48 résultats
1945169236Paris: Louis Carre 1945. Limited. paperback. fine. 11 illustrations for each artist including 3 fine color lithographs printed by Mourlot. 84pp. Short thin 4to original stiff printed wrappers with original glassine; uncut edges. Paris: Louis Carre 1945. A fine copy.<br/> <br/> Although one of 700 copies this is H.C. numbered XIX. With the small ownership signature of art historian Meyer Schapiro.<br/> <br/> Louis Carre unknown
1971396805East Hampton New York 1971. Unbound. Near Fine. Broadside. Illustrated by Isadore Seltzer. Measuring 11" x 17". Overall very good or better with some toning and pins holes at the corners. Poster for two performances at the Old Post Office Theatre in on Newtown Lane in East Hampton New York co-owned by photographer Ken Robbins who used the upstairs as his first dark room. The theatre specialized in avant-garde plays by the likes of Harold Pinter Terrance McNally Sam Shepard Eugene Ionesco Joe Orton Rochelle Owens Boris Vian Leonard Melfi and others. Drama apparently did not pay the bills so the theatre put the kibosh on live performance after just two seasons in favor of art house films. It was likely that few of these posters were made for each performance and even less that have survived. unknown
192712827Houghton Mifflin Company 1927. First Edition. hardcover. Very Good/Very Good. 0x0x0. Dust jacket is darkened on edges chips & tears at corners spine darkened with tears head/tail soiled on rear price unclipped. Blue cloth boards are clean and nice with minimal rubbing at the extremities. Pencil gift inscription on front endpaper. 1927 first edition. Andre Tardieu was three times Prime Minister of France and a dominant figure of French political life in 1929–1932. He was a moderate conservative with a strong intellectual reputation. All orders packed with care most dust jackets protected by Brodart sleeve independent bookseller since 2011 Houghton Mifflin Company hardcover
1918WWI006Paris: Lang Union des grandes associations françaises contre la propaganda Ennemie 1918 Publisher's white paper wrappers lettered in black. About near fine with some light spotting and minor soiling to the front wrapper some rust and minor wear to the staple binding else bright and clean. A very handsome piece of WWI propaganda. Very scarce only 4 copies listed in World Cat. L'effort américain is a transcription of a speech given by André Tardieu the French Commissioner of the Franco-American War Cooperation. The speech was given on July 4 1918 at a banquet hosted by the American Chamber of Congress as part of the American Independence Day celebration in Paris. This document is one of many items issued by the Union of Great French Associations Against the War which was formed in 1917 to counter German propaganda in French occupied territories. Soft Cover. Near Fine. Paris: Lang, Union des grandes associations françaises contre la propaganda Ennemie paperback
193359905Sans lieu : La Plade 1933. 195x140mm. non pagin 28 pages broch. couverture remplie. Edition originale. Tirage limit. Un des 200 exemplaires sur Alfa teint numrot n¡195/200. Cellophane intact. Bel exemplaire. 70 La Plade unknown
196761060Paris: Gallimard 1967. Fine. Gallimard Paris 1967 12 x 19 cm broché first edition one of the review copies service. Autograph signed by Jean Tardieu to Marcel Jouhandeau. Small traces of insolation on the margin of the second board. Gallimard unknown
196059374Paris: Gallimard 1960. Fine. Gallimard Paris 1960 14 x 21 cm broché Collective Edition on current paper. Precious autograph signed by Jean Tardieu: "". A Jacques Hébertot the ageless pioneer of the new theater Sincerely Jean Tardieu"" Nice copy. Gallimard unknown
