1 347 résultats
1938590623Paris: Payot 1938. Softcover. Very Good. First French edition. Translated and with a preface by J. G. Auriol. Octavo. 289 4 ads pp. Illustrated with a couple of black and white plates. Printed wrappers tanned at the spine and edges a bit of wear and soil neatly strengthened tiny split at the spine base and a tiny cosmetic tear at the spine one leaf with a small marginal chip a sound and nice very good copy. Seemingly the French edition of Naumburg's 1937 book We Make the Movies with pieces on Walt Disney Paul Muni Bette Davis John Cromwell Jesse L. Lasky Sidney Howard Samuel Marx John Arnold Clem Beauchamp Robert E. Lee Hans Dreier Phil Friedman Natan Levinson Max Steiner Anne Bauchens and Lansing Holden. Payot unknown
19537079Berlin: Dietz Verlag 1953. 1953. Good. - Quarto gray cloth titled in red. Spine & extremities darkened; covers bumped soiled & stained. 147 pp. plus colophon. Sepia-toned portrait frontispiece & full-page & textual illustrations including folding facsimiles of newspaper pages. The rear hinge is cracked; the margins of some illustrations are darkened. Good. <p>A useful collection of facsimiles documents and portraits. Berlin: Dietz Verlag, 1953. hardcover
192922297NY: THEATRE MAGAZINE COMPANY. Near Fine. 1929. First Edition. Stapled Wrappers. Near fine in stapled oversize pictorial printed wrappers. Features a one-page interview with the Marx Bros. accompanied by a photograph of the boys. Harpo's portion of the interview was "Taken under silent oath." . THEATRE MAGAZINE COMPANY. unknown
1985__3050033630Dietz Berlin 1985. Hardcover. New. 1183 pages. German language. 9.45x6.30x2.91 inches. Dietz, Berlin hardcover
190688451Chicago Ill: Charles H. Kerr & Co. London: Swan Sonnenschein & Co. 1906 1907 1909. First Editions First Printings. Three Volumes. Octavo. 22.5cm. Publisher's deep maroon ribbed cloth titled in gilt to spines and ruled in blind to boards. 869pp.; 618pp.; 1048pp. Generally strong and tight; mild scuffing and to spine ends and corners and a few minor exterior stains. Spine gilt is significantly oxidized to Vol II as is usually seen on the first printing; internally clean and fresh some very light spotting in places mainly confined to the page edges. A very good handsome set of first printings. <br /> <br /> A full set of first printings of this bibliographically complex edition issued over the course of three years. Marx published the first volume of his epic analysis of capitalism in German in 1867. The first translation into English was of Volume 1 only and was accomplished by Edward Aveling and Samuel Moore in 1887 based on the revised 4th German edition as edited by Engels. The 1906 first American printing under the Charles Kerr impint as here largely follows this translation with the subsequent translation work for Volumes II and III being performed by Ernest Untermann. Thus the earliest printings of the Kerr edition comprise the first complete edition of Capital in the English language. The printing was done in Chicago by James Higgins Kerr's printer of choice making this also the first complete edition of Capital to be printed entirely by a union-run print shop. Untermann did most of his translation work from remote Florida beginning the effort in 1905 discovering in the process a number of indices footnotes and at least ten pages of text that Aveling and Moore had not included in their London edition - making the Kerr edition the most complete up to its time. <br /> <br /> Kerr burned through the first two-thousand copy print run of Volume I almost immediately and rushed to get Volume II out by July 1907. It's very possible that financial constraints were already making themselves known by Volume II as Kerr was selling the books at a loss to encourage sales; the almost ubiquitous oxidation of the gilt on Vol II is likely a result of experimental economy that swiftly failed. Vol III returns to the higher standards of the first volume. The bindings on the first printings also feature a triple blind rule to the ribbed cloth boards with subsequent printings having double rules. Kerr's reprint system seems to have incorporated dates on the title pages for some length of time with the dates on the copyright pages remaining unchanged; after a certain point around the early 1920's reprints were issued without dates to the title pages and any volume without a date can safely be deemed a post-1920s reprint. Issues of Kerr's International Socialist Review from the period of printing recount in detail some of his problems and concerns publishing and selling the work with detailed data on dates numbers of copies and the firm's hopes for the completed book. <br /> <br /> Genuine first printing sets of this important edition are tremendously scarce in commerce. The lack of any real bibliographical authority for the American edition combined with Kerr's generally lax approach to differentiating printings has over the years led to frequent errors and misjudgments on the part of cataloguers including in full disclosure ourselves. After a good deal of research most in the advertising pages of the International Socialist Review we're confident we've finally got it right. Charles H. Kerr & Co. [London: Swan Sonnenschein & Co.] unknown
