41 résultats
1979192079Mexico City: El Colegio de México 1979. Paperback. 148p. texts in Spanish very good first edition trade paperback in moderately rubbed pictorial wraps. A collection of essays on modern México including works on socio-political themes and relations with the USA including immigration. El Colegio de México paperback books
1969249956New York: Grove Press 1969. hardcover. fine/very good. Illus. 8vo gray cloth d.w. New York: Grove Press 1969. Very good<br/><br/> Grove Press unknown books
1969013853NY: Grove. 1969. First Edition. Hardcover. Fine in lightly used dust jacket with short tears. . Grove hardcover books
1958104717Lisbon: Secretariado Nacional da Informação 1958. 20p. 6.25x8.5 inches text in English very good ex-library with label and stamp in original stapled wraps. Salazar Says. Secretariado Nacional da Informação unknown books
1986110270New York: Fiction Collective 1986. Paperback. 125p. very good first edition trade paperback in pictorial wraps. Transvestite content. Fiction Collective paperback books
1986708929NY: Fiction Collective. 1986. Advance Uncorrected Proof. Very Good in wrappers. Unless otherwise noted our first editions are first printings. First Edition. Softcover. Very Good. Fiction Collective paperback books
1999243189Anchorage: Salmon Run Press 1999. Paperback. 60p. personal inscription signed twice by the poet on the title page very good first edition trade paperback original in pictorial wraps. Latina artist and writer. National Poetry Book Award Winner. Salmon Run Press paperback books
1946122122Lisbon: Books SNI 1946. 16 p. wraps in very good condition. Salazar says. Books SNI unknown books
1963104719Lisbon: Secretariado Nacional da Informação 1963. 8p. 6.25x8.5 inches text in English very good ex-library with label and stamp in original stapled wraps. Salazar Says. Secretariado Nacional da Informação unknown books
1966104721Lisbon: Secretariado Nacional da Informação 1966. 13p. 6.25x8.5 inches text in English very good ex-library with label and stamp in original stapled wraps. Salazar Says. Secretariado Nacional da Informação unknown books
194828821London: The Bodley Head 1948. First English edition. 8vo pp. 367. Translated from the Spanish by Isabel Pope. Revised from the Buenos Aires edition of 1944. VG in somewhat soiled and torn dj. A study of music as seen against its social and historical background. The Bodley Head unknown books
194692563New York: Norton 1946. First. hardcover. very good. Translated by Isabel Pope. Musical examples. 367pp. 8vo cloth; worn at spine ends. New York: W.W. Norton 1946. First edition. A very good copy.<br/><br/> Norton unknown books
194544530Puebla: Imprenta "Lopez" 1945. First edition. Illustrated paper wrappers. Front wrapper partially detached lacking rear wrapper extremities worn contents browned else clean a good copy. 15 pp. 24 illustrated leaves 12 adv. Illus. with b/w photos engravings and drawings. Sm. 4to. In Spanish and English. Imprenta "Lopez" unknown books
1926159255Mexico D.F.: Avante 1926. Original Edition. Softcover. Good- clean unmarked copy but with wear to cover; first signature is detached and laid in; college ex-lib. copy with usual marks a bit fragile. Tan/red/black illustrated cover front only; back missing and spine. Yapped edges. 220 pp. with bw illustrations throughout including 2 folding plates. Text in Spanish. A volume about the massive murals of Jose Clemente Orozco Diego Rivera and Dr. Atl Gerardo Murillo Cornado along with numerous reproduction images and many photographs of prominent representatives of the Mexican Revolution. On the front cover in Spanish: "Revolution is the law of the people's movement." - Tranquilino Torres. Rosendo Salazar Álamo the author was an ideologue journalist writer and promoter of the labor and trade union movements. In 1915 he supported the constitutionalist revolution. He also was a member of the League of American Writers. Avante paperback books
