41 résultats
1957265711957. Original artwork on paper dated 2- 57 in the lower right corner signed by Salazar in ink. Not framed approx.10 1/2" x 14 1/2" size. Accomplished with vivid colors and black ink on very good quality J. Perrigot Arches watermark paper. Slight darkening to paper; composed and executed with dynamic dancing energy; in very good condition. Art. Not Bound. Very Good. paperback books
1973190870Mexico City: Universidad Autonoma de Mexico Escuela Nacional de Economia 1973. Paperback. v168p. 4.5x6.5 inches text in Spanish introduction notes bibliography very good paperback in lightly-worn white printed wraps. Thesis presented for a degree in economics. Universidad Autonoma de Mexico, Escuela Nacional de Economia paperback books
1993161845Mexico: Universidad Autónoma de Sinaloa 1993. 204p. introduction biographical sketches very good first edition trade paperback in pictorial wraps. Text in Spanish. Universidad Autónoma de Sinaloa unknown books
1961104718Lisbon: Secretariado Nacional da Informação 1961. 8p. 6.25x8.5 inches text in English very good ex-library with label and stamp in original stapled wraps. Salazar Says. Secretariado Nacional da Informação unknown books
191234049La Serena: Imp. y Lib. el Porvenir 1912. First edition. Stapled paper wrappers. A very good copy sunned wrappers occasional pen marginalia. 71 pp. 12mo. Inscribed by the author with his initials. Includes: Testos Escolares. Instinto de Imitacion. Arte de Interrogar. Escuela Activa. Espiritu de Trabajo. Trabajo Manual Ambidiestro. Aritmetica Intuitiva. Sancion. A single copy is at the BN de Chile. Imp. y Lib. el Porvenir unknown books
1936175837Mexico City: Talleres gráficos de la nación 1936. 64p. lightly worn wraps pages toned. Translated by Francisco Olave. Talleres gráficos de la nación unknown books
198516592México: Consejo Nacional de Fomento Educativo 1985. 33.5cm. 2a Edición 77p. color plates wrps. Charming nail art painted on Amate paper. Drawings by Abraham Mauricio Salazar. Consejo Nacional de Fomento Educativo unknown books
1958214480Naga City Bicol: Cecilio Publications 1958. 16p. staplebound booklet 3.75x5.75 inches. Paper toned minor edgewear pages uncut at top. The Cinderella story translated into Bicol verse form by Manuel B Salazar. The publisher describes itself on the back cover as "Home of Catholic books and Bicol novels. Cecilio Publications unknown books
19991320646Bogota: Villegas Editores 1999. Reprinted. Hardcover. Thin Oblong Quarto; pp 257; VG-/G; blue spine with white text; dust jacket has modest rubbing to exterior; slight wear to edges; cloth shows slight wear to exterior; strong boards; text block has slight soiling to exterior edges; frontispiece; interior clean; profusely illustrated; Spanish text;. 1320646. FP New Rockville Stock. Villegas Editores hardcover books
1914CA0023xxiv843 pages with plates and index. Quarto 10 3/4" x 7 3/4" rebound in half red leather with gilt lettering to spine with original wrappers bound in. From the library of Zelia Nuttal and George M Foster. Limited to 500 copies. First edition. <br /><br />Cervantes de Salazar was one of the principal chroniclers who gathered data on the history and ethnography of Mexico. His most important book <i>Cronica de la Nueva Espana</i> <i>Chronicle of New Spain</i> written at the command of City Council. The manuscript of this work was sent by the author to Spain in 1567 with a request for the post of royal chronicler. This manuscript was uncovered in the early 1900s uncatalogued in the National Library of Madrid as an anonymous manuscript. the first volume was published in 1914 and the second and third in 1936. The <i>Chronicle</i> is fragmentary since the first part which was to include the period up to the conquest of Yucatan either was never written or was lost; and the second part which was to be a history of the conquest breaks off with Columbus sending Villafuerte and Sandoval to the Pacific Ocean. Cervantes de Salazar's sources were the <i>Letters</i> of Cortes; the memoirs of Alonso de Ojeda and Andres de Tapia captains in Cortes' army; the <i>Memoranda</i> of Motilinia; the work of Lopez de Gomara; and the information gathered from others who had taken part in the conquest who were sill living in Mexico City twenty-five years later from whom he received useful information. The <i>Chronicle</i> is valued for its understanding and evaluation of the events it describes.<br /><br /><b>Condition:</b><br /><br />"With compliments of the Hispanic Society" slip tipped in and slip from the Congresso de los Diputados tipped in to copyright page with Nuttall's name as receiving copy number three which is such labeled of 500 copies. Foster's date of acquiry 10/4/44 on title. Original wrappers bound in and soiled some wear to edges of title inner hinge cracked else about very good. Hispanic Society hardcover books