197511977Paris: Maeght Editeur 1975. red cloth hardcover in dust jacket. very well preserved copy - clean no markings tight binding/hinges no tears/bumps/clips.; this copy inscribed to artist/photographer alexander liberman and signed by jean bazaine on the title page.; french text. 192pp. 46 color plates 140 b/w illustrations and two original color lithographs bound-in. comprehensive monograph on the 20th century french artist. interesting association copy. Signed by Artist. First Edition. Hard Cover. Near Fine Plus/Near Fine Plus. Large Square 4to. Maeght Editeur Hardcover
1993100144063CERF 1993. bonne tenue proche du très bon état couverture et tranches un peu ternies intérieur propre. 2x23x15cm. 1993. Broché. 256 pages. Histoire des religions Religion et société History of religion Religious issues and debates Religion Sciences des religions CERF unknown
1944873Paris: Éditions du Seuil 1944. First edition. Original Wraps. Near Fine. First edition. 57 pp. Original printed wraps with glassine dust jacket. Glassine rubbed at fore-edges and head and foot of spine evidence of bookplate removal from inside front cover and some browning to endpapers. Mostly unopened. Original etching by master printmaker Roger Vieillard who studied with Stanley William Hayter at Atelier 17 in the 1930s. One of 200 numbered copies of a total edition of 210 on Lana. Tardieu 1903-1995 was a poet known for his collaborations with Surrealists his work as a dramatist and his association with French radio following World War II. Éditions du Seuil unknown
197423516Paris: Études Augustiniennes 1974. Softcover. Near fine. 10" x 6.25" 387 pp in original printed wrappers. Light shelf wear internals fine. Études Augustiniennes unknown
194760564AB1947. Lyon Chez Marc Barbezat 1947. 19.5 cm x 28 cm. 184 pages. Original Softcover. Stiff card covers with illustrated paper dust jacket. Deckled edges. Very good condition with only minor signs of external wear. Some foxing to rear endpaper and inside cover only. Includes two loose sheets broadsides of advertising for further publications from the publishing house Jean Genet's Poems and Miracle de la Rose sizeable praise from Jean-Paul Sartre included and errata-leaf loosely inserted. Several pages untrimmed / unopened. L'Arbalète No. 12. Includes the following contributions: Le Rite du Peyotl Chez les Tarahumaras / Les Bonnes / Portraits de Famille / Boris Vian - Les Poissons Morts / Qui est là / L'Arve et L'aume. paperback
1947210501947. Paris Librairie Gallimard 1947. Un vol. au format in-4 333 x 257 mm non paginÂŽ en feuilles sous couverture illustrÂŽe ˆ rabats rempliÂŽs. Edition originale. Tirage unique ˆ 50 exemplaires numÂŽrotÂŽs sur papier pur-fil de Lana seul papier 15 exemplaires hors-commerce. Celui-ci le numÂŽro 59. Il s'agrÂŽmente - ici en premier tirage - de dÂŽlicieuses compositions en couleurs d'Elie Lascaux. ''Natif de Limoges depuis qu'il expose au Salon d'Automne cet artiste bien particulier fut vite remarquÂŽ des amateurs. Ses compositions dÂŽbordent de trouvailles que l'on est tentÂŽ paradoxalement de qualifier de savantes. Ses oeuvres figurent souvent dans les galeries les plus avancÂŽes d'esprit. Scrupuleusement descriptif il ÂŽnumÂre les feuilles les arbres les fenÂtres des maisons ses paysages ne sont pas d'ici ; transfigurant le rÂŽel ils projettent le spectateur dans l'imaginaire dÂŽcor de thމtre ou dÂŽcor d'un rÂve selon le degrÂŽ d'illusions. .''. in BÂŽnÂŽzit. BÂŽnÂŽzit VI Dictionnaire des peintres p. 461. Petite coupe en tÂte du dos. Plats prÂŽsentant un ÂŽclat lÂŽgÂrement altÂŽrÂŽ ainsi qu'une tra”nÂŽe brune au second. Marge supÂŽrieure d'un des feuillets lÂŽgÂrement solarisÂŽe. Un autre prÂŽsente quant ˆ lui de discrÂtes altÂŽrations. Du reste belle condition. Exemplaire non coupÂŽ. b42961 unknown
195489913Paris: Gallimard 1954. Fine. Gallimard Paris 1954 14.2 x 19.5 cm Broché First edition one of 50 copies numbered on pure wove paper the only deluxe issue.A fine copy. Gallimard unknown
1990NN2548Peeters 1990. No ownership marks. Scarce. Robust packaging. Tracking can be added to overseas orders on request. Used books are exempt from USA tariffs. 1st edition. Paperback. Paperback. Near Fine/Fine. 209 i pp. illus. Peeters Paperback