195336722Austin: University of Texas Press 1953. 8vo. vii 113 132 pp. <br><br>Facsimile in Latin is of leaves 228-294 of a Cervantes de Salazar volume in the University of Texas's Latin American Collection; it consists of seven dialogues of Cervantes de Salazar originally published as part of a larger work which also includes Cervantes's commentary on the dialogues of Luis Vives. The original title-page. for this part reads: "Francisci Ceruantis Salazar Toletãi Ad Ludouici Viuis Valentini exercitationem aliquot dialogi. 1554." Leaf 289 is wanting here as in the University of Texas copy. Errata inserted. Includes bibliographical references and index.<br>Â Â Â Â The work was prepared by Francisco Cervantes de Salazar for use in his classes and printed in 1554 by Juan Pablos ; now published in facsimile with a translation by Minnie Lee Barrett Shepard and an introduction and notes by Carlos Eduardo Castañeda. Former owner's bookplate. With the original slipcase. Bound in vellum-like paper binding. A handsome and important publication. Nearly new. University of Texas Press hardcover books
1930313152Mexico: Editorial "Avante 1930. First edition. 233 5pp. 12mo. Spanish calf. gilt spine. First edition. 233 5pp. 12mo. Proletariat Poems. Inscribed to Famous Collector. Inscribed "A Salo Hale de Alma de artista con grande ---R. Salazar Mex. 1930" Salomón Hale was a Polish Jewish art collector based in Mexico City.<br/><br/>Protest poems from left wing Mexican poets including Fernando Celada German List Arzubide Carlos Gutierrez Cruz Rafael Diaz de Leon Salazar AgustÃn Haro y Tamariz etc. Editorial "Avante unknown books
1983UATELAI00CZCLa Inglesia de Santa Cruz de la Canada 1983. Good. Atencio Willie. La Inglesia de Santa Cruz de la Canada: 1733-1983. Salazar Richard. Santa Cruz NM: La Inglesia de Santa Cruz de la Canada 1983. 112pp. Illustrated. Bibliography. 4to. Paperback. Book condition: Good with spotted and smudged covers and previous owner's name written on rear cover. Rubbed and lightly bumped edges. La Inglesia de Santa Cruz de la Canada paperback books
1964910México: Universidad Nacional Autónoma de México UNAM 1964. 24 cm. Colección de Arte 14. 25p. plus 40 b/w plates and 2 color plates map tbl. wrps Universidad Nacional Autónoma de México, UNAM unknown books
19732305242Mexico: Casa De La Cultura De Aguascalientes 1973. Signed Copy. Signed Copy. Near Fine/No Jacket. Signed by author. Signed by author without inscription. Exhibition booklet from Galeria Avril I laid in. Very minor general wear. 1973 Large Hardcover. jUnpaginated. Spanish and English text. Blue cloth boards with gilt title on spine and front board. Color and black-and-white reproductions of numerous paintings. "Jose Salazar was born in the city of Aguascalientes captial of the States of Aguascalientes on June 28 1926. Casa De La Cultura De Aguascalientes unknown books
1979160773Mexico: Editora Maren 1979. First edition. Hardcover. Text in English and Spanish by Alfonso de Neuvillate. Includes 58 color plates and 58 black and white illustrations. A near fine copy in illustrated boards. No dust jacket. Signed and inscribed by Salazar on the half title page. Editora Maren unknown books
193086814Havana: El Siglo 1930. First Edition. hardcover. fine. 52pp. 4to modern yellow cloth original wrappers bound in. La Habana: El Siglo XX 1930. Fine.<br/><br/> El Siglo unknown books
199031933Text: Edward Sullivan. México Ramis F. Barquet Galería Septiembre 1990. 23cm. 52p. color plates chron. wrps. Important catalogue for this young successful Guadalajaran born artist who has had extensive exhibits and press in the U.S. English and Spanish text. Text: Edward Sullivan. México, Ramis F. Barquet Galería, Septiembre unknown books
198864368New York: St Martin's Press 1988. xix 250p. first edition dj. St Martin's Press unknown books
1999163032Santander: Fundacion Marcelino Botin 1999. Paperback. Contents VG clean bright and tight; covers have some light shelf wear; copy is art museum ex-lib. with a few marks but none to text. Color-illustrated chartreuse wraps with black lettering on spine. French flaps. 