51 résultats
1895001393Paris: Librairie A. Rouquette 1895. First Limited Edition. Half Morocco. Near Fine. One of 100 copies issued on Japon paper with extra suite of illustrated plates on chine paper. 8vo 21 by 14 cm 41 pp not counting the extra suite. With superb vignette color illustrations by Morin depicting characters at a masque described by Vaucaire's witty verse. Many of the characters derive from the Commedia dell'Arte Pantalon Arlequin. The entirety of the production captures the spirit of the Belle Epoque or Fin de Siecle at least as we like to remember it. Complementing the work itself is the spine decoration of masked figures linked by a floreate vine. Some foxing on the chine extra suite leaves. The half morocco leather is sunned. Spine gilt decorations though remain vividly bright. Librairie A. Rouquette unknown
183328365Philadelphia: Published by order of the Association; Printed by Wm. F. Geddes 1833. First edition. Removed. 20 pp. 8vo. John Morin Scott 1789-1858 grandson of the Revolutionary War leader of the same name was a mayor of Philadelphia. Here he argues against disunion and that the South with its smaller population "comparative seclusion from the world and from the assimilation process of constant intercourse with men have given in those states a tone of society less favorable to republican doctrines as we understand them there and more allied to the sentiments belonging to the aristocratic form." It ends with this pleas "Young men without distinction of party beloved sons of our beloved country - she cries to you for union union union." OCLC list a single copy in Easton Area Pub. Lib Pennsylvania. Not in Sabin. Not in NYS Lib 4th July Orations. Not in Univ. Missouri. American Imprints 21111. Published by order of the Association; Printed by Wm. F. Geddes unknown
181920714Le Puy Le Puy-en-Velay & Paris: J.G. GuilhaumeDelaunayGoeury 1819. Fine. J.G. Guilhaume Delaunay Goeury Le Puy Le Puy-en-Velay & Paris 1819 12.50 x 20 cm relié First edition. Half raspberry red calf binding spine with four raised bands richly decorated with gilt and blind typographical motifs light traces of rubbing at head and foot gilt stamp at head of one joint marbled paper boards pastedowns and endpapers corners very lightly bumped marbled edges elegant contemporary binding. On evaporation and odors on the heat specific to animals and plants on refraction and reflection of light on magnetism. Rare and handsome copy almost entirely free from foxing. J.G. GuilhaumeDelaunayGoeury hardcover
18951612230014Charles Scribner's Sons 1895-01-01. Hardcover. Acceptable. Limited ed. 98 of 1030. 68 pages illustrations including portrait plates some color part mounted 44 x 34 cm. Preface by Jules Claretie; with fifteen plates and many text illustrations in five parts. Wear to cover. Fray/tear to top of spine edge. From board splitting. Sold with all faults. Publisher's boards. BM 17: 1028 489 <br> This is an oversized or heavy book which requires additional postage for international delivery outside the US. Charles Scribner's Sons hardcover
1893108480New York: Scribner's 1893. First Edition. Hardcover. Poor. Limited edition of 1030 copies of which this is number 14. 45 cm. Each part is a separate folio 44 x 34 cm portfolio and all are laid into paper-covered cardboard covers. Spine and corners beige cloth. Each part has a colour cover and 12 pages of text with numerous drawings covering a portion of a descriptive artistic excursion through Paris and environs. Part I - In the Monceaux Quarter. Part II - Again the Monceaux Quarter and the Right Bank of the Seine. Part III - Montmarte. Part IV - Missing. Part V - Outside of Paris. The tissue-protected plates with the same dimensions as the parts are laid in at the rear: Photogravures: Dragoons in Campaign Service by E. Detaille; The Young Fishers by Ch. Delort; Study Hour by Boutet de Monvel. Color Plates: A Modern Song by L. Marchetti; The Black Hussar by F. Flameng; The Riverside Inn by F. H. Kaemmerer; Playing Bars by Tofani. India Proofs: Portrait of a Girl by Madelaine Lemaire; On the Seine by A. Lepere; In Malaga by D. Vierge. Heliotype: The Death of Gen. Charette J. Le Blant. Part IV is missing as are four of the fifteen plates. Covers show some soiling and edgewear. Many inside pages are fine and unopened. However some pages have rough edges. <br/><br/>Introduction by Jules Claretie. Scribner's hardcover
188573680Paris : Librairie Illustre - C. Marpn - E. Flammarion 1885. 220x140mm. reliure demi-chagrin. Dos faux-nerfs auteur et titre dors plats papier marbr couverture conserve. Bel exemplaire. 717 Librairie Illustre - C. Marpn - E. Flammarion unknown
189843242Paris: Ch. Delagrave 1898. In-4° 193 pages 90 dessins in et hors-texte de l'auteur. Reliure en 3/4 chagrin rouge titre doré sur le dos couverture conservée tête dorée Bibliophile editions Ch. Delagrave unknown
18985398Paris: Librairie Ch. Delagrave 1898. First edition. A nice copy of this work illustrated throughout with 90 designs by the author. Contemporary half binding with gilt decoration and titles to the spine very Art nouveau in appearance. The leather is somewhat rubbed with a little chipping to the bottom edge of the spine. The marbled boards are clean but rubbed. The original green covers are bound in. The title page page has a red vignette to it. The work is written in four books. Each of these has a full colour title followed by the same reproduced in black and white. The pages are clean but a little darkened. A very nice period work. 198 pages. 26.5cm x 20cm. . Première édition. Bel exemplaire de cet ouvrage illustré tout au long de 90 dessins de l'auteur. Demi-reliure d'époque avec décor doré et titres sur le dos d'apparence très Art nouveau. Le cuir est quelque peu frotté avec un léger écaillage sur le bord inférieur du dos. Les plats marbrés sont propres mais frottés. Les couvertures vertes d'origine sont reliées. La page de titre comporte une vignette rouge. L'ouvrage est divisé en quatre livres. Chacun d'entre eux comporte un titre en couleur suivi du même titre reproduit en noir et blanc. Les pages sont propres mais légèrement noircies. Un très bel ouvrage d'époque. 198 pages. 265 cm x 20 cm. Librairie Ch. Delagrave hardcover
188970438Paris : Ernest Kolb sans date vers 1889. 210x150mm. reliure percaline de lÕditeur. Nom et cachet du possesseur sur la page de garde suprieure. Titre et encadremens dors sur les 2 plats. Titre et filets dors au dos. 730 Ernest Kolb unknown
190025916Paris.: Société d'Editions Littéraires et Artistiques / Librairie Paul Ollendorff. c.1900. Full blue crushed morocco by Dubois with his signature gilt boards ruled in gilt banded spine six compartments with gilt title turn-ins ruled in gilt with fleuron corner tools marbled endpapers original publisher's pictorial wrappers by Morin preserved. Small folio. 328 x 248 mm. Half-title with printed dedication justification verso printed title in red and black with publisher's vignette and Doucet's text illustrated with a total of 48 colour text illustrations and 16 vignettes by Louis Morin after his watercolour designs leaf with 'Table' with head-piece final leaf with achevé d'imprimer and vignette. Louis Morin illustrating Jérôme Doucet.Each of Doucet's 'Pantomimes' features an illustrated title and two leaves with his text and Morin's illustrations; each 'Pentomime' is dedicated to a different 'ami' among whom are the dedicatees 'Pierrot Adolphe Brisson' and 'Pierrot René or Marcel or Jules Baschet.The 'Pantomimes' are the following: 'Le Philtre' 'Clysterium Donare' 'Les Violettes' 'At Home' 'La Croix de Son Père' 'Dalila' 'Le Saule' 'Tes Père et Mère' 'Immanente Justice' 'Meneur de Grève' 'Le Sermon' 'La Pantomime'. Société d'Editions Littéraires et Artistiques / Librairie Paul Ollendorff. hardcover
18956998Paris: L. Conquet 1895. Tall 8vo approx. 10 1/2 x 6 1/4 in. 26.5 x 16 cm 166pp 2pp contents. 100 Copies Only Printed on Japan Vellum this is copy #93 signed by publisher with initials. Beautifully bound by Paul-Romain Raparlier in crushed dark blue morocco with lavish all-over design on both covers framed by double gilt fillets with dotted inner rules and small floral corner tools. On the center field repeating floral motifs with alternating rose and blossom forms form a vertical rectangle all set within a gilt foliate border. Spine with five raised bands gilt compartments and floral inlays; turn-ins decorated with gilt rules floral rolls and corner ornaments. Pale blue silk moirÈ doublures and endpapers. Original wrappers bound in. All edges gilt. Signed ìP. R. Raparlierî at the foot of the front turn-in. Edges of boards strikingly adorned with closely spaced gilt dots. Binder: Paul-Romain Raparlier 1858ñ1900 trained at the .cole des Beaux-Arts and earned a gold medal at the 1892 Exposition Internationale du Livre distinguishing himself for refined painterly surface design rather than heavy architectural tooling. His signed bindings from the fin-de-siËcle period are prized for their disciplined ornament subtle color inlay and precise finishing placing him among the more accomplished Parisian decorative binders of the 1890s. A very attractive binding. In fine condition. L. Conquet unknown
