintings at Glenn Horowitz Bookseller in summer 2005. Wonderful introductory essay by Jorie Graham. Illustrations of 12 paintings. Typography and design by Jerry Kelly. East Hampton: Glenn Horowitz Bookseller unknown books
2005173804Los Angeles CA: The J. Paul Getty Museum 2005. First edition. Softcover. 4 pages. Exhibition brochure for a show that ran May 10 through September 4 2005. Essay by Anne M. Lyden. Includes 5 black and white illustrations. A fine copy in stapled wrappers. Uncommon with only 1 copy listed in OCLC. The J. Paul Getty Museum unknown books
200248128NY: Knopf 2002. Uncorrected proof. 165 pp. Fine in printed pale green wrappers. NY: Knopf, unknown books
2003265119Baltimore: The Johns Hopkins University Press 2003. Hardcover. xxiv 173p. illustrated by Rembrandt van Rijn hardbound in 9.5x6 inch brown cloth boards gilt and enclosed in the excellent dust jacket graced with Mr van Rijn's Man in Oriental Costume. An as-new copy: entirely sound clean unmarked. The Johns Hopkins University Press hardcover books
2012163522New York: Bruce Silverstein Gallery 2012. First edition. Softcover. Exhibition catalog for a show that ran September 6 through October 20 2012. Essay by Carol Troyen. Includes illustrations of works by Charles Demuth Arthur Dove Marsden Hartley John Marin Georgia O'Keeffe Alfred Stieglitz and Paul Strand. A near fine copy in French style wrappers. A nicely printed catalog. Bruce Silverstein Gallery unknown books
20039024948Minneapolis: Minnesota Historical Society 2003. 1st. Hardcover. Near fine/very good. Bound in the publisher's original cloth covered boards. Dust jacket rubbed and chipped. <br/><br/> Minnesota Historical Society hardcover books
2005157638Los Angeles CA: The J. Paul Getty Museum 2005. First edition. Softcover. 145 pages. Foreword by William M. Griswold. Introduction by Anne M. Lyden. Text by David Featherstone Weston Naef Naomi Rosenblum Mark Ruwedel and Alan Trachtenberg. Includes numerous black and white images. A fine copy in French style wrappers Signed by Lyden on the title page and uncommon as such. The J. Paul Getty Museum unknown books
201216227New York: Knopf 2012. First Edition. Hardcover. Fine/fine. 8vo. Publisher's cloth in original dust jacket. Clean bright and crisp. Touch of shelfwear to rear panel of dj esle fine. <br/><br/>Collection of prose pieces from the Pulitzer Prize winner. Knopf hardcover books
2013019488Philadelphia PA: Coachbuilt Press. Fine. 2013. First Edition; First Printing. Hardcover. 0988273314 . Black boards with gilt embossing. Dust jacket with title on front and spine. In fine condition. This collection of photographs by various photographers showcases the details of automotive jewelry found in the front or rear of exquisite vehicles. ; B&W & Color Photographs; 4to 11" - 13" tall; 287 pp . Coachbuilt Press hardcover books
2013009854rosPhiladelphia: Coachbuilt Press. Fine with no dust jacket. 2013. First Edition. Hardcover. Black cloth boards with silver imprint. Extra shipping required due to the large size. A striking collection of color photographs of ornaments and emblems from the 1937 Cadillac V-16 Aero-Coupe to a 1955 Porsche 550 Spyder. ; Color Photographs; 12 1/4" x 9 3/4"; 287 pp . Coachbuilt Press hardcover books
2006153600Portland OR: Nazraeli Press in association with The Joy of Giving Something Inc 2006. First edition. Hardcover. Text by Maisel with an essay by William L. Fox and a poem by Mark Strand. A collection of 15 duotone images of aerial photographs of Los Angeles. A fine copy in boards. No dust jacket as issued. Signed by Maisel on the title page. Nazraeli Press in association with The Joy of Giving Something, Inc unknown books
200677858NY:: Knopf. Fine in Fine dust jacket. 2006. Hardcover. 0307262960 . Stated first edition. INSCRIBED by the author: simply "To Joan / Mark Strand." Fine in a fine dust jacket. . Knopf, hardcover books
2003153972New York: Umbrage Editions 2003. First edition. Hardcover. Foreword by Mark Strand and Afterword by Nan Richardson. A nicely printed collection of black and white images taken in a four year period in Mexcio Belize Southeast Asia the U.S. and Europe. A very near fine copy in a very near fine dust jacket. Signed and inscribed by Gall on the title page in the year of publication. Umbrage Editions unknown books
200628047Portland OR: Nazraeli Press 2006. First Edition. Hardcover. Fine. Stunning aerial photographs of the Los Angeles area by photographer David Maisel. Photographs take on an almost surveillance-like feel from the height at which they were taken and printed as they appear in the original negative form. The photographs are preceded by Mark Strand's poem "Black Maps" and ends with an essay by William L. Fox entitled "Shadowlands." First Printing. Unpag. 15 black and white plates. Clean crisp copy with Maisel's photograph illustration of reprinted on cover. Nazraeli Press hardcover books
200728585New York: Alfred Knopf 2007. First edition. Hardcover. Fine/fine. Fine first edition in fine dustwrapper. 267 pp collection of Strand's selected poems. SIGNED by him on the title page. A lovely copy. Alfred Knopf hardcover books
201210192Norway 2012. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Braille embossing digital print; spiral bound printed by hand from cliché plates. 4to. np Numbered limited edition this being 22 of 50 copies. Signed by the artist. <br/><br/>Using the same technique as explored in The Biggest Form but smaller more abstract and with the Braille written words – on the last page written in brown color. Braille reads Pangea – parts - changes – minds – moves. <br />Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books