194891074Paris: Gallimard 1948. Fine. Gallimard Paris 1948 12 x 18.8 cm Broché First collected edition one of 13 numbered copies on pur fil paper our copy being one of 3 hors commerce the only copies on deluxe paper.A fine copy. Gallimard unknown
194765561Paris: Gallimard 1947. Fine. Gallimard Paris 1947 25.50 x 33.50 cm broché First illustrated edition with 92 original colour compositions by Elie Lascaux one of 65 numbered copies on pure Lana wove paper deluxe issue. Endpapers slightly shaded minor tears to the spine without loss a pleasant copy. Gallimard unknown
199574075Limoges: Editions Adélie 1995. Fine. Editions Adélie Limoges 1995 22 x 28 cm une feuille dépliante sous chemise et étui cartonnés Rare first edition one of 40 numbered copies on Arches wove paper the only printing. This first edition is printed on the right half of each page in an unbroken single column with the top and bottom margins omitted. The left half from the first to the last page is occupied by the contribution of the painter and graphic artist Jean Cortot in lithography. The work is presented in the publishers board binding each cover made of three laminated layers of corrugated cardboard with the upper cover and spine printed; the slipcase is of the same type. At the end of the volume a small Limoges ceramic in colour composed by Jean Cortot is embedded in the board and protected by a small glass window. A rare and appealing copy. Inscribed dated and signed by Jean Cortot to Nicolas Bocquet. Editions Adélie unknown
195173758Paris: Gallimard 1951. Fine. Gallimard Paris 1951 14.50 x 19 cm broché First edition one of 8 numbered copies on Holland paper ours being one of 3 hors commerce deluxe issue. A pleasant copy. Gallimard unknown
195165467Paris: Gallimard 1951. Fine. Gallimard Paris 1951 14 x 19.50 cm broché First edition one of 13 numbered copies on Hollande paper the tirage de tête. A nice copy. Gallimard unknown
190451117Bruxelles Belgium: Imprimerie Scientifique. As New. 1904. Paperback. FREE UPGRADE to Courier/Priority Shipping Upon Request IN STOCK AND IMMEDIATELY AVAILABLE FOR SHIPMENT - Text block pristine - text in French. The catalogue is divided into 3 parts. Part 1 consists of essays by various experts and men of letters on 18th Century French tapestries art & music women in the pictures of Watteau and Fragonard the 18th Centry French woman and dramatic art and literature in 18th Century France. Part 2 catalogues the 108 paintings works on paper & engravings the 23 sculptures and 23 tapestries included in the exposition with a number of these items illustrated in black and white. Part 3 catalogues the books at glass musical instruments furnishings and other items in the expositions and also includes a number of illustrations. Among the artists represented: Greuze DuPlessis Boucher Tournieres A. Watteau and others. -- with a bonus offer-- . Imprimerie Scientifique paperback
193991760Algiers: Rivages Edmond Charlot 1939. Fine. Rivages Edmond Charlot Algiers 1939 15.2 x 20.5 cm Broché ENGLISH DESCRIPTION ON DEMAND Deuxième numéro de la revue Rivages revue de culture méditerranéenne qui ne comptera que deux numéros publiés en décembre 1938 et février-mars 1939. Poèmes d'Eugenio Montale en langue originale accompagnés de leur traduction par Filippo Donini poèmes de Jean Tardieu extrait de De toutes mes forces de Claude de Fréminville essai d'Emmanuel Roblès sur les Curanderos d'Andalousie. Quelques infimes déchirures marginales petit manque sans gravité sur le dos. Contributions dAlbert Camus Jules Supervielle Emmanuel Roblès Jean Tardieu Gabriel Audisio Federico Garcia Lorca Antonio Machado Eugenio Montale. Rare exemplaire du deuxième numéro de cette éphémère revue créée par Camus avec Gabriel Audisio et Jacques Heurgon qui sera interrompue par la censure. Le jeune écrivain y publie pour la première fois""L'été à Alger"" qui fera partie de Noces. Lorsque Camus lance