196522147AB1965. New York Humanities Press 1965. 8°. 475 pages. Original Hardcover with dustjacket. Spine sunned with slight discoloration otherwise a near fine copy. Includes: Herbert Marcuse - On Science and Phenomenology - with comments by Arin Gurwitsch / Abner Shimony - Quantum Physics and the Philosophy of Whitehead - Comments by J.M.Burger / G.Schlesinger - Instantiation and Confirmation - Comments by C.G.Hempel / etc. etc. hardcover
193382061White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. Some trivial wear and a few faint creases to extremities else a very Near Fine copy. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a large charcoal illustration of an elderly John D. Rockefeller his hands together in prayer while being strangled by a stock ticker tape machine with text from "Primary Accumulation" Origin of the Industrial Capitalist on the opposite page. 82061. Hugo Gellert unknown
193382065White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. A Fine copy. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a charcoal pencil illustration of a worker leading a train of oxen pulling a load of lumber with text from "The Labor Process and the Process of Producing Surplus Value" on the opposite page. 82065. Hugo Gellert unknown
193382064White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. A Fine copy. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a charcoal illustration of a fist clutching three individual stalks of wheat with text from "Commodities" The Two Factors of a Commodity: Use-Value and Value on the opposite page. 82064. Hugo Gellert unknown
193382073White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. Some trivial creasing and a few tiny tears along the lower edge else very Near Fine. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a large charcoal illustration of a worker's tools - hammer sickle pitchfork shovel and wrench - with text from "Division of Labor and Manufacture" Twofold Origin of Manufacture The Detail Worker and His Implement on the opposite page. 82073. Hugo Gellert unknown
193382075White Plains NY: Hugo Gellert 1933. Bifolium lithograph 57.5cm printed on BFK Rives by E. Desjobert Paris France each signed by Gellert in pencil. Faint crease along the upper edge else Fine. Widely acknowledged as Gellert's masterpiece and certainly his most-reproduced body of work marrying selections from the text of Marx's Kapital with his own strong social-realist graphics. Published at the height of the Depression the portfolio limited to 133 numbered and signed sets is also Gellert's scarcest work seldom encountered in a complete state. This lithograph features a large charcoal illustration of track wheel machinery with text from "Constant Capital and Variable Capital" on the opposite page. 82075. Hugo Gellert unknown
1940147971N.p.: N.p. 1940. Vintage sheet of 35 Empress Brand collectible color transfer stickers made in a philatelic style featuring illustrations of six scenes from the 1932 pre-Code Marx Brothers comedy film. Noted on the top right corner as "Made in Japan." <br /> <br /> Very Good lightly toned with two rust marks and associated small tears from having been previously stapled at the top edge. N.p. unknown
1938000012475n.p.: n.p. 1938. Photograph. Very Good. 61 cm x 48 cm. Glossy black and white photograph. The photograph depicts from left to right: Chico Harpo and Groucho Marx all gathered around a harp with cheeky expressions on their faces. The harp that is pictured is the one that was used in their 1939 film At the Circus. The Marx Brothers got their start in Vaudeville but would go on to make several motion pictures in the first days of the Silver Screen. Thirteen of their films have been rated in the AFI's top 100 comedic motion pictures: their impact on cinema cannot be overstated. The brothers were sons of German-Jewish immigrants and their mother Minnie acted as their manager until her passing in 1929. In this photograph going left to right the three oldest Marx brothers are shown Chico or Leonard Marx Adolph or Harpo and the youngest of the three Julius or Groucho Marx. A few pinholes and light wear to the corners of the photograph. n.p. unknown
192456992Beograd Izdavacka Knjizarnica Gece Kona 1924. 8vo. In the original printed wrappers. Spine renewed preserving most of the original spine. Ink stain to front wrapper. Previous ower's name to top of title-page. First leaves with a few underlignings otherwise internally fine and clean. 198 4 pp. <br/><br/><em>Rare first Serbian translation of Marx's Das Kapital. Translator Mosa Pijade a Serbian Sephardic Jew were sentenced 20 years of prison in 1925 because of 'revolutionary activities' partly because of making the present translation. In prison he meet Josip Broz-Tito and Pijade became Tito s right hand one of the leaders of Tito s Partisans during WWII and after the war the President of the Yugoslavian Parliament.During WWII Pijade became one of the leaders of Tito s partisans and after the war the President of the Yugoslavian Parliament between 1954 and 1955. In 1948 Pijade convinced Tito to allow the Yugoslav Jews to immigrate to Israel. The book was issued by Geca Kon Géza Kohn a Jewish publisher born in Hungary who owned the biggest publishing house in Yugoslavia operating from 1901 until the occupation by Germany in 1941. After the Germans marched into Belgrade Kon was arrested and shot. Most of his family who were also active in the business were taken to a concentration camp in Vojvodina and shot in the same year. OCLC only list three copies: University of Pittsburgh Philosophical Faculty; Ljubljana and Zagreb City Library </em> unknown