190078907Paris : Socit dÕEditions Littraires et Artistiques Librairie Ollendorff 1900. 190x120mm. illustr broch couverture rempli. 199 Socit dÕEditions Littraires et Artistiques, Librairie Ollendorff unknown
189100007755Paris: Librairie L. Conquet 1891. First edition. Hardcover. Near Fine. 12mo. 10 1-51 9 pp. Full contemoprary red morocco with gold borders on each board spine with gold tooling gold-tooled borders around the red-silk doublures; top edge gilt. Red silk floral endpapers. Bound by the well-known French artisan and bookbinder Leon Gruel. With a light blue silk ribbon bookmark bound in. Vignette title page in color along with a frontispiece and eleven plates and numerous decorations all by the author. This is the publisher's presentation issue on vellum signed by publisher and bookseller Leon Conquet with his indication that this copy is for Monsieur Legrand. This almost certainly was the well-known French illustrator Louis Legrand. Legrand moved to Paris in 1884 and began studying printmaking with the Belgian artist Felicien Rops who was under exclusive contract to Conquet from 1883 to 1885. Conquet's bookshop in Paris was a kind of salon for Parisian bibliophiles and illustrators and Conquet Rops Morin and Legrand would have been well-acquainted by the time of this book's publication in 1891. Although there are no other ownership markings the foregoing and Conquet's eschewal of using initials or a first name to identify the intended recipient suggests that there was only one person named Legrand who could be the intended recipient of a presentation copy of this book Louis Legrand himself See W. Z. Silverman The New Bibliopolis for illuminating discussion of each of these individuals and the Parisian book world during this era. A beautiful copy of this wonderful confluence of associations in the world of late nineteenth-century French book arts and illustration. A Near Fine book with offsetting from the bound in bookmark on pages 22 - 23 where it presumably laid for many years and a faint dampspot on the endpapers. Librairie L. Conquet hardcover
18913453Paris: Librairie L. Conquet 1891. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. Contemporary citron morocco by Bretault sides elaborately gilt spine in six compartments lettered on one raised bands gilt turn-ins satin endpapers with embroidered roses a.e.g. Front joint repaired. First edition presentation issue on vellum paper signed by the publisher. Hand-tinted title page 12 drypoint plates and 20 ornaments by the author. 51 3 pp. 1 vols. 12mo. With a charming original watercolor and pen and ink drawing of 9 characters from the book by the author/artist on the recto of the half-title inscribed beneath: "à mon ami Pelletan Louis Morin Librairie L. Conquet unknown
189547711Paris.: Librairie A. Roquette. 1895. Original publisher's printed wrappers with colour pictorial title by Louis Morin to front cover. 8vo. 210 x 140 mm. Half-title with justification verso printed title in red and black with publisher's vignette and Vaucaire's verse illustrated throughout with vignettes and caricatures by Louis Morin each with pochoir colour final leaf with achevé d'imprimer; also with the additional suite of the illustrations on Chine in monochrome. From the edition limited to 100 numbered copies on Japon Impérial this copy with an additional suite of the illustrations on Chine in monochrome.Printed at Evreux by Charles Hérissey. Librairie A. Roquette. unknown
1900BIBLIO-48864Imprimerie et Lithographie Paul Nouel Troyes first edition 1900. Later cloth 8vo original printed wrappers bound in 25 cm. 306 pp. From the introduction: "Le présent travail peut être envisagé sous deux faces distinctes. Il offre d'une part un exposé succinct mais à peu près complet de la situation de l'art typographique en France depuis son introduction ; d'autre part il est un tableau non moins fidèle du fonctionnement d'une corporation de métier. Nous avons fait le possible pour que sous ces deux points de vue notre uvre fût aussi satisfaisante que le permettent les documents recueillis et nous avons l'espoir de n'être pas resté trop au-dessous de cette tâche. " Contents include: Preambule. Bibliographie de l'Industrie du Livre a Troyes. Les Origines : I. Les Manuscrits; II Débuts de l'imprimerie à Troyes. L'Association Corporative: I. Le Métier; II La Confrérie; III. La Communauté La Chambre syndicale. La Hierarchie Corporatives: I. L'Apprentissage; II. Les Compagnons les Alloués; III. La Maîtrise; 1° De l'origine à 1704; 2° De 1704 à 1791. Les Imprimeurs Officiels : I. L'Imprimeur du Roi ; II L'Imprimeur de la Ville; III. L'Imprimeur du Collège; IV. L'Imprimeur de l'Évêque ou du Clergé; Permissions et Privileges d'imprimer; La Police des Livres; En Tente Professionnelle; Les Industries. Annexes : I. Écrivains Copistes Régleurs Enlumineurs Libraires Relieurs Dominotiers. II Imprimeurs en taille douce Graveurs. III. Libraires forains Colporteurs Marchands Merciers. A Presentation Copy inscribed and signed by the author on the half-title to M. Edouard Pelay booklabel of the bibliophile A R A Hobson on front pastedown endpaper covers slightly rubbed wrappers slightly frayed edgeworn contents agetoned otherwise a Good partly unopened copy. Imprimerie et Lithographie Paul Nouel, Troyes, first edition, 1900 hardcover
183526419PARIS: Imprimerie de Laguerre 1835. Segunda edición.- 8º.- Media piel de época con puntas lomera con nervios en seco texto y florones dorados.- 3 hojas.- 372 páginas.- 36 páginas. De la Enciclopedia Roret. Imprimerie de Laguerre unknown
185038640Paris Rennes: Desorby Magdeleine & Cie. resp. Vannier 1850. 19th century halfvellum with vellum cornerpieces marbled covers. iv120 pp. paper sl. browned some spots; convent-stamps on title. - Rare. "Une méthode simple qui permet de trouver pour une année quelconque le premier jour de janvier la nouvelle et la pleine lune le jour de Paques etc" Desorby, Magdeleine & Cie., resp. Vannier hardcover
183752650Paris Leneveau 1837. Contemp. half calf. Gilt spine with gilt lettering. A paperlabel pasted on upper part of spine. Stamps on title-page. 4VIII3304 pp. <br/><br/><em>Klaus Jordan 2608. - Poggendorff II 207. </em> unknown
184152698Kjøbenhavn Reitzel 1841. Samtidigt hldrbd. med rygforgyldning. papirsetiket påsat øverst på ryg. Stempler på titelbladet. XII3551 pp. tekstillustrationer. <br/><br/><em>Første danske udgave. </em> unknown
183845274Karlsruhe Christian Theodor Groos 1838. Contemp. hcalf. Gilt spine. Fronthinge weakening but holding. VIII233 pp. a. 58 textillustrations.Internally clean. unknown
184248795Paris : A. Durand 1842. 240x160mm. VIII - reliure demi-basane. rousseurs marginales. Plats papier marbr. Titre dor au dos. Plats frotts 1060 A. Durand unknown
1860013215D. Appleton and Company New York 1860. Edition Unstated. Hardcover. Very Good Condition/No Dust Jacket. Size: Octavo standard book size. Text body is clean and free from previous owner annotation underlining and highlighting. Binding is tight covers and spine fully intact. Previous owner's name in ink on front paste-down and title page. Gilt-stamped brown cloth over boards xiii 447 pages illustrated in black and white. Corners and spine ends bumped and lightly worn rear cover toned/sunned foxing on first and last few pages some offsetting of text. Quantity Available: 1. Shipped Weight: 3 lbs 2 oz. Category: Engineering Industrial Trade; Pictures of this item not already displayed here available upon request. Inventory No: 013215. . D. Appleton and Company hardcover
1872345935Paris: Armand Le Chevalier 1872. First Edition. Hardcover. Good. 8vo 8" - 9" tall. Scarcely available to the trade in this condition and state being a perfectly serviceable reference copy; nothing fancy but complete and sturdy. Very rare first edition of an occult book. Bound in half-leather and marbled paper over boards bumping to and scuffing of extremities rubbing of leather spine though gilt lettered title is still prominent. French language text. 476 pp. including Table of Contents. Soiling to foxing of endpapers torn final endpaper though chip is present. Age-toned text-block but clean tightly bound and unmarked. Errata page bound in.Member I.O.B.A. C.B.A. and adherent to the highest ethical standards. Additional postage may be required for oversize or especially heavy volumes and for sets. Armand Le Chevalier hardcover
187238072Paris: Armand Le Chevalier 1872. Large 8vo 235x15 cm. Contemporary half cloth spine gilt with title-label uncut. Original wrappers sl. soiled preserved. Armand Le Chevalier hardcover