1985204750Diputacion Foral de Alava Servicio de Publicaciones 1985. Paperback. 111p. text in Spanish maps lightly worn else very good first edition paperback in blue pictorial wraps. Diputacion Foral de Alava, Servicio de Publicaciones paperback books
192642137Habana: Imprenta y Libreria Moderna Poesia 1926. First edition. Cloth. Very good copies light soiling on boards minor wear to spine ends titles stamped "Printed in Cuba.". x 278 pp.; 524 pp. 8vo. Palau 286910. Imprenta y Libreria Moderna Poesia hardcover books
196340131Lisbon: Secretariado Nacional da Informação 1963. First edition. Stapled paper wrappers. A very good copy light soiling on front wrapper leaves browning. 37 pp. 8vo. Salazar was the Prime Minister of Portugal and the declaration was broadcast on August 12 1963. Braga Collection BRAP 7. Secretariado Nacional da Informação unknown books
195469905México: Libraria Universitaria 1954. 16.5 cm. Año 1 No. 7. 18p. illus. plus fldg. plate wrps. Contents: Nocturna Carta Margarita Paz Paredes / El Alba Vacía A. Galvan Corona / Fantasía Vespertina R. Loera y Chavez V. / Antonio Duerme Alfonso Reyes. Illustrations by Salvador Ortega Salazar. Full pages folding plate on rice paper by Cuban artist: Carmelo González. No record in OCLC (Libraria Universitaria) unknown books
1970194037New Mexico: Self-published by the author 1970. Single 8.5x11 inch sheet handbill printed both sides one side English the verso in Spanish listing the issues and with a short bio of the candidate and a pencil portrait small date stamp at corner; Sept 15 1970 very good. Handbill for the election of Dr. Salazar a graduate of UNM and former Secretary of Corrections he resigned after two months due to a confrontation with officials who refused his plan for prison reform. Self-published by the author unknown books
1970140927Lima: Ediciones San Julián 1970. Hardcover. NF interior but VG- covers general rubbing and a few bumps along bottom rims. Cream boards with brown lettering; 193 pp. with bw images throughout. Text in Spanish. Peru and its art and this volume specifically covers Lima - its cathedral and numerous churches private homes the palace university Museo Osma and more. With essay material and explanations by Salazar. Ediciones San Julián hardcover books
1965104720Lisbon: Secretariado Nacional da Informação 1965. 21p. 6.25x8.5 inches text in English very good ex-library with label and stamp in original stapled wraps. Salazar Says. Secretariado Nacional da Informação unknown books
1999163032Santander: Fundacion Marcelino Botin 1999. Paperback. Contents VG clean bright and tight; covers have some light shelf wear; copy is art museum ex-lib. with a few marks but none to text. Color-illustrated chartreuse wraps with black lettering on spine. French flaps. 285 pp. with color and bw images throughout. Text in Spanish. Catalogue from the exhibition held July to September 1999. "This exhibition presents an overview of seven Spanish artists working in Paris in the early twentieth century and whose work contributes to the renewal and creation of new languages in Contemporary Art. Of the selected artists the first to move to Paris in 1899 is Julio González who was followed by Pablo Picasso in 1900 Pablo Gargallo in 1903 Juan Gris in 1906 and María Blanchard in 1909. After the First World War another wave of Spanish artists chose France as their home including Joan Miró in 1920 and Salvador Dalí in 1926. All works in this exhibition at the Marcelino Botín Foundation belong to the Museo Nacional Centro de Arte Reina Sofía funds. The selection is made from those pieces in the collection that are not currently exhibited in the museum but which are representative of such a prolific period in Spanish Art. By Julio González there are three paintings from his early works in this discipline: Mujer peinando a una joven 1914-1918 La recolección de manzanas 1920-1925 and Dos mujeres 1920-1928. In 1910 he produces the first of his embossed metal masks; this moment belongs to Máscara inquietante 1913-1914. A few years later he produces pieces in cut and wrought iron such as Masque aceré 1929-1930. His work evolves into abstraction without abandoning figurative references like in Petite maternité assise 1933-1934 and El pie 1934-1936. For Gonzalez drawings are an essential part of his creative process. Exhibited are: Mujer con niña en malva 1906 Personaje de pie amarillo y blanco 1937 Personaje con velo largo nº I 1941 and El grito 1939 which lay the foundations for the Montserrat which González presents in the Spanish Pavilion at the Universal Exhibition in Paris in 1937 to which the Reina Sofía Museum dedicates an exhibition in 1987. The contribution of Pablo Picasso is overwhelming. On this occasion eleven preparatory studies to the Guernica 1937 are exhibited a work that exemplifies the Reina Sofía Museum Collection. Following the bombing of Guernica Picasso works on this monumental piece specifically for the aforementioned Spanish Pavilion. The horse is one of the first figures he drafts along with Cabeza llorando an image of the suffering of a mother. These exhibited drawings and canvasses refer to these reasons in addition to Estudio de composición VI 1937. Pablo Gargallo received by Picasso on his arrival in Paris is along with Julio González the most important Spanish sculptor from the early twentieth century. By him the pieces Torse de gitan 1923 La dormeuse 1924 Porteuses d'eau 1925 and Tête de prophète 1926 are exhibited accompanied by three drawings which are the basis for his sculptures Arlequín a la guitarra 1927 and Bailarina. Teresina Boronat 1927 in two different versions. By Juan Gris creator of Synthetic Cubism the paintings El violón 1916 y Guitarra con incrustaciones 1925 were chosen as well as drawings Naturaleza muerta a la guitarra 1925 and Hombre a la guitarra 1925-1926. These last two are the original drawings and drafts for lithographs that Gris produces for Gertrude Stein's Book: A Book Concluding with As a Wife Has a Cow: A Love Story 1926. The Museo Reina Sofía has a large collection of works by María Blanchard partly acquired in 1932 from her sister Carmen. They include: Mujer con abanico 1915-1916 and Composición Cubista 1916 from her cubist period and Niña peinándose 1926-1927 La bordadora 1926 and Niños 1930-31 from her return to figuration. The second group is made up of those artists who return to Paris in the Twenties like Joan Miró and Salvador Dalí. The paintings by Miro include: Personnage oiseaux 1974 Paisaje 1974 Femme oiseau I 1977 Paysage 1976 and Personnages oiseaux constellations 1976 accompanied by sculptures such as Femme soleil 1966 Torse de femme 1967 Tête dans la nuit 1968 Tête de taureau 1970 Jeune fille rêvant de l'evasion 1971 and Femme et oiseau 1971. Dalí presents an untitled canvas from 1928 a study to Premonición de la Guerra Civil 1935 the unfinished painting of his muse and companion Busto de Gala 1939 the canvas: A propósito del "Discurso sobre la forma cúbica" de Juan de Herrera 1960 inspired by the renowned architect a painting that reveals his interest in science Árabes. Ácido desoxirribonucleico 1963 and the first version of El Camino del Enigma 1981 one of his final compositions." - from the museo reina sofia web site. Fundacion Marcelino Botin paperback books
198864368New York: St Martin's Press 1988. xix 250p. first edition dj. St Martin's Press unknown books
199031933Text: Edward Sullivan. México Ramis F. Barquet Galería Septiembre 1990. 23cm. 52p. color plates chron. wrps. Important catalogue for this young successful Guadalajaran born artist who has had extensive exhibits and press in the U.S. English and Spanish text. Text: Edward Sullivan. México, Ramis F. Barquet Galería, Septiembre unknown books
193086814Havana: El Siglo 1930. First Edition. hardcover. fine. 52pp. 4to modern yellow cloth original wrappers bound in. La Habana: El Siglo XX 1930. Fine.<br/><br/> El Siglo unknown books
1979160773Mexico: Editora Maren 1979. First edition. Hardcover. Text in English and Spanish by Alfonso de Neuvillate. Includes 58 color plates and 58 black and white illustrations. A near fine copy in illustrated boards. No dust jacket. Signed and inscribed by Salazar on the half title page. Editora Maren unknown books
19732305242Mexico: Casa De La Cultura De Aguascalientes 1973. Signed Copy. Signed Copy. Near Fine/No Jacket. Signed by author. Signed by author without inscription. Exhibition booklet from Galeria Avril I laid in. Very minor general wear. 1973 Large Hardcover. jUnpaginated. Spanish and English text. Blue cloth boards with gilt title on spine and front board. Color and black-and-white reproductions of numerous paintings. "Jose Salazar was born in the city of Aguascalientes captial of the States of Aguascalientes on June 28 1926. Casa De La Cultura De Aguascalientes unknown books
1964910México: Universidad Nacional Autónoma de México UNAM 1964. 24 cm. Colección de Arte 14. 25p. plus 40 b/w plates and 2 color plates map tbl. wrps Universidad Nacional Autónoma de México, UNAM unknown books
1983UATELAI00CZCLa Inglesia de Santa Cruz de la Canada 1983. Good. Atencio Willie. La Inglesia de Santa Cruz de la Canada: 1733-1983. Salazar Richard. Santa Cruz NM: La Inglesia de Santa Cruz de la Canada 1983. 112pp. Illustrated. Bibliography. 4to. Paperback. Book condition: Good with spotted and smudged covers and previous owner's name written on rear cover. Rubbed and lightly bumped edges. La Inglesia de Santa Cruz de la Canada paperback books