196324641AB1963. München Beck 1963. 8°. VIII 348 Seiten. Softcover / Kartoniert. Sehr guter Zustand / KEINE Anstreichungen. Beck'sche schwarze Reihe ; Bd. 20. paperback
19632374BB1963. Third Edition. New York TIME Incorporated 1963. 13 x 20 cm. XIX 246 pages. Original Softcover. Parts of the cover cut off. Otherwise in very good condition. TIME Reading program Special Editions Includes for example the following chapters: The Philosophy of the Spirit; The Young Hegelians; Historical Materialism; Exile in London: The First Phase; The International; "The Red Terrorist Doctor" etc. paperback
198378243AB1983. London British Broadcasting Corporation 1983. 16 cm x 23.5 cm. 192 pages with illustrations. Original hardcover with dustjacket in protective mylar. Excellent condition with only minor signs of external wear. Includes for example the following contents:- The Point is to Change it / The English Connection / The Revolutionaries / Comrades and Citizens / One Goal Many Roads / Marx Comes Home / Conclusion etc. "In a speech delivered at Marx's funeral his collaborator Engels declared that 'his name will live on through the centuries and so will his work' In the century since Marx's death in 1883 his ideas have become the ruling ideology of almost half the world. Yet we are surprisingly ignorant of this the most influential doctrine of our age". Author. hardcover
19922372BB1992. New York Continuum 1992. 12 x 195 cm. XII263 Seiten. Original Softcover. Excellent condition with only minor signs of external wear. From the library of philosopher Graham Parkes. With his name on the front free endpaper and his clean markings and annotations in the text. Milestones of Thought Includes for example the following chapters: The Flasification of Marx's Concepts; Marx's Historical Materialism; The Problem of Consciousness Social Structure and the Use of Force etc. paperback
1975219700Beijing.: 人民出版社.Renmin chubanshe. Reprint. 1975. Complete set of 4 paperback volumes in slipcase Volume I 803pp; Volume II 771pp; Volume III 677 pp; Volume IV 656pp; each volume measures 18.6 x 13cm slipcase measures 19.5 x 13 x 8.4cm text in simplified Chinese characters. Edges and endpapers foxed three volumes damp affected lower sections of leaves the fourth volume lightly stained in places with some creasing paper wrappers a little faded on spines. Slipcase worn and a stained lower section 3cm tear to lower corner. A fair to good set. . 人民出版社.[Renmin chubanshe]. paperback
193781932New York:: Farrar & Rinehart 1937. First edition of this Pulitzer Prize willing play. publisher's blue gilt-lettered cloth. Spine a little sunned; otherwise fine tight and sound. Small 8vo. Signed and inscribed "Moss" for Zeppo Marx "For being born on this day for being Zeppo and for many other things." February 25 1937. Farrar & Rinehart, hardcover
19651921Ukraine / Russia: by the artist 1965. original. watercolor on paper. Near Fine. Arkadi Soroka. Watercolor of Karl Mark on paper unframed 4.7" x 3.9" / 11.9 x 9.9 cm SIGNED in Cyrillic by Arkadi Soroka. Arkadi Soroka 1921-2010 Ukrainian/Russian artist is here working in a rather impressionistic Soviet Socialist Realist style. He worked mainly in Vinnitsa and participated in numerous exhibitions as a member of the Union of Ukrainian Artists. This is an appealing even friendly small watercolor of the great social-economist who sits invitingly on a park bench with hat beside him in what for this viewer is an unusual pose. Nice multi-tonal and impressionistic brushwork with a wee bit of pigment the artist has purposefully allowed to overlap into some of the margins. White matting tabs are present. by the artist unknown
1981240928New Brunswick NJ: Rutgers University Press 1981. First edition first printing. Hardcover in dust jacket. Light shelf wear still fine in very good dust jacket with chipping to edges in mylar cover. Rutgers University Press hardcover
196311993ARTParis France: Grou-Radenez Printers 1963. Original gray cloth covers w/ title on front cover. Spine sunned. Lightly soiled. SIGNED BY SERGE MENDJISKY. INSCRIBED AND SIGNED BY THE GALLERY OWNER RUDY AGRA. Illust. w/ ektachrome coloured photos and b/w photos. Contents nice. Signed. Hard Cover. Very Good-/No Jacket. 4to - over 9¾" - 12" tall. Grou-Radenez Printers Hardcover
1966846Cazenovia NY: Eva Thoby-Marcelin 1966. First edition thus. Near fine. Etchings portfolio hand printed by the artist R. E. Marx 1925-2020 in blue and black on Rives paper each of the ten etchings numbered and signed 26/80 in an edition limited to 80 copies only. The type was handset in 18 pt. Garamond. 15 copies were bound all others were issued in portfolio as here. Contains a finely printed English language version of de Maupassant's story translated from the French by Eva Thoby-Marcelin "The Wretch." All ten plates present and the colophon is further signed by Robert Marx; the dark green cloth portfolio is encased in a matching board slipcase with the title gilt-stamped to the front panel. Eva Thoby-Marcelin unknown
1939170757N.p.: N.p. 1939. Vintage reference photograph from the 1939 film showing the Marx brothers fending off a gorilla. Provenance stamp and layout annotations on the verso.<br /> <br /> The brothers unite to help save a circus from bankruptcy. Featuring songs by MGM songwriting team Harold Arlen and Yip Harburg best known their work in "The Wizard of Oz" the same year. <br /> <br /> 10 x 8 inches. About Fine. N.p. unknown