Rivages sous légide de son éditeur et ancien camarade Edmond Charlot le jeune écrivain avait déjà terminé ses études supérieures fondé le Théâtre du Travail puis celui de lÉquipe milité pour le projet Blum-Viollette afin détendre le droit de vote en Algérie contribué à lAlger Républicain et même dirigé la Maison de la culture dAlger. Avec cette nouvelle revue il appelle au développement dune littérature de la méditerranée dans la splendeur de son unité mais surtout de ses contrastes : « Cest ce scintillement plein de vie que lon retrouve dans des uvres telles que LEnvers et lEndroit ou Noces et même dans certains passages de LÉtranger. » Hélène Rufat À travers et par la Méditerranée : regards sur Albert Camus. Rivages est imprimée assez artisanalement sur les presses de son ami Claude de Fréminville également contributeur de la revue qui venait de créer une imprimerie rue Barbès à Alger. Camus fonde avec lui les éditions CA-FRE Camus-Fréminville et publiera Jean Hytier Léo-Louis Barbès Christian de Gastyne et Blanche Balain. Ce second numéro de Rivages contient en édition pré-originale le célèbre essai camusien ""Lété à Alger"" dédié à Jacques Heurgon qui paraîtra en volume dans Noces également publié chez Charlot. Le troisième et dernier numéro de Rivages consacré à Garcia Lorca ne paraîtra jamais. Les morasses seront saisies et détruites par les autorités qui exerçaient un contrôle des imprimés dès avant la déclaration de guerre. Après la définitive interruption de Rivages Camus étendra son engagement méditerranéen à lEurope tout entière victime des totalitarismes en prenant la tête du journal Combat. Rare exemplaire de ce numéro de revue contenant une des toutes premières productions littéraires de Camus. Rivages [Edmond Charlot] unknown
1943152544Paris: Éditions Pierre Trémois 1943. Inscribed by Marie Laurencin First and limited edition number 515 of 999 copies; this copy inscribed by Marie Laurencin to the poet and dramatist Jean Tardieu at the foot of her illustration on p. 38: "A Jean Tardieu bien sympathiquement Marie Laurencin Janvier 1944". A beautifully produced book particularly so considering wartime conditions. Painter printmaker and stage designer Marie Laurencin 1883-1956 is "known for her delicate portraits of elegant vaguely melancholic women" Britannica. She studied at the Humbert Academy in Paris and after an introduction to Picasso became involved with the avant-garde. Getrude Stein was one of her earliest supporters. She was romantically involved with Apollinaire whose work she here illustrates: a group of poems including "Marie" and "Crépuscule" which is dedicated to her. The recipient Jean Tardieu 1903-1995 published several poetry collections in the 1930s and after the war became a moving force in French radio. A number of his plays were staged and he was linked with the work of the Theatre of the Absurd. "Alone among the playwrights of the avant-garde Tardieu can claim that his work spans the entire gamut of exploration" Esslin p. 227. The publishing house of Pierre Trémois founded in 1922 specialized in illustrated books. The poems for this publication were gathered by Renée Garcia who later co-founded the literary quarterly Cerf-Volant and comprise contributions by among others Mallarmé Jules Laforgue Apollinaire Paul Claudel Jean Cocteau Léon-Paul Fargue Rilke and Paul Valéry. Each poem has an accompanying pochoir frontispiece the illustrators including André Derain Jean Cocteau André Lhote and Hermine David. An online institutional search locates 12 copies worldwide: eight in the US; three in France BnF Bibliothèque Sainte-Genevieve and Bibliothèque Jacques Doucet; Leiden in the Netherlands. Quarto. With 12 pochoir plates. Original red wrappers paper label to front cover. Handsome bespoke solander box by Julie Nadot. Spine of volume sunned light peripheral creasing to wrappers. An excellent largely unopened copy. Martin Esslin The Theatre of the Absurd 2013. unknown