285 pp. with color and bw images throughout. Text in Spanish. Catalogue from the exhibition held July to September 1999. "This exhibition presents an overview of seven Spanish artists working in Paris in the early twentieth century and whose work contributes to the renewal and creation of new languages in Contemporary Art. Of the selected artists the first to move to Paris in 1899 is Julio González who was followed by Pablo Picasso in 1900 Pablo Gargallo in 1903 Juan Gris in 1906 and María Blanchard in 1909. After the First World War another wave of Spanish artists chose France as their home including Joan Miró in 1920 and Salvador Dalí in 1926. All works in this exhibition at the Marcelino Botín Foundation belong to the Museo Nacional Centro de Arte Reina Sofía funds. The selection is made from those pieces in the collection that are not currently exhibited in the museum but which are representative of such a prolific period in Spanish Art. By Julio González there are three paintings from his early works in this discipline: Mujer peinando a una joven 1914-1918 La recolección de manzanas 1920-1925 and Dos mujeres 1920-1928. In 1910 he produces the first of his embossed metal masks; this moment belongs to Máscara inquietante 1913-1914. A few years later he produces pieces in cut and wrought iron such as Masque aceré 1929-1930. His work evolves into abstraction without abandoning figurative references like in Petite maternité assise 1933-1934 and El pie 1934-1936. For Gonzalez drawings are an essential part of his creative process. Exhibited are: Mujer con niña en malva 1906 Personaje de pie amarillo y blanco 1937 Personaje con velo largo nº I 1941 and El grito 1939 which lay the foundations for the Montserrat which González presents in the Spanish Pavilion at the Universal Exhibition in Paris in 1937 to which the Reina Sofía Museum dedicates an exhibition in 1987. The contribution of Pablo Picasso is overwhelming. On this occasion eleven preparatory studies to the Guernica 1937 are exhibited a work that exemplifies the Reina Sofía Museum Collection. Following the bombing of Guernica Picasso works on this monumental piece specifically for the aforementioned Spanish Pavilion. The horse is one of the first figures he drafts along with Cabeza llorando an image of the suffering of a mother. These exhibited drawings and canvasses refer to these reasons in addition to Estudio de composición VI 1937. Pablo Gargallo received by Picasso on his arrival in Paris is along with Julio González the most important Spanish sculptor from the early twentieth century. By him the pieces Torse de gitan 1923 La dormeuse 1924 Porteuses d'eau 1925 and Tête de prophète 1926 are exhibited accompanied by three drawings which are the basis for his sculptures Arlequín a la guitarra 1927 and Bailarina. Teresina Boronat 1927 in two different versions. By Juan Gris creator of Synthetic Cubism the paintings El violón 1916 y Guitarra con incrustaciones 1925 were chosen as well as drawings Naturaleza muerta a la guitarra 1925 and Hombre a la guitarra 1925-1926. These last two are the original drawings and drafts for lithographs that Gris produces for Gertrude Stein's Book: A Book Concluding with As a Wife Has a Cow: A Love Story 1926. The Museo Reina Sofía has a large collection of works by María Blanchard partly acquired in 1932 from her sister Carmen. They include: Mujer con abanico 1915-1916 and Composición Cubista 1916 from her cubist period and Niña peinándose 1926-1927 La bordadora 1926 and Niños 1930-31 from her return to figuration. The second group is made up of those artists who return to Paris in the Twenties like Joan Miró and Salvador Dalí. The paintings by Miro include: Personnage oiseaux 1974 Paisaje 1974 Femme oiseau I 1977 Paysage 1976 and Personnages oiseaux constellations 1976 accompanied by sculptures such as Femme soleil 1966 Torse de femme 1967 Tête dans la nuit 1968 Tête de taureau 1970 Jeune fille rêvant de l'evasion 1971 and Femme et oiseau 1971. Dalí presents an untitled canvas from 1928 a study to Premonición de la Guerra Civil 1935 the unfinished painting of his muse and companion Busto de Gala 1939 the canvas: A propósito del "Discurso sobre la forma cúbica" de Juan de Herrera 1960 inspired by the renowned architect a painting that reveals his interest in science Árabes. Ácido desoxirribonucleico 1963 and the first version of El Camino del Enigma 1981 one of his final compositions." - from the museo reina sofia web site. Fundacion Marcelino Botin paperback books
1965104720Lisbon: Secretariado Nacional da Informação 1965. 21p. 6.25x8.5 inches text in English very good ex-library with label and stamp in original stapled wraps. Salazar Says. Secretariado Nacional da Informação unknown books