2011122720Brooklyn NY: Russell Maret 2011. quarter cloth marbled paper-covered boards. Maret Russell. 4to. quarter cloth marbled paper-covered boards. 28 pages. Limited to 100 numbered copies signed by the author on colophon. Binding by Craig Jensen. Printed on machine-made Japanese paper. French-fold. A collection of twenty-three short prose pieces freeing the author from his "increasingly narrow vision of what I thought my poems should be. Russell Maret unknown books
2006157490Portland OR: Nazraeli Press in association with The Joy of Giving Something Inc 2006. First edition. Hardcover. One of only 5 copies. Text by Maisel with an essay by William L. Fox and a poem by Mark Strand. A collection of 15 duotone images of aerial photographs of Los Angeles. A fine copy in boards. No dust jacket as issued and in a fine clamshell box. Includes an orginal c-print of Oblivion 3n 2004. The book is signed by Maisel on the title page.T he original photograph is in fine condition and is signed by Maisel on the verso. Uncommon. Nazraeli Press in association with The Joy of Giving Something, Inc unknown books
20129878Norway 2012. Limited Edition. Hardcover. Fine. Bright and clean. Braille embossing digital print; spiral bound printed by hand from cliché plates. 4to. np <br/><br/>"This is a unique handmade art book with tactile images in relief. With your hands you can explore the relationship between form sense and content. The book consists of 7 pictures as well as the short story "On Exactitude in Science" by Jorge Luis Borges. The text must be read with your hands. For both sighted and visually impaired people." artist statement Selected to KALEID editions 2016. <br />Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books
201510194Norway 2015. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 1 of 3 copies. <br/><br/>Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic’s Prize on the juried regional exhibition in Trondheim 2017. <br />“The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br />The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet’s exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br />Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader’ act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings.” Artist statement <br />Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books
201610196Norway 2016. Limited Edition. Hardcover. Fine. Tight bright and unmarred. Black stiff board black cloth spine Japanese string binding relief prints hand printed using hand cut stencils on 11-12 gram Japanese paper. Oblong fo. np each iteration has 4 to 7 sheets. Illus. color plates. Numbered limited edition this being 3 of 5 copies. <br/><br/>Some of the books in the series were made into a film and the film becoming an artwork unto itself. The film was awarded the Critic’s Prize on the juried regional exhibition in Trondheim 2017. <br />“The paper is translucent soft airy and completely silent. Quick movements of the papers is physically impossible. Each sheet has one visual element a shape which is mirrored as you turn the page. The fragile paper is printed with motives developed from Arabic ornamentation. This expression was originally created out of mathematics and geometry to avoid imagery that might lead to idolatry. I wanted to combine the book as a system with this geometry to see what that could bring. I find it fascinating how the images switch between flat and spatial" and that despite the strict patterns associations may vary and go towards modernism the oriental and paradoxically also towards figuration. The transparency causes overlaps between the pages that create new shapes and new colors. <br />The sheets melt together in a way which makes it almost impossible for the reader to predict the next sheet’s exact pattern and color or to remember precisely the last motif. It plays with the illusions of form color space and order. The image is transformed with each turn of a page and becomes ephemeral. A book starts to exist the moment its pages are turned. Since the book is a media of intimacy presence and touch haptic communication inevitably establishes meaning in itself a communication which invariably will be in some kind of relation to the mental content. It is an arena where perception and thinking operate together it might also bring awareness of your own perception. <br />Books have been holy objects for many different reasons. The fragility of the paper and the actions necessary may add a ritualistic element to the act of reading. I see the reader’ act as a performance a slow motion ballet. In a materialistic culture of mass consumption and noisy offensive expressions I find it appropriate to react by focussing on tranquility care and consideration. Like mandalas which often are written in sand to be washed away I have tried to create a space for a contemplative experience displaying the ever changing character and relativeness of existence where different elements always are colored and influenced by their surroundings.” Artist statement <br />Randi Annie Strand visual artist born in Norway 1962. Lives in Oslo. MA from Bergen Academy of Art and Design 92. Language signs and sensory experiences are central elements in her works. Her ideas have been realised through different media and techniques. hardcover